I think a word you might use to describe the strokes and effect you’ve created is “haze”. A masterful demo of technique, in a step by step presentation that allows for replication. It is particularly instructive to see the before and after stills embedded in the video. 👏🏻👏🏻👏🏻During acrylic painting I utilize air brush medium, glaze medium, a slight bit of water and a soft water color brush to achieve blends.
this has been so helpful...i paint mostly with cold wax and oil, using either a palette knife or a squeegie tool.....and have found it very challenging to get that veiled quality you achieve, so i will dig out some of my old brushes and try this....many thanks!
Hi Linda! Great to know this was helpful and offers a solution to your wanting to achieve a veiled quality in your work. Make sure one of those brushes is a soft bristle Filbert and that you employ the "ruined Filbert" technique! The #16 Filbert in the 6100 series of Princeton brushes is best for this technique: princetonbrush.com/summit-series-6100-princeton-brush-company-brush-6100/
thanks a lot Marianne, i'll check them out. Also, i sent a note to you on your website, i'm interested in one of your online courses but would like more details before i purchase it. I look forward to your reply...best wishes, Linda
Love watching you paint! Thank you for sharing your technique!
Hi Stacy! Thanks so much! MISS you... XO
love both of these paintings always so helpful
thanks so much Sarah!
I think a word you might use to describe the strokes and effect you’ve created is “haze”. A masterful demo of technique, in a step by step presentation that allows for replication. It is particularly instructive to see the before and after stills embedded in the video. 👏🏻👏🏻👏🏻During acrylic painting I utilize air brush medium, glaze medium, a slight bit of water and a soft water color brush to achieve blends.
Thanks so much thoughtful summation of this video Ronne! And for sharing your Acrylic process... 👌🙏
this has been so helpful...i paint mostly with cold wax and oil, using either a palette knife or a squeegie tool.....and have found it very challenging to get that veiled quality you achieve, so i will dig out some of my old brushes and try this....many thanks!
Hi Linda! Great to know this was helpful and offers a solution to your wanting to achieve a veiled quality in your work. Make sure one of those brushes is a soft bristle Filbert and that you employ the "ruined Filbert" technique! The #16 Filbert in the 6100 series of Princeton brushes is best for this technique: princetonbrush.com/summit-series-6100-princeton-brush-company-brush-6100/
thanks a lot Marianne, i'll check them out. Also, i sent a note to you on your website, i'm interested in one of your online courses but would like more details before i purchase it. I look forward to your reply...best wishes, Linda