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Film Emulation Workflows in Resolve
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- เผยแพร่เมื่อ 3 ต.ค. 2023
- In this video, we finally take a look at the popular film emulation plugin, Dehancer. Let's compare it to CinePrint 16 and FilmUnlimited to find out where each workflow shines.
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Dehancer: www.dehancer.com/
CinePrint 16: www.tombolles....
FilmUnlimited: juanmelara.com...
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#colorgrading #cinematography #filmmaking #dehancer #cineprint16 #filmunlimited
one thing that I love about cineprint is the distinct characteristic on handling green. It gives a feels of pastel and painting look.
Wow, this made me more aware of the film emulation offerings that are available and how they could be used in a real workflow. Thank you!
That’s the idea! Thanks for watching :)
Carter, thanks for such a comprehensive review! Awesome results 😃
Hey Carter, just a head up...if you select "custom" under the film grain dropdown you can manually adjust the parameters (including "amount"). Saves you adding another parallel node just for grain again :-)
@@tyvanharenI just realized this as well, thanks for letting me know!!
Great video Carter! We sprinkle Dehancer on all our footage and learned something new from your workflow. Thank you for sharing your craft with the world.
Glad to hear that! Thanks for checking it out
Nice, informative stuff! Really interesting to see the comparisons! 🔥
Amazing video, really thorough and consise!
Question, would you be willing to share your footage for testing purposes? I would love to try out some looks and come back to the video to compare them all uniformly.
Once again, great job, full speed ahead! :)
Whoa! He’s back! With a comparison to boot!!!!
I sent you an email to see if I can pay you to help me with a color grading session! - Geoff
awesome video ! I would love to hear your take on film unlimited , i've been using for tha past couple years on a lot of projects, and I also share the same feeling about the grain and halation, so i got interested on seeing your point of view in the whole powergrade !
Film Unlimited is taylored to the Alexa. If you don’t use original LogC footage, you need a precise color conversion made for your specific camera, like the ones made by Juan himself or Emotive Color. If you’re using the Komodo, you should get Juan’s Komodo2Alexa powergrade and insert it at the beginning of the FilmUnlimited powergrade. Using the CST to convert to LogC won’t give you the proper colors (and there’s a BIG difference in accuracy, trust me).
Thanks for the advice. I do recognize that using Jaun's Komodo2Alexa Powergrade is the preferred method. But to quote directly from the Film Unlimited video guide, "“The Powergrade includes a CST as the first node. This can be used to do the camera conversion. In the CST match the input gamma to your camera’s gamma, leave the output gamma as is… whether you also convert color space depends on the camera.”
For my purposes, this workflow has worked well, but I do plan to test the workflow you suggested here in the future. Cheers!
@@cknopik Yes, Juan say that you "can" use it with a CST if you can’t precisely convert the input, but he strongly recommend using a proper conversion when possible. I’m personnaly using Emotive Color, and it makes a huge difference compared to CST. Give it a try, you won’t regret it ;)
why do you prefer the emotive compared to Juan's? @@davidmultimedia2024
Cool thanks for this!
good video thank you for making it
Really Nice ! Which Lut did you use for your face-cam shot please ? Keep it up !
Great Video! How do you like the fellow opus? I'm looking into getting one for pour overs!
Yah it’s been great! I was holding out for the white one haha
Come on, Carter. Tell us your favorite. We know you have one.
this guy fuckin rips!!
!!!
Thank you for the video! However, I clearly see that Dehanсer simply kills the color green! All plants, grass, tree foliage turn yellow. And this ruins the entire video processing.
any solution?
@@dzikraekaprobably going through hue vs hue in davinci.
Please take off that nose ring