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Secret to QUALITY Distressed Prints & Variable Underbases Explained
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- เผยแพร่เมื่อ 17 ส.ค. 2024
- Whether you're wanting a quality distressed style print for fun or professionally, Colin takes us through what you need to know! In this video you'll find great tips on distressed printing using the ROQ Next Automatic Screen Printing Press and Wilflex Epic Rio RFU inks. Colin breaks down some fundamentals in ink selection, mesh, squeegee pressure/angle and some techniques for getting that sweet vintage look on an auto press.
Key Takeaways:
Start with the Ink: Colin shows us how to use Wilflex Epic Rio RFU inks straight from the bucket. By adding a special halftone layer underneath, he sets you up for success in achieving those cool distressed looks.
Get Your Prep Right: It's all about the prep work. Colin's thorough in mixing his inks and picking the right mesh. This ensures smooth prints, clear details, and perfect alignment every time.
The Secret to Texture: The real magic happens with Colin's unique approach with a variable underbase. Mixing variable layers with strategic white base touches, he teaches you how to add depth and texture, making each print authentically distressed.
Want to learn hands-on Auto Printing? Come join us: scrnprntl.ink/...
00:00 - Introduction to Distressed Prints on the ROQ Press
00:20 - Overview of the Seven Color Design Process
05:45 - Ink Preparation and Mesh Recommendations
15:26 - Squeegee Durometer and Ink Deposit Control
15:46 - Achieving Smooth First Print Strokes
16:06 - Adjusting Print Head for Perfect Registration
RELATED PRODUCTS:
ROQ Automatic Press: scrnprntl.ink/...
Wilflex Epic RIO RFU Plastisol Inks: scrnprntl.ink/...
PrintGRIP High Tack Sheet for Platens: scrnprntl.ink/...
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RevolvInk Mixer: scrnprntl.ink/...
Wilflex Inks: scrnprntl.ink/...
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I like that he never cusses just giving out detailed knowledge of the trade. Most screen printers make you want to rip your ears out.
Glad to hear you like it. It does make learning and more enjoyable for everyone.
The non solid parts of the underbase, were they halftones? If so, what was the opacity of it? Super Awesome tip! Thank you!
Yes, they were all halftones. Opacity/tonal percentage depended on the distressed layer that was above it.
? if you don't have ink that is not for wet-on-wet printing, can you add anything to the ink so you can do wet on wet printing?
What ink are you using?
@@Ryonet the shop I work for use Rutland 9020 Silky Cotton White and all there mix ink system and normal colors inks is from rutland. I could be wrong but this ink doesn't do well wet-on-wet. nothing like the welflex ink where i use before in a other shop wet-on-wet with welflex is so much friendly
@@edgarrivera532 Majority of Rutland inks are capable of wet on wet but without knowing the mixing ink system and spot color system, it's hard to answer this specific question. We can go deeper in this by giving us a call and we'll get you the answer you're looking for.
Thanks for using the term 'base', not underbase.
You're welcome! We try to keep things simple and clear.