I was listening to this piece at full volume & my next door neighbor liked it so much that he threw a brick through my window so he could hear it better! I feel deeply honoured by their genuine appreciation for this masterpiece. 🎇
Bernstein's long time assistant told in an interview (here on YT), every time Bernstein conducted Mahler, he needed several days of relaxation because he was so exhausted. - Happy New Year, Heinz
Why am I not surprised. It is exhausting in the most intensely beautiful way. I find it to be a total brain resetting experience, and I am just the listener who is being played by it.
Bernstein may be the most talented director of all time. He draws this movement out almost unbearably slow to represent the anguish and eventual triumph that love brings. It is like he has window into Mahler's soul that none of us could ever come close to having. He makes a song about love at first titillating, then sorrowful, then jubilant. Other interpretations of this piece have often been played too fast, or loud, or a combination of both. This...speaks to your soul.
Together with Sergiu Celibidache conducting Anton Bruckner's symphonies: Almost Zen like. He always conducted without any score in front of him, he had it all in his head. Watching him conducting Bruckner's Eight with the Munich Philharmonic is like having a glimpse into the Other World! He had the orchestra literally on a string, no extravagant movements with his baton. Sometimes he stops conducting and lets the orchestra carrying on the piece. Pure magic.
Bernstein and Abado are the best Mahler conductors I’ve ever seen! Thanks God we can still enjoy it today and forever! RIP dear Leny and Claudio ❤️❤️❤️❤️
@@rogermatice7334 Yes I have and as much as I like and respect Solti as far as Mahler is concerned the best Mahler conductors I have ever seen are Bernstein and Abado!!
both of them 0 compared to the man Bernstein tried to destroy by letting the press know he is gay (while he was also gay himself) Dmitri Mitropoulos...
¿Cómo describir con palabras un sentimiento? El amor, la tristeza, el miedo, la esperanza: es imposible, hay cosas que solo deben sentirse en el corazón para comprenderlas. Esta música es puro sentimiento y ante ella solo cabe el silencio, la reverencia y admiración. Gracias.
It is a fact that even classical music is subject to the changing taste of generations, the fashion if you allow me to use that word. Mahler was under-appreciated and under-rated for much of the first half of the XX century, with barely a handful of conductors insisting in how great his works are. Recognition came only fom the 1960s, and LB played a fundametal role in that, I believe, along with some others. Nowadays, Mahler symhonies are highly regarded and favorites of concert goers. I use to attend many performances of the Orquesta Nacional de España in Madrid, and the venue is literally packed when the program includes one of his symphonies. Last time was only two weeks ago, Mahler 7th, maybe the least known of all them, but still the three concerts during the weekend were sold out. This last movement in Mahler 3 is simply irresistible, it moves almost everyone to tears... Last time I was so moved I had to wait a few minutes to walk out the hall. These Mahler symphonies are like treats... not for everyday (just joking).
I have been a lover of classical music since I was but 11. I was exposed to Mahler at 14 and he has remained a constant companion ever since. That's almost 50 years ago and still Mahler profoundly moves me, transports me almost to another world, and in my loneliness makes me feel emotions that I had long thought dead. In Mahler's 10th the scream in the first movement and the flute solo in the finale are amongst music's most shattering moments. Bernstein was passionate about Mahler which is clearly expressed here.
oh my god - the last chord bernstein gestures for a crescendo and stops - the chord breaks down beautifully into a grandeur and creates a wonderful coda. This is simply a perfect union of a composer and a conductor who knows how to empathize with his music. Greetings to all Mahler fans from the country where he was born (Czech Republic), approx. 150 km from his birthplace.
I have no words. This is beautey on an incomprehensible scale. It is a kind of beauty which can not be described with simple words. In a round about way, only music itself could ever be used to describe this magnitude of beauty.
"Music is what humans do best". Ja, volle Zustimmung. Zum Mond fliegen können wir Menschen inzwischen auch. Dennoch: Solche Musik ist auch für mich die Quintessenz des Menschlichen. Bin zutiefst berührt.
This remains to this day as one of my personal favorite pieces of music. The only "material" memory of a long lost love. It would have been so amazing to enjoy Bernstein's interpretation live. Still, I got to see it in the Auditorio Nacional in Madrid. It was one of the most impressive, emotional moments of my life. Perfect moment, perfect company, perfect soundtrack. Te amo siempre, Ojotes-Quien-Seas
10:39 Arrivederci amore mio ... ti amerò per sempre. Il nostro momento nel tempo ... strappato senza pietà dalla nostra presa. L'unica consolazione e speranza lasciate a me ... Che ti vedo di nuovo nella morte. Addio, vita mia, amore mio. Addio.
You have to wonder. It's more than notes on a scale. And, there are only a few composers that truly embrace our heart and soul. I have a theory...these men and women are Angels on loan; God's way of letting us know, we are His beloved children and each note is a tap on our shoulder, with God saying, Be Loving And Good To One Another.
It's interesting your theory. But it doesn't quite work in my opinion cuz the music isn't just loving and calming melody. It goes deep and melancholy in a sad way.
@@johncrawford009 this could make it as a story it self made by Mahler. When two persons love each other explaining the beginning being so romantic and calming. The beginning would the emotions of the person who loves a another person. They both get along very well. But it suddenly goes deep. That's the beginning of the overthinking of the lover who has dark thoughts. Now the person who he loves starts to pull away from him. Leave him. Wich will explain why it goes even more deeper. Until the lover accepts that he needs to tell his emotions wich can explained why it comes a brand new theme made by a choral of trumpets. Now she finally heard the truth. And made her happy. And him as well as she says her feelings towards him. Resulting into the end being so triumph.
This tempo and this meditation and this expression and this divine flight in heaven is the best performance and best interpretation of this Divine symphony
@@alpinoalpini3849i agrée, i love how in some of the recordings of mahler especially with claudio abbado how there’s a minute of silence just to let the music settle in after
The music of Faso is an inexhaustible source of sweetness. It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly❤❤❤❤❤❤
It was Gustav's dying wish that his music come back to life 50 years after his death in 1911. His wish came true thanks to Lenny, Herbie and many more great conductors and orchestras. In addition there was a curious and appreciative audience which is still in place today, right here, right now.
@@HanukkahLewis A few decades too soon, this came out in 1896? I think plenty of composers were very much influenced by his works, but it took Bernstein to slowly introduce them to the crowd afterwords.
I'm at the 8th years of listening.... And slowly a light... Try to turn on inside of me... Mahler è quello che si dice praticare l'amore della conoscenza... Ci vuole pazienza e lavoro assiduo.
I agree with those who recognize that the expansive nature of this movement demands these slower tempos. Having said that, I question (on my viewing, at least) if the audio is properly synced w/ the video. That aside, the brass do not measure up to the CSO, but who does? There is nothing better than the recording w/ James Levine (Bud Herseth on tpt). This is a splendid (& similar) interpretation overall. What love tells me, indeed.
Then at !:20, there are those five notes that called out to be sung: and, in 1938, they inspired two Americans, Fain and Kahal, to write the song, "I'll Be Seeing You" for insertion into a Broadway musical that nevertheless closed after fifteen performances. But the music and the poetry endured! What could be more ironic than the fact that the Nazis took over Mahler's homeland and banned Mahler's music. However, it was that song, derived from the music Mahler wrote, that nourished the morale of the heroic allied troops that defeated the Nazi evil of WWII.
Descubrí a Mahler, como muchas otras personas, a partir de escuchar su primera sinfonía, de la cual quedé maravillado debido a su movimiento final. Sin embargo, muchos años después de aquel primer contacto, y después de haber escuchado las nueve sinfonías completas y los fragmentos de la décima, la tercera es, a mi parecer, la más hermosa de todas; en especial este último movimientos, puesto que refleja no sólo el dolor y la angustia existencial humana de la época, sino cómo el espíritu decide afrontarla y termina por salir avante de dicha confrontación.
I agree more than anything. I love this work because it is the deepest core of Mahler. A heart ready to burst out to find eternal serenity. A piece I would listen to as I die is this masterwork of pure ecstasy right here.
7:46 15:25 & 15:52 18:28 & 18:55 25:49 Just some of my favorite highlights from this movement (including the three reprises of one of the themes from the climax of the first movement). I love the long and drawn out finale that uses the _Also Sprach Zarathustra_ timpani rolls and heavy V-I hits that Strauss used (except to greater effect here, imho). Such a powerful piece of music.
Du wirst sie hören können, denn sie stammt von dort. Du lebst dann in ihrem Entstehen. - Woher ich das weiß? Ich kann's nicht genau sagen. Erzählt es mir vielleicht die Musik selber? Sehr herzliche Grüße!
This reminds me of Beethoven's last work, his String Quartet No. 16 - specifically, the third slow movement. Where that one may be solemn, reflective, and at times, dark (especially in the minor variation of that movement), there's no harm at all in wondering whether Mahler was inspired by that and continued that notion, and with his own pen slowly allowing the music to open up into a different colour that is just as beautiful and intimate as Beethoven's.
A musica é o Cosmos infinito Onde dançam as notas Em orbitas Escalas Que mutuamente se atraem Sinfonias sao galáxias Deus é o Maestro Em profunda sintonia!
Is it only me who hates when people shout "bravo" one millisecond after the last note has been played? Just give all the other audience members a few seconds to breathe and let the music really ring out.
NY is famous for that. It seems people need to announce they are capable critics. I just attended a concert with Alexandre Kantorow playing with the Munich Philharmonic. I was impressed by the restraint of the audience. When he finished his encore, he was visibly moved and held position for maybe 10 seconds though it seemed longer. And the audience patiently respected this which made it even more deeply felt. It was a spiritual moment for us all.
I seek what I cannot find in the scroll of my sorrow like a curse that is so evil right in my heart that I turn to the grave. In the bowels of the wide streets my pride kills me from within and I lose hope in the distant land of the unpromised. Humility is a part of our will that we do not deserve, we swim in the vortex of pain of melancholy and painting dynasty that we not only whine and fight. In the tears of long-lost masters, the glass is ground shards, star dust, the long road takes us to the intersection of logic and the only shadow in the sun covered by dark clouds in the sky. I turn my faith to God and to the only woman for whom my love feels more. I am broken and slightly bent over where I call out the words "What can love say here". To love and confess about a person that writing is the greatest hunger for the desire to meet the woman of my dreams. Here she is covered in hell regardless of others. When I am at her final resting place, I feel the need to jump back in time and fulfill my dream. To look into her face and eyes and tell her "Fame does not desire us, love leads us through the clouds in the rhythm of honey sweetness". I am lying in bed writing these words because in the music of Mahler, after learning, it is reflected in the mirror in empathy. For Maude Adams
No puede ser más precisa la referencia a este movimiento que hace Philip Roth en La mancha humana, lo inspirador de este adagio, el ajuste adecuado a los acontecimientos del libro.
![เป็นไปได้ไหม - WanMai [Teaser] | 05-12-24](http://i.ytimg.com/vi/P5Uto6e453w/mqdefault.jpg)
音の一粒一粒にまで 命の輝きと 魂の神秘が 宿っています。
この演奏に 存在の全てが もっていかれる。
TH-camに 泣くほど感謝しています。
生きていて よかった・・・🙏
I was listening to this piece at full volume & my next door neighbor liked it so much that he threw a brick through my window so he could hear it better! I feel deeply honoured by their genuine appreciation for this masterpiece. 🎇
Don't you just love fellow music lovers? Had a similar experience with Tristan and Isolde with Bernstein at the baton.
Estoy emocionado. Oyendo esta magnifica composición músical, me pregunto, si los humanos somos tan sensibles, porqué los odios y las guerras...
Mahler's 3rd, last movement, Bernstein conducting; No words, only tears of ineffable joy.
Bernstein's long time assistant told in an interview (here on YT), every time Bernstein conducted Mahler, he needed several days of relaxation because he was so exhausted. - Happy New Year, Heinz
Why am I not surprised. It is exhausting in the most intensely beautiful way. I find it to be a total brain resetting experience, and I am just the listener who is being played by it.
❤😂❤@@nicholasfulford6753 😂😂😂
하이 하인즈~~~반가워요. 좋은 정보 감사합니다. 말러의 아내 알마말러가 60세가 되면서 번스타인에게 부탁을 해서 말러음악을 세상에 알리는데 노력을 했다더군요.
00pp
He's sweating I believe it but it seems such relaxing music
Bernstein may be the most talented director of all time. He draws this movement out almost unbearably slow to represent the anguish and eventual triumph that love brings. It is like he has window into Mahler's soul that none of us could ever come close to having. He makes a song about love at first titillating, then sorrowful, then jubilant. Other interpretations of this piece have often been played too fast, or loud, or a combination of both. This...speaks to your soul.
Together with Sergiu Celibidache conducting Anton Bruckner's symphonies: Almost Zen like. He always conducted without any score in front of him, he had it all in his head. Watching him conducting Bruckner's Eight with the Munich Philharmonic is like having a glimpse into the Other World! He had the orchestra literally on a string, no extravagant movements with his baton. Sometimes he stops conducting and lets the orchestra carrying on the piece. Pure magic.
Abbado is the best
@@geojazz46 Nobody is '' teh best '' in arts . You have one lazy neuron . CSF ghinion . arunca-l ba:)))
@@pwieland Bravo ma . Cineva pomeneste de Sergiu Celibidache. One of the greatest ever.
@@geojazz46 th-cam.com/video/Bj6KLv7kv2Q/w-d-xo.html
Bernstein and Abado are the best Mahler conductors I’ve ever seen! Thanks God we can still enjoy it today and forever! RIP dear Leny and Claudio ❤️❤️❤️❤️
Moving to read your comment on Bernstein's birthday....
Guess you haven't heard Solti and the CSO.
@@rogermatice7334 Yes I have and as much as I like and respect Solti as far as Mahler is concerned the best Mahler conductors I have ever seen are Bernstein and Abado!!
both of them 0 compared to the man Bernstein tried to destroy by letting the press know he is gay (while he was also gay himself) Dmitri Mitropoulos...
This is one of the greatest achievements of mankind--composition and performance. Music is what humans do best. Mahler, Bernstein, Vienna...
Nicely phrased and completely true. This should be sent to the stars
@@hillcresthiker Voyager III?
certainly
Art is how we decorate space, music is how we decorate time…
@@roblusher3899 I you made that up, give yourself a star.
¿Cómo describir con palabras un sentimiento? El amor, la tristeza, el miedo, la esperanza: es imposible, hay cosas que solo deben sentirse en el corazón para comprenderlas. Esta música es puro sentimiento y ante ella solo cabe el silencio, la reverencia y admiración. Gracias.
it took me 29 years to fully appreciate gustav!!! le plus grand creme de la creme.....
It is a fact that even classical music is subject to the changing taste of generations, the fashion if you allow me to use that word. Mahler was under-appreciated and under-rated for much of the first half of the XX century, with barely a handful of conductors insisting in how great his works are. Recognition came only fom the 1960s, and LB played a fundametal role in that, I believe, along with some others.
Nowadays, Mahler symhonies are highly regarded and favorites of concert goers. I use to attend many performances of the Orquesta Nacional de España in Madrid, and the venue is literally packed when the program includes one of his symphonies. Last time was only two weeks ago, Mahler 7th, maybe the least known of all them, but still the three concerts during the weekend were sold out.
This last movement in Mahler 3 is simply irresistible, it moves almost everyone to tears... Last time I was so moved I had to wait a few minutes to walk out the hall. These Mahler symphonies are like treats... not for everyday (just joking).
I have been a lover of classical music since I was but 11. I was exposed to Mahler at 14 and he has remained a constant companion ever since. That's almost 50 years ago and still Mahler profoundly moves me, transports me almost to another world, and in my loneliness makes me feel emotions that I had long thought dead. In Mahler's 10th the scream in the first movement and the flute solo in the finale are amongst music's most shattering moments. Bernstein was passionate about Mahler which is clearly expressed here.
I can imagine how exhausting it was to conduct such a long symphony, and to express the detailed emotion from human soul. Good job LB and Vienna
The most daring and deep-felt performance of the closing movement of Mahlers 3rd symphony, that is for sure!
Wow. No one gets more emotion out of Mahler's scores than Bernstein!
Wonderful for Wonderland * Thank You to Mahler - Symphony
What a wonderful piece of music. Once again I can go out and face the world…❤
oh my god - the last chord bernstein gestures for a crescendo and stops - the chord breaks down beautifully into a grandeur and creates a wonderful coda. This is simply a perfect union of a composer and a conductor who knows how to empathize with his music. Greetings to all Mahler fans from the country where he was born (Czech Republic), approx. 150 km from his birthplace.
.....and Greetings & Bravi, too, from Mexico City!
I have no words. This is beautey on an incomprehensible scale. It is a kind of beauty which can not be described with simple words. In a round about way, only music itself could ever be used to describe this magnitude of beauty.
Mahler titled this movement "What Love Tells Me", and it is very apt that no words could capture such a concept
“Music can name the unnamable and communicate the unknowable.” - Leonard Bernstein
This is the best interpretation of this symphony, in my opinion
Whichever performance I open there is someone saying the same. But I do keep coming back to this one 😉
For some reason I can't really explain, I prefer his recording with the NYPO in 1960's.
Bar none
@@neil7137 you should listen to his 1988/1989 version, the trumpets sound the best in that one
Totally agree!!!!
One of the most beautiful things ever
25:48 A sound of heaven
76yr old my 2nd LP was Mahler. I found this so fulfilling, hooked on Mahler.
❤❤ starts very
softly, then rises
to great glory !!!!
Molto grande...
"Music is what humans do best". Ja, volle Zustimmung. Zum Mond fliegen können wir Menschen inzwischen auch. Dennoch: Solche Musik ist auch für mich die Quintessenz des Menschlichen. Bin zutiefst berührt.
This remains to this day as one of my personal favorite pieces of music. The only "material" memory of a long lost love. It would have been so amazing to enjoy Bernstein's interpretation live. Still, I got to see it in the Auditorio Nacional in Madrid. It was one of the most impressive, emotional moments of my life. Perfect moment, perfect company, perfect soundtrack.
Te amo siempre, Ojotes-Quien-Seas
HAPAIKAN YOU ARE SO BEAUTIFUL ADORABLE SEDUCTIVE RAVISHING SENSUAL SEXY CAPTIVATING AND PASSIONATE YOU ARE PERFECT ❤
この伝説的な映像をありがとうございます。マーラーの交響曲の中で1、2を争う旋律の宝庫ですね。それを余すところなくバーンスタインは表現しています。本当にありがとう！
Reminds me why I love Mahler!
So slow, so glorious, so so wonderful
10:39
Arrivederci amore mio ... ti amerò per sempre.
Il nostro momento nel tempo ... strappato senza pietà dalla nostra presa.
L'unica consolazione e speranza lasciate a me ... Che ti vedo di nuovo nella morte.
Addio, vita mia, amore mio. Addio.
Cos'è?
source?
Wow. Frisson.
Forever Bernstein, the Best interpreter of Mahler
Beautiful Masterwork of Mahler🤩🌹
You have to wonder. It's more than notes on a scale. And, there are only a few composers that truly embrace our heart and soul. I have a theory...these men and women are Angels on loan; God's way of letting us know, we are His beloved children and each note is a tap on our shoulder, with God saying, Be Loving And Good To One Another.
It's interesting your theory. But it doesn't quite work in my opinion cuz the music isn't just loving and calming melody. It goes deep and melancholy in a sad way.
@@VasDavid577 Absolutely, the music is deep and melancholy. You are so right on!
@@johncrawford009 this could make it as a story it self made by Mahler. When two persons love each other explaining the beginning being so romantic and calming. The beginning would the emotions of the person who loves a another person. They both get along very well. But it suddenly goes deep. That's the beginning of the overthinking of the lover who has dark thoughts. Now the person who he loves starts to pull away from him. Leave him. Wich will explain why it goes even more deeper. Until the lover accepts that he needs to tell his emotions wich can explained why it comes a brand new theme made by a choral of trumpets. Now she finally heard the truth. And made her happy. And him as well as she says her feelings towards him. Resulting into the end being so triumph.
@@VasDavid577 I like that. By the way, have you seen Mahler's cabin, on the lake, where he composed...so cool!!! It's on youtube.
@@johncrawford009 yeah I know it
Sometimes when I'm in the most benign mood I'll return to this music to see if it can bring me to tears. Always does.
This music connects us with God, his boundless wisdom. Gustav Mahler just recorded for us God' s divine harmony of everything.
This tempo and this meditation and this expression and this divine flight in heaven is the best performance and best interpretation of this Divine symphony
6556
There must be a certain magic between Mr. Bernstein and the way he conducts Mahler's masterpieces. Awesome piece, thanks for sharing.
Es ist sehr beeindruckend zu sehen, wie sehr Bernstein in Mahlers Musik vertieft ist.
A pilgrimage for the soul; until at last when time stops, it can arise unto the forever eternal!
I love how long Bernstein holds the last note of this as well as Mahler 2
It's as if he feeds on it!
Thanks for mentioning that, as I was about to myself.
bernstein is the only person i would trust to conduct mahler, especially mahler 2
22:53 One of the saddest and magical moments in the symphonic repertoire
Bernstein sure knows his Mahler!
🎯💙
18:35 I can already hear 8th symphony finale here, I'm quite sure they're both perfect depictions of moments of love
Y a-t-il quelqu’un qui écoute cette merveilleuse musique cette nuit?
It’s been a while since I’ve heard an applause so undeniably exuberant and deserved
@@alpinoalpini3849i agrée, i love how in some of the recordings of mahler especially with claudio abbado how there’s a minute of silence just to let the music settle in after
Commovente fino alle lacrime....
The music of Faso is an inexhaustible source of sweetness.
It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly❤❤❤❤❤❤
It was Gustav's dying wish that his music come back to life 50 years after his death in 1911. His wish came true thanks to Lenny, Herbie and many more great conductors and orchestras. In addition there was a curious and appreciative audience which is still in place today, right here, right now.
Slim Yelow "Herbie" ? Von Karajan ? ........
@@sarahjones-jf4pr nah herbie hancock obviously
slimyelow..Lenny?.."Herbie?"Maestro Bernstein and Maestro Herbert Von Karajan.
Mahler said his music was 50 years too soon. Also, Karajan rarely conducted Mahler. We need to thank Lenny and Dimitri Mitropoulos
@@HanukkahLewis A few decades too soon, this came out in 1896? I think plenty of composers were very much influenced by his works, but it took Bernstein to slowly introduce them to the crowd afterwords.
no word can contemplate this immateriality: only this Music
Bernstein was the best conductor ever for Mahler!
😢 무어라 형용할 수 없는 뼛속 깊이 스며드는 선율에 말이 안나오네요 말러와 번스타인님의 혼연일체를 느낍니다
Bellissimo ❤❤❤ grazie mille amore mio per inviarmi questa meraviglia ❤
Sublime end for a sublime symphony ......
Mahler said at one point: "We do not compose; we *are* composed." I feel that's most true of this movement. (And possibly the Eighth Symphony.)
😢❤ The glorious
movement is so
beautiful !!!!
I am getting dressed and coming to see you now unless you call me. ( I am sorry for this behavior, but I don't feel you have gien me any choice.
Tanta melodia e beleza neste andamento da 3ª de Mahler......será possivel não se gostar?
Vi o seu comentário num outro vídeo desse movimento.É muito massa ver que outros brasileiros desfrutaram dessa perfeição
I love Bernstein’s conducting.
Wonderful in so many ways and on so many levels.
3:30 ~ Love this part
YES!
Marvelous Orchestra!
What a composer, what a director!
Lovely, so sublime!
Leonard Bernstein ( 1918-1990) grande personaggio del mondo musicale .😊👍🎼🎵🎶
I'm at the 8th years of listening.... And slowly a light... Try to turn on inside of me... Mahler è quello che si dice praticare l'amore della conoscenza... Ci vuole pazienza e lavoro assiduo.
Thank you LB....we miss you❤
💙
I agree with those who recognize that the expansive nature of this movement demands these slower tempos. Having said that, I question (on my viewing, at least) if the audio is properly synced w/ the video.
That aside, the brass do not measure up to the CSO, but who does? There is nothing better than the recording w/ James Levine (Bud Herseth on tpt).
This is a splendid (& similar) interpretation overall.
What love tells me, indeed.
Music to write your will to
Then at !:20, there are those five notes that called out to be sung: and, in 1938, they inspired two Americans, Fain and Kahal, to write the song, "I'll Be Seeing You" for insertion into a Broadway musical that nevertheless closed after fifteen performances. But the music and the poetry endured! What could be more ironic than the fact that the Nazis took over Mahler's homeland and banned Mahler's music. However, it was that song, derived from the music Mahler wrote, that nourished the morale of the heroic allied troops that defeated the Nazi evil of WWII.
1:20
The Broadway show was, “Right This Way”.
Bernstein astonishing in Symphony n. 3
Descubrí a Mahler, como muchas otras personas, a partir de escuchar su primera sinfonía, de la cual quedé maravillado debido a su movimiento final. Sin embargo, muchos años después de aquel primer contacto, y después de haber escuchado las nueve sinfonías completas y los fragmentos de la décima, la tercera es, a mi parecer, la más hermosa de todas; en especial este último movimientos, puesto que refleja no sólo el dolor y la angustia existencial humana de la época, sino cómo el espíritu decide afrontarla y termina por salir avante de dicha confrontación.
👏👏👏
I agree more than anything. I love this work because it is the deepest core of Mahler. A heart ready to burst out to find eternal serenity. A piece I would listen to as I die is this masterwork of pure ecstasy right here.
7:46
15:25 & 15:52
18:28 & 18:55
25:49
Just some of my favorite highlights from this movement (including the three reprises of one of the themes from the climax of the first movement).
I love the long and drawn out finale that uses the _Also Sprach Zarathustra_ timpani rolls and heavy V-I hits that Strauss used (except to greater effect here, imho). Such a powerful piece of music.
Solo di questo ho paura della morte: non poter ascoltare più questa musica sublime!
Du wirst sie hören können, denn sie stammt von dort. Du lebst dann in ihrem Entstehen. - Woher ich das weiß? Ich kann's nicht genau sagen. Erzählt es mir vielleicht die Musik selber? Sehr herzliche Grüße!
Muito bonito este movimento.
Many thanks!
So Beautiful for this world! ❤️ WOW
Thank you so much! ❤
Hola a todos bendiciones primera vez que oigo estas composiciones son bellas
❤❤ playing this section
makes me feel better about the love for others
Many Thanks!!!
Hier weint die Erde 💏🎻
👩❤️💋👩🎼🎼🎻🎻🎻🎻
Danke ♥️🎻🎼🌹
This reminds me of Beethoven's last work, his String Quartet No. 16 - specifically, the third slow movement. Where that one may be solemn, reflective, and at times, dark (especially in the minor variation of that movement), there's no harm at all in wondering whether Mahler was inspired by that and continued that notion, and with his own pen slowly allowing the music to open up into a different colour that is just as beautiful and intimate as Beethoven's.
What love tells me.
Bernstein unique, precious, great giant, divine human being that became a God.
It's perfection.
The most sensitive interpretation I've ever heard of this movement.
Mind blowing
Großartig!
5:33 onwards is stunning
A musica é o Cosmos infinito
Onde dançam as notas
Em orbitas
Escalas
Que mutuamente se atraem
Sinfonias sao galáxias
Deus é o Maestro
Em profunda sintonia!
Music to send my soul blissfully to the eternal silent place
Is it only me who hates when people shout "bravo" one millisecond after the last note has been played? Just give all the other audience members a few seconds to breathe and let the music really ring out.
Yes! That moment of silence when the music ends and the last echoes ring around the concert venue is the most magical moment of the performance!
NY is famous for that. It seems people need to announce they are capable critics. I just attended a concert with Alexandre Kantorow playing with the Munich Philharmonic. I was impressed by the restraint of the audience. When he finished his encore, he was visibly moved and held position for maybe 10 seconds though it seemed longer. And the audience patiently respected this which made it even more deeply felt. It was a spiritual moment for us all.
This movement is new to me.
I’m not going to assess it now.
I need to listen to it many times before forming an opinion.
Listen to Michael Tilson Thomas's recording of it. It is just as good as Bernstein's.
radiance.
bernstein put Gustav on the map - Haitink is the best - love 'em all - Hope to meet them all in the "promised' which is like BS!
I seek what I cannot find in the scroll of my sorrow like a curse that is so evil right in my heart that I turn to the grave. In the bowels of the wide streets my pride kills me from within and I lose hope in the distant land of the unpromised. Humility is a part of our will that we do not deserve, we swim in the vortex of pain of melancholy and painting dynasty that we not only whine and fight. In the tears of long-lost masters, the glass is ground shards, star dust, the long road takes us to the intersection of logic and the only shadow in the sun covered by dark clouds in the sky. I turn my faith to God and to the only woman for whom my love feels more. I am broken and slightly bent over where I call out the words "What can love say here". To love and confess about a person that writing is the greatest hunger for the desire to meet the woman of my dreams. Here she is covered in hell regardless of others. When I am at her final resting place, I feel the need to jump back in time and fulfill my dream. To look into her face and eyes and tell her "Fame does not desire us, love leads us through the clouds in the rhythm of honey sweetness". I am lying in bed writing these words because in the music of Mahler, after learning, it is reflected in the mirror in empathy. For Maude Adams
Symphony n.3 Is Deep, Rich of chromatism, a masterwork.Bernstein Is best interpreter of Mahler 🤩🌹🤩
Wouldn’t you just die without Mahler?
(Educating....)
OMG! A bit slower. Another level!
20:45 I love it.
greatest thing ever
So ist es 🎼🎼🎼🎼🎻🎻🎻
아름답다..
No puede ser más precisa la referencia a este movimiento que hace Philip Roth en La mancha humana, lo inspirador de este adagio, el ajuste adecuado a los acontecimientos del libro.