Berliner Philharmoniker Master Class - Horn
ฝัง
- เผยแพร่เมื่อ 11 ต.ค. 2010
- Stefan de Leval Jezierski, horn player from the Berliner Philharmoniker, gives a master class for the TH-cam Symphony Orchestra 2011 introducing the horn part in Mendelssohn's "A Midsummer Night's Dream". Learn more at / symphony
Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a TH-cam Symphony Orchestra.
The Berliner Philharmoniker's Digital Concert Hall:
www.digital-concert-hall.com
Website of the Berliner Philharmoniker:
www.berliner-philharmoniker.de
Stefan de Leval Jezierski's biography:
www.berliner-philharmoniker.de...
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This excerpt will really show any intonation issues a player may have... played perfectly of course here. Very impressive.
33rd season?? wow! So you played with Karajan and all the most mythic conductors...amazing.
@brettbw1 dear Brett! The horn is yellow brass. I had it silver plated instead of laquered, because it wears more evenly,lasts longer and looks better. I think plating has less effect on the sound than laquer because it is a much thinner coating! SJ
This piece of Mendelssohn for horn is so beautiful.
Sonido bellísimo
Oh dear, i hope you see this 7/8 years after your inspired post, Stefan. I've arranged this nocturne twice and have French horn envy while playing Bb/F compensating euphonium, a sideside-up sister instrument.
Thank you for explaining details exquisitely clearly! That's high praise from a fellow teacher. I searched all over TH-cam and found this. I'm sending it to my music lover/teacher/muse. And, ps., you play gorgeously. (Not news.) I love how you enter phrases with gentle confidence and then fill them out.
And you are so right about pacing this piece. I learned a lot. I've tended to play this too slowly as it is, after all, scene music for Pan and pals falling asleep. You clarify that the composition can accomplish this without exaggeration.
One difference between our takes is that i exasperate, hard to describe, at the ends of some measures. To try for detail worthy: As well as letting a note settle, sometimes it can gasp upon completion. It can leave an ear fighting for dear breath.
You tuck, unless i'm wrong, each note into a cozy shelter. So cleanly. So sweetly!
Grande Stefan! Big hug from Brazil!!!
Gorgeous playing
Mendelssohn wrote the Overture for Midsummer's Night Dream (op.21) at 17 indeed, but all other incidental music including this Nocturne (op.61) some 16 years later ; ) ...
amazing playing!
Beautiful flowing legato with a noble melodic contour and musicality.
Grande Stefan, i can't wait to see you at the Italian Brass Week ........we will enjoy!!!!
His definition of how to play Mozart has really helped my singing, and piano as well. I tend to go too "Romantic Era" on the more emotional Mozart.
Another example of how to approach Mozart (though on the piano, but can be used for everyone) is to watch Richard Goode playing Mozart at the BBC Proms (also on youtube). Excellent man and tremendous control.
Hermoso sonido....
Thank you!
Bravo bravo bravo! Complimenti!!!
Most European orchestras, like the BPO, tune differently that orchestras in the states... so instead of tuning to A=440, they tune to A=442 or 443 in some orchestras, which means that everything will be just a tad more sharp than what people are used to hearing in the USA
@brettbw1 I believe it´s an Alexander 103.
although he is an excellent horn player, I find that a few notes, like the central B, are a little bit sharp
as you maybe noticed, because i have a horn here! xDDD
これみて
Seit wann spielt BEPH nicht mehr 443?
put a bass trombone out!!!!
An Eb in the key of B major? Heheh