Great old Klaus, he radiated fragility, commitment and passion. His Mahler was both lyrical, glowing, majestic, tragic, exhilarating and overwhelming, pure blood-and-tears coming from heartfelt emotion, opposite most Mahler conductors... I feel privileged of having been able to hear him live with a then rather poor danish orchestra, back in 1983!
This was a magnificent performance from 1990 when going to the theater to hear a great orchestra like chicago symphony was a real treat.People got dressed up and showed respect for the people performing. If you got a standing ovation back then you really deserved it.This conductor will be remembered for his emotion and love for the music of a great composer like Mahler and Tenndstedt showed this in every way Bravo !!!
What a performance! I've never heard Titan played like this. CSO was brilliant, and Maestro Tennstedt magnificent with his unorthodox conducting style. Tennstedt was a tall man and he utilized this feature nicely.
Observe the maestro at 34:05 as he wipes away a tear. That section illustrates his "non-technique" technique .Like Furtwangler, he " drew the shape of the music with the baton"
An absolutely overwhelming performance. To me, he was the conductor who best expressed the post-romantic lyrical spirit of Mahler. Probably even better than Walter who was Mahler's pupil... He lets this music breathe like no other. My favorite above Walter, Kubelik, Giulini and Abbado.
mon profond attachement à la musique de Mahler est exalté par Klaus Tennstedt qui conduisait cet orchestre avec une sensibilité, une force peu communes . Il avait une vision de la première symphonie qui lui donnait une place majeure dans l'histoire de la musique ! C'est émouvant, merveilleux... Merci à vous cher Maestro ...
This is my personal favorite of the almost countless Mahler 1 performances I have heard in more than 50 years of enjoying this wonderful masterpiece. I view it regularly. Tennstedt works the tempi and dynamics to fit the acoustics of the venue to perfection, beautifully capturing the varying moods of my favorite symphony. He was a unique and marvelous conductor who shows here his typical mastery from the concert podium in this exceptional performance by the CSO.
I case you missed, there's a new Tennstedt bio out, "Possessed by Music". Can't post the link to the review here, but it can be found on MusicWebinternational.
What a beautiful symphony what a magnificent conductor. I have seen money of Bernstein’s symphony like 3, 5, 9 conducted by many. Magnificent conductors like Bernstein and others but, this with Claus Tennstedt about I have seen. Avery beautiful symphony with excellent conductor.
I don't know how many orchestras you have listened to,but yes a good performance by an excellent band, but that's about it.Let's leave the hyperbolè for now.
@@peterfeltham5612 I listened now to exactly 124 recordings of different conductors with different orchestras from different periods of time. I don't hesitate a second to fully go with Edward - one of the great, if not the greatest performance of that symphony.
Incredible can,t get enough of this wish I could go back in time and be sitting in that audience as I would be the first to stand and give everyone associated with this fabulous performance a standing ovation !!!!!!!!!
What an absolutely terrific performance by an orchestra and famous conductor from the past it sends chills up your spine because it is rare to see or hear this like this anymore very rare and what a treat this must have been for the people who attended this memorable concert back in 1990!!!!!
Esecuzione storica eccezzionale travolgente.Questa esecuzione esaltante sotto tutti i punti di vista del fare la musica a grandissimi livelli, dona a chi ascolta una immensa felicità.
the brasses are phenomenal. Bud Herseth, the whole chicago trumpet and horn section, unbelievable. Never heard such a tone mixture of wood section and brass section. Usually you could not hear any wood, when the trumpet and the horns plays at the last 10 minutes of the symphony.
One other thing Mahler's Symphony No 1 is considered by many people to be the best and greatest symphony of all time by any composer in history,and there's a lot of evidence to prove this!!!!!
I think this is not only one of the greatest performances of this work, in my opinion it is definitely the greatest Mahler-performance ever. Absolutely outstanding!
Completely agree. And the first one I heard in its entirety luckily, on Swedish radio. Been a reference for me ever since. Otherwise, I also like Kubelik (both Audite and DG), Tennstedt (LPO), Walter (1962), Leinsdorf (Boston).
Here's why Bernstein is, to me, not in the first rank of Mahler interpretation, and Tennstedt is. In Mahler's music, Bernstein found the perfect vehicle to express his own powerful inner life: his raptures and sorrows, his passion and play, his immense grandiosity. But here's the thing: that's the opposite of what he should have been doing, which was expressing MAHLER'S visions. Tennstedt understood this perfectly.
De Profundis, you mean just like what was sometimes said of Karajan’s conducting, that the particular piece of music he conducted said more about himself than about the composer!
@@scottmiller6495 Bernstein thought he'd champion Mahler as the vehicle for his own indulgence . Making Mahler 'sadder' or more emotional is a faulty approach. Leave it alone. Let Mahler speak. He doesn't need much help. This is a testament to that.
Of all the great conductors I worked under at the MET between 1977-2002 Tennstedt was the greatest. BTW: This symphony was written 27 years before Strauss's Alpine Symphony. Strauss learned well from Mahler.
@MrTann2010 Kleiber was from another world. A wizard, an Appolonian, amazing but uncomfortable with expressing emotion. I prefer the Dionysian approach of Bernstein and Tennstedt.
@@MrTann2010 Kleiber, who often made caustic remarks about other conductors, admired and spoke highly of "Tenn," as Tennstedt was nicknamed by his contemporaries.
Have loved this symphony for over 20 years and just found this version 2 months ago, and its now my favorite version. Definitely the most moving and sublime version of the 'Hunter's Funeral March' I have ever heard.
I WAS THERE! Didn't know this was available until now. I remember thinking Tennstedt had no baton technique, didn't beat time and only gave vague ques, ,but it worked and the CSO loved him and played above their high standard. I think he was not yet the cult figure he is now. There were many empty seats
I like to think that he had amazing technique. Just in a completely different way: organic, always shaping the sound and phrases. Instead of beating tempo like a dead horse. An amazing musician.
@@michaelstearnesstearnes1498 of course, dare! Since I never had a chance to see either of those you mention, I can't say, but I've read about Furtwa gler, " drawing the music in the air"
Conducting is not about waving arms and baton. Tennstedt used body, shoulders, head movement and eye contact as well as shaping with hands and baton. In addition to the maestros already mentioned I could add Kubelik to the list. I've had occasion to correspond with several CSO musicians who played under Tennstedt's direction in this and other performances and they were unanimous in their praise and respect.
@@leestamm3187 Yes. Tennstedt didn't learn baton technique at a conservatory. The CSO respected him. Those guys were tough and suffered not the charlatans. If they liked the conductor, they did what he wanted. If not, they played how THEY wanted. CARLOS Kleiber personally marked the players music ahead of time. Frank Miller (celist) made a point to erase it all in the rehearsal! After a long esoteric explanation by Kleiber, Bud Herseth said " So, Maestro, do you want it louder" lol Typical CSO behavior. Toscanini was clear with the stick- like a bandleader.
It,s hard to believe that this was performed over 30 years ago, and its so amazing, and the thing is that most orchestras and conductors don,t perform this fantastic Symphony like this anymore it,s such a shame !!!!!
Interessanter als das aktuelle SSO. Eine gewisse Alterung zeigt sich auch in New York. Das spätere Leben des amerikanischen Orchesters. Sie genießen Klaus!
@@mrinman7407I think he conducted LSO twice, before he became committed to the LPO, and the London orchestras back then had a rule in their contract that if you were their chief conductor or principal guest conductor, you were allowed to only conduct that London orchestra, and that became the LPO for tennstedt
Dale Cleavenger, and I believe Ray Still. Notice the brass didnt have that "Solti sound" with Tennstedt. Still a brighter sound, but not painful. I stayed home when Solti was in town
When you download you have no ads---------------- These ads are a shame ! As for Tenstedt: I become an admiring and respectful fan of this truly great conductor, whose art has been very well commented (and in just way) by many fellow ytubers here. Klaus was simply.... Great! And my first listening of (Great) Tennsted conducting Mahler was exactly the First Symphony, that imediately impressed me so much ! Nice too that several YTs mentioned Abaddo and Kubelik. Here in SPaulo, Brazil Dudamel is greatly appreciated
Quite honestly, Im trying to think of a romantic composer whose first symphonic attempt equaled Mahler's first in originality, emotional power and sheer greatness? Maybe Brahm's first. Certainly not Beethoven- Perhaps some of you could add to the list!
Oh that,s not true, Abbado did and so did several others too many to mention including Dudamel listen to his innagural concert back in 2009 in L>A> and hear the ending and the audiences reaction, Absolutely Thrilling !!!!!
Klaus Tennstedt ... un chef mahlérien si longtemps méconnu ... lors qu'il fut un des tout premiers !!! Dommage qu'il n'y ait pas "Blumine" comme 2d mouvement que je considère que Mahler a eu tort de supprimer : sauf (GENIALES exceptions - 6ème et 9ème Symphonies) la forme en cinq mouvements est la plus "naturelle" chez lui ... Mais par contre ... la PESTE soit de ces Publicités à la CON !!!
I just love it when the conductor shows such joy and appreciation for the musicians. Klaus Tennstedt was a class act, was he not? Bravo!
Tennstedt devotee here. According to most people who knew him and musicians that played for him, he was a genuinely nice man.
Jede Sekunde Mahlerliebe pur...unglaublich intensiv wunderschön und absolut wahr❤
1:10 Movement 1
19:16 Movement 2
27:53 Movement 3
39:25 Movement 4
Great old Klaus, he radiated fragility, commitment and passion. His Mahler was both lyrical, glowing, majestic, tragic, exhilarating and overwhelming, pure blood-and-tears coming from heartfelt emotion, opposite most Mahler conductors...
I feel privileged of having been able to hear him live with a then rather poor danish orchestra, back in 1983!
This was a magnificent performance from 1990 when going to the theater to hear a great orchestra like chicago symphony was a real treat.People got dressed up and showed respect for the people performing. If you got a standing ovation back then you really deserved it.This conductor will be remembered for his emotion and love for the music of a great composer like Mahler and Tenndstedt showed this in every way Bravo !!!
What a performance! I've never heard Titan played like this. CSO was brilliant, and Maestro Tennstedt magnificent with his unorthodox conducting style. Tennstedt was a tall man and he utilized this feature nicely.
Observe the maestro at 34:05 as he wipes away a tear. That section illustrates his "non-technique" technique .Like Furtwangler, he " drew the shape of the music with the baton"
Una CSO en estado de gracia, Klaus Tennstedt que se transfiguró en Mahler. Insuperable versión ¡¡¡¡¡
An absolutely overwhelming performance. To me, he was the conductor who best expressed the post-romantic lyrical spirit of Mahler. Probably even better than Walter who was Mahler's pupil...
He lets this music breathe like no other. My favorite above Walter, Kubelik, Giulini and Abbado.
Agree completely.
This interpretation proves that he understands Mahler!
@@donaldspaulding6973 Agreed 100 Percent !!!!!
Happy that you didn't include Haitink and Solti. As good as they were, they just were not on Mahler's wavelength as was Tennstedt.
No Lenny...?🤨
mon profond attachement à la musique de Mahler est exalté par Klaus Tennstedt qui conduisait cet orchestre avec une sensibilité, une force peu communes . Il avait une vision
de la première symphonie qui lui donnait une place majeure dans l'histoire de la musique ! C'est émouvant, merveilleux... Merci à vous cher Maestro ...
This is the holy mother of all Mahler-1-recordings ... simply the best ever performed.
Absolutely. Bernstein and Concertgebouw come close, but Tennstedt just has this special something.
This is my personal favorite of the almost countless Mahler 1 performances I have heard in more than 50 years of enjoying this wonderful masterpiece. I view it regularly. Tennstedt works the tempi and dynamics to fit the acoustics of the venue to perfection, beautifully capturing the varying moods of my favorite symphony. He was a unique and marvelous conductor who shows here his typical mastery from the concert podium in this exceptional performance by the CSO.
For me,this perforformance is the most beautiful,the best...sublime!!
@@ljiljanastanic9076 Yep Agreed !!!!!
I case you missed, there's a new Tennstedt bio out, "Possessed by Music". Can't post the link to the review here, but it can be found on MusicWebinternational.
My favorite version of Mahler's 1st. Thank you forever, Klaus.
Thank you was such a pleasure to listen to.
great trumpets, Bud Herseth!
What a beautiful symphony what a magnificent conductor. I have seen money of Bernstein’s symphony like 3, 5, 9 conducted by many. Magnificent conductors like Bernstein and others but, this with Claus Tennstedt about I have seen. Avery beautiful symphony with excellent conductor.
The Audience,s response at the end tells it all, Period !!!!!
I DIDN`T KNOW TENNSTED... SIMPLY AWESOME, MY GOD, HE GOES INTO MAHLER`S SOUL
Simply the greatest performance of this symphony I have ever heard.
I agree!
It,s in the top ten that is for sure !!!!!
@@scottmiller6495 I agree too, but do not forget Berstein conducting the VPO.
@@jean-francoisranck6629 Of course not, he's on the list too!
One of the greatest live orchestral performances ever done! Spine-chilling.
Absolutely Correct !!!!!
I don't know how many orchestras you have listened to,but yes a good performance by an excellent band, but that's about it.Let's leave the hyperbolè for now.
@@peterfeltham5612 I listened now to exactly 124 recordings of different conductors with different orchestras from different periods of time.
I don't hesitate a second to fully go with Edward - one of the great, if not the greatest performance of that symphony.
th-cam.com/video/4XbHLFkg_Mw/w-d-xo.html @@johannschneider6372
Outstanding brass section! Ditto, woodwinds! LOVE the second mvt. with beginning bass solo! Gorgeous harp and string ensemble. Gorgeous oboe solo!
Wow, the brass are fantastic!
Incredible can,t get enough of this wish I could go back in time and be sitting in that audience as I would be the first to stand and give everyone associated with this fabulous performance a standing ovation !!!!!!!!!
What an absolutely terrific performance by an orchestra and famous conductor from the past it sends chills up your spine because it is rare to see or hear this like this anymore very rare and what a treat this must have been for the people who attended this memorable concert back in 1990!!!!!
超最高😃⤴️⤴️格好いい上手いリズム感、ホルンが、特にトランペト何回でも聴けます。ブラボー🎵
Esecuzione storica eccezzionale travolgente.Questa esecuzione esaltante sotto tutti i punti di vista del fare la musica a grandissimi livelli,
dona a chi ascolta una immensa
felicità.
Profound, Sensational, Unbelievable and Everything else, What an Event of a Lifetime!!!!!
テンシュテット超かっこいい！
Phenomenal performance!Maestro Tennstedt is my favorite Mahler's interpreter!Bravo,bravo Maestro and magnificent CSO!
Magnificent interpretation by great tennstedt. Thank you for sharing precious live recording.
the brasses are phenomenal. Bud Herseth, the whole chicago trumpet and horn section, unbelievable. Never heard such a tone mixture of wood section and brass section. Usually you could not hear any wood, when the trumpet and the horns plays at the last 10 minutes of the symphony.
これを超える巨人は有りません！
Mahler 1 + Tennstedt + Chicago Symphony =Heaven.
As the old saying goes :Perfect Together !!!!!
The Great Chicago Symphony Orchestra in full flight BRAVO
One of the best renditions of Mahlers masterwork-maybe the best-BREATHTAKING!
Absolutely he and abbado were the best years ago never to be equalled again !!!!
Sensational in every way and very satisfying the audience loved it and why not !!!!!
Superb performance in every way Bravo!!!
One other thing Mahler's Symphony No 1 is considered by many people to be the best and greatest symphony of all time by any composer in history,and there's a lot of evidence to prove this!!!!!
マーラー交響曲第一番の演奏数あれど、この演奏が最強だと思います。
One of the top 10 greatest performances of this work of all time Period !!!!!
I think this is not only one of the greatest performances of this work, in my opinion it is definitely the greatest Mahler-performance ever. Absolutely outstanding!
@@janpeters3893 Agreed!!!!!
Completely agree. And the first one I heard in its entirety luckily, on Swedish radio. Been a reference for me ever since. Otherwise, I also like Kubelik (both Audite and DG), Tennstedt (LPO), Walter (1962), Leinsdorf (Boston).
@@LordHaveMercy Mitropoulos?
@@pamos1949 No Klaus Tennstedt !!!!!
Wow, I found my Mahler conductor..
Him and Claudio Abbado and the relatively new Gustavo Dudamel are some of the greatest of all time !!!!!
Even greater than Bernstein, I think.
El maestro Klaus vive cada nota de esta obra magnífica de Gustav y hace un todo excepcional si duda. Gran director alemán. Es uno de mis favoritos.
Here's why Bernstein is, to me, not in the first rank of Mahler interpretation, and Tennstedt is. In Mahler's music, Bernstein found the perfect vehicle to express his own powerful inner life: his raptures and sorrows, his passion and play, his immense grandiosity. But here's the thing: that's the opposite of what he should have been doing, which was expressing MAHLER'S visions. Tennstedt understood this perfectly.
My chief complaint is that Bernstein rushes through the end of the fourth movement like he's realized his parking meter is about to run out.
De Profundis, you mean just like what was sometimes said of Karajan’s conducting, that the particular piece of music he conducted said more about himself than about the composer!
Yes he did I totally agree !!!!!
@@scottmiller6495 Bernstein thought he'd champion Mahler as the vehicle for his own indulgence . Making Mahler
'sadder' or more emotional is a faulty approach. Leave it alone. Let Mahler speak. He doesn't need much help. This is a testament to that.
@@jefolson6989 Ok
36:28 Bud herseth 😍😍😭😭
Of all the great conductors I worked under at the MET between 1977-2002 Tennstedt was the greatest. BTW: This symphony was written 27 years before Strauss's Alpine Symphony. Strauss learned well from Mahler.
I’m sure Tennstedt was great, but how bout Kleiber?
@MrTann2010 Kleiber was from another world. A wizard, an Appolonian, amazing but uncomfortable with expressing emotion. I prefer the Dionysian approach of Bernstein and Tennstedt.
@@MrTann2010 Kleiber, who often made caustic remarks about other conductors, admired and spoke highly of "Tenn," as Tennstedt was nicknamed by his contemporaries.
最後のクライマックスが最高ですね！
Have loved this symphony for over 20 years and just found this version 2 months ago, and its now my favorite version. Definitely the most moving and sublime version of the 'Hunter's Funeral March' I have ever heard.
He is very good for conducting Mahler’ symphonies !
Absolutely one of the greatest beloved conductors of all time and is sadly missed ! R.I.P Maestro, Bravo !!!!!
I WAS THERE! Didn't know this was available until now. I remember thinking Tennstedt had no baton technique, didn't beat time and only gave vague ques, ,but it worked and the CSO loved him and played above their high standard. I think he was not yet the cult figure he is now. There were many empty seats
I like to think that he had amazing technique. Just in a completely different way: organic, always shaping the sound and phrases. Instead of beating tempo like a dead horse. An amazing musician.
Dare I mention the other conductors who displayed poor baton "technique": Wilhelm Furtwangler and Sir Thomas Beecham.
@@michaelstearnesstearnes1498 of course, dare! Since I never had a chance to see either of those you mention, I can't say, but I've read about Furtwa gler, " drawing the music in the air"
Conducting is not about waving arms and baton. Tennstedt used body, shoulders, head movement and eye contact as well as shaping with hands and baton. In addition to the maestros already mentioned I could add Kubelik to the list. I've had occasion to correspond with several CSO musicians who played under Tennstedt's direction in this and other performances and they were unanimous in their praise and respect.
@@leestamm3187 Yes. Tennstedt didn't learn baton technique at a conservatory. The CSO respected him. Those guys were tough and suffered not the charlatans. If they liked the conductor, they did what he wanted. If not, they played how THEY wanted. CARLOS
Kleiber personally marked the players music ahead of time. Frank Miller (celist) made a point to erase it all in the rehearsal! After a long esoteric explanation by Kleiber, Bud Herseth said " So, Maestro, do you want it louder" lol Typical CSO behavior. Toscanini was clear with the stick- like a bandleader.
Superb in every way can,t get enough of this terrific performance !!!!!
A flawless performance considered perfect all the way around and extremely unusual even for 1990 !!!!!
Only he and Abbado could do anything perfect like this then and very few can do this now !!!!!
ASOMBROSO
absolutely matchless!!
Chicago Symphony.Orchestra, Live 1990
Superb in every way, the way it used to be !!!!!
Tennstedt a true Mahlerian. Listen to M2 live with LPO. Matchless......
Him and Abbado The Best of all Time Period !!!!!
So superbly conducted... Eat your heart out Bernstein.
It,s hard to believe that this was performed over 30 years ago, and its so amazing, and the thing is that most orchestras and conductors don,t perform this fantastic Symphony like this anymore it,s such a shame !!!!!
Splendid horns and woods
Damn this Mahler liked surprises
진짜 음을 하나하나 소중하게 여기면서도 흐름을 잃지 않는 최고의 연주입니다.
Thank you so much for uploading this.
Speechless. .............
among my top 5 Mahler 1 performances
Wow! There is a lot of echo in that concert hall !!!!!
You don't notice it in person. In fact, I think orchestra hall is a bit dry.
LOVE THIS GUY!!
THIS IS GREAT!!!
Tennstedt's a master of tension and pace. If Mahler's 1st isn't the natural child of the Pastorale I don't know what is.
Wonderful. Absolutely beautiful.
Beyond Incredible !!!!!
Beautifully played by the Chicago band, the LSO has a very different sound altogether.
기립박수가 안나올수 없는 말러1 최고의 연주중 하나.
巨人交響曲のライブとしての完成系だと捉えています。
テンシュテットの細部にまで拘る姿勢とシカゴの技術力の高さが合わさりライブの空気と化合して物凄い熱気の演奏になったんじゃないかな。
ただテンシュテットは割と激情型と勘違いされがちだけど、実は理知的にやりたいタイプでその意味ではよく並べられるバーンスタインとはむしろ対極的でそれは指揮ぶりでの跳ねたり踊ったりの猿真似をしない辺りで理解してもらえると良いなと思う。
曲の純度はロンドンフィルとのスタジオ録音の方がシッカリしてるしカラヤンがあれを絶賛したのもそこを見抜いたのだと思っている。
それでもこの演奏は十分に価値がある。
演奏も文句の付けようがないしテンシュテットにしては小細工が多いが五月蝿く無く感動的、そしてライブにも関わらず中間部のダレとかもない。
最近では省かれがちなホルン総立ちが音楽にキチンと影響しているのも好感度高い。
マーラーの構築性は複雑で理解に難しい事は良く分かる。
ただもうその後に出てきたストラヴィンスキーやジョン・ケージ等でさえ100年以上前の作曲家なのだ。
そろそろそのレベルに手を届く努力もしてみませんか。
同時代のブラームスやドボルザーク、チャイコフスキーぐらいの感覚で聴ける時代が来ても良いのかなあと感じます。
Wundervoll ❤
Impresionante.
Great!
Interessanter als das aktuelle SSO. Eine gewisse Alterung zeigt sich auch in New York. Das spätere Leben des amerikanischen Orchesters. Sie genießen Klaus!
最初に買ったマーラーのCDこれだったもんで、全てコレ基準になってしまった😄
これのDVDってまだ販売されてるのでしょうか。
ぜひ欲しい‼️
どなたか教えてくださいませんか❓
This is not the London Symphony, rather the Chicago Symphony.
Ross Lemon Yeah. Like bright powerful brasses
I'm not sure if he ever conducted the London Symphony.
Bud and the Band! Youza!
I'm not sure the London Symphony could play it like this
@@mrinman7407I think he conducted LSO twice, before he became committed to the LPO, and the London orchestras back then had a rule in their contract that if you were their chief conductor or principal guest conductor, you were allowed to only conduct that London orchestra, and that became the LPO for tennstedt
Ottima
at this time, the cso brasses was (one of) the best in the world (Tuckwell and Herseth played)
Not Tuckwell, Clevenger.
Dale Cleavenger, and I believe Ray Still. Notice the brass didnt have that "Solti sound" with Tennstedt. Still a brighter sound, but not painful. I stayed home when Solti was in town
Bravo！
it was Chicago, not london
Wow
Fulfilling
Is there any recording of Bud Herseth performing the "Blumine" movement?
maybe great landmark of Titan
Terrific performance....which orchestra is this? Is it available on CD?
Chicago Symphony Orchestra, 1990.
It was available in CD. I had this CD
dont get too excited< The Brass was the power behind CSO, but The Concertgebouw is number with Mahler symphonies
Ag julle donnerse Hollanders het altyd suur druiwe
interrupted by anther stupidly allocated ad
Premium youtube is the best investment a music lover an make. Well worth it. No ads!
god the ads are just nauseating
When you download you have no ads---------------- These ads are a shame ! As for Tenstedt: I become an admiring and respectful fan of this truly great conductor, whose art has been very well commented (and in just way) by many fellow ytubers here. Klaus was simply.... Great! And my first listening of (Great) Tennsted conducting Mahler was exactly the First Symphony, that imediately impressed me so much ! Nice too that several YTs mentioned Abaddo and Kubelik. Here in SPaulo, Brazil Dudamel is greatly appreciated
damn.
You can say that again how about Wow !!!!!!!!
Quite honestly, Im trying to think of a romantic composer whose first symphonic attempt equaled Mahler's first in originality, emotional power and sheer greatness? Maybe Brahm's first. Certainly not Beethoven- Perhaps some of you could add to the list!
try Bruckner first
Berlioz's Symphonie Fantastique easily equals Mahler's first in originality, emotional power, and sheer greatness.
フリードマンは１楽章Alt Trb、終楽章はTenor Trb。
58:27
Almost as good as Muti ! GREAT !
Though not as good as he once was, Muti is still a capable conductor. However, when it comes to Mahler, he's a tier below Tennstedt.
REGISTRO DE 1991
第１楽章 リピート有り
Great performance. Nobody gets the last two notes as Bernstein did.
Oh that,s not true, Abbado did and so did several others too many to mention including Dudamel listen to his innagural concert back in 2009 in L>A> and hear the ending and the audiences reaction, Absolutely Thrilling !!!!!
Bernstein and Abbado added bass drum to the last two notes, which is NOT in Mahler's score. Fine if you like it. Personally, I don't.
@@leestamm3187 Thank you. Interesting.
Klaus Tennstedt ... un chef mahlérien si longtemps méconnu ... lors qu'il fut un des tout premiers !!! Dommage qu'il n'y ait pas "Blumine" comme 2d mouvement que je considère que Mahler a eu tort de supprimer : sauf (GENIALES exceptions - 6ème et 9ème Symphonies) la forme en cinq mouvements est la plus "naturelle" chez lui ...
Mais par contre ... la PESTE soit de ces Publicités à la CON !!!
long story. i prefer "twist and Shout" by ze beetelz
Poor you.
どこのオケ？？ロンドン・フィル？
まあﾄﾆｶｸテンシュテットは凄い！
シカゴシンフォニーだと思います。