Weltklasse.Joschos rechte Hand ist perfekt.Aber Bireli ist der beste Gitarrist der Welt.es giebt keine 2 Meinungen!Alleine der Rithmus von Bireli ,und die Improvisation.Weltklasse.Höre es den ganzen Tag.Den Bassist nicht zu vergessen.Perfekt
Yes Indeed. Reinventing this jazz track makes it sound brand new especially with Gypsy Joscho and Brazilian Bireli influences. Entirely infectious. Thanks again guys.
Greetings from PaSTOR D "TBLAM." (Also guitar/bass/piano instructor). It is absolutely illegal to be this tasteful, technical, polished, effortless, and "OMG!" This is the performance of the century! Please keep up the excellent work. Stellar "Original interpretation."
I first encountered this tune in 1971 on Gabor Szabo's "High Contrast" LP BTS 28 (Yep, still got it!) the composer Bobby Womack plays Rhythm Guitar on it. I feel the enduring appeal of this lovely tune is that it's basically a very simple couple of riffs that leave infinite scope for improvisation and the Uber Talents of Stephan, Lagrene and Kamp certainly do it justice! Many Thanks for posting - Jay in the U.K.
@@jaycooper2624 as far as I know, they (BW and GSz) worked together on LP 'High Contrast', they wrote the songs together, and finally they draw straws(!) to decide whose name to assign to particular songs as 'composer'. And actually in 'Breezin', Szabó's part was at least as large as Womack's. Do you have any information (to the contrary)?
@@tiborfarkas2969 That's an interesting anecdote Tibor but I have to say that I'm dubious about it's authenticity. The "High Contrast " LP contains another 3 tracks credited to Bobby Womack all of which can be found on Womack's own releases and 3 Szabo compositions one of which (Fingers) is credited to Szabo and Bass player Wolfgang Melz. The main reason for doubting the "drawing of straws" idea is that it is completely unnecessary, any number of people can be credited as composers of a track and usually are, regardless of what their contribution might be. I wouldn't be at all surprised if the track was "worked up" in the studio during the session, but if Gabor had played a major part in it's composition I feel sure that he would have insisted on a co-credit because there's money involved! This particular track must have generated huge sums in royalties over the years and whilst Gabor died in February 1982, Benson's version released on the album of the same name in 1976 had already sold millions and he would in all probability have wanted his "rightful share" if what you say is true. This may not be information to the contrary but when I interviewed Carlos Santana in 1978 (for the BBC) I asked him about Gabor because Carlos habitually goes into "Breezin'" when he plays "Samba Pa Ti" live. and he confided that Gabor would frequently come around to his apartment for a jam and that's where he picked it up. He also vouchsafed that the man was "not an easy person to like" because he was self-centred and had no interest in what anybody else was doing so it doesn't sound to me as though he was a person given to altruism who would hand over sole publishing rights involving millions of dollars. Anyway, it's all academic really, I suppose, with Bobby and Gabor both passed on and as far as ASCAP and PRS are concerned Mr Womack is the composer, but it's fun to conjecture on these things and maybe someone else will read our comments and come up with some cold ,hard and irrefutable facts on the subject - my best regards - Jay.
@@jaycooper2624 thank you very much for your extensive analysis. I am just an outsider, but I will try to find the exact sources of the idea that I presented above. And sorry for my English if something sounds strange. :) (grammatically)
A wonderful; tasteful rendition of this song. What captured my attention was the balanced exchange between Birili and Joscho. They are both outstanding players but they each have their own voices and qualities and here they allowed each other the room to take the lead. Bass was also great and the glue that held everything together. I also really liked that neither one strayed totally away from the original melody line. So good and a real treat. Thank you fellas.
This is modern gypsy jazz.. i think there’s potential to new genre based on gypsy jazz and they are the guys who become the pioneers. Acoustic jazz like this always fun and authentic to hear.
I guess I will be viewing this performance forever....Perhaps one of the perfect performances out there. Prefer this to the famous van group performance with those of this notoriety. Both were perfect performances in my opinion......
Small detail, but for me the most interesting one: listen to the way Bireli is accompaigning. He stays under the surface and still carries the groove. Pretty difficult to get this tune sound like it should sound without drums and keys.
Right on with that. I would love to here a Benson Lagrene duet on this just because of both their rythm playing. George Benson is such a master rythm player as is Bireli.
Bireli c 'est un phénomène cela est incontestable mais bosco Stéphane est très doué super guitariste . Mais le problème c' est que toutes les improvisations sont déjà connues par les anciens guitaristes mais cela reste extrêmement difficile techniquement en tout les cas je l ai adore tous les deux bravo .
Oh Joscho, man you make that guitar sing so sweetly! These guys are at the pinnacle of guitar playing. It's one thing being technically excellent but quite another being able to convert that technical excellence into melodic, musicality which moves your soul.
And yet Bobby Womack song and Gabors interpretation still is soooooo good then Benson's take on Gabor's version and on and on. Now do your own take on this fun song
Joscho, Bireli both incredible guitar artists, great music makers !...........💚
Every time I watch this, it makes my day !!
Hahaha :) stormy weather !!! Bireli is amazing!
Bass guitarist also plays string bass in this trio. His guitar is much more pronounced and adds much to the trio - what a pleasure!
Bireli solo - pick up notes shifted ... Phrasing note placements not as expected creating a counterpoint masterpiece solo sensation. WOW
Simple Refreshing ❤️👏❤️👏❤️👏
exactly right volume for bass........bravo
Stormy weather lol fantastic
Weltklasse.Joschos rechte Hand ist perfekt.Aber Bireli ist der beste Gitarrist der Welt.es giebt keine 2 Meinungen!Alleine der Rithmus von Bireli ,und die Improvisation.Weltklasse.Höre es den ganzen Tag.Den Bassist nicht zu vergessen.Perfekt
Give that Bass man a beer!!!! 🔥🔥🔥
absolutely fantastic!!!
guitar heaven !!
Wonderful when you have friends like these two!🙂
As I bass player, the bass Man is outstanding! His confident is on the string already 💯💯
who is he?
Trai bien, traai joli...bravo!
Breezin w/ extraordinaire French Flavor! LOVE it, carry on guys. merci beaucoup
upvote before even watching..Was looking for Bireli with Josco
Listening to this at least once a day has been my routine.
Fantastic cover of George Benson's Breezing' . I really enjoyed it. Thanks Guys !
I just love how Birelli just goes out of his confort zone and plays a nylon stringed guitar. He has done it all.
Como siempre, maravilloso.
Joscho bringing the pyrotechnics and super soulful licks and master Lagrene bringing some super authentic bebop flavor, two generations one goal.
Again! I'm literally licking my lips at these amazing solos! Thank you bosses!
It doesn’t get any better!
THIS
Both incredible guitar 🎸 solos! The Bass Man sounds great!
Yes Indeed. Reinventing this jazz track makes it sound brand new especially with Gypsy Joscho and Brazilian Bireli influences. Entirely infectious. Thanks again guys.
Wunderbar!
What a beautiful rendition of the George Benson classic, Joscho always looks like he is having so much fun!
Gábor Szabó classic ;)
Ce solo de bireli. Quel swing!
This truly is remarkable!
Wow, Joscho! "One more to your belt" and Bereli's solo was a stunning too.
Как так можно? Фантастика!!!!!!!!!!!
Amazing..Great Trio.😎😎😎
Grandiose...Quel talent!
Seeing these going somewhere than the obvious just makes me smile ...
All three of you gentlemen are an absolute treat to listen to. Wonderful variety to the known melody lines. Some ideas almost like a counter point.
As soon as I saw the song title, I knew I was in for something good from these guys. They exceeded my expectations
Fascinante
Greetings from PaSTOR D "TBLAM." (Also guitar/bass/piano instructor).
It is absolutely illegal to be this tasteful, technical, polished, effortless, and "OMG!"
This is the performance of the century! Please keep up the excellent work. Stellar "Original interpretation."
Fantastique. Bravo .
A wonderful complex tune.
Only the best can play it like you all do.
You‘re the greatest!
.....Йошо поддался на провокации Биреллика и начел мудрить ....но тоже хорошо....
Wow! great These three play an absolutey fantastic version of this!
!!!!!
🎸🎉🎸🎉🎸💓Браво!!!!!
Спасибо огромное, братья!!!
Привет из Улан-Удэ Россия 🎸 Байкал рядом с нами, приезжайте в гости к нам!!!!
Amazing performance !!
So Nice insert of "stormy weather" by bireli !!!!! @5:23
Brilliant!
Awesome cover! Cool playing, great Bass Sound!!
Bravo.....
Sensacional Joscho Stephan!!!!!
Guitars Genius !!!!! MERCI
Omg that’s one of the best solos from Bireli that I’ve heard on TH-cam. Mind blown!!
I first encountered this tune in 1971 on Gabor Szabo's "High Contrast" LP BTS 28 (Yep, still got it!) the composer Bobby Womack plays Rhythm Guitar on it. I feel the enduring appeal of this lovely tune is that it's basically a very simple couple of riffs that leave infinite scope for improvisation and the Uber Talents of Stephan, Lagrene and Kamp certainly do it justice! Many Thanks for posting - Jay in the U.K.
co-composer Bobby Womack ;)
(what is seen on the record sleeve is not the whole truth)
@@tiborfarkas2969 O.K. Tibor what is the whole truth? - I'm intrigued.
@@jaycooper2624 as far as I know, they (BW and GSz) worked together on LP 'High Contrast', they wrote the songs together, and finally they draw straws(!) to decide whose name to assign to particular songs as 'composer'. And actually in 'Breezin', Szabó's part was at least as large as Womack's. Do you have any information (to the contrary)?
@@tiborfarkas2969 That's an interesting anecdote Tibor but I have to say that I'm dubious about it's authenticity. The "High Contrast " LP contains another 3 tracks credited to Bobby Womack all of which can be found on Womack's own releases and 3 Szabo compositions one of which (Fingers) is credited to Szabo and Bass player Wolfgang Melz. The main reason for doubting the "drawing of straws" idea is that it is completely unnecessary, any number of people can be credited as composers of a track and usually are, regardless of what their contribution might be. I wouldn't be at all surprised if the track was "worked up" in the studio during the session, but if Gabor had played a major part in it's composition I feel sure that he would have insisted on a co-credit because there's money involved! This particular track must have generated huge sums in royalties over the years and whilst Gabor died in February 1982, Benson's version released on the album of the same name in 1976 had already sold millions and he would in all probability have wanted his "rightful share" if what you say is true. This may not be information to the contrary but when I interviewed Carlos Santana in 1978 (for the BBC) I asked him about Gabor because Carlos habitually goes into "Breezin'" when he plays "Samba Pa Ti" live. and he confided that Gabor would frequently come around to his apartment for a jam and that's where he picked it up. He also vouchsafed that the man was "not an easy person to like" because he was self-centred and had no interest in what anybody else was doing so it doesn't sound to me as though he was a person given to altruism who would hand over sole publishing rights involving millions of dollars. Anyway, it's all academic really, I suppose, with Bobby and Gabor both passed on and as far as ASCAP and PRS are concerned Mr Womack is the composer, but it's fun to conjecture on these things and maybe someone else will read our comments and come up with some cold ,hard and irrefutable facts on the subject - my best regards - Jay.
@@jaycooper2624 thank you very much for your extensive analysis. I am just an outsider, but I will try to find the exact sources of the idea that I presented above. And sorry for my English if something sounds strange. :) (grammatically)
A wonderful; tasteful rendition of this song. What captured my attention was the balanced exchange between Birili and Joscho. They are both outstanding players but they each have their own voices and qualities and here they allowed each other the room to take the lead. Bass was also great and the glue that held everything together. I also really liked that neither one strayed totally away from the original melody line. So good and a real treat. Thank you fellas.
Woooooooow
Simply masterful.
Awesomeness.
Wouuu, me encantó!!! Saludos desde México.
!!!!!💓🎸😉 очень очень очень хорошо!!!!!
Привет из Улан-Удэ Россия 🎸
Grandes Joscho y Bireli !!!
phenomenal
we love this song!! its very beautiful!
👏🏻👏🏻👏🏻👏🏻😍😍 such a Great Version !
Totally amazing, I still can’t pick my jaw up off the floor ♥️♥️♥️♥️♥️♥️
Always a great jam with fun improvisation, good fun guys, thanks as always
Cool!!!!
Volker Kamp. Now that's a real rock'n'roll name.
Wunderbar , danke !!
Thanks for capturing these moments in superb visuals and audio.
This is modern gypsy jazz.. i think there’s potential to new genre based on gypsy jazz and they are the guys who become the pioneers. Acoustic jazz like this always fun and authentic to hear.
This is wonderful. One of my students share this with me. Lots of co-operation in this one.
Birelli amazing!!!😁🙏
Beautifully. You are great.
This is great. Have a look at the original version by Gabor Szarbo. He was a one off.
I guess I will be viewing this performance forever....Perhaps one of the perfect performances out there. Prefer this to the famous van group performance with those of this notoriety. Both were perfect performances in my opinion......
Awesomeness
Based Bass
esto si que vale !
YEAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
Fabulous!
Small detail, but for me the most interesting one: listen to the way Bireli is accompaigning. He stays under the surface and still carries the groove. Pretty difficult to get this tune sound like it should sound without drums and keys.
Right on with that. I would love to here a Benson Lagrene duet on this just because of both their rythm playing. George Benson is such a master rythm player as is Bireli.
yeah, noticed that too..dont know how to say it but theyre really gooooood
@Tanjiro Kamado I think you’ve nailed it, brother. They’re really goooood sums it up nicely.
Marvellous
Amazing
AMIGO HERMOSO TÚ Y TUS COMPAÑEROS ERES UN GRANDE DE LA🎸🎸🎸🎸🎸TE SALUDO DESDE 🇲🇽🌷🐕🐶🙌💐🌹✌️🍄💙🇲🇽 GUADALAJARA JALISCO 🐕
Bireli c 'est un phénomène cela est incontestable mais bosco Stéphane est très doué super guitariste . Mais le problème c' est que toutes les improvisations sont déjà connues par les anciens guitaristes mais cela reste extrêmement difficile techniquement en tout les cas je l ai adore tous les deux bravo .
yeah very good
Oh Joscho, man you make that guitar sing so sweetly! These guys are at the pinnacle of guitar playing. It's one thing being technically excellent but quite another being able to convert that technical excellence into melodic, musicality which moves your soul.
Yup, they are everything I love about music.
Люблю когда Лагрен на груве!
5:22 - 5:28 Biréli 😉 "Stormy Weather"
j'aimerai vous voir jouer ensemble en concert pour ma part j'ai déjà vu biréli lagrène et a chaque fois ca été magique merci
❤
Bireli has got soul
Ok, i can jump out the window.
Ha ha ha !
Please do.
@@MultiVirginian It is done.
And yet Bobby Womack song and Gabors interpretation still is soooooo good then Benson's take on Gabor's version and on and on. Now do your own take on this fun song
Holy Mackinaw
stephan,grandioso!!!!!!
Are there any more videos from this concert of these two playing together ?
So good, I want to die right now.
Wowowow