Yvonne was a great genius; thank you for sharing this marvelous, historic performance. Two of my ongoing study pieces are represented here -- works by Messrs. Ravel, and Albéniz.
Yvonne Loriot, élève devenue l'épouse d'Olivier Messiaen, était une excellente interprète de la musique de son mari, en particulier dans ses œuvres pour ondes Martenot ...
S'il est permis de rectifier un détail, Yvonne Loriod n'a pas jouée les ondes Martenot ; c'était sa sœur Jeanne. Elle était pianiste, bien qu'elle sache jouer des ondes (de manière non professionnelle) et un ondiste japonais lui a appris à jouer les ondes Martenot de la Turangalîla-Symphonie dans les années 1960. Elle ne l'a jamais joué publiquement et s'en est plutôt tenue à son vrai point fort (le piano).
part 1: This broadcast is extraordinary, casting the stars Yvonne Loriod and her husband Olivier Meesaien probably the most famous composer alive. We’ll get to listen to them as much as to know them better spending an entire hour with a musician couple. We deliver them to you with improvisation in the truth of live broadcast. You can see them, they sit, chit chat like you and me, sign autographs, make themselves up, they’re like a fish in water. YL will refer to the latest work from her husband: la Transfiguration, she’s been for years his disciple, performer before marrying him. She plays the best his music that is clear and easy to her opinion: they work together, discuss the works in progress, talk about their students from the conservatory: she for piano, he, composition. They consider their favorite birds, as OM is an expert in ornithology, and here we are climbing on the jumbwagon with them, on the wind: YL. : “the 12 Iberia, he(Olivier M?) had made a prodigious analysis of them, there were the Mozert’s concertos, and HE made me work on the Iberias, I did not play them before his class.”. Bernard Gavoty: ‘’Is he able to play them as a pianist?’’. YL. : Oh yes! All he’s analyzing is being played by him.”. BG. : “I know he’s a very good pianist but he’s denying it when we talk to him…”. YL. : “he played the opus 106 before analysing it, he plays The Rite of Spring with 2 hands. BG. : ‘’unbelievable!’’ YL. :”The opus 106, he played all, magnicifently, he reads it one day and plays it the next one.”. BG.: “Incredible! Impossible to imagine!Let’s try to explain to the public what was Messaien’s huge contribution to the piano repertuory., not musical but pianistical repertuory!. It’s really a completely new element”. YL. : ‘’I ‘ve written an article about this. There are at least 7 different techniques: First, he brought the high register in the low part He brought his rhythmic canons as in [3:18 she plays]., dans le Regard des Anges. He brought amazing things as pivoting around the thumb, it’s fun to watch, and when you read it first, you ask yourself how will I do this but after 2-3 times it’s fine…” BG. “so he can plays it?...” YL. : “of course! All he cannot play, he doesn’t write it.”. BG. : “his own works,, did you hear him playing them?’’. YL.: “of course, he wrote all by playing it and adding his own fingers indication’’. BG. : “it’s important to talk about his heritage to piano after Debussy, Ravel, Bartok Prokofieff who did count a lot for him.” YL. “yes, the story of the thumb it’s already here in; the thumb on 2 keys from the Prokofieff’s concertos. BG. ‘’and what he found in the colour of the piano.”. YL.: “and yet now in Transfiguration, the same work with colours you heard in Lisboa and cadences.”. BG.: “it’s incredible to see that in the middle of those incredibla masses with choir and orchestra, the solists instruments are very precise and clearly heard.”. YL.: “it’s very well written for each instrument Oh the 4ht clarinet is wonderfully written…oh the bassoon is difficult but it sounds well, for the tube there are no unplayable notes; there are some pedal-sounds that resonate themselves.”.
Le loriot (Eurasian golden oriole, oriolus oriolus); the second bird of the first book of Messiaen's Catalogue d'oiseaux. It is also subtly a reference to her homophonic surname (Loriod/Loriot).
![Chroniques de France - Olivier Messiaen [№147] (1978)](/img/n.gif)
Yvonne Loriod, un personnage passionné et passionnant !!!
Yvonne was a great genius; thank you for sharing this marvelous, historic performance. Two of my ongoing study pieces are represented here -- works by Messrs. Ravel, and Albéniz.
simplement magnifique
Yvonne Loriot, élève devenue l'épouse d'Olivier Messiaen, était une excellente interprète de la musique de son mari, en particulier dans ses œuvres pour ondes Martenot ...
S'il est permis de rectifier un détail, Yvonne Loriod n'a pas jouée les ondes Martenot ; c'était sa sœur Jeanne. Elle était pianiste, bien qu'elle sache jouer des ondes (de manière non professionnelle) et un ondiste japonais lui a appris à jouer les ondes Martenot de la Turangalîla-Symphonie dans les années 1960. Elle ne l'a jamais joué publiquement et s'en est plutôt tenue à son vrai point fort (le piano).
May anyone translate it to English please? I would love to know what they are saying ❤😢
part 1: This broadcast is extraordinary, casting the stars Yvonne Loriod and her husband Olivier Meesaien probably the most famous composer alive.
We’ll get to listen to them as much as to know them better spending an entire hour with a musician couple.
We deliver them to you with improvisation in the truth of live broadcast. You can see them, they sit, chit chat like you and me, sign autographs, make themselves up, they’re like a fish in water.
YL will refer to the latest work from her husband: la Transfiguration, she’s been for years his disciple, performer before marrying him.
She plays the best his music that is clear and easy to her opinion: they work together, discuss the works in progress, talk about their students from the conservatory: she for piano, he, composition.
They consider their favorite birds, as OM is an expert in ornithology, and here we are climbing on the jumbwagon with them, on the wind:
YL. : “the 12 Iberia, he(Olivier M?) had made a prodigious analysis of them, there were the Mozert’s concertos, and HE made me work on the Iberias, I did not play them before his class.”.
Bernard Gavoty: ‘’Is he able to play them as a pianist?’’.
YL. : Oh yes! All he’s analyzing is being played by him.”.
BG. : “I know he’s a very good pianist but he’s denying it when we talk to him…”.
YL. : “he played the opus 106 before analysing it, he plays The Rite of Spring with 2 hands.
BG. : ‘’unbelievable!’’
YL. :”The opus 106, he played all, magnicifently, he reads it one day and plays it the next one.”.
BG.: “Incredible! Impossible to imagine!Let’s try to explain to the public what was Messaien’s huge contribution to the piano repertuory., not musical but pianistical repertuory!. It’s really a completely new element”.
YL. : ‘’I ‘ve written an article about this. There are at least 7 different techniques:
First, he brought the high register in the low part
He brought his rhythmic canons as in [3:18 she plays]., dans le Regard des Anges.
He brought amazing things as pivoting around the thumb, it’s fun to watch, and when you read it first, you ask yourself how will I do this but after 2-3 times it’s fine…”
BG. “so he can plays it?...”
YL. : “of course! All he cannot play, he doesn’t write it.”.
BG. : “his own works,, did you hear him playing them?’’.
YL.: “of course, he wrote all by playing it and adding his own fingers indication’’.
BG. : “it’s important to talk about his heritage to piano after Debussy, Ravel, Bartok Prokofieff who did count a lot for him.”
YL. “yes, the story of the thumb it’s already here in; the thumb on 2 keys from the Prokofieff’s concertos.
BG. ‘’and what he found in the colour of the piano.”.
YL.: “and yet now in Transfiguration, the same work with colours you heard in Lisboa and cadences.”.
BG.: “it’s incredible to see that in the middle of those incredibla masses with choir and orchestra, the solists instruments are very precise and clearly heard.”.
YL.: “it’s very well written for each instrument Oh the 4ht clarinet is wonderfully written…oh the bassoon is difficult but it sounds well, for the tube there are no unplayable notes; there are some pedal-sounds that resonate themselves.”.
Entendre Yvonne Loriod dans les Études de Debussy ❤
Avez-vous un enregistrement complet?
@@chronochromie772 non malheureusement, j'en serais friand
Entièrement d'accord avec vous.
Please can someone tell me whst the last work in the program was? Absolutely hypnotic, beautiful music.
Le loriot (Eurasian golden oriole, oriolus oriolus); the second bird of the first book of Messiaen's Catalogue d'oiseaux. It is also subtly a reference to her homophonic surname (Loriod/Loriot).
@@chronochromie772 It's homophobic?
@@wormswithteeth No, 'homophonic'. 'loriot' and 'Loriod' are produced identically in French.
@@chronochromie772
Le Loriot par La Loriod.
Les études de genre sont les premières du genre
quelques souvenirs d'Yvonne Loriod et Olivier Messiaen
th-cam.com/video/2Prt2nJsoDk/w-d-xo.html