This is to me the best interpretation of this concerto! He makes it sound like an opera. I can hear different characters and the conversations they are having. Thank you!
@@stepantseytlin7726 I'm sure Mozart did a time jump and stole this theme from Grieg :-) It's so crazy, for after 2 min of this theme it's totally back to the Mozart we know so well..
Great!!! Bravo!!! Decided today to listen to big shots playing this concert. David Oistrakh, Yasha Heifetz, Isaac Stern, Gidon Kremer (interesting interpretation), Yehudi Menuchin (awful - I dont understand how he was held to such a high esteem - probably just had a good character - it helps :)). I was not satisfied with any and after all, saw this new name and decided to listen. To me, it is the best Mozart 5th I heard - very clean and done with a good taste! Also his instrument is exceptional - the sound is magical - I checked it out - he plays a 1741 Guarneri del Gesu that once belonged to Kreisler. I am wondering if this is the same instrument Kreisler played while recording double Bach concert together with Tzimbalist. It was my favorite recording of this concert and the sound of Kreisler's instrument played a major role in it.
You clearly haven't listened to the young Menuhin. There hasn't been more expressive and touching romantic playing on the violin. Never heard better. Check the 2nd movement of his schumann concerto. Second best in that piece would Szeryng I believe. But Menuhin was a God.
Mozart's epic elegance violin music... The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname "Turkish", was written by Wolfgang Amadeus Mozart in 1775 (aged at 19); and premiering during the Christmas season that year in Salzburg (home town). It follows the typical fast-slow-fast musical structure. Mozart composed the majority of his concertos for string instruments from 1773 to 1779, but it is unknown for whom, or for what occasion, he wrote them. Similarly, the dating of these works is unclear. Wikipedia
"Epische Ekeganz" - diesem sehr zutreffenden Begriff wird die neueste Version von Hilary Hahn mit Marin Alsop (Sept. 2021) auf besondere Weise gerecht.
Unfortunately the conductor does not know the tempo which Znaider wants in the first movement (compare the tempo in the exposition by the orchestra and the soloist's tempo after the adagio bars! It is not written in alla breve, Mr Salemkour, but it sounds like it...) Generally he brings nervousness into the performance while Znaider does the opposite. A most enjoyable violin sound and (apart from some questionable glissando) a great interpretation by Znaider.
I don't know... frank Peter zimmermans felt so fluent and free. This one gets slowed down a lot and he doesn't finish the vibratos a lot and some of the techniques he uses sound so weird like how he cuts a long note short. But still talented
How would you know, you have to hit an open string. Any soloist uses the 4th finger in 1st position. And he didn't play an open G. So...your absolutely wrong.
This is to me the best interpretation of this concerto! He makes it sound like an opera. I can hear different characters and the conversations they are having. Thank you!
This is incredibly well performed by Szeps Znaider. He is outstanding and the violin just perfect technically and emotionally. Bravo!
I'm amazed at the control he has over his instrument.
I must say that I like the cadenzas. They seem to fit seamlessly within the music.
amazing. especially love the flawless hand off to the orchestra after the marvelous cadenza in mov. 1
Lovely! Thanks Mozart for all your music
You're a great genius.
Congratulations performance,
It was a pleasure to hear you concert
Bravo bravo
Magnifique interprétation.
Bravo monsieur !
Awesome. My favorite Cadenzas to this piece by far!
16:08 is when I get goosebumps, such an amazing piece of music
it's 15:30 for me :)
Exactly
좋은 연주 잘 들었습니다. 고맙습니다.^^
Love the cadenza! Bravo! Greetings from Davao City! ☺️👏🇵🇭
That's a beautiful concert hall.
Моцарт вечен!!!!!
0:16:31 the top of Adagio goosebumps
26:12 is where the fun starts!
Anyone else thinks of Grieg here? :-)
It's very Mozart-like
Grieg loved Mozart's music and it was very likely to impact him
@@stepantseytlin7726 I'm sure Mozart did a time jump and stole this theme from Grieg :-) It's so crazy, for after 2 min of this theme it's totally back to the Mozart we know so well..
I love this cadenza as a essence of the piece - 19:54
Do you know who wrote it??
Mozart is the ultimate one.
i watched Nicolaj Znaider playing Tchaikovsky concert on Stradivarius in Amsterdam, he just hypnotised me!Thank you for this video!
Dianagendova u stink and poop
I LOVEEED THE CADENZA SO MUCH
Where is it? Pls give me the time slotttt
Gracias ❤😊❤😊
Bravo
Great!!! Bravo!!! Decided today to listen to big shots playing this concert. David Oistrakh, Yasha Heifetz, Isaac Stern, Gidon Kremer (interesting interpretation), Yehudi Menuchin (awful - I dont understand how he was held to such a high esteem - probably just had a good character - it helps :)). I was not satisfied with any and after all, saw this new name and decided to listen. To me, it is the best Mozart 5th I heard - very clean and done with a good taste! Also his instrument is exceptional - the sound is magical - I checked it out - he plays a 1741 Guarneri del Gesu that once belonged to Kreisler. I am wondering if this is the same instrument Kreisler played while recording double Bach concert together with Tzimbalist. It was my favorite recording of this concert and the sound of Kreisler's instrument played a major role in it.
You clearly haven't listened to the young Menuhin. There hasn't been more expressive and touching romantic playing on the violin. Never heard better. Check the 2nd movement of his schumann concerto. Second best in that piece would Szeryng I believe. But Menuhin was a God.
perfect. great tone!!!!
Perfect. interpretation!
Solo starts at 1:57
John Williams behind?
tipical Mozart - brightly, glad, brilliant
Thank you for the upload!
Félicitations à la belle violoniste de présentation.
Bravo!!! super performance!!!
Много красиво!
Very nice!!!
Strange that his bow contact point is all over the place. I mean he gets a beautiful sound, so I guess that's not a big problem
Constantly varying contact point is exactly what great players do... among other things...
Its to create different tones, he is clearly intentionally shifting positions, and not doing it as an amateur
Mozart's epic elegance violin music...
The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname "Turkish", was written by Wolfgang Amadeus Mozart in 1775 (aged at 19); and premiering during the Christmas season that year in Salzburg (home town). It follows the typical fast-slow-fast musical structure. Mozart composed the majority of his concertos for string instruments from 1773 to 1779, but it is unknown for whom, or for what occasion, he wrote them. Similarly, the dating of these works is unclear. Wikipedia
"Epische Ekeganz" - diesem sehr zutreffenden Begriff wird die neueste Version von Hilary Hahn mit Marin Alsop (Sept. 2021) auf besondere Weise gerecht.
Unfortunately the conductor does not know the tempo which Znaider wants in the first movement (compare the tempo in the exposition by the orchestra and the soloist's tempo after the adagio bars! It is not written in alla breve, Mr Salemkour, but it sounds like it...) Generally he brings nervousness into the performance while Znaider does the opposite. A most enjoyable violin sound and (apart from some questionable glissando) a great interpretation by Znaider.
*portamento...
'😊😊😊😊😅😮😢😂
Yes, all opera and dance.I imagine a ballet with digures of the commedia del arte.
听了，顺心! 舒心!
Bravo 😄👍❤👏
who wrote the cadenza?? its amazing!!!
28:47-28:48 those four notes are unbelievable
It is a wonderful performance except for those downward slides/glissandos. They stick out like a sore thumb.
great performance... cadenza by?
lol the guy in the background at 9:40 is so funny
Looks like he is not convinced by the cadenza. It "must" be Joachim's :-)
Does Someone know the cadence of the first movement? Thanks
No human wrote that, and you can hardly be one to play it that well.
真棒👍👏👏👍❤️❤️😭😭🥰🥰
Génial 🎻💖🎼
👍👍👍
I don't know... frank Peter zimmermans felt so fluent and free. This one gets slowed down a lot and he doesn't finish the vibratos a lot and some of the techniques he uses sound so weird like how he cuts a long note short. But still talented
Ele toca com uma calma que nem parece que é o terror esse concerto haha
poop
👌🏻😂
un chant de mélodie,admiration profonde
5:17
Türk Konçertosu
Che violinista straordinario!!!
16:22 when time stands still
Theon Greyjoy on cello.
how tall
26:12
delicated...
27:35
26:40 col legno😊
does anyone know what kind of chin rest he is using?
Probably a custom made chinrest. His violin is the Ex-Kreisler Guarneri del Gesu from 1741, once owned and played by Fritz Kreisler.
Wolf may be
Nikolajs tone er udsøgt.
soy el único español a qui
Yo también!
he is so tall.....
Molto aspro!!
the violin looks like toy. but he is amazing.
ף
9:40 that man in the background looks so annoyed.
a string is out of tune
How would you know, you have to hit an open string. Any soloist uses the 4th finger in 1st position. And he didn't play an open G. So...your absolutely wrong.
He said A string... and there are plenty of open As...
Better than Zimmerman, I think
The violin doesn't suit him, his hands are too thick for the Instrument. The Cello or the Viola would be best suited for Mr Znaider.
He still plays it better than you
Say it to Perlman lol
Bravo
3:50