At last an harpsichord interpretation that does not sound like a big jumble of notes, but which plays them all very well and distinctly. And soulfully.
Endlich eine Künstlerin, die verstanden hat, daß eine musikalische Textur Luft zum Atmen benötigt und gerade DIESES Stück keinen Tempowettbewerb verträgt: herzwärmend, zum wiederholenden Genießen einladend: musikalisches Glück pur, DANKE fürs Teilen.
Solo puedo decir GRACIAS y desear GRACIAS a la clavecinista que tiene una GRACIA natural y reparte GRACIAS universalmente con tanta sencillez y amor GRACIAS
This is close to the perfect rendition of this lovely piece! The timing, the frasing, the execution of the ornaments ... all breathtaking. The low pitch and the deep, resonant and mellow sound of this harpsichord suits it so well.
SUCH MUSICIANSHIP.... QUE MAGNIFIQUE !!!! Hanneke KNOWS exactly HOW to perform this composition. Bringing all of the emotion and SOUL that is necessary to PLUMB the depths of all the "moving parts." I remember when I first heard a recording of this in about 1968, when I bought a compilation of harpsichord music.... and this EXACT piece was integrated into the albums (being a 4 record set). I used to listen to it... over and over again... SO many times. To me, when I listen to it. It is like being in the presence of GOD ALMIGHTY.... so majestic, yet dripping with so MUCH emotion and tender love !
Just LOVE the Bass line from 1:17 - 1:28 and again from 1:45 - 2:13... with the ABSOLUTE best from 2:13 - 2:30.... that resounding DEEP foundation that supports the entire composition.
I like to think that those pauses are actually the "barricades". They temporarily delay the forward of the music, but delay it and tgus give it more meaning when the momentum begins again.
This song makes me believe in reincarnation because it stirs up feelings that I have not encountered in this life-time. I feel I lived in the 17th century when I hear this. It feels so familiar from a time past. Thank you Francois Couperin.
Superb, Hanneke! I first heard this played by Aimee van der Wiele, when I bought her Nonesuch LP in 1966. Her style was rubato-driven and her instrument must have been a Pleyel or similar because of the constant registration changes she employed. I liked it at the time, but your interpretation and that of Kenneth Gilbert suits my taste and fancy much better.
Your instrument makes this piece sound so vibrant. It has been a favorite since my childhood days many decades ago. How wonderful to find such a beautiful performance here. Thanks for posting.
Beautiful, perfect tempo, great recording, and what a magnificent harpsichord! When I saw the spelling of the title, I first thought: That's OK, they are not french. But in fact, I was wrong, and it's so respectful to write the original spelling! Much love from France!
How have I missed this recording of one of my favorite pieces until now! This is just exquisite. It's so lovely to hear the resonance of the harpsichord not being played too fast. Just scrumptious. Merci du fond du coeur!
I just love this piece. It's so soft and soothing, but in my humble opinion it needs to be about an hour or two longer. :-) Superb performance as always!
Beautifully played, thank you Henneke , it was flowing, measured and tempo that allowed the listener to flavour the harmonics, made more so by the beautiful register of your harpsichord. It was a treat to hear your rendition of ‘Les Barricades Mistérieuses’, such that Couperin’s mysteries were therein revealed. That too often is played vigorously at break neck speed.
Les Barricades mystérieuses (or Les Baricades mistérieuses in its original spelling) is the title of a harpsichord piece composed in 1717, the fifth of the 6th Order in the key of B-flat major, from his second book of harpsichord pieces. It is characteristic of the broken style of French baroque keyboard music. The work is in the shape of a rondeau, a variation of the traditional romanesca in four beats in the bass rather than in the more usual ternary rhythm. It has a chorus and three verses, of unequal length. The four parts create a changing tapestry of melody and harmony. The overlapping melodies and different rhythmic arrangements create a seductive shimmering and kaleidoscopic effect, evoking an anticipation of images of fractal mathematics. The score is marked « vividly ». The piece therefore combines a certain liveliness with a melancholy and mysterious character. This piece performed by Hanneke van Proosdij is of great voluptuousness and beauty. Merci Hanneke ! *Lucien*
@@ducdeblangis3006 It is undeniable that Bach and Scarlatti in particular knew the Manuel work of Couperin. « La Fugue du chat » est une merveille d’écriture contrapuntique. La pièce est structurée comme une Fugue, une forme qui implique l’interaction complexe de plusieurs voix. Le sujet de la fugue est introduit dans la tonalité de sol mineur et se caractérise par ses sauts distinctifs et son chromatisme, qui ajoutent à la qualité énigmatique de la pièce. À noter que la dénomination « Fugue du chat » n'a jamais été utilisée par Scarlatti lui-même : l'appellation apparaît au début du 19ème siècle. Une image collectée et publiée par l'auteure et journaliste américaine Esther Singleton (1865-1930) nous montre Scarlatti en train de jouer du clavecin. *Lucien* On peut lire en vieux français : De ces grands Maîtres d'Italie Le Concert serait fort joli, Si le Chat que l'on voit icy N'y vouloit Chanter sa partie. De ces deux coeurs que ta chaîne lie C'est ainsy, petit Dieu d'Amour, Que quelque Animal chaque jour Vient troubler la douce harmonie. *Domenico Scarlatti*
Too many people rush through Renaissance and Baroque harpsichord music and do not take the time to savor each note. It need not be dreadfully slow of course, but having a flow of notes that ring in a good and full way allows the music to be better enjoyed. Naturally there are many harpsichord showpieces, but it is important to distinguish that which is meant to show off one's speed, and that which is to show tenderness, precision, stability, and a good touch on such a delicate yet powerful instrument.
Much has been made of the title of this piece. I had a breakdown crisis in my late 20’s. During the height or depths of which I had an epic vivid dream which contained rooms full of beautiful old harpsichords. I wanted to play them but was prevented by people who made me feel that I wasn’t “ good” enough to play them. Not my level of musical skill but more about my class. They seemed like they were “above” me. I so desperately wanted to play but they just wouldn’t let me. I awoke completely crestfallen. That dream stayed with me and really affected my psyche. Probably still does. I’m now 51. My musical barricade. Or just my mental barricade?
I love and admire "The Mysterious Barricades", mainly for two reasons: - It's not a virtuoso piece of music, so there is no need for the interpreter to "show off". - Formally spoken, the music is quite simple, it consists of a repeated rondeau combined with three different couplets. On the other hand, it is really mysterious, and has a timeless beauty.
This is indescribably beautiful. Without Hanneke's pauses, allowing the music to "breath", it wouldn't be the same piece. I would like to think that these are those barricades:it'snot a
I've said it once and I'll say it again - I love it! I'll add this time because I forgot to say it last time - the harpsichord is beautiful with a glorious tone. Oh and by the way I just love it - thank you - again!
In addition to Sylviane Deferne's piano interpretation, this is the "original" harpsichord version I always return to. Wonderful, the best tempo. I play AT keyboard (a hobby, I suppose), but wish I could really play this piece. Listening to your version is the next best thing.
I WONDERFUL performance. I hate when performers perform Couperin like he’s Lully. Couperin standardized his ornamentation and wanted it played as written. This is a gorgeous rendition
![[MV] A leap of faith...ความเชื่อใจครั้งสุดท้าย (From "Petrichor the series")](http://i.ytimg.com/vi/U1piZH2CNXA/mqdefault.jpg)
I can't believe how beautiful this harpsichord sounds, especially in the lower notes. Sublime.
I love harpsichords tuned lower than modern pitch and this one has truly wonderful tone. Beautifully played
its a Blanchet!
Yeah, it sounds a lot more rounded then some other instruments.
Not a Blanchet, but those are lovely.
Yes I totally agree. There is so much variety in the way a harpsichord can sound. Some instruments sound so harsh & robotic..
Is it just me, or is that one of the best sounding harpsichords ever?
Very nice performance - a nice gentle speed that makes it sing.
I agree. it's gorgeous! :-)
No, not just you.
At last an harpsichord interpretation that does not sound like a big jumble of notes, but which plays them all very well and distinctly. And soulfully.
:)
Now that's what I call the Goldilocks tempo. Not too fast, nor too slow. Very nice indeed.
A teacher of mine played this in recital back in the 1960s. This is so very beautifully done..I could never tire of it. Thank you Ms van Proosdij.
You're very welcome!
Endlich eine Künstlerin, die verstanden hat, daß eine musikalische Textur Luft zum Atmen benötigt und gerade DIESES Stück keinen Tempowettbewerb verträgt: herzwärmend, zum wiederholenden Genießen einladend: musikalisches Glück pur, DANKE fürs Teilen.
Bitte.
What a sweet sound this harpsichord has and well handled by Hanneke van Proosdji. Thanks Ms van Proosdji for giving a fresh sound to Les Barricdes.
Solo puedo decir GRACIAS y desear GRACIAS a la clavecinista que tiene una GRACIA natural y reparte GRACIAS universalmente con tanta sencillez y amor GRACIAS
That's the most beautiful version of Les Barricades Mystérieuses. Perfect tempo and resonance.
Thank you very much!
Yes indeed! I think exactly the same.
But, of course, it can be a subjective feeling, as it's normally in music.
It was an answer to Kate.
This is close to the perfect rendition of this lovely piece! The timing, the frasing, the execution of the ornaments ... all breathtaking. The low pitch and the deep, resonant and mellow sound of this harpsichord suits it so well.
Yeah, it's really close to perfection. Such a vomplex poece
Outstanding artist. Her moderate tempo is the one I préféré. But WHO built this wonderful instrument ???
This harpsichord has an amazing rich sound, and I love the lid painting. beautiful playing. lovely to hear this music
ok
supr
French harpsichords we’re wonderful. The sound is enhanced by the low pitch.
SUCH MUSICIANSHIP.... QUE MAGNIFIQUE !!!!
Hanneke KNOWS exactly HOW to perform this composition. Bringing all of the emotion and SOUL that is necessary to PLUMB the depths of all the "moving parts." I remember when I first heard a recording of this in about 1968, when I bought a compilation of harpsichord music.... and this EXACT piece was integrated into the albums (being a 4 record set). I used to listen to it... over and over again... SO many times. To me, when I listen to it. It is like being in the presence of GOD ALMIGHTY.... so majestic, yet dripping with so MUCH emotion and tender love !
Just LOVE the Bass line from 1:17 - 1:28 and again from 1:45 - 2:13... with the ABSOLUTE best from 2:13 - 2:30.... that resounding DEEP foundation that supports the entire composition.
that's called progression, a typical pattern in baroque music :)
2:13 - 2:30 has always been my favourite part too!
I like to think that those pauses are actually the "barricades". They temporarily delay the forward of the music, but delay it and tgus give it more meaning when the momentum begins again.
This song makes me believe in reincarnation because it stirs up feelings that I have not encountered in this life-time. I feel I lived in the 17th century when I hear this. It feels so familiar from a time past. Thank you Francois Couperin.
Beautiful. Harpsichord can be so underrated. You make it come alive.
Love this piece - on this harpsichord with this sonority and this pace, it's even better. Hartelijk bedankt, Hanneke
Superb, Hanneke! I first heard this played by Aimee van der Wiele, when I bought her Nonesuch LP in 1966. Her style was rubato-driven and her instrument must have been a Pleyel or similar because of the constant registration changes she employed. I liked it at the time, but your interpretation and that of Kenneth Gilbert suits my taste and fancy much better.
Thank you, I was able to use this to show my teacher what an actual harpsichord sounds like.
Your instrument makes this piece sound so vibrant. It has been a favorite since my childhood days many decades ago. How wonderful to find such a beautiful performance here. Thanks for posting.
Ok
The tempo is just right for my taste.
The temptation seems to be to go too fast.
Wonderful execution! Perfect tempo.
This piece is hundreds of years ahead of its time, it's hard to believe this was made in the baroque period
Beautiful, perfect tempo, great recording, and what a magnificent harpsichord!
When I saw the spelling of the title, I first thought: That's OK, they are not french. But in fact, I was wrong, and it's so respectful to write the original spelling!
Much love from France!
Merci!
wow, i've never heard such a full and lucious sound from a harpsichord
Ho sentito questo brano per la prima volta pochi minuti fa alla radio…tocca il cuore: è musica per gli angeli!
How have I missed this recording of one of my favorite pieces until now! This is just exquisite. It's so lovely to hear the resonance of the harpsichord not being played too fast. Just scrumptious. Merci du fond du coeur!
I just love this piece. It's so soft and soothing, but in my humble opinion it needs to be about an hour or two longer. :-) Superb performance as always!
Beautifully played, thank you Henneke , it was flowing, measured and tempo that allowed the listener to flavour the harmonics, made more so by the beautiful register of your harpsichord. It was a treat to hear your rendition of ‘Les Barricades Mistérieuses’, such that Couperin’s mysteries were therein revealed. That too often is played vigorously at break neck speed.
Thanks so much!
Les Barricades mystérieuses (or Les Baricades mistérieuses in its original spelling) is the title of a harpsichord piece composed in 1717, the fifth of the 6th Order in the key of B-flat major, from his second book of harpsichord pieces. It is characteristic of the broken style of French baroque keyboard music. The work is in the shape of a rondeau, a variation of the traditional romanesca in four beats in the bass rather than in the more usual ternary rhythm. It has a chorus and three verses, of unequal length. The four parts create a changing tapestry of melody and harmony. The overlapping melodies and different rhythmic arrangements create a seductive shimmering and kaleidoscopic effect, evoking an anticipation of images of fractal mathematics. The score is marked « vividly ». The piece therefore combines a certain liveliness with a melancholy and mysterious character. This piece performed by Hanneke van Proosdij is of great voluptuousness and beauty. Merci Hanneke ! *Lucien*
Point de vue d'une musicologue, sans doute, très intéressant. Le rythme brisé évoque aussi la fugue du chat de Scarlatti
@@ducdeblangis3006
It is undeniable that Bach and Scarlatti in particular knew the Manuel work of Couperin. « La Fugue du chat » est une merveille d’écriture contrapuntique. La pièce est structurée comme une Fugue, une forme qui implique l’interaction complexe de plusieurs voix. Le sujet de la fugue est introduit dans la tonalité de sol mineur et se caractérise par ses sauts distinctifs et son chromatisme, qui ajoutent à la qualité énigmatique de la pièce. À noter que la dénomination « Fugue du chat » n'a jamais été utilisée par Scarlatti lui-même : l'appellation apparaît au début du 19ème siècle. Une image collectée et publiée par l'auteure et journaliste américaine Esther Singleton (1865-1930) nous montre Scarlatti en train de jouer du clavecin. *Lucien*
On peut lire en vieux français :
De ces grands Maîtres d'Italie
Le Concert serait fort joli,
Si le Chat que l'on voit icy
N'y vouloit Chanter sa partie.
De ces deux coeurs que ta chaîne lie
C'est ainsy, petit Dieu d'Amour,
Que quelque Animal chaque jour
Vient troubler la douce harmonie.
*Domenico Scarlatti*
La peinture du clavecin est belle et l'interprétation fabuleuse
Beautiful performance------a tempo that suits the piece's lyricism, unlike what one usually hears.
I agree
I very much like your Scarlatti, Elaine, the lady who stands up playing the harpsichord!
How is lyricism defined for a particular piece?
Yes indeed it's all about grace
Too many people rush through Renaissance and Baroque harpsichord music and do not take the time to savor each note. It need not be dreadfully slow of course, but having a flow of notes that ring in a good and full way allows the music to be better enjoyed.
Naturally there are many harpsichord showpieces, but it is important to distinguish that which is meant to show off one's speed, and that which is to show tenderness, precision, stability, and a good touch on such a delicate yet powerful instrument.
Much has been made of the title of this piece. I had a breakdown crisis in my late 20’s. During the height or depths of which I had an epic vivid dream which contained rooms full of beautiful old harpsichords. I wanted to play them but was prevented by people who made me feel that I wasn’t “ good” enough to play them. Not my level of musical skill but more about my class. They seemed like they were “above” me. I so desperately wanted to play but they just wouldn’t let me. I awoke completely crestfallen. That dream stayed with me and really affected my psyche. Probably still does. I’m now 51.
My musical barricade.
Or just my mental barricade?
wow. Your comment really spoke to me. I hope you are well.
it sounds so lovely with the beautiful melody combined with the hazy reverb
I love and admire "The Mysterious Barricades", mainly for two reasons:
- It's not a virtuoso piece of music, so there is no need for the interpreter to "show off".
- Formally spoken, the music is quite simple, it consists of a repeated rondeau combined with three different couplets. On the other hand, it is really mysterious, and has a timeless beauty.
Beautiful performance.
Many thanks!
Great playing, and the harpsichord sounds absolutely wonderful.
Ideal tempo, rich and wonderful sound. The depth! The resonance!
Este tempo me gusta...gracias fantástico clave y deliciosa interpretacion
Very gentle and full of hidden emotions performance! Many thanks! I think we've just heard sounds of those gorgeous times.
Many thanks!
This is my favorite rendition of this masterpiece!
A very deep resonant instrument and very lovely performance
Now this I think is the right speed for this piece. Lively but with reflection.
Agree!
@VoicesofMusic Some on TH-cam seem to play this piece perhaps 20 per cent quicker than here. What speed on the metronome are you playing?
This is indescribably beautiful.
Without Hanneke's pauses, allowing the music to "breath", it wouldn't be the same piece.
I would like to think that these are those barricades:it'snot a
Love this piece - I want a harpsichord!!!!!!
Wonderful! Thank you for the moderate tempo and the sound of this cembalo is magnificent!
My favourite interpretation. I love that she doesn't over-exaggerate articulation like most performers.
I've said it once and I'll say it again - I love it! I'll add this time because I forgot to say it last time - the harpsichord is beautiful with a glorious tone. Oh and by the way I just love it - thank you - again!
All I can say is "Wow!" Beautifully done, thanks for posting!
Thank you very much!
Une mélodie simple, mais elle capte l'essence de la vie paissante.
Peut-être que c'était censé être "naissante"?
Truly beautifiul and masterful - I fully agree with other commentors!
I would love to have a harpsichord like that in my living room. How grand!!
It is grand!
In addition to Sylviane Deferne's piano interpretation, this is the "original" harpsichord version I always return to. Wonderful, the best tempo. I play AT keyboard (a hobby, I suppose), but wish I could really play this piece. Listening to your version is the next best thing.
This really is an extraordinary performance of this piece.
Delicate, but forceful when required. I've listened to this countless times.
This music sounds very modern!
It does--maybe even some Django swing
It is actually baroque surprisingly, one of the things that gives it away is the trills and the harmony and the fact that it’s meant for harpsichord
Beautiful, rich sound. And love the tempo; it gives you time to enjoy each note before the next one comes. Bravo!
Many thanks!
Brilliant ! You transmits absolutely gorgeous feelings, my soul thanks you my darling !
wunderbarer Cembaloklang - feinfühlig interpretiert. Chapeau !
Danke vielmals.
Beautiful tone. Nice playing, too, of course.
En mi opinión la mejor interpretación de esta preciosa pieza
precioso! el tempo justo, el sonido perfecto, muchas gracias!
Muy bien ese es el tempo de las barricadas.
My favorite version. Harpsichord lid by Millicent Tomkins!
Excellent performance and sound. I like the instrument, too.
Œuvre intemporelle, baroque et moderne à la fois... Belle version.
The best baroque piece (and the best interpretation)
Beautiful playing. What a fabulous instrument. A metal angel.
Nice palying and wow, what a great sonorous instrument!
One of my favorite Couperin pieces. So lovely to hear it played at a breathable tempo.
Thank you.
A superb performance on a superb instrument. Bravo!
Wonderful performance, and beautiful instrument! Thank you!
Exceptionally well played Bravo.
What a gorgeous sound, a magnificent tune, a superb performance.
Many thanks!
I think that A=392 rather than 440 Hz adds something here. Perfect tempo that makes the music parfaitement lisible, many thanks to the performer.
It’s the meantone temperament that makes this recording special
Clear, natural recording quality
Best performance of this piece on TH-cam!
The exact tempo that piece is supposed to be played and enjoyed
This is so beautiful to hear, it sounds close to Canon-Pachelbel.
Thank you
Thank you for this amazing playing!
I adore the piece and the sound of the hapsicord❤️
Perhaps we never get to know what the title means, but we can all agree it sounds lovely. Thank you
it's a reference to eyelashes.
+arjenbij eyelashes actually. They guard the eyes, the windows to the soul
Francois Arnaud Ye that's what I meant to say, sorry.
+arjenbij hahaha pretty easy mistake to make
Indeed- and that is merely another aspect of its charm, in that we can never know,
Hermosa partitura, excelente ejecución e inmejorable explicación. Gracias.
I WONDERFUL performance. I hate when performers perform Couperin like he’s Lully. Couperin standardized his ornamentation and wanted it played as written. This is a gorgeous rendition
This is very nicely played indeed. Lovely steady tempo. And what a nice harpsichord - low notes so melodious!
Confirmation qu'il n'est pas justifié de jouer cette pièce plus rapidement.
Entièrement d'accord. Vivement est indiqué au début de la partition et beaucoup d'interprètes se croient obligés de jouer presto.
Agreed.
oui 100% d'accord! "vivement" ne veut dire pas necessairement "courant pour sa vie" ;-)
Entièrement d'accord. Cette pièce est une merveille de délicatesse et de sensibilité il faut laisser respirer la musique (et les cordes)
@@jocelynjosssheehy2970 tout à fait , il faut le temps de la goûter , trop nombreux sont ceux qui font la course à l’échalote !
This is just extraordinary. Can you imagine hearing this in a time before anaesthetics, before steel?
I love this tempo! Great recording.
Many thanks!
Mysteries of sounds, mysteries of "lutherie", what wonderful records!
Me imagino mis manos tocando su música con esa calma esa serenidad esa paz Me las imagino como si fueran un cuerpo de luz cristal
Très beau, vraiment... De France.
Merci!
Beautiful in all aspects. Thank you.
Our pleasure!
Thank you for letting this beautiful melody breathe. :)
:)
Master of keys, thank you for your passion!❤
:)
Dolcissima interpretazione, suono magnifico 🤗
Grazie.
Perfect at every level. Thank you.
You are very welcome.
Wonderful playing of this pure music. Thank you, from San Jose, California
Thanks for listening
Merci pour ces barricades Proosdijieuses
:)
Harpsichord lid painted by Millicent Tomkins! www.millicenttomkins.com/
I put on an orange shirt after viewing, brava!
;-)
Wonderful! Love this of all the most of all the harpsichord versions I've heard! Magnifique!
dit klinkt heel bijzonder, prachtig ! ! ook bedankt voor de interessante tekst