I Don’t Mix My Beats
ฝัง
- เผยแพร่เมื่อ 5 ก.ย. 2024
- Recently I stopped spending time on Mixing my beats. I focus more on the content. Do you do a full mix on your beats or do you leave it like it is? Let me know in Comments section!
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#Mixing #BeatMixing
My mixes have been holding me back for a long time. This video is a gem, thank you.
i have an expensive mastering plugin that had better do the trick after my minor mix
I needed this!!! Sometimes I get so caught up in shaping up the sound (mixing) I lose touch with the creative process itself.
I can be creative and mix at the same time its all up to your workflow and understanding of gain staging.
@@davidjenkins8449 its all creativity when it boils down to it. Gain staging is a easier and less time consuming process compared to actually mixing. Also being a audio engineer as well can be a Pandora’s box of its own when it comes to producing. My actual remedy of this is I separate my days of producing/arranging from my days of mixing.
I look at it like being an architect. When producing It gives you a better space to create/building the song structure, providing the elements based off your vision, pretty much the blueprint.
When you approach the mixing separate your ears are fresh, your perspective is mote clear and concise . Thats the process of constructing, creating cohesiveness with all the elements that actually fit together, pretty much like legos. Its to each its own, but with my experience Ive realized my mixes came out better compared to mixing in session of me building the song.
Same bro. Get so caught up in trying to get it ready to record. Smh
🤦♂️
Same here, I'm focusing on simplicity these days
In 17yrs, I've never mixed or mastered any of my tracks ! It's nice to hear somebody justify my decisions to trust my instincts 🤘
The hard part is finding a mix engineer that understands your genre and what you’re going for. I sent my stuff off to two different places before I realized my beat sounded better before I sent it off. It wasn’t a total waste of money because I realized the beat was fine the way I had it to begin with. Now I don’t worry about mixing as long as the beat has the vibe I’m going for
I agree I even met some hip-hop engineers that don't understand the hip-hop genre. They do great with rock genres.
@@christopherwilliams4968 OMG just find a good engineer. Not genre-leaning engineers. Mixing is pretty much panning, leveling, eq, compression, and effects. Mastering is getting the s6%$ to industry level loudness and to sound great on a lot of playback options. All of which are necessary for professionally released music
Come to the studio! Anytime your in Minneapolis...Hollla🤟💯
Mix it yourself?
I run a studio just outside of Vancouver Canada. Let's talk!
Facts. Vibe IS the music.
YES!! I see so many tutorials about mixing. I was doing way too much and it was messing up my product. I went back to my old technique. Natural ear, gain staging, etc. Raw music. Contrary to these modern youtube tutorial beatmakers, there are no set rules. Minimalist as far as that. Art is art
I have been a long time appreciative fan of your music for the last decade Mr. Matt Cab🎶🎵🎹
😎
I needed to hear someone say what I’ve always felt. Mixing is for fixing. If it slaps on red, it still slaps.
I respect you for this video and not selling us a product for mastering/mixing. Videos like this are needed.
I've spent waaaaay too much time on my beats and mixing and mastering!!! The few clients I have, be vibing like my mixes are great though I don't think they are where I want them! But now I need to preserve time since I'm getting more business... Thanx BOLO! I always thought sometimes the tracks I didn't mix sounded better lol.
I have a MPC Live One and Two retro and I’ve been in numerous of beat battles and all my beats was never mixed. Maybe turned a few things up or down, but the reaction when played in those battles was outstanding. Honestly I think the engine inside MPC’s is gold.
Yes!!
I uploaded a track I made on my phone using the iMPC and, it was knocking. I was surprised as I hadn’t mixed and mastered it. It knocked more than songs made other apps
@@kamoya8 interesting.
Man u just lifted alot of weight off my shoulders. I'm not a good mixer so since I watched this video I'm not mixing no more. Ima just let it ride the way it is and it sounds good like u said.
I feel ya man
smh....
lol bro as a Lazy producer. this is the kind of shit I love to hear. I know I'm not alone in this method of making music. thanks for this video
He has an acoustically treated room with Focal monitors from what I can see. Plus years of experience making beats. So he knows levels subconsciously. He is pre mixing while he makes the beats and the arrangements make up a majority of the song. I mix my beats because I like mixing but if you set the bass and kick instruments from the beginning most of the job is just having fun with arrangements.
underrated comment
Wrong, If the meter in the red it's to hot and will damage speaker systems because some of those peaks are not audible to the human ear but will damage your speakers. Also having peaks to high will reduce the overall volume of the track significantly.
@@HOLLASOUNDS u sound like your meter is in the red
@@HOLLASOUNDS what speakers u using lol i mix all types of songs at all types of volumes including strong clipping and all my equipment is fine
I'll try that. Thanks
3:43-3:47 💯
I try to get everything sounding the way I want it before I ever hit record, right at the source.
Word. That's how I get down. I don't want to wait until the track is finished before I can tweak it to sound how I imagine. I need to hear it tweaked while I'm working on it. If I'm imagining the track to have a filtered bass, it's getting filtered when I make the first bar, not after the track is done.
I definitely mix my beats. Although, I will say this, you're right about not wanting to do too much to the beat. It can ruin all your good mojo. Lol.💯
where do you mix your beats? which software do u use?
There are at least 4 things that I do: 1) I make sure that the snare and kick drums are knocking very hard using Saturation; 2) Use something like Trackspacer for keeping the bass line from interfering with the bass drum; 3) Use panning and EQ on melodic tracks to keep them from interfering with the drum and bass frequencies; 4) Finally, I employ EQ and limiting on the master bus in order to ensure there isn't excessive frequency response while getting a loud track overall.
What about cutting the low ends with fab filter?
Thanks for these tips
You’re 100 percent correct. I don’t mix ‘in-session’, but I do mix when I’m just sitting around doing a beat with no artist present. 👍🏿
This dude is sharing GOLDEN truth. Less is more. Use your ears. Much Respect. I dig tutorials that are honest and cut through all the technique nonsense that get in the way of making good music that comes from our vibes.
'some are mixing with their eyes, and not their ears" - I connect to this.
I’ve been saying this to my partners that I produce with! It’s a vibe, let that shit ride!!! And you’re right saves a lot of time and more done!
adjust levels so it sounds balanced, then use Ozone mastering assistant on it. Done. Most artists don't know what a good mix is anyway. Just whether or not they like how their voice sounds. save the actual mixing for the complete song.
Sir, you have no idea how glad I am you made this statement. Time to get back to the part I love best, getting back to making music! Thank you Bolo, you are appreciated!
I agree with you bolo. It is even more fun if you produce without mixing.
I feel you fam. I just may mix for about 15mins. I don't get deep into it. I have a bedroom studio. So I just do what I can and keep it moving. Great share.👍 👍
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I agree!
Because today's sounds are already mastered!!!
biggest takeway would be that mixing is real subjective imo + that you should do whats best for your saturation
Right on man! Could not agree more. So many people read too much and watch too much and think too much and let what all these videos and articles say into their heads...what they aren't doing is listening. I hear so much about "how to get the perfect 808 kick sound" or "this is what you need to get that exact snare sound from this piece" or "mid/side/up/down/left/right/sideways compression to get those perfect drums"...on and on. By the time they get down to making music, they second guess every step they take and don't trust their ears. I mix but, like you said, I go for things that sound good to my ear and roll with em for as long as I can...to me, I work on mixing once all the elements are there just so everything is in it's own space. Not while I'm trying to make a track
Bolo, you continue to be a blessings to beat makers and producers. Your "straight talk," non-pretentiousness, for a caliber of producer as yourself, is priceless. God bless you, brother. And thank you for the video.
Preach, man 🙏🏻 I've been thinking this for ten years constantly being criticised by other producers
Ignore them. I went through the same thing. Music stores too. They’re just on the sell. Obviously there are some producers out there with good advice and knowledge, but I found them few and far between. Go with your gut.
Engineer/Producer here: I don't even mix my beats until we're in that stage of the project. You 'Quick Mix' as you go and that's the vibe. When it comes time to mix, you'd better know how to keep that same vibe or you'll get left behind. Having a trained ear (in mixing) while making beats is a life-saver, but it has to develop over time. Keep going my people!
So do you send out mixed or mastered versions of your beats when you send out beats or just the beat as you made it with your trained ear?
@@onejosh9290 Honestly, depends on the client. If I know the artist is the type of artist that is a "married to the rough mix" type of artist, I'll mix the beat (takes time). That way, there's minimal changes needed for the beat mix and what they end up with will be closer to the finished product. If I'm sending out to an artist who knows the whole song will need to be mixed, I send my beat with the semi-rough mix (saves time). This way, they can drop vocals and move on to the next song.
@Only1Science so if you're sending out to artists you haven't met or worked with before you're saying the move would be to send the beat as polished as possible without having spent the time doing a full mix down?
@@onejosh9290 Yes, as long as you don't kill the vibe with a decent pre-mix to send out. You don't want to mix it to "perfection", send it out, then have mix-regrets once they drop vocals to it. LOL There's almost no changes at that point unless they request the beat track-outs to mix the song as a whole. Sometimes when I receive songs to mix, I can tell when the producer spent some time getting the beat to sound good. I don't bother those as much because I want to keep the producer's vision. Other times I get beats where the two-track is distorted, overly compressed, life-less, EQ'd into oblivion or the 808's are super wooly because they're mixing on cheap headphones or poor acoustic environments, etc. Those are the ones where I go in and mix it to cater to the vocals while keeping the vibe. Also remember that it's all about communication, listening to what your clients want, anticipating their needs and executing exactly that.
Interesting. I guess the point of this discussion is do what works. I do what I'm going to do in the MPC.
As my mentor would say you dont have to mix much if you pick the right sounds to begin with
But those “right sounds” had to be mixed and record by someone so that you can conveniently use them with the click of a button. So dismissing mixing as if it’s trivial and doesn’t matter is dumb because your whole sound depends on that.
@@55jemmz5 mixing is subjective. I wasn’t going to respond because your comment suggests you have no idea what you’re talking about but I will. Henceforth the title of the video. Mixing is not something you have to do if you are the creator of a particular piece of music unless you choose to because it’s your creation. If you pick the sounds from a computer or play them live, taking more time selecting the correct sound or tuning the instrument prior to recording will prevent you from having to spend so much time mixing.
@SOUL SEEKER most of the music producers/ engineers model was made during a time when you had to get everything right on the way in. Trust me.
@@erekalvin Yes. Keep in mind.. "Right" as in "good", not "less than good" or "perfect". Good instruments, played by good musicians, a good performance, a good arrangement, a good song, with good equipment, good mic placement, good acoustics, good signal flow, good dynamics, that leads to a "good" recording. Everything after that is just gravy.
@@banparlous2552 💯
Bro! I teach music production for high school. I have a full studio in my classroom. My students on day one are like, "teach me how to mix". We spend a whole month on just the art of gain staging because that in my mind is what's most important, balance and vibe. I REALLY enjoy your content my brother and if your ever available to do a Zoom call with my students, they and I both would greatly appreciate it!
I love it. I’ve been saying this for years!!! Thanks BOLO!!!🙏🏾
"If the problem don't have to fix, you don't have to necessarily mix." BARZ!!
I needed this video right now!
Bolo I respect your perspective. I always catch your videos. And I respect your opinion. I started producing about a year a half ago you have Definitely been one of the producers I follow.
I totaly agree. I do underground music and I do not master any Song because its not needed. If the track bangs in a Club it is perfect
This is exactly what I needed to hear.
Punchline 🔥- "Some ppl are too busy making beats with their eyes and not their ears".
For ME I love the art and process of mixing, especially in a creative aspect. I like exploring things, for example I like running my drums through a BUS then sending that bus through certain effects to get my drums to sound unique to me. The mixing process has always been looked at as another step in my creative process to express the vibe and even in some cases the rhythm of the beat. For example taking a shaker or a high hat and throwing it into a rhythm delay in certain sequences to change my high hat section up. But these are things that I actually enjoy. The value that I have for them takes precedence over how fast I can make a beat, or willing to save time, regardless if the artist is there or not. There’s just so much more to mixing than EQ and Compression. Would be hard for me to let that step go.
That definitely provided much clarity I needed on my work.
I am from a completely different genre than Hip-Hop but this video is no joke one of best I've ever seen. It opened my eyes. Such an easy thing "Mixing is to fix problems" and honestly I think I mixed even sounds that didn't need to be mixed. Thank you for such an easy trick that is also very powerful! I am sure it really will change the perspective of me while I'll be mixing.
I totally get it, Bolo!!! My mix is just EQ, a little delay in there , a little reverb in there and thats it!
I enjoy the raw gritty sound you already get I just mix the levels and use the effects lightly nowadays I don’t like mixing in a daw when it comes to beats because the chosen sounds are already good
100%. Mixing and mastering are separate activities from the creative process of arranging. It’s like how they tell writers to just write and THEN go back and edit!
If you don’t have to FIX IT, then don’t MIX IT! BARS BOLO, I hear you! 👍🏽👍🏽😂😂
Best advice i have heard ..."mix with your ears and not with your eyes". Get your groove and vibe down first,then you may wanna adjust things,for the format you are going for. Excellent. Thanks Bolo😁😁
🎯 Good points Bolo. Early in my career, I use to sit and "sculpt" each sound, only to have the tracks that I quickly put together while the artist(s) and their team(s) were parking their cars were the ones they went with. I go by feel now. As you do, I do some gain staging and light levels when I know that I'm not going to be present for the session, or when I upload to platforms like BeatStars.
Maybe you're working with idiots🤷♂️.
@@estebanb7166 that makes no sense at all
@@chigozietruth Maybe, you're one of the idiots 🤷♂️🤦♂️
Makes perfect sense. Way back when, eq/compressors/limiters, etc...; didn't really matter. What did matter was mic placement, natural reverb. Getting the natural sound as accurate as possible was the key in the recording part. The cool thing with this day and age, you have an unlimited amount of natural/digital sound to make a plethora of beats. Great vid!
Usually beats alone doesn't need mixing because it's not a finished song. The Mix Engineer needs all the STEMS to everything vocal session, kick, snare when mixing a finished record to have a well balanced mixed because mixing to a 2 track is a pain in the rear end. I'm one of those Record Producers that relies mostly on myself that does all the Engineering and Mixing when I'm producing a song. I may use a Mix Engineer occasionally for a different sound from time to time. Dr. Dre does a lot of his own mixing as well as he would start the mix and pass the record on another Engineer.
I have an i5 4th gen 18gb ram that I bought earlier this year however due to heavy plugins I still mix my beats first then import to Pro tools & record my vocals there. A real pain indeed. 💔
@@808mike Yeah I do everything in one DAW in Studio One Pro. I have a 6 year old Quad core Windows machine running a MOTU AVB interface with no problems when it comes to power. I produce records the same way as Oak Felder as neither of us use a Recording Engineer as we both act as the Vocal Producer and Engineer when cutting vocals for our client's. Protools is not really necessary a requirement for general music production as most DAWs these days are cross compatible with each as I can load Protools sessions in Studio One. Oak Felder produced Demi Lovatos entire Sorry Not Sorry song in Logic Pro her vocals and every. Only the backing vocals such as the gospel like choir Vocal stacks was done at another studio specially Westlake. Oak has his own private studio in a house in LA but he acutally lives in Atlanta.
Tracks and stems are two different things. An engineer would not mix stems.
@@sendforacar9323 Not sure what you are talking about as my post is pretty clear. A Mixing Engineer does mixes STEMS which is the multi track session of each element aka as the raw session files. The term "Track" is a very broad that's very general that can be used interchangeable to a song on an album or a beat. As a Producer when I say I'm producing a track I may not be talking about the beat but rather the whole song. A real Producer sees the whole creative process of making a record from it's initial concept to its final mix stage.
@@sendforacar9323 What will an engineer mix then if they would not mix stems? baked fresh air? there are 2 possibilities, 1 is you are just trying to get attention by saying something useless, or 2 you dont know what your talking about but you try to act like you know something..
You NAILED IT with “too many people are trying to make beats with their eyes and not their ears”. BOOM!!! #dropsmic
Glad you speaking on this type of producing style... Sound levels between tracks is just a preference call. Mixing is only good for leveling out the sound bleed when it comes to certain pitches. As long as the pitch doesn't hurt my ears I don't bother about it
Do what works for you. Simple.
There’s no right or wrong way. All about the feeling.
I totally agree, I do my BEST sounding beats from acapella's, it's similar to studio vibe sessions. Studio sessions with the artist are the best and mixing to upload on platforms is something I agree with as well. At the end of the day, records will be mastered no need to over-treat!
Thank You, I needed to hear this.
By the time I send out a beat I’ve spent hours trying to get my snare or kick to feel right. When I could have been working on something else.
Lately I’m getting major ear fatigue and I can’t even tell if the beat is decent or not.
Time to make some changes.
Stay Creative Friends
I like for my beats to come across the way I heard them in my head. I don't necessarily try to master but Adding reverbs maybe delays phasers and flange to certain sounds makes the beat the way I wanted it also sometimes when I add sounds that I know fit to be but clash because they're playing in the same frequency range as another makes me add EQ or compress to hear it distinctly.
Does it ever come out like you hear it in your head?
dude im so glad to hear somebody say this. thats how i been feeling all along. its hard to vibe when you worried about mixing and stuff but this whole time i just thought mixing is just something i was supposed to be doing. going forward im just gonna focus on the production
I gain stage everything as I'm producing & once in the studio, master as I mix down the vocals the majority of the time... #Salute...👑✨👑
Love Light and Peace to you👑❤️♾
As a mixing / mastering engineer, beatmakers should be more focused on the production site of the music. A lot of them are trying to achieve moods from a mixing prospective, essentially bringing in reverbs, distortions, filling out the arrangement with unnecessary stuff. I say it bc I do fix those things trying to recreate that mood from reference mixes executed with stock FL Studio reverbs, Sound Goodizers and Saussage Fatteners. Get better at sound design. If you wanna be a music producer / beatmaker that's a pleasure to work with, produce the song in a way, that the arrangement sound good dry and believe me, will sound amazing mixed. If you send me a multitrack that's already a banger when I open it up in Pro Tools, I'll literally recommend you to all my clients I work with!
As a mixing engineer myself I can just confirm every single word.
And as someone that started as a producer 20 years ago and stopped producing and switched to full time mixing like 10 years ago, I can confirm everything Bolo said. While I was producing I wasn't using any mixing effects, except basic filtering and some basic delays and reverbs as needed, which were so basic that they had to be recreated in the mixing stage anyway.
However I don't agree with one thing, and that is digitally peaking... If there is a lot of information over the ceiling (zero), different devices will recreate the sound differently, so the stuff that is clipped and that bangs in the studio, might distort as hell on some consumer device or car, or phone via bluetooth, because every DA on every device will try to recreate the overs differently...
Been there done that, was getting very hot peaking over zero rough mixes and making it properly under zero and keeping the same vibe is just impossible, because the producers got used to the sound of their DA stages clipped, and until you re-record an actual audio clipped from your DA stage the way you like it, it won't sound the same when the overshots get managed.
And that get be frustrating for both producers and mixers, producers will be frustrated because their drums, bass or whatever doesn't hit the same as their clipped bounce mix, mixers will be frustrated because they can't recreate the same energy or can't imprint the same distortion character the producers and artists got accustomed listening to the clipped export on their devices and falling in love the way their DA stage distorts. And an audio file that's peaking like 5-6 dbfs over zero, is really a candidate for that.
@@janmagdevski4973
As a reply for your argument on clipping: I agree that it won't be translated well through devices. But if you're producing a track, you won't be too technical about it. Let's be honest. Most people will hear clipping the same way. You and I and people who trained their ears to hear these differences will tell, but I think it does not worth the argument. Most drum samples are already clipping if any transient designer was involved to the making. Yes, technically speaking you won't be able to recreate a desired clipping distortion the way it sounded on their system. But should you? In my approach, I always look for the reason it's pleasing to them, recreate things even better. Same with reverbs, compressors, OTT-s and so on. There's always a way create a similar (preferably better) energy to the mix with professional approach if you know what you're looking for.
OFC it doesn't mean it's ok to be sending clipped multitracks to your mixing engineer, they'll send it back to you immediately.
To another topic I wanted to address: This whole concept of clipping peaks especially on the drums has created a need for using digital clipper plugins on the mastering stage. It's very easy to play around with the clipping distortion when you have full control over it. And you'll never go above -0.2 dBFS anyways because of the mp3 compression added later on by streaming services or youtube. Even though you're a mixing engineer, I highly suggest you watching this video on submission audio's FLATLINE plugin.
th-cam.com/video/SYL1O3OUSt0/w-d-xo.html
There are no rules, but generally if clipping is applied at the right stage with the right tools, you can achieve very precise results which will translate through every DA conversion.
@@skk6811 I agree with all you said. But Bolo shown a track peaking @ +6 to +9 dbFS if I'm not mistaken, that's really a candidate to depend a lot of your DA stage... I've seen devices going crazy with less.
Also, for the sake of experiment, throw a song, a mix, or whatever, make it clip +9dbFS and listen to it, now throw a clipper to catch that 9db over it'll sound completely different...
@@skk6811 Also in the Flatline video you shared, on this very moment he's clipping 3-4db at maximum... I would like to hear him clips 9db of bass heavy material
@@janmagdevski4973 yes, it is different. you made me curious of how high end DA's will effect it, listened to it on my apollo x, and the orion 32 in the studio i'm working at, also tested some clippers from T-Racks, Pro Tool's clipping distortion and Logic's clipping distortion. On the plugin site of things, they're kind of doing the same thing, maybe some differences in characteristics and harmonic content, but sound pretty similar. On the DA side, the Apollo has some headroom built in for this purpose, I couln't get it to an exact value, but the orion 32 cut it straight in the digital domain. No unexpected overtones, nothing. anyway, who wants to be clipping +9db anyways? depending on the dynamic range of course, but it's huge.
Bro!!!! I never really mixed or mastered my stuff. But my listeners always were satisfied. I thought I was alone the whole time. Great advice to the raw producers.
This is the same thing Pac said bro. He was basically saying let's get the songs done and go home while the engineer does his thing. Dope vid. What I would say as someone who uses a lot of live instruments on my tracks I do need to mix a little. Mainly leveling and panning with some eq but I agree with you because you can drain a studio session trying to perfect a beat
The problem now is finding the engineer
Same bro. I make sure all my instruments sound presentable and smooth enough so it’s not hurting your ears or that things aren’t too low, but for the most part there isn’t too much to touch on my product. And I agree, the crappier your actual track is within a production, the more that particular track will need to be mixed. But as long as the beat is hard, and sounds smooth enough that it’s gonna be an enjoyable listen without hurting your ears, and as long as the levels are where they need to be, no fan is going to complain about a mastered piece. It’s about the music, not about technicalities
Dude, FANTASIC video! I'm a professional engineer and honestly I think everyone who makes beats should watch this! Just one thing tho, the role of mixing is much more than fixing problems. Sure it's one of the most important things we do but that's not the only thing or even the main role of a mixing engineer.
Nip said it best in Count Up That Loot...this beat ain't even mixed but it's ---- perfect
In America this is a proper workflow, but in a lot of European-based studios, like in the Netherlands, producers are often also required to be able to record vox, produce, mix and master. So in that field I would say: Never be lazy on your details and just listen well. There is always going to some things you can mix to improve in my opinion.
I actually and mostly produce, record, mix my records and sometimes master. I get it but when I’m working on the studio with artist we try to get ideas together fast 💨
As a drummer the hardest part that takes forever is mic'ing my kit and it's only a 3 PC bop and 3 mic's.But man it's so tuned well,after eq'ing and compression(which doesn't take long at all)I use a little distortion,some tape saturation,of course gotta have a tad reverb and the results are sick.Drum machines?Samplers?Hardware takes not even 5 min. For a beat track.I don't even bother mastering.Its funk rock music so I try not to let nothing drown each other out during mix.🤖🛸
If i take the track out of MPC and put into logic it seems to lose a lot . I recently saw a MPC TH-camr and he is saying leave it as dawless because the MPC basically mixes itself really well
I dont know how but it does.. I literally made a beat and didnt touch nothing but a volume fader and it sounds full and mixed
Interesting that you say that, I feel the same when I bring things from my MV1 to Logic, but I am not very good at all the mixing and mastering bits and I think my effects are better in the MV1
That’s because the MP has a dedicated function making tracks, I still jump on the PC every once in a while, but, a PC has multiple functions, the MP outputs are different and thicker
I agree, it seems like every beat I have made on there needs like, nothing at all done to it. If you can find that video for me though that would be great the one you were refering to
@@HoldMyBeerFam Marlow Diggs is the TH-camr was a vid about exporting to logic
You are right. I am a producer/Engineer and used to own a studio so I understand 100% your point
Bro this is timely…I’m working on a project with a rhymer, and realizing I’m spending more time than I need to on it when I need to get these two tracks to the dude who’ll be mixing it for real, lol
I Like your Content OG! it helps me out a good bit... I just started making Beats Few months ago bcuz my Big Brother passed Away and he was My Producer. keep doing your thang!
Moral of story: always do the MVP “minimum viable product”. Stop hemming and hawing and get it done. :).
I be so hard on myself on the mixing end.. appreciate this!!
Bro I'm talking bout hours of back and forth to eventually mess the track up somewhere along the line . lol
I just do an emotional mix. So it has the dynamics or an mix where I can achieve certain sounds I like a creative mix. Sometimes I find different sounds that way. But I understand what you are talking about. I think that was the reason why Kanye was trying to figure why his drums weren't hitting in the clubs, but in the car it was ok.
I mix whether I’m in the studio or not honestly. I just like that polished sound for my beats
Make a beat, write a rap to it, then deal with the mixing when it's all recorded...That's what works for me...
Thank you
Yessir!
Yes.
💯
Makes a lot of sense
100% agree on the distortion.. anything that is compressed is in definition "distorted"
I just pan my sounds and adjust my levels. I mix inside the Mpc, so I’m going by what I hear then what I thinks looks good.
Exactly what I do on my one.. 👌🏾
@@bosslife_bangin right. The best advice I ever heard was, “If it sounds good, it’s good! If you have good ears, you’ll know it.
Fam I’ve been using Logic but now looking to go dawless and cop an MPC 5000. How is mixing like with the MPC? Thx bro
@@mikevenus4117 yessir 💎
@@OtisThorpe518 I haven’t use a Mpc 5k. I have a Mpc Live2 and a Akai Force. My understanding of the Mpc 5k is very limited. I’m sorry.
Great point of view. Makes a lot of sense. You can have a great mixed beat with NO SOUL/VIBE and it will sound nice but EMPTY! Music needs SOUL first! Soul starts in the natural vibe.....
I have destroyed plenty of beats by mixing it. Totally lost the vibe I started with. If you are getting quality sounds, they are already EQ'd and compressed. Gain staging and or leveling is the most important.
@bolodaproducer this is one of the real facts I ever heard. So many times the energy has been lost bc I've told artist let me mix it and I'll get it to you in a bit. Damnnnn this video was more than need bro! 💯💯💯💯
MPC software sounds good with almost no tweaking at all
As did the first wave of MPC’s.
I think you absolutely right about mixing people mix and master when they don't need to most people don't know the difference anyway
Lol this is hilarious cause I was thinking about this lately and nobody cares anyway, it’s just about getting the vibe right, the levels to make the bop right, and using nice headphones to make sure shits not sounding shitty 🤷🏽♀️ People listen to everything on their phones and earbuds mostly, and then cars if anything.
bro this is a great video, I was once an over thinker when it came to music but after this video.....umma just let the vibe flow
Yea man I recently got to the point where I'm just making beats a d doing leveling. I'm not spending hours mixing just for it not to sound the way I liked it before it was even mixed. I was never scared of being in the red. Long as it sounds good I'm leaving it. I may add limiter to get louder sometimes buts about it budd.
also when the artists are present ur catching a vibe
“Market” has changed a lot from golden era up today… mixing, mastering, valves, adat… all of these as they were, aren’t nowadays. It was a time in between then and now where people was nuts about Khz and Kbps… but the amount of data charging the cpu to end converted into dirty mp3 (too often 128Kbps) wasn’r worth any effort. Spotify get some quality improvements but people still rip instrumentals from youtube and record mixtapes over them… so the point is: I’m agree with the vibe over “what’s supposed to be done” (from whoever said at FM magazine yikes) and mixing stage requires whole stems aka vocals and the crowd behind all that process. If you share at stores or Social Media… maybe too but adapted to phone/tablet sounding because most of the time it will be heard there and these stores play the “buy fast boy, it’s cheap and at your fingertips” (gamification of the sales) so few people will buy instrumentals hearing them with proper monitors etc. Shame or evolution, it’s what it is. Take it or leave it but that’s the world we have at 2021. These are my 2c of course. Peace and Blessings!
It‘s very likely... that I will refer to your comment (from anywere else) because: you nailed it.
@@kaiherrmann4800 thanks, just my POV but if it helps other I’ll happy with that
I'm glad I'm not the only one that thinks this way...thanx ...sometimes too much mixing does take the life out the beat.
Master P and No Limit rarely mixed anything, We Riders is a perfect example
Which is why their s6%% sounded like loud demos.
The general consumer or fan could care less.
Listen to both versions you'll see a huge difference.
I didn't think of making music this way. I have been too busy worried how it will sound, instand of just creating. Thank you for this insight.
Honestly, you don't have to mix anything until the song is finished. Every point you made is 💯💯💯💯. I sometimes mix and sometimes I don't. It really does depend on the vibe.
Me too bruh.
I'm the same way.
I love having my own style of beats and having a different peaking sound.
I feel the same about vocals, obviously you have to tweak them but I feel like if it sounds how I want it…it’s lit. How’d you feel Sir, would you agree?
I’ve been subbed for a while. Love you’re growth and thank you for all your knowledge shared. Love OG
You actually just…saved my life with this one
Idk bro, I'm literally not a mixing engineer. I ain't mixing shit
I just do a quik mix to hopefully enhance the vibe, make it loud then send it.
Where do you send it?
You got some dope beats
What’s considered mixing is too much and over done
Thank you finally had the gumption to say it!
I have been using MPC Beats since July of last year and I can put ideas down faster than anything else I have used over the years. It allows me to tinker with it as I go. I have found that if I sit there grooming on it for too long it seems like it's "not acting right" so I save it and start another one. Now when I get at it and let it do what it do with some adjusting as I go, I get BANGERS. (at least I think they are). After I get a bunch I'll go thru and pick some out and babysit it "put a pig in a wig" to see if I can make it better by "mixing" it. But honestly if somebody buys one of my beats they get the stems and all and they can do what they want with it anyway. Thanks for another video telling how YOU do it. As always....Keepin' it real. Thanks man
This is horrible advice. anyone who is trying to be a daw producer should know how to mix and master. Especially if they don’t even know how to play an instrument. Every music maker wants to be lazy and not put the work in that it takes to be great. This is why we probably won’t see another Stevie wonder or prince. if you’re not making real music and playing instruments then the least you can do is know how to mix or master. Otherwise what are you really doing? Placing samples on a grid? Sound design is absolutely important. This is only good advice for people who only sample other peoples music for everything. This isn’t advice for real music makers. Of course you don’t have to mix when you use other peoples sounds that have already been recorded and mixed. This isn’t advice people who make real music can use. and the problem with distortion when it clips the master is it isn’t controlled and it distorts other instruments. Rock instruments aren’t distorted through clipping the master they are distorted using effects on individual channels and it’s deliberate and controlled. It’s not through laziness and not caring about how hot the meter is. It’s so ironic seeing low level musicians say that mixing isn’t important. Go tell that to Quincy Jones. And you absolutely should mix with your eyes SOMETIMES as your perception of sound can change and adapt to the mix as you make it. And when listening to a whole mix there are certain frequencies that we may not perceive. Most people don’t have great objective ears for music so telling someone to just make sure it “sounds good” won’t translate across many platforms and systems.
I’m definitely not low level. I’ve sold over 12 million records, I have several videos showing and explaining my accomplishments on this channel. Second I’ve work on SSL G board for over 10 years before being decommissioned. I’m pretty knowledgeable about distortion even down to certain quarter inch cables that give more distortion than others when used. Third, every beat that I made, in the studio, with artist present, that has been placed on an album was never mixed before vocals were added. Lastly, I just said in the video, that if you are trying to place beats to be bought are trying to sell beats online, it’s best to mix them…. You got to listen to hear rather than to respond 😎
@@BoloDaProducer 6ix9ine has sold millions of records too and I’d never take advice from him or any of his producers. All you’re advice in this video does is continue the trend of making the next generation of music makers lazy. A lot of the people who make music now know nothing about music and will never compare to the professionals of the past. These guys call themselves music makers but can’t play a chord or name a compressor. In my experience in studios no one takes these type of “producers” seriously. And you can tell every time you put on the radio and hear the same drum loop in every song. That’s what happens when mixing origin sounds doesn’t matter anymore. 20 years from now every songs gonna be made by a computer algorithm because that’s pretty much what all these laptop producers are doing. Just drag and drop other people samples into a timeline in the same pattern using the same 808. No real music maker would take any of this advice seriously. Just the cookie cutter trap producers who want money and clout. I could understand this advice being given to a musician who actually plays music but if you’re just a sample based musician who drags and drops other peoples music it’s extremely lazy to not learn how to mix.
@@55jemmz5 Shut up!🙄🙄
You're right because iam tired of mixing & mastering messing up the vibe..