If you're on windows there's a plugin type thing on the Microsoft store that you can download that allows the playback and usage of H.256 HEVC files! :) (If you're on mac, I think 10-bit footage is supported natively.) Hope this helps!
Thanks, this is useful. Do you ever see more noise added in CLOG/CLOG3? I'm pretty unpracticed with grading, and I'm struggling now that I'm starting to work with CLOG3 in the R6. Footage is noisier than I'd expect with ISO 800. If you have any suggestions, I'm all ears! Thanks. :)
I have noticed more noise in some situations (particularly lowlight.) My process for dealing with it is to use temporal NR in Resolve. I'll have a video on that out soon!
@@James-dy6zh Yeah I have Resolve Studio. However, the free version can play Clog 3 as well. If you're on windows there's a plugin type thing on the Microsoft store that you can download that allows the playback and usage of H.256 HEVC files! :)
Hello ! Thank you very much for this great video ! I have an R6 and I'm going to get into the video. If I’m using c-log 3 then I will have to install a variable nd filter. So, how many stops do you recommend for shooting in broad daylight, with average brightness (Norway in February) ? 2-5 or 6-9 stops? Thanks for your help ! Best regards ! Vanessa
Hey Vanessa! I’d recommend 6-9 stops! As, sunlight reflecting off snow is crazy bright on camera. For situations where 6 stops is a bit too much, you can always compensate with a wider aperture, or by raising your ISO.
@@PaulStrople Thank you very much for this advice ! You’re right, the landscape will be totally white, especially when we’ll be at Svalbard ! So, let’s go for a 6-9 stops Polar Pro VND! Thanks a lot !
@@PaulStrople Yes ! We’re gonna spend 10 days around Tromsø and a week in Svalbard ! I’m so excited but I’m afraid to make mistakes when shooting with my R6 as well. For our previous stay in Tromsø, I used an iPhone !!!!!!! Soooooo much easier !
My source footage is 10-bit H.265. 8-bit footage cannot be realistically converted to 10-bit. That would be trying to add colour depth information that isn't there already... which isn't possible.
Raw photos open in Camera RAW by default, where you can make exposure and color changes, before opening in Photoshop. (They'll also open in LR if you have it setup that way.) If nothing is opening at all, it's probably a corrupted file. I've had that happen before, and it really sucks.
Thank you! I am tried to solve that over saturation problem and it's that simple!
This was very helpful, thank you!
man my r6"s clog 3 file not showing in resolve 17 it shows only audio
If you're on windows there's a plugin type thing on the Microsoft store that you can download that allows the playback and usage of H.256 HEVC files! :) (If you're on mac, I think 10-bit footage is supported natively.)
Hope this helps!
Thank you for your sharing, it's super duper easy to color grade. Love Canon for creating C-log 3. LMAO
My face has been welcomed👍
Amazing man! Thanks for the information
Great information! Thank you for the video.
You’re most welcome! ☺️
Thanks, this works great.
Thanks, this is useful. Do you ever see more noise added in CLOG/CLOG3? I'm pretty unpracticed with grading, and I'm struggling now that I'm starting to work with CLOG3 in the R6. Footage is noisier than I'd expect with ISO 800. If you have any suggestions, I'm all ears! Thanks. :)
I have noticed more noise in some situations (particularly lowlight.) My process for dealing with it is to use temporal NR in Resolve. I'll have a video on that out soon!
Thanks for the tip on not using the Canon cinema, I have been struggling to match my R6 to my C70 because of that.
Yeah. Only use Canon Cinema Gamut in Resolve, if you also have your R6 set to Canon Cinema Gamut. (it's under CLOG settings in the red menu.)
Can you advice me? how to import CLOG 3 footage in to Davinci
Davinci can import H.265 natively, I’ve always just dragged and dropped it in without issues. ☺️
@@PaulStrople you have the paid version to play Clog 3 files, not the free download right?
@@James-dy6zh Yeah I have Resolve Studio. However, the free version can play Clog 3 as well. If you're on windows there's a plugin type thing on the Microsoft store that you can download that allows the playback and usage of H.256 HEVC files! :)
Color management?
Hello ! Thank you very much for this great video ! I have an R6 and I'm going to get into the video. If I’m using c-log 3 then I will have to install a variable nd filter. So, how many stops do you recommend for shooting in broad daylight, with average brightness (Norway in February) ? 2-5 or 6-9 stops? Thanks for your help ! Best regards ! Vanessa
Hey Vanessa! I’d recommend 6-9 stops!
As, sunlight reflecting off snow is crazy bright on camera.
For situations where 6 stops is a bit too much, you can always compensate with a wider aperture, or by raising your ISO.
@@PaulStrople Thank you very much for this advice ! You’re right, the landscape will be totally white, especially when we’ll be at Svalbard ! So, let’s go for a 6-9 stops Polar Pro VND! Thanks a lot !
@@vivaldi06 You’re going to Svalbard?!?!?! Aaaaaaahhhh!!!!! I’m so jealous! 😍
@@PaulStrople Yes ! We’re gonna spend 10 days around Tromsø and a week in Svalbard ! I’m so excited but I’m afraid to make mistakes when shooting with my R6 as well. For our previous stay in Tromsø, I used an iPhone !!!!!!! Soooooo much easier !
thank
Can you do one for premier pro? Thanks
What is your Color space in the Log settings? Thanks
Hey do you have to mess with skin tones as much?
So helpfull thank you so much.. can you also explain how to export with best settings for r6 120fps files?
I put a film shot in CLOG 3 into DaVinci Resolve and I only get a sound file, without image editing. Why?
Can you also tell me how to use luts? If I add those after this what you explaine in your video then every thing looks over contrasty
can you do one for premiere pro
is your source footage h.265 format? if so, do you have to first convert h.265 to something?
My source footage is 10-bit H.265. 8-bit footage cannot be realistically converted to 10-bit. That would be trying to add colour depth information that isn't there already... which isn't possible.
@@PaulStrople no i mean how do you convert 10 bit h.265 to more editing friendly format?
@@milanjani Davinci Resolve can convert the h.265 to ProRes using Proxies. Way easier to edit, and you still get the 10-bit colour depth! :)
@@PaulStrople yes but color grading with proxies must be difficult. isn't it?
What are your settings on the Color Management settings page?
up
Step 1: Buy Davinci Studio =D
Sir why my raw file not open in photoshop 2021
Raw photos open in Camera RAW by default, where you can make exposure and color changes, before opening in Photoshop. (They'll also open in LR if you have it setup that way.) If nothing is opening at all, it's probably a corrupted file. I've had that happen before, and it really sucks.
absolutely wrong. Its better to make corrections and grades in more wide gamma and color cpace so its better tu do it all BEFORE SCT
DaVinci Resolve instead of Final Cut or Adobe... FAIL!! 🤪 just kidding. Lol.