My recent color work on various music videos, short films, and commercial projects using the CinePrint16 film emulation in Davinci Resolve. www.tombolles....
So happy for you !! I’ve been following your work since your application video and I feel very happy for everything you have done, so cool man, keep going 🙌🏽👏🏽👏🏽
Great Work!!!! Just purchase v1 and 2. So excited, Any tips on adjustments of your grade to get more of the subtle look of 0:47-0:57 in this reel? Thanks ahead.
This is Awesome man can’t believe how much this looks like real film question are you gonna come out with a 35 or 70mm print version like you did with 16
Some things you can mess with in the powergrade is the amount of blur and grain structure. Larger film stocks have more resolution (less blur) and finer grain. Although it's easier to replicate 16mm and 35mm film stocks because most cameras used in the consumer market are either MFT, S35, or FF. To get the true aesthetic of 70mm would be a little more difficult seeing how it basically twice the size of FF
You can use it in the free version but you will need to disable the Denoise and Grain nodes because those are limited to the full version. There are free alternatives for grain like using overlays/mattes
Very good! Thank you soo much! :) Do you recommend or have a special in-camera lut to help with the shoot and to anticipate color response, for example on the bmpcc 4k? :)
You can fit the grade to the color space of your camera and customize for the look you want, then export the powergrade as a LUT for use in other software, but the LUT will only store the color response, not textural features like grain and halation.
@@TomBollesGreat! Is there only one download for Cineprint16 or is there a separate one for iOS? I don’t have a laptop, so I have to be 100% on iPad Pro now.
Everything works in the free version with the exception of the Denoise and the grain nodes which are limited to the studio version, but you can disable them and everything else works. There are free alternatives for grain like using overlays or mattes
That very last shot is incredible! We absolutely love CinePrint16
Every Frame just wonderful.
So happy for you !! I’ve been following your work since your application video and I feel very happy for everything you have done, so cool man, keep going 🙌🏽👏🏽👏🏽
the color is so beautiful. thank you
this is absolutely incredible! shout-out to you for giving back to the community with this amazing tool.
Glad you like it! Thanks for supporting my work!
Amazing !!!
Amazing work
Awesome stuff man. You definitely helped me elevate my cinematography.
Wow. This convinced me. I'm getting CinePrint16
By far the best emulation tool for film!
Can we also do all of this with the Cineprint35 ? Btw I love your video !!
SO BEAUTIFUL DANG
What camera / cameras / lenses was this shot on? Especially the first couple of shots?
So good...
Incredible work!
this looks sooo sooo good! wow
great work !
Your reel looks sick bro ! Nice work and beautiful colors :)
This looks too good. wow
Awesome selection of clips and great color!
Looks so good! I want to buy but wants to ask you what to do with fujis f log file because it comes out in rec2020?
All the best!
amazing work!! dope stuff here
Great work - you’re going places!
Beautiful looks! At 0:50 is that Sebastian Stan? Which movie is it?
Great Work!!!! Just purchase v1 and 2. So excited, Any tips on adjustments of your grade to get more of the subtle look of 0:47-0:57 in this reel? Thanks ahead.
Any tips on adjustments of your grade to get more of the subtle look of 0:47-0:57 in this reel?
You legend
This is Awesome man can’t believe how much this looks like real film question are you gonna come out with a 35 or 70mm print version like you did with 16
you can acheive different looks by playing with the settings to replicate 35 or 70
@@Ariel_emerald are there any videos you can direct me to so I can see what your talking about
Some things you can mess with in the powergrade is the amount of blur and grain structure. Larger film stocks have more resolution (less blur) and finer grain. Although it's easier to replicate 16mm and 35mm film stocks because most cameras used in the consumer market are either MFT, S35, or FF. To get the true aesthetic of 70mm would be a little more difficult seeing how it basically twice the size of FF
@@doobeedood4525 hey thanks man for explanation I really appreciate it I’m going to give it a try 🙏🏽
@@mcneilbelle 👍 Good Luck
Brutal!!
do you need the paid version of davinci to use cineprint16 properly? thanks!
You can use it in the free version but you will need to disable the Denoise and Grain nodes because those are limited to the full version. There are free alternatives for grain like using overlays/mattes
just wow ! :,)
🔥
Very good! Thank you soo much! :) Do you recommend or have a special in-camera lut to help with the shoot and to anticipate color response, for example on the bmpcc 4k? :)
Look at the title of the video, my man.
@@christianklintholm i am sorry what am i missing. I know it's a powergrade, i was just curious if there is a good lut that helps while shooting
@@INSTINCT777 my bad!
update?
WHERE CAN I FIND THESE MUSIC VIDEOS ESPECIALLY THE FIRST FRAME WITH THE AFRO CURLS!!
Jelani Aryeh - A Piece of Your Mind
Amazing video what lens did you use
0:44 which cam and lens did you use for this scene? Looks like a real movie scene to me!
If I remember correctly the project was shot on Alexa & BMPCC. For the lenses, I don’t know, you’ll have to ask the DP, Griffin Voth.
@@TomBolles Thank you and fantastic color correction!
can these be used in FCPX with lut utility? i dont know how to use davinci.
You can fit the grade to the color space of your camera and customize for the look you want, then export the powergrade as a LUT for use in other software, but the LUT will only store the color response, not textural features like grain and halation.
where can I watch the film at 0:46? really love the look of that one
www.nathanxia.com/oh-mighty-ocean
Damn ❤️❤️❤️❤️
😍😍
0:02, is this filmed with a diffusion filter? 1/4 or 1/8 or? Thank you Tom!
no it's just halation
how is the before and after you do not show
when using the power grade what do i use for the color management settings or does it not matter?
Your project settings should be Davinci YRGB color science, Rec.709 Gamma 2.4
@@TomBolles thank you! Another thing i can't seem to get that strong halation look with the powergrade, any advice?
ayye 💯
Where can I watch the video at 0:44 & 2:40?
I want to buy but I can't find the video to teach how to use it for blackmagic 4k
Same process for all cameras. My two most recent videos show a general walkthrough
Can I use CinePrint16 with DaVinci on iPad Pro??
Yes 👍
@@TomBollesGreat! Is there only one download for Cineprint16 or is there a separate one for iOS? I don’t have a laptop, so I have to be 100% on iPad Pro now.
Do you need the studio version of resolve for this to work?
Everything works in the free version with the exception of the Denoise and the grain nodes which are limited to the studio version, but you can disable them and everything else works. There are free alternatives for grain like using overlays or mattes
@@TomBolles And what about the Halation?
The halation works in the free version. It’s a custom node tree, not the effect built into resolve
@@TomBolles thank you man!
Question what fps do you shoot at
What camera did you use?
Lighting setup at 0:06?
I’m not sure, but you could ask the DP, Griffin Voth
BMPCC 6k?
Yeah there are a bunch of clips in here that are pocket 6K
@@TomBolles Sick work. What lens combo was on that first shot with the girl & the cigarette? Basically the first 7 seconds, loved that whole feeling.
I’m not sure, you can ask the DP @griffinvdp
looks good, but the music doesn't fit to the vibe. need retro
Amazing video what lens did you use