is this an actually unique “film look”?

แชร์
ฝัง
  • เผยแพร่เมื่อ 24 พ.ย. 2024

ความคิดเห็น • 39

  • @onoratomedia
    @onoratomedia 2 หลายเดือนก่อน +17

    I’ve found that disabling the luminance node in the negative compound node helps eliminate chroma noise and harsh banding. I think some of this issue arises from the fact that Tom is emulating stocks using native davinci tools like the color warper. It may be worth it replicate what he’s doing utilizing tetra or another DCTL with better math backing it.

    • @hikkub
      @hikkub 2 หลายเดือนก่อน +3

      Literally just did this last night after seeing terrible chroma issues.

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน +1

      Definitely going to look into this because I haven’t experienced the issue I ran into in the video till I was literally recording but decided to leave it in cause I wanna keep it real!

    • @mingshui01
      @mingshui01 2 หลายเดือนก่อน

      can you explain which specific node you're referring to? new to davinci and trying to figure this out. thanks!

    • @hikkub
      @hikkub 2 หลายเดือนก่อน +2

      @@mingshui01 in the film stocks color tab (i.e. "500T Color") there's another compound node called "Negative". That's split into a few different. You can toggle them on and off to see what they're doing. The most destructive of which is the one labeled "L". I imagine, for luminousity as it alters, what seems to me to be, the yellow and red channels especially. Anyways, turn that off and the image cleans up a bit. You could replicate what this node is doing with a DCTL, but I haven't found a free one that can replicate the effect in a controllable way to broaden the selection area. The real issue here is the use of color warper which is inherently too selective. Do I like what the "L" node does in terms of color, sure, but it's not worth it breaking the image. You could try to substitute it with color slice as well, but, once again, that doesn't allow you to broaden the selection like Mononodes does. Most of the built in Davinci tools are too narrow for practical use.

    • @onoratomedia
      @onoratomedia 2 หลายเดือนก่อน

      @@hikkub this is exactly it! I’ve been loving Iridescent Color’s Iris Pro bundle. It’s designed for macro look development and has three seperate dctls for hue, sat, and lum adjustments that span from dynamic, to standard, and then surgical widths. A lot cheaper than mononodes too! Tetra also is a really solid tool.

  • @ekphotography
    @ekphotography 2 หลายเดือนก่อน +2

    It is one of my favorites hands down!! Even just the LUT's I use in FCPX sometimes for quick color is amazing!!!

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน

      Heck yeah! It’s so freakin solid!

  • @KombatFlix
    @KombatFlix หลายเดือนก่อน

    Bro can you go over how you graded your shots speaking to camera? Looks bomb af!!

  • @luispaniagua23
    @luispaniagua23 2 หลายเดือนก่อน +1

    Very helpful tutorial! Thank you bro.

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน

      Yooo thanks so much for watching! Really appreciate it!

  • @HasyirIbrahim
    @HasyirIbrahim 2 หลายเดือนก่อน +5

    FINALLY! This helped tremendously. Also, its so cool that you recorded with the X-S20! Because I have both the XH2S and the XS20.
    One question - why use the ARRI powergrade instead of the FLOG2 one from Tom? Any differences you noticed or its more of a workflow habit thing?
    KEEP THESE VIDEOS COMING!

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน +1

      Thanks a ton bro! And honestly I feel like the Arri image is the peak quality when it comes to cinema cameras so I like to start from that point as much as I can!

  • @nativestrong7253
    @nativestrong7253 2 หลายเดือนก่อน +2

    It isnt a simple copy and paste LUT. It is a powergrade that requires tweaking for individual clip.

  • @VinGraceFTW
    @VinGraceFTW 2 หลายเดือนก่อน

    I LOVE JOAN!!! Great video too

  • @reedus3m
    @reedus3m หลายเดือนก่อน

    hey do you mind going a bit more in depth on how to make changes on the threshold node in the halation compound node in cineprint35 on you next vid or something if possible? I want a little more control of that when grading but nothing seems like it's changing whenever I go in to the compound node and try to make tweaks.

  • @andriibudim
    @andriibudim 2 หลายเดือนก่อน +2

    nice tutorial. But actually how do you find it compared to cineprint 16 in terms of looks?

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน +1

      I think it feels more refined but is especially good and I’d say better when you use the 160T stock

  • @Mat.arantes
    @Mat.arantes 2 หลายเดือนก่อน +2

    incredible, but it's sad that it's so inaccessible in some countries because of the price :/

    • @edwardcrockett
      @edwardcrockett  2 หลายเดือนก่อน +1

      Oh dang what’s the international price look like?

    • @Mat.arantes
      @Mat.arantes 2 หลายเดือนก่อน +1

      @@edwardcrockett I live in Brazil and it's like the price of a week's worth of food, it's not impossible to buy, but it's still expensive for me

  • @Lv01art
    @Lv01art หลายเดือนก่อน

    I think this powergrade is a bit too heavy on the saturation for the reds.

  • @GhettoFabulousFILMS
    @GhettoFabulousFILMS 2 หลายเดือนก่อน

    How can I get the Alexa luts mate. I'm using xs20 too

  • @YesItsLu
    @YesItsLu 2 หลายเดือนก่อน

    I film currently on my DJI osmo pocket 3 in log. You think it’s worth getting this ?

    • @IDigrxss
      @IDigrxss หลายเดือนก่อน

      Yes but dlog-m doesn’t have a cst profile. You might have to convert it to another colorspace beforehand record it in hlg instead of log.

    • @YesItsLu
      @YesItsLu หลายเดือนก่อน

      @@IDigrxss damn no shooting in log huh

    • @IDigrxss
      @IDigrxss หลายเดือนก่อน +1

      Not in Dlog-m. Davinci doesn’t have a CST preset for it yet. You are converting it anyway. They do have one for hlg

    • @YesItsLu
      @YesItsLu หลายเดือนก่อน

      @@IDigrxss what if I shoot in dlog m and use a lut to convert

    • @IDigrxss
      @IDigrxss หลายเดือนก่อน +1

      @@YesItsLu I haven’t had very good results with it tbh.

  • @Doeathlete
    @Doeathlete หลายเดือนก่อน

    I have a Sony ZV-1, trying to film log and then colour grading with cineprint16 just looks poor, not sure if it’s just the camera or settings I’m missing ?

    • @DIRECTEDBYH
      @DIRECTEDBYH 24 วันที่ผ่านมา

      maybe there is a better setting, I am not sure which settings there are on the ZV-1 but make sure you use 10 bit at least and the format with the most amount of data (usually it says how many mbps it needs on a card to write)

  • @departament.wizualny
    @departament.wizualny หลายเดือนก่อน

    Did you grade this video where you talking using this cineprint?

    • @KombatFlix
      @KombatFlix หลายเดือนก่อน

      Man like fr! I was looking at his setup and grade talking to camera, so awesome! Looks amazing, need a tutorial just on that lol.

  • @Luis-nb2gu
    @Luis-nb2gu หลายเดือนก่อน +1

    this aspect ratio does not work for this type of content ngl

    • @raulonyett1386
      @raulonyett1386 6 วันที่ผ่านมา

      Go breastfeed your children