No matter how brilliant a rendition of the past , along comes a superior reading. The synchronization of orchestra and soloist in tempi and rhythm is definitely fabulous. The obvious technical and musical prowess of the soloist is unforgettable, in my humble opinion.
Out of everyone on TH-cam, this young ladies interpretation is magnificent. Perfect tempo, not too fast or too slow. You can actually hear every note and get to enjoy the piece !
She plays like a composer owning the piece with unapologetic sensabilities, atmosphere and making sure to bring out everything right. Finally a thoughtful pianist. I'm tired of hideously clever ones. She hit the spot. What planet am I on?
I agree totally. If an artist is so deeply in touch with the music there is no need for theatrics... it will show in your playing. What better example than this marvelous performance.
Absolutely splendid. A superb orchestra. This is just about the only string section -- that I have heard -- that can keep up and play the sixteenth notes with crystalline clarity in the first movement. And Beatrice...? Well, she's just amazing!
Beatrice Rana has such a natural interpretation of Prokofiev's music. She is one of my favourite pianists. And Maestro Otto Tausk is the director of the Vancouver Symphony Orchestra now, and we're so happy to have him here. He is an excellent successor to our beloved Maestro Bramwell Tovey. Vancouver has had the good fortune of two awesome directors.
Fascinating performance! She uses a loose high-wristed percussive technique in combination with a metronomic rhythmic precision that is nothing short of thrilling, and which suits this concerto perfectly. She then takes a number of passages slightly slower than is typical, and as a result we get a glorious level of detail and clarity without ever being dull or plodding. And as identified in some of the comments below, she doesn't overthink the piece - she's very much in the moment, and plays with an almost improvisory freedom. Really wonderful stuff... this is in serious danger of becoming my favourite recording of this brilliant concerto.
She explains her approach to the piece here: th-cam.com/video/KqluRF9mdxk/w-d-xo.html . It bears out your observations, but also indicates that she hasn't underthought the piece either :-) She has a way of relating every part of a piece to the whole, in a way that the listener absorbs subconsciously. A significant new musical presence, in my opinion, who gives us much to look forward to.
The piece absolutely revels in an unremitting celebration of what might be called delighted mystery. A remarkable work of genius. Rana is impeccable as always.
Et la toccata de la suite de Debussy en rappel est époustouflante, les plans sonores sont admirables de précisions et de sens poétique ! Quelle grande artiste
BEATRICE HAS DELIVERED THE MOST EXCITING AND THOUGHTFUL INTERPRETATION OF THE PROKOFIEV 3 CONCERTO. MORE ENERGY, CLARITY, AND MUSICALITY THAN ANYONE. A REAL TOUR DE FORCE.
Pour résumer tous les commentaires on peut dire que c’est une interprétation incroyable de la soliste et de l’orchestre qui devrait devenir une référence 🙏
Unbelievable Prokofiev-concerto as played by Mrs. Beatrice Rana! She played like grown in a different century or born and raised on another outer planet! This is awesome. Outstanding! Superbe! All those Lang Langs and Yulia Wangs should go home and ask Mrs. Rana for advice and lessons in the meaning of composition and structure! I know a lot of performances of this piece. Never heard it played as clear. How does she wanna play in 50 years?
Sim, é uma das melhores orquestras da Europa, meu agradecimento por poder ouvi-la. Mi abuelo ( Sanchez) era da Galícia, veio para o Brasil como imigrante e tenho muito orgulho.
Wow this is absolutely phenomenal!! I haven’t heard any other prok 3 that could hold a candle to argerich but I have to say I’d be hard pressed to pick my favorite. Adding Beatrice Rana to my list of pianists to watch out for! The orchestra also was spot on, just overall a massively good performance!
Para todos aquellos que no creen que la mejor orquesta sinfónica de España es la OSG. día tras día, con sus actuaciones viene demostrando que es la mejor actualmente, y con diferencia, solo cabe felicitar a la misma y como no, a la dirección, tanto musical como a la gerencia de la misma,... También nos debemos de felicitar los admiradores de la orquesta por la renovación del actual director musical
Wow, this is special! It is very great for sure,I not only marvel about the soloist but also about the orchestra.This is one of the best versions I have heard in ......decades!Kudos!
La pianiste est extraordinaire ça je le savais mais l’orchestre me laisse sans voix. Quelle finesse des cordes, quelle subtilité! Magnifique performance de ce fabuleux concerto de Prokofiev.
Beatrice Rana played in the important parts of the 3rd movement this endless and beautiful theme in a "adagio"- like tempo. Your can hear the beauty of Prokoviev in a brand-new and totally different way like none played it in the next generation like her. Every single note. Clear. Lyrical. Again without showing any skills to the audience because she's like in a meditation. We need this new generation of musicians like her. In my opinion, she's the biggest game changer after the age of super fast playing pianists like Ivo Pogorelich 40 years ago. Than followed by Dimitris Sgouros, Lang Lang or Yulia Wang. The globe becomes more an more wild and crazy. Beatrice Rana stops all this tradition by showing her audience the beauty of music in a different way and this is, what mankind needs so much now. Stop. Listen. Breath. Open your minds. Not too fast. Giving a large range of a new understanding of "tempo". God bless her and thank you so much for uploading this masterpiece performed by her! Keep on going, ya little genius! By the way an amazing orchestra and conductor, kissed by the composer! So passioned, enthusiastic and careful. Beautiful!
Très bel orchestre magnifiquement dirigé par Otto Tausk, excellent chef et Béatrice Rana, superbe, tellement talentueuse dans ce concerto n°3 de Prokofiev qu'elle domine parfaitement sur le plan musical et technique. Qu'elle sonorité pianistique de toute beauté.
Just attended her performance tonight in Munich. Wow. Indeed she is not only owning the piece, with a good conductor giving her leverage and synchronizing the orchestra perfectly - as tonight and Otto Tausk - it seems she owns the orchestra as well, while she is on. Its almost like she would composing while improvising. We hope to see her more often in Munich. P.S. This clip has a good balanced sound.
I was there also in the Herkulessaal last night. What an amazing pianist! She really understands and can convey the essence of this piano concerto. I also would like to see her more often in Munich :)
Finally, a young pianist who can sing what she wants to sing. This is an artistry thought to have vanished since not only the age of international competitions, but ever since the 19th century pianism.
IMO this wonderful piece seems to build tension continually, and then at 24:15 the listener is finally rewarded with a release. It seems to still have vestiges of the romantic era, though only for the mature listener.
Non è un glissando è una specie di arpeggio e le note sono 2 per ogni dito, molto difficile in quanto in velocità puoi saltare 1 tasto, e poi ovviamente gli spazi in cui la le dita sono "abituate" a muoversi cambiano costringendo la mano in un movimento molto diverso dai soliti arpeggi a intervalli di 3a.
@@constantinqueins9313 Martha is full of passion in her performances, i love both. Beatrice has an huge Bach background and this gives her an incredibile precision playing. Martha is a strong sponsor of Rana, they love each other in spite of their differences. Why to have two xerocopies, every artist must to be different.
![เจ็บที่ยังฮัก - ม่อน วรวิทย์ [ Official Mv ] จอนนี่มิวสิค](http://i.ytimg.com/vi/KALIGSRSjFs/mqdefault.jpg)
![Yuja Wang: Prokofiev Piano Concerto No. 3 in C major Op. 26 [HD]](/img/n.gif)
No matter how brilliant a rendition of the past , along comes a superior reading. The synchronization of orchestra and soloist in tempi and rhythm is definitely fabulous. The obvious technical and musical prowess of the soloist is unforgettable, in my humble opinion.
Out of everyone on TH-cam, this young ladies interpretation is magnificent. Perfect tempo, not too fast or too slow. You can actually hear every note and get to enjoy the piece !
She plays like a composer owning the piece with unapologetic sensabilities, atmosphere and making sure to bring out everything right. Finally a thoughtful pianist. I'm tired of hideously clever ones. She hit the spot. What planet am I on?
excellent comment, captures my impressions exactly as well (though I never doubted this is planet Earth ;-) )
I agree totally. If an artist is so deeply in touch with the music there is no need for theatrics... it will show in your playing. What better example than this marvelous performance.
And furthermore so young! I can't imagine what she would be once more experienced...
Absolutely splendid. A superb orchestra. This is just about the only string section -- that I have heard -- that can keep up and play the sixteenth notes with crystalline clarity in the first movement. And Beatrice...? Well, she's just amazing!
Beatrice Rana has such a natural interpretation of Prokofiev's music. She is one of my favourite pianists. And Maestro Otto Tausk is the director of the Vancouver Symphony Orchestra now, and we're so happy to have him here. He is an excellent successor to our beloved Maestro Bramwell Tovey. Vancouver has had the good fortune of two awesome directors.
So long as young artists like this continue to appear, my faith in the human race remains undented.
Well said!!!!!
Fascinating performance! She uses a loose high-wristed percussive technique in combination with a metronomic rhythmic precision that is nothing short of thrilling, and which suits this concerto perfectly. She then takes a number of passages slightly slower than is typical, and as a result we get a glorious level of detail and clarity without ever being dull or plodding.
And as identified in some of the comments below, she doesn't overthink the piece - she's very much in the moment, and plays with an almost improvisory freedom. Really wonderful stuff... this is in serious danger of becoming my favourite recording of this brilliant concerto.
She explains her approach to the piece here: th-cam.com/video/KqluRF9mdxk/w-d-xo.html . It bears out your observations, but also indicates that she hasn't underthought the piece either :-) She has a way of relating every part of a piece to the whole, in a way that the listener absorbs subconsciously. A significant new musical presence, in my opinion, who gives us much to look forward to.
The piece absolutely revels in an unremitting celebration of what might be called delighted mystery. A remarkable work of genius. Rana is impeccable as always.
Et la toccata de la suite de Debussy en rappel est époustouflante, les plans sonores sont admirables de précisions et de sens poétique ! Quelle grande artiste
Absolutely fabulous rendition. Great soloist, orchestra and acoustics. To top it off, a dazzling encore of Debussy's toccata.
BEATRICE HAS DELIVERED THE MOST EXCITING AND THOUGHTFUL INTERPRETATION OF THE PROKOFIEV 3 CONCERTO. MORE ENERGY, CLARITY, AND MUSICALITY THAN ANYONE. A REAL TOUR DE FORCE.
Why are you YELLING?!
Pour résumer tous les commentaires on peut dire que c’est une interprétation incroyable de la soliste et de l’orchestre qui devrait devenir une référence 🙏
I love the way she “throws” her hands for the chord at 8:40
Unbelievable Prokofiev-concerto as played by Mrs. Beatrice Rana! She played like grown in a different century or born and raised on another outer planet! This is awesome. Outstanding! Superbe! All those Lang Langs and Yulia Wangs should go home and ask Mrs. Rana for advice and lessons in the meaning of composition and structure! I know a lot of performances of this piece. Never heard it played as clear. How does she wanna play in 50 years?
Maybe like Emil Gilels in his famous record with Kondrashin.
Me es un placer amanecer y encontrar La Sinfónica de Galicia. Mi agradecimiento....
Beatrice, sei il nostro orgoglio italiano!! Fantastica!!!
¿Cómo no amar a esta orquesta?
Sim, é uma das melhores orquestras da Europa, meu agradecimento por poder ouvi-la. Mi abuelo ( Sanchez) era da Galícia, veio para o Brasil como imigrante e tenho muito orgulho.
OBRIGADO!!! Por postar obras musicais belíssimas como essa para eu me deleitar em vastos universo imaginários, longe dos problemas do cotidiano.
This is fantastic. Soloist and Orchestra are on point.
Wow this is absolutely phenomenal!! I haven’t heard any other prok 3 that could hold a candle to argerich but I have to say I’d be hard pressed to pick my favorite.
Adding Beatrice Rana to my list of pianists to watch out for!
The orchestra also was spot on, just overall a massively good performance!
You are the best!!!!! I'm your number one fan!!!! Im, from Brazil..
Para todos aquellos que no creen que la mejor orquesta sinfónica de España es la OSG. día tras día, con sus actuaciones viene demostrando que es la mejor actualmente, y con diferencia, solo cabe felicitar a la misma y como no, a la dirección, tanto musical como a la gerencia de la misma,... También nos debemos de felicitar los admiradores de la orquesta por la renovación del actual director musical
Bravo bravo bravo. Magnífica interpretación.
absolutamente conforme
incredible explosion at the very end
Wow, this is special! It is very great for sure,I not only marvel about the soloist but also about the orchestra.This is one of the best versions I have heard in ......decades!Kudos!
La pianiste est extraordinaire ça je le savais mais l’orchestre me laisse sans voix. Quelle finesse des cordes, quelle subtilité! Magnifique performance de ce fabuleux concerto de Prokofiev.
brava ,mi fa onore come italiano e poi orchestra meravigliosa !
If Rana did a commercial recording of this I'd snap it up in a New York minute.
wow wow wow brillante wow wow realmente bueno
Beatrice Rana played in the important parts of the 3rd movement this endless and beautiful theme in a "adagio"- like tempo. Your can hear the beauty of Prokoviev in a brand-new and totally different way like none played it in the next generation like her. Every single note. Clear. Lyrical. Again without showing any skills to the audience because she's like in a meditation. We need this new generation of musicians like her. In my opinion, she's the biggest game changer after the age of super fast playing pianists like Ivo Pogorelich 40 years ago. Than followed by Dimitris Sgouros, Lang Lang or Yulia Wang. The globe becomes more an more wild and crazy. Beatrice Rana stops all this tradition by showing her audience the beauty of music in a different way and this is, what mankind needs so much now. Stop. Listen. Breath. Open your minds. Not too fast. Giving a large range of a new understanding of "tempo". God bless her and thank you so much for uploading this masterpiece performed by her! Keep on going, ya little genius! By the way an amazing orchestra and conductor, kissed by the composer! So passioned, enthusiastic and careful. Beautiful!
Très bel orchestre magnifiquement dirigé par Otto Tausk, excellent chef et Béatrice Rana, superbe, tellement talentueuse dans ce concerto n°3 de Prokofiev qu'elle domine parfaitement sur le plan musical et technique. Qu'elle sonorité pianistique de toute beauté.
Bea da brividi. Bravissima!
I have never heard a pianist take parts of the last movement so slow. Great smile!
Ella es extraordinaria la escuche desde la Scala de Milano diciembre 20 NO SE OLVIDEN DE ESTE NOMBRE solo tiene 26 años
Just attended her performance tonight in Munich. Wow. Indeed she is not only owning the piece, with a good conductor giving her leverage and synchronizing the orchestra perfectly - as tonight and Otto Tausk - it seems she owns the orchestra as well, while she is on. Its almost like she would composing while improvising. We hope to see her more often in Munich. P.S. This clip has a good balanced sound.
I was there also in the Herkulessaal last night. What an amazing pianist! She really understands and can convey the essence of this piano concerto. I also would like to see her more often in Munich :)
Finally, a young pianist who can sing what she wants to sing. This is an artistry thought to have vanished since not only the age of international competitions, but ever since the 19th century pianism.
She's totally extraordinary.
Fantastico OSG
Great encore choice after such a gorgeous performance!
May I ask what piece is she playing? I'm thinking Debussy? Thank you!
@@andreea140794 Yes! It is Debussy. Trying to remember exactly though 😛. It's the last movement in a suite. I think the Pour le Piano suite?
@@spacevspitch4028 Thank you so much for your quick reply!
@@andreea140794 No problem. I had a CD of nearly all of his solo piano works in high school. I totally wore it out 😄
that was so good
IMO this wonderful piece seems to build tension continually, and then at 24:15 the listener is finally rewarded with a release. It seems to still have vestiges of the romantic era, though only for the mature listener.
Idola
L'ho scoperta da poco, stupisce sempre
Outstanding!!!
Bravissima! 💐🌹💐
Благодарю! Очень!
24.04.2024.
shes so good
Bravissimo 😀
3rd movement is great, especially the slow parts.
Kto nie kocha Prokofiewa w takim wykonaniu ?
Też Debussiego, po takim koncercie...
I only like the 1st movement of this work. this is among the best I've ever heard. thanks for uploading
Brava!
goated.
She plays like a scientist! Its an inquiring mind, what does Prokofiev say in musical score.
But I do like the way she attacks the third movement!
Wow
Oltre al musica. Magia
!!
❤
Martha Argerich has a successor.
❤✅👌👌🔥👍👐👐👐🙌🙌🙌🙌
brava
11:30
I- 0:20
II- 9:58
III- 19:34
Me mudo a Galicia
She leaves the glissando at the end of third movement aside.
There's no glissando there in the score, Beatrice plays it the way Prokofiev wrote it: several fingers hit 2 keys at the same time.
Non è un glissando è una specie di arpeggio e le note sono 2 per ogni dito, molto difficile in quanto in velocità puoi saltare 1 tasto, e poi ovviamente gli spazi in cui la le dita sono "abituate" a muoversi cambiano costringendo la mano in un movimento molto diverso dai soliti arpeggi a intervalli di 3a.
Mi volus aŭskulti vin iam, rekte, ne antaŭ ekrano per interreto aŭ TH-cam. Mi esperas, ke mi sukcesos vin vidi.
20:45
6:29
She is definitely no Martha Argerich, that's for sure.
Yes, she is taller 😛
She is different, still talented and marvel on technique like Martha.
This is her time, Martha is the past.
She plays much better than Argerich ever did.
@@constantinqueins9313 Martha is full of passion in her performances, i love both. Beatrice has an huge Bach background and this gives her an incredibile precision playing. Martha is a strong sponsor of Rana, they love each other in spite of their differences.
Why to have two xerocopies, every artist must to be different.
Yep more precise, intelligent, humble. Just a greater artist.