@Jo T Jack was trying to write a nice comment, so why do people like you just come and say random things that do not correspond with the discussion at all?
Equally it is a tremendous pity that Bach failed in his attempt to meet Handel. What could have been the musical result of the two (of four) musical genius’ having time together discussing their compositions.
@@plebiu Agreed. He also met Georg Böhm and possibly Jan Reincken. A shame he never met Handel or Vivaldi. We know he corresponded with François Coupérin, but his letters sadly do not survive.
What a joy! Vivaldi, Bach, and such a wonderful organ, organist, and recording! It's great to be reminded at this miserable time in history that humans can touch the face of God.
I think even Vivaldi could not do a better job creating an arrangement for organ like this one made by Bach. This arrangement really make justice to the original.
I could tell immediately that this was Simon Preston playing. Superb phrasing, energy and an exciting performance as always. Evrrythingbhe touches is always inspirational. No one really like him.
Gerubach, thanks for feeding us with new sheets and songs. Bach would be amazed by your work. More than 250 years and his work are influencial in our age...WOW
I often wonder what Bach would think if he knew that he is more revered today than he ever was in life. That's the irony about geniuses, never fully appreciated by their contemporaries.
There is something going on here with real substance. It is so refreshing to hear this piece end very simply and not on some big power chord that is so typical. A great piece and a great collaboration. Some really good choices were made in this piece. One of my favorite sections is at 4:15 where the pedal part drops out which is good contrast to all the activity going on before that and it sets up nicely for the ending for the first movement.
The "heart-wrenching" spot debate is just that, spotty. How about we say that this entire work makes one's heart sing at such sounds. If music is that beautiful here on earth, imagine what the Lord has in store for us that believe in Him!!! Thank you Lord!!
Vivaldi’s music is extremely angelic. Like you’re looking at one of the biblically accurate angels with it’s symmetry, repetitiveness (in good style) and powerful cadences.
I absolutely love playing Bach on the organ, it takes so long to get everything correct but in the end is absolutely worth it. And Simon Preston is my favourite Organist! Thank you
This is a transcription of Vivaldi's Concerto for Two Violins in A minor, RV 522. And a great one at that. Here is a link to the original conceerto: th-cam.com/video/7E-RTI-H2oI/w-d-xo.html
The Adagio clearly is a major inspiration in the one in Bach's original "Concerto Italiano". Despite the allegations of having "written the same Concerto 600 times", if you've been held in such regard by the greatest of them all we can comfortably say your value is out of discussion.
If anyone sees a lag (usually about a quarter-note's worth) between the sound and the position of the music, it is most likely from having Bluetooth speakers. (It won't happen with built-in or wired speakers.) This can be the combined result of the Bluetooth driver's packaging the digital signal, and the speakers' having to decode that into connected digital units that, then, have to be sent through a RAMDAC for digital-to-analog conversion in the electrical signal to the magnets of the speaker units.
the figure in and around 11 minutes is a series of up a fourth progressions within up a fourth tonicizarions, notice the nut of the loop when the ruckpositiv enters it's no longer the III chord but the minor one chord huh?
The dotted half notes at 0:55 and again at 3:14 elapsed are not being held long enough. They are being played as if they were not dotted which is wrong playing. They need to be held for 3 full beats of that measure.
Very strange that the largest musical minds in history all lived at about the same time; Bach, Handel, Vivaldi, Pachelbel, the Couperins, Scarlatti,... I wonder why?
Because music it's a part of a whole social thinking. Not about talent, not about virtuosity or superiority. Music are not dots on a paper, sacred notations that should be kept through time. It's not even the sound that it produces, that's just the way it expresses itself. Knowledge is not something able to be transcribed perfectly on books. Bach was what he was thanks to his environment, especially his family and hard work and passion, just another mortal that experienced his life how he could. How many possible Bachs must exist now?
@@qwertyschneider None, western culture is collapsing due to crazy leftists. At least all the scores are stored electronically and can be accessed by other people in the future.
quel et cet orgue qui et si agreable a ecouter ? ou et t il ? mr josef zimmerman et parfait ! choix des registres varier , phraser , tempo , le resultat et la pour notre ravissement / merci ! pierre-xavier de chassot .
C'est Wunderbach ! Imaginez ce que JS Bach eût pu produire s'il avait fait partie de la véritable église catholique au lieu d'être prisonnier de sa chétive hérésie allemande...
I usually can distinguish between Bach and other composers, even baroque ones, pretty quickly. But it’s easy to understand why Bach loved Vivaldi from this piece. Soooooo similar to so many original Bach works.
On parle de génies, tel Einstein, Mozart, Schrödinger voire de Broglie, mais y avait Bach, et tout était dit... Et je me relève difficilement en sachant qu'il y aura toujours un pithécanthrope qui me demandera d'éteindre cette "sotte" musique....
At 4:30 elapsed, is there an implied ritardando in the 2nd to last measure of the first movement because I don't see it notated. If it is meant to be there, why didn't Bach put it in since he arranged this piece for pipe organ? If it wasn't meant to be there, then why does this performer play it as if there was one there? Same thing happens at the end of the 2nd and 3rd movements.
You won’t find a ritardando notated in most of Bachs’s music if I remember correctly, however it is still almost always played. Decisions like if you should play a ritardando or not are always up to the performer and the music being played. In most of Bach’s music a ritardando is always fitting, because endings might otherwise come to abrupt, thus most performers choose to play one.
Поучительные восторги. Интересно, что эти ребята говорят и чувствуют ТЕПЕРЬ, В ДАННЫЙ МОМЕНТ? Скорее всего, не говорят ничего - запрещено говорить. А потом запретят и думать...
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Vivaldi, what can you say of him? Bach thought that he was a genius and thats more than enough for me, I love them both.
@Jo T How old are you little shit. Did you just learn a new word? Listen you little fucking shit, just get your ass out of here.
@Jo T You do sound like someone who would like their own comments
@Jo T Jack was trying to write a nice comment, so why do people like you just come and say random things that do not correspond with the discussion at all?
Equally it is a tremendous pity that Bach failed in his attempt to meet Handel. What could have been the musical result of the two (of four) musical genius’ having time together discussing their compositions.
@@orb3796 I like my own comments! 🥰
Bach, the absolute madman, really did it. I was not expecting to see he arranged this concerto, but he did it!
I have always wished Bach and Vivaldi had meet each other at some point in their lifes.
at some point in their lifes
they really meet
The afterlife.
I'm very glad he met Buxtehude tho
@@plebiu Agreed. He also met Georg Böhm and possibly Jan Reincken. A shame he never met Handel or Vivaldi. We know he corresponded with François Coupérin, but his letters sadly do not survive.
Yes, same story with Beethoven and Mozart..
Bach and Vivaldi together. What else can I say? Beautiful execution and interpretation organist! Thanks for that!
Two combinations I love: Bach and Buxtehude, and Bach and Vivaldi.
god this is beautiful
Yes
0:39
What a joy! Vivaldi, Bach, and such a wonderful organ, organist, and recording! It's great to be reminded at this miserable time in history that humans can touch the face of God.
I think even Vivaldi could not do a better job creating an arrangement for organ like this one made by Bach. This arrangement really make justice to the original.
2:53 is so heart-wrenching
automatofix 10:45 better than that :)
Better? hmmm
It is such a beautiful passage. It seems to me baroque composers were so obsessed with heart-wrenching beauty, with God, or with both.
it is so predictive in a positive view as well!
3:59 too
Love it, I cannot stop listening. I love you Johann, x
Honestly you owe your love and gratitude mostly to Vivaldi , the ORIGINAL REAL Author , Cheers 🎉🎉
A few days ago organist on my church player this before a mass. What a power, what a creeps, what a thrill. Wanderful
I could tell immediately that this was Simon Preston playing. Superb phrasing, energy and an exciting performance as always. Evrrythingbhe touches is always inspirational. No one really like him.
thank u for putting his name here. i will be exploring into his recordings now!
KInd of how I feel about Helmut Walcha.
高校生の頃、ＢＷＶ593を聴いて感激しました。今、６２歳ですが、感激を新たにしています。
Insanely beautiful work.
Pretty good, but I wouldn't go that far.
@@davidjames1684 I would.
Gerubach, thanks for feeding us with new sheets and songs. Bach would be amazed by your work. More than 250 years and his work are influencial in our age...WOW
I often wonder what Bach would think if he knew that he is more revered today than he ever was in life. That's the irony about geniuses, never fully appreciated by their contemporaries.
There is something going on here with real substance. It is so refreshing to hear this piece end very simply and not on some big power chord that is so typical. A great piece and a great collaboration. Some really good choices were made in this piece. One of my favorite sections is at 4:15 where the pedal part drops out which is good contrast to all the activity going on before that and it sets up nicely for the ending for the first movement.
The "heart-wrenching" spot debate is just that, spotty. How about we say that this entire work makes one's heart sing at such sounds. If music is that beautiful here on earth, imagine what the Lord has in store for us that believe in Him!!! Thank you Lord!!
Vivaldi’s music is extremely angelic. Like you’re looking at one of the biblically accurate angels with it’s symmetry, repetitiveness (in good style) and powerful cadences.
Well said. I think Bach is not Angelic or godly, nor heavenly. Bach’s music is only “churchly”.
@@weiliu3623 Bach is infinitely superior to Vivaldi
@@amerrylittlemonarch Bach himself did not think so!
Wow, I can hear so much more of the harmonies and the specific lines in this registration. It's really awesome.
Simply amazing. You do great work.
Maravilha! Certamente um dos melhores arranjos de todos os tempos. Aqui dá para ter noção, um pouquinho, de como é os céus. Glória a Deus!
Amazing work, Geru! Definitely one of my fave discoveries on your channel! 🙏🏽🦊
Love that recurring motif in the Allegro; beautiful
Con un poco de sensibilidad que tengamos, esta composición te eleva hacia Dios. Gracias a su Autor y a sus intérpretes por tanta belleza!!
I absolutely love playing Bach on the organ, it takes so long to get everything correct but in the end is absolutely worth it. And Simon Preston is my favourite Organist! Thank you
Brillante ,precioso,gracias.
Brevíssimo! Gracias por el vídeo y la partitura!
I just cant hold my head pounding on that allegro!!! And now I need more, and I know Bach can provide more than I can handle :O
Love all that you do sir
God Bless
Thanks for the work!
Beautiful.
This is a transcription of Vivaldi's Concerto for Two Violins in A minor, RV 522. And a great one at that. Here is a link to the original conceerto: th-cam.com/video/7E-RTI-H2oI/w-d-xo.html
FBI, open up!
@@amerrylittlemonarch you can't even hear this masterpiece so stfu
Allegro is particularly beautiful! Can't stop listening! :)
MAGNIFICENT thank you !!!
É uma obra prima. Fantástico!
I WAS HOPING THIS VIDEO!!! THANKS A LOT
I knew the original piece but not the organ's arrangement of Bach ! Thank you to share it :)
Génial, merci :D
0:39 beautiful
Can't get enough of this.
Glorious reverb.
Love it!
I start and end the day with this song~~
Adagio... Beautiful
2nd movement is astounding. Just wow!
too boring
The Adagio clearly is a major inspiration in the one in Bach's original "Concerto Italiano".
Despite the allegations of having "written the same Concerto 600 times", if you've been held in such regard by the greatest of them all we can comfortably say your value is out of discussion.
Agreed, and I love Vivaldi's melodies and energy!
There was a reason for one. And that's why this is my favourite music.
Well done!
If anyone sees a lag (usually about a quarter-note's worth) between the sound and the position of the music, it is most likely from having Bluetooth speakers. (It won't happen with built-in or wired speakers.)
This can be the combined result of the Bluetooth driver's packaging the digital signal, and the speakers' having to decode that into connected digital units that, then, have to be sent through a RAMDAC for digital-to-analog conversion in the electrical signal to the magnets of the speaker units.
Simon Preston è sempre uno spettacolo!!!!
🖤
The beginning is epic
Блестяще!
Bravo bravo bravo
I find Preston's attack & dance tempo in outer mvts refreshing... had not heard this recording.
There is always those 1 or 2 people who dislike the videos! I wonder who they are.
Hahahahahahahahahahaha
Your son Wilhelm says he doesn't know, and can he borrow 30 ducats
Hans Zimmer's fans
Rappers
fans lovers the DESPACITO .......
1:45 to 2:25 sounds almost modern. I dont know but theres something realy familiar about these parts.
After following along very closely, now everything in the room is moving! Bach acid trip
First part sounds quite medieval...I really like it haha
Surréaliste !
gerubach I love you!
This gives me blackened deathcore vibes
Best part
0:24 - 12:45
the figure in and around 11 minutes is a series of up a fourth progressions within up a fourth tonicizarions, notice the nut of the loop when the ruckpositiv enters it's no longer the III chord but the minor one chord huh?
What a hoot!😀
باخ العظيم عبقرية فذه في تاريخ الموسيقي العالمية ...بل في تاريخ البشرية ...شكرا جزيلا
estaría genial si pueden hacer un video sobre el "Oratorio de Pascuas" de J. S. Bach; estaría muy agradecido
💕🍀
The dotted half notes at 0:55 and again at 3:14 elapsed are not being held long enough. They are being played as if they were not dotted which is wrong playing. They need to be held for 3 full beats of that measure.
Hello, thank for allí of your videos, amazing. I'm interested un how to scrolling like that.
1:09 Just sing it. Ale ale ale😂
Very strange that the largest musical minds in history all lived at about the same time; Bach, Handel, Vivaldi, Pachelbel, the Couperins, Scarlatti,... I wonder why?
Because music it's a part of a whole social thinking. Not about talent, not about virtuosity or superiority. Music are not dots on a paper, sacred notations that should be kept through time. It's not even the sound that it produces, that's just the way it expresses itself. Knowledge is not something able to be transcribed perfectly on books. Bach was what he was thanks to his environment, especially his family and hard work and passion, just another mortal that experienced his life how he could. How many possible Bachs must exist now?
@@qwertyschneider 0
Because Baroque is the BEST period of music? :D
@@qwertyschneider None, western culture is collapsing due to crazy leftists. At least all the scores are stored electronically and can be accessed by other people in the future.
03:54
man, thats God talking to us.
no
@@IceKrabiklol
2:51- 2:55 AC/DC-Thunderstruck
I knew im not the only one
N1C3
It's Vivaldi
UN JOYAU à déguster avec un apfel wine 😁😘💋💜
Nb: une cadence moins rapid peut allonger le plaisir 🤗
quel et cet orgue qui et si agreable a ecouter ? ou et t il ? mr josef zimmerman et parfait ! choix des registres varier , phraser , tempo , le resultat et la pour notre ravissement / merci ! pierre-xavier de chassot .
3:34 awesome
C'est Wunderbach ! Imaginez ce que JS Bach eût pu produire s'il avait fait partie de la véritable église catholique au lieu d'être prisonnier de sa chétive hérésie allemande...
I usually can distinguish between Bach and other composers, even baroque ones, pretty quickly. But it’s easy to understand why Bach loved Vivaldi from this piece. Soooooo similar to so many original Bach works.
waaaaaw
Still wishing I can get an organ so I can have foot pedals, instead of playing the pedal part and recording it on my keyboard. Still dreaming. 🙏
Are you still looking? I hipe you’ve found one. Good luck
2:50 my favorite part
The first two measures sound like thunderstruck from AC/DC😅
1:07 , 1:31 , 3:18 2:30 , 2:52 , 3:34 , 4:14 predictive in a fascinating way
On parle de génies, tel Einstein, Mozart, Schrödinger voire de Broglie, mais y avait Bach, et tout était dit... Et je me relève difficilement en sachant qu'il y aura toujours un pithécanthrope qui me demandera d'éteindre cette "sotte" musique....
Still prefer Vivaldi's original RV522, so intense and powerful, with a hint of mystery...I sense Venice in his music.
Yo también prefiero el original a la “ copia “ ( transcripción, realmente ).
♥♥♥♥♥♥♥♥♥♥
At 4:30 elapsed, is there an implied ritardando in the 2nd to last measure of the first movement because I don't see it notated. If it is meant to be there, why didn't Bach put it in since he arranged this piece for pipe organ? If it wasn't meant to be there, then why does this performer play it as if there was one there? Same thing happens at the end of the 2nd and 3rd movements.
You won’t find a ritardando notated in most of Bachs’s music if I remember correctly, however it is still almost always played. Decisions like if you should play a ritardando or not are always up to the performer and the music being played. In most of Bach’s music a ritardando is always fitting, because endings might otherwise come to abrupt, thus most performers choose to play one.
ok obviously this is the preston recording, i own the full set too, but YT seems to be wrong.. says the artist is "josef zimmermann".. oO
I'm on a bach binge
Vivaldi REALLY likes that motif doesn't he? I don't know what it's called, but I'm sure some know what I'm talking about.
Beautiful music, and good job editing though.
Can someone point out where the motif appears?
Yes but where can I find this in the video?
Could you give me a time marker example? My knowledge of music theory is limited.
Thanks, I appreciate it.
how do you make those Scrolling notes??
It can be played on Pedal Piano too
Cool
Только Бах мог сделать такую мощную транскрипцию!
06:52 💔
Eine alte, anständige deutsche Orgelschule
Why did Bach always conclude his pieces with a Picardy third major resolution?
Because he knew better than to finish in a minor
Поучительные восторги. Интересно, что эти ребята говорят и чувствуют ТЕПЕРЬ, В ДАННЫЙ МОМЕНТ? Скорее всего, не говорят ничего - запрещено говорить. А потом запретят и думать...
I'm going to learn this piece for day five of Simply Organ. Is it too hard for a fifth day beginner?
What is this, five voices played by the same person? Two voices for soprano (right hand), two for the bass (left hand) and one for the feet.