Bebop Jazz Guitar for Beginners
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- เผยแพร่เมื่อ 2 ต.ค. 2024
- Bebop Jazz Guitar for Beginners
There are many ways of playing a solo over a chord progression. BUT if you want to play bebop lines and get that really "jazzy" sound, your lines will have to reflect the chords that are being played. In today´s video i´ll show you a simple but effective way for outlining chords in your improvisation.
Get the PDF that goes with this video ( it includes all the graphics from the video)
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Dear people! if you want to check out, even more, tips about improvising check out my Patreon page. there is a new video every week and you can get access to all my PDF's.
/ tinaguitar
i also have a shop with a lot of PDFs!
allthethingsgu...
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www.tinajaecke...
.. if you want to check out, even more tips about improvising check out my Patreon page. there is a new video every week and you can get access to all my PDF's.
/ tinaguitar
i also have a shop with a lot of PDFs!
allthethingsgu...
⇩MORE OF ME⇩
SOCIALS:
● facebook: / tina.jckel
● instagram : / tinajckel
EMAIL: For business inquiries only plz tinajaeckel@tinajaeckel.com
★ Sign up for my newsletter: allthethingsguitar.com
★ Find all the downloads and much more:www.tinajaecke...
Beautiful notes great teacher
thank you!
Thanks to think of player of all levels !
my pleasure 😊
Another great lesson. Doable- usable.
thank you Jesse!
Very helpful. Thank you very much!!!
thank you for watching my video!
Hi Dear Tina,
I ' have written songs and composed some exercises for music films screen play, when I ' ve received your nice mail.
Pleased to meet you.and it'.s always a pleasure to e mail You lll
Kids from France, bye Tina.
With courtesy
Hervé Thé Gentleman Perforer
all the best to you too!
The intense way you look at the camera reminds me of my German teacher explaining grammar to me (in spite of her joyfull endurance without much succes I’m afraid). 😂
hahahah!! i know i have quite the accent 🤪
Hi Tina.
I have an eclectic taste, and I love fine and subtile guitar player s such as Larry Carlton, John Scofield, Scott Henderson, Robert Cray, Mark Knopfler, Robben Ford, George Benson, Lee Ritenour, Steve Lukather, Carl Verheyen and many more ...
With coutesy, kiss.
Hervé from France.
Stay tuned, bye.
See You soon.
Thé Gentleman Performer.
Hi Tina
Thaks a lot, You inspired me a short peace romantic mélody for my quartet strings.
I ve titl'ed ROMANCE FOR TINA simply lll
With courtesy. Hervé from France.
Thé Gentleman Performer.
Kiss..
Kis
What guitar are you playing?
Such a clear explanation! Thank you!
your welcome!
You are a great musician and kind, I'm sure you are a very good-natured, good soul, ..... Thank you for this video lesson.
your welcome and thank you for watching my videos!
🎉
Hello Tina.
I really like the topic and the presentation style. Very informative and entertaining!
Thanks.
Mario from 🇨🇦
thank you!
Thank you. What a effective lesson🥳 Greatings from norway
thank you! best wishes from berlin!
Do you conduct online classes?
yes check out my website-
allthethingsguitar.com 😀
👌👌👌👌👌👌👌👌👌👌👌👌👌❤❤❤❤❤❤
Excellent lesson. Greatly appreciate this
thank you!
Oh I recognise that Joe Pass etude .. learned it myself about a year ago
yes ! it has been one of the first things i learned many years ago! and i still remember how i couldn’t understand how anybody could play like this or what he is playing in general 😅
Thank You:)
my pleasure!
Beautiful lesson. Thank You! Have to use my looper!
thank you
Thanks as always
Great lesson! Thank you, Tina!
your welcome!
🤯
Thanks!
thank you!
Excellent!
Many thanks!
your vids are good but you maybe want to publish the full segments. clipping info is frustrating to some audiences. hollywood film editing, in my opinion, has no place in instruction videos. all or nothing. so if the info is restricted i vote nothing.
My question is that for all the sophistication of modern jazz guitar how is that people like Charlie Christian and Django were doing what they did without deliberate academic study? It seems like there's a kind of, "organic non-academic" jazz that's been left by the wayside which cross-sects the 40s Blues scene. I remember an interview with Hubert Sumlin (Howlin' Wolf's guitarist) where he talks about rubbing shoulders with Christian and other bop cats but it seems like the current academic thing exists partially just to turn jazz into a white bourgeois, polite form of art and it leaves the real cultural and structural development of Jazz in the oral culture.
Thank god I can still speak!
i think Charlie Christian and Django where geniuses ( also i don‘t like the word) and are very special musicians that bloomed in a special musical/cultural area. if berklee would have existed then they still would be great and the mere mortals still would be the mere mortals ( hope my english is good enough for my point to come across).
that being said i really think that jazz has become some white supremacy stuff i guess and that’s sad and i wish the jazz scene would be way much more diverse
hope i answered your question
@@tinajackelUltimately I'm wondering where the bohemianism went. There aren't thrivent little jazz cafes in Paris anymore and we certainly aren't seeing the next generation of Baldwins making exodi' to the the expansive cosmopolita to escape systemic racism. In terms of pedagogy it seems like music might have been something where-in institutional gatekeeping wouldn't be locking out the young hip cats before the war. New Orleans might be an exception to this but of course it is, it's New Orleans.
The Beats thought of Jazz as their natural art form and they saw the rock n' roll boom as kid's stuff. I'm interested in exploring this. Every generation has this weird sentiment like it invented taking drugs; the 1960s most prolifically and it's around this time that the kid's stuff inherits the popular world thanks to the Stones and the Fab. Rhetorically I'm wondering how much of Charlie and Django lives on Exile on Main Street in a, "guru parampara" sense.
There's something dangerously sick about someone that can dynamically reharmonzie three part horn arrangements to the Bach chorale rules but can't write a ABAA song. We rarely ask, "what Gerswhin actually doing when he physically sat down and wrote Changes? What about Rhapsody? Is improvising just, "loose songwriting in real-time?" Was something critical lost with Tin Pan Alley? I think the real fear is that we might not ever know. Culture isn't like a body-- maybe its heart failed a long time ago and we hadn't realized it yet.
@@tinajackel Also thank you very much for replying. Tina. All the best.