Bravissimo! E al giusto tempo, senza correre troppo, per apprezzare in pieno lo splendore del fraseggio e non perdere tutto solo per fini meramente virtuosistici!
Meravigliose interpretazioni di questi capolavori in trio di Bach che richiedono una padronanza assoluta dello strumento. Alessio, anche questa volta, si rivela pienamente come il grande organista che è!
Bravo, Alessio, bravissimo! What a marvelous performance of some of the most demanding and unforgiving works found in Bach's organ repertoire. As the title “Trio Sonata” suggests, they require one person to perform as three individual singers/dancers simultaneously, and with incredible physical and mental stamina. Phrasing in each voice was beautiful and clear. His spicy execution of the ornaments adds refreshing bursts of color. Everything fits well. Thank you for posting this stellar performance.
Wonderful instrument, fabulous playing. Am I imagining things or is the tuning a wholestep above modern tuning? Isn't that going in the opposite direction we usually go for baroque tuning?
Well considering there was no device in history until recently where we could accurately measure pitches (the hertz of sound waves), every village/town had their own tuning! I believe it was usually based off of the organ of the town, as this could not be easily changed. Overall, analyzing period instruments that have survived, such as organs and wind instruments, a lot of the tuning was lower in pitch, on average, than the standardized modern pitch ( A=440hz). This was especially true in France and the wind instruments from French builders. However, some areas had actually higher pitch than modern pitch, I believe more common in Italy. This would’ve also saved money on villages’ organs as the higher the pitch would’ve meant that the pipes would not need to be as large, so less material would be used. My point is essentially that there was no “one pitch” used throughout history until quite recently. The modern idea of a “baroque pitch” where A=415hz is actually not historically accurate, but it does allow for us in the modern day to collaborate with more people considering now we have transportation such as planes that can get us across the globe! Hope this helps and sorry if I repeated things you already knew!
I don't have perfect pitch, but I can offer further explanation: Some organ pipes have sleeves, or sliders to allow you to tune them and reeds are usually adjustable, however many older organs the only way of adjusting the tuning was to cut a bit off the end of the pipes that were low compared to the others! Over the years these pipes get a bit shorter and higher. The others are adjusted to keep in tune. So it is not unusual for older organs to be a semitone or two above modern concert pitch, which as you say is the opposite of what you would expect for a baroque instrument.
Good catch. It's funny that Ton Koopman's recording here on TH-cam is also a whole tone up from A=440. Actually Mr Corti is playing a bunch of cents below whole tone up in A=440. Koopman's recording sounds like played in A 440, only a whole tone up :)
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell. Jesus Christ came from heaven to earth for one purpose only - to die on cross for remissions of pre-existing sins of every single person and to resurrect. Jesus Christ providing forgiveness from pre-existing sins for every single person, salvation from eternity in hell and free entry to eternity in heaven for all who repent of sins in Jesus Christ. Other side of death is eternity. Eternity in hell. Or eternity in heaven through Jesus Christ. Penalty of pre-existing sins already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal in hell. Enter heaven. Enjoy heavenly music. For free.
Bravissimo! E al giusto tempo, senza correre troppo, per apprezzare in pieno lo splendore del fraseggio e non perdere tutto solo per fini meramente virtuosistici!
Meravigliose interpretazioni di questi capolavori in trio di Bach che richiedono una padronanza assoluta dello strumento. Alessio, anche questa volta, si rivela pienamente come il grande organista che è!
Bravo, Alessio, bravissimo! What a marvelous performance of some of the most demanding and unforgiving works found in Bach's organ repertoire. As the title “Trio Sonata” suggests, they require one person to perform as three individual singers/dancers simultaneously, and with incredible physical and mental stamina. Phrasing in each voice was beautiful and clear. His spicy execution of the ornaments adds refreshing bursts of color. Everything fits well. Thank you for posting this stellar performance.
It's called a trio sonata because of the three voices. Not a a chamber music trio.
Bravo Alessio! Played as JS would play himself on his instrument!
VERY NICE aLESSIO,bRAVO MAN LOVE THE SPEED REG AND EVERYTHING ABOUT THESE SONATAS.tHANKS
Órgano de Turingia y organista milanés, buena combinación.
Vedo quella pedaliera e mi sento male..
Complimenti non dev'essere facile suonare questo strumento.
Bach's Three-Part Six-Pack, what gems! Brilliantly played Sir.
Simply Stunning.
Superba interpretazione e registrazione allo stato dell'arte. Grazie per questo magnifico regalo!
Bach comme je l'aime ! Grazzie mille !!!
Nice performances. Interesting to hear the pieces in Chorton.
Bravissimo complimenti escuzione perfetta
Raffinata e limpida interpretazione di composizioni complesse in cui si fondono lo stile ed il gusto italiano, tedesco e francese
Very good,crystalline performance.
Unreal .. u are amazing .. I love this version best
excellent un grand bravo merci merci rien à redire
Sonata no. 2, first movement. Very difficult. I struggled with that quite a lot back in the 1970s. So is the last movement....
the wonderfully discreet page-turner brings to mind that Walter Kraft and many other organist played all bach blind...
Es una muy buena versión, el audio también es bueno. Solamente lamentar la "gaffe" en 19:58, precisamente en el hermoso adagio
Super super super !!!
Wondeffull! Compliments
Magnifico!!! Bravo!!!
Superb. Thank you.
Beautiful
Complimenti. Bellissimo!
😘👍❤️😊😍🥰❤️
Bach: Exploding heads
FeelIn... (all) the angelic voces
please.
🙋♀️ ¿¿Did you recognise youR (in) our connection??
Yes, but it is such a nice explosion...
What a wonderful gift from God.
fantastic
❤
Wonderful instrument, fabulous playing. Am I imagining things or is the tuning a wholestep above modern tuning? Isn't that going in the opposite direction we usually go for baroque tuning?
Well considering there was no device in history until recently where we could accurately measure pitches (the hertz of sound waves), every village/town had their own tuning! I believe it was usually based off of the organ of the town, as this could not be easily changed. Overall, analyzing period instruments that have survived, such as organs and wind instruments, a lot of the tuning was lower in pitch, on average, than the standardized modern pitch ( A=440hz). This was especially true in France and the wind instruments from French builders. However, some areas had actually higher pitch than modern pitch, I believe more common in Italy. This would’ve also saved money on villages’ organs as the higher the pitch would’ve meant that the pipes would not need to be as large, so less material would be used. My point is essentially that there was no “one pitch” used throughout history until quite recently. The modern idea of a “baroque pitch” where A=415hz is actually not historically accurate, but it does allow for us in the modern day to collaborate with more people considering now we have transportation such as planes that can get us across the globe! Hope this helps and sorry if I repeated things you already knew!
I don't have perfect pitch, but I can offer further explanation: Some organ pipes have sleeves, or sliders to allow you to tune them and reeds are usually adjustable, however many older organs the only way of adjusting the tuning was to cut a bit off the end of the pipes that were low compared to the others! Over the years these pipes get a bit shorter and higher. The others are adjusted to keep in tune. So it is not unusual for older organs to be a semitone or two above modern concert pitch, which as you say is the opposite of what you would expect for a baroque instrument.
Good catch. It's funny that Ton Koopman's recording here on TH-cam is also a whole tone up from A=440.
Actually Mr Corti is playing a bunch of cents below whole tone up in A=440. Koopman's recording sounds like played in A 440, only a whole tone up :)
Dedicate to his teachers : Ezio Corti (father) and Lionel Rogg.
@@vittoriobacchiega9118 Enzo Corti
Which organ is this? It's very beautiful, in both sound and architecture, but I'm not familiar with it.
Is there a change the triosonaten were written as instrumental works and later condensed into organ works? Asking for a friend.
This sounds like a haunted circus i love it!
Ugh. No.
15:10 43:24
Where is this pipe organ?
Kreuzkirche zu Suhl
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell.
Jesus Christ came from heaven to earth for one purpose only - to die on cross for remissions of pre-existing sins of every single person and to resurrect. Jesus Christ providing forgiveness from pre-existing sins for every single person, salvation from eternity in hell and free entry to eternity in heaven for all who repent of sins in Jesus Christ.
Other side of death is eternity. Eternity in hell. Or eternity in heaven through Jesus Christ.
Penalty of pre-existing sins already paid by Jesus Christ on The Cross. Accept HIM. Be saved from eternal in hell. Enter heaven. Enjoy heavenly music. For free.