I’m posting this video here th-cam.com/video/1QlnhlO6Gu8/w-d-xo.html as it has been recommended down in the comments by Jim. I’ve not found success in using the ultimate fix method from that video but apparently this is the best way to do that. I’m not sure if I’m doing something wrong, still confused by this and I’m still trying to figure it out.
davinci literally at points feel like rocket science lol, there is so much complexities involved in this and I feel like the only people who have the true answers are the people who coded it
Man, I searched the solution for 3 month and everyone tells about the rec 709 a method, but this video helped me to reach accurate colors in my vids. Tysm❤️
@Mariusz Gajdzik The settings you are using work on your specific case, but they are technically wrong, they are the opposite of what is best practice and they are not recommended especially for delivering content for the web - You shouldn't suggest these settings. First of all, Apple uses a wired combination of Gamut and Gamma which doesn't exist as ''standard'' and they don't match exactly your settings. DCI-P3 is the Theatrical cinema standard that uses D60 as a white point and gamma 2.6. Apple P3 is still DCI-P3 gamut but with D65 white point and gamma 2.2 instead. Your settings are close to the Apple specification but not quite. You are altering the white point (D60 vs D65) in your output, gamma is correct for Apple specs as sRGB means gamma 2.2 Anyway, these are not video standards and encoding any video content like these means that software, OS or browsers that don't use colour management are going to ignore these settings and assume your video is encoded as Rec709 gamma 2.4. - Just because everything is encoded with these standards. In all these cases the reproduction of your videos will change drastically. That will happen on Windows for example and on Mac that uses a non-Apple display. Da Vinci Resolve, as default, doesn't use the Mac OS colour management for preview - Quicktime, like most Apple apps, is a colour-managed application instead. The issue to fix is the mismatch between the 'preview in Resolve GUI/Viewer and Quicktime/TH-cam, not a rendering issue. When you activate > USE MAC DISPLAY COLOUR PROFILE FOR VIEWER You are allowing the Resolve viewer to read the ICC profile of your display, Rec709 colour space can be properly mapped on the P3-D65 gamma 2.2 colours that your display is set to. Because of all o that the viewer in Resolve will now match the Quicktime rendering previews and you can start grading. You can use Davinci Resolve YRGB Colour managed workflow in SDR if you want, but you still need to set the custom output display to Rec709-A Rec709-A Means that Rec709 is going to be mapped for A-pple display preview, and the setup is complete. These settings are not changing how Resolve renders colours and gamma (your settings actually do that). These settings fix how Resolve viewer looks like, matching Quicktime viewer. Which is the right workflow. To conclude, everything above is not a ''professional'' setup. It's a workaround for Mac Os colour management. To deliver professionally to clients as a colourist or for broadcast, you should use a Reference display, calibrated for Rec709 and receive a clean signal from a decklick card. This is going to bypass all the OS colour management or video card and setting and ensure accuracy and consistent results.
You legend. I have been going mad this afternoon trying to workout why on Earth my export was so bright and looked yellow! Tried so many things but it has now worked thanks to this!
Luckily I didn't have to watch too many videos because I came across yours pretty early. I can't thank you enough for this video. Worked perfectly! Thanks again!
Every video on youtube tells you to turn on "Use mac display color profile" and thats whats been keeping my videos looking washed out on youtube. After I turned it off it looked identical to what I export, THANK YOUUUUUU!!!!
Thanks man! I've always noticed quicktime desaturating colors and preferred vlc but I guess I never realized the color space conversion tags, coming from premiere pro. This was like the final piece to my puzzle.
THANK YOU! I was losing my mind trying to solve this.
6 หลายเดือนก่อน
Dzięki Mariusz! Szukałam tych wskazówek od dłuższego czasu, a tutaj jest wszystko jasno wyjaśnione i w końcu działa! Już traciłam nadzieję :)) Dobrego dnia!
Out of all the information out there, which for some reason there are 12012398 different proposed solutions for this issue, this is the only one that actually worked for me. Thank you so much!
Thanks so much..This is the right fix..have been strugling for days to find the right solution..Blackmagic support was very friendly and knowledgeable, but couldn't fix the issue like you..Thanks !!!
THANK YOU SO MUCH! I have been struggling to fix this issue, and none of the other solutions I found worked for me. Seems like this is the right solution if you're working on a Mac. I don't know why this is not better documented, so many thanks for sharing your knowledge here.
I have been using 709-A method which works perfectly with mac but not at all with vlc and windows, and I just found that out right now and I had so angry client probably because of this and your method is perfect! just have to change the color tags everytime but its perfect man. thanks
This worked beautifully for me. thank you! my colors were a little washed out and desaturated on export and now they look identical to my program monitor.
HEY!!!! Thank yo so much for providing this information. You really saved my work. You earned a subscriber a follower an a fan. Please keep doing more videos for Mac - Davinci Resolve users. I have a Macbook pro M1Pro 2021 which I love and 3 years later keeps being formidable for editing, colorgrading, post etc. Bu this Davinci 19 I think I has some errors, glitches bucs. Precicely whe using 2 monitors.
Hi, congratulations for the video it's very clear. I had a question about it, I work with a Mac and an external monitor calibrated in range 2.4, On daVinci I work by setting the color space in rec 709 range 2.4. For the gamma shift problem the exported files are more faded, if I used the Mac monitor I would use rec-A; but since I use an external monitor (so it can't be set in rec 709) how do I have the same result between the preview and the exported files? I know that the problem is Quick time, but anyway if I upload them on TH-cam I see the same problem. Thank you very much, sorry to bother you.
Thank you very much. This is by far the best solution to this problem I found. All the others feel like complicated workarounds and they aren't even as good as yours !!
Big THANKS!!!! I've been searching so many ways on youtube to solve the problem washed out colors of my video export, Finally I fixed it!!!!!!!!! Thank you so so so much!!!!!
Thank you so much. It does work and helps a lot!! Black Magic seems sometimes so sloppy in fixing bugs and inconveniences (some of them have been posted on their forum many times).
Hey! My monitor is LG 32 inch 4K resolution, so which color space should i choose for my mac studio computer for accurate colours? Display P3 / sRGB IEC61966-2.1 / LG HDR 4K (default preset) or some other? Thanks in advance!
Thank you so much! This definitely got me closer to the look I create in DaVinci when viewed in Quicktime, which will save me so much time (I usually have to export a ton of versions as I repeatedly tweak the colour and contrast.) Very easy direction to follow as well!
ปีที่แล้ว +1
Thanks man! I have watched like 20 videos about washed out colors over the years and this was first that actually fixed the damn problem 😅
OMG this worked! Although it was the viewer that was washed out and the exports that were "normal". But the 10 bit setting fixed the porblem nevertheless!
its really insane that these editing programs arent just set like this out of box-- the majority of users are using these preferences. if someone needs some HDR techincal output they should be the ones required to make all kinds of changes. thanks for the vid.
Not sure if it is a good idea to set it to P3 if you're exporting for TH-cam and platform which expects Rec709. I think the Rec709-A is a better option. But I like the video anyway. Always good to have people making videos about the topic. And you are not trying to fix it in the grade. You're trying to fix the "tag problem" using color management. And this is the right way to do it. I am just not sure if it is a good idea using "P3" tag for rec709 exports.
The rec709a bakes it in, and it looks oversaturated in VLC and Firefox unfortunately. I needed to match them across all the software as many of my customers use VLC. Like I mentioned I’m not sure it’s the best way, but it seems to work the best for my needs. Thanks for your additional info tho! Appreciate it 😊
@@MariuszGajdzik do note VLC isn’t a good app to check colors in. It’s not color managed at all. Then again… Since you disable color managed viewers in Resolve, VLC and Resolve would in theory match similarly wrong. Firefox I’m not up to speed with in terms or respecting color profiles or not.
when you're explaining it seems not make sense for me because I warched others to fix this problem. You did and explain total oposite. I tried many approaches but your approach seem work for me. Thanks, mate! (Note, the eport seting one is the key one)
Thank you for your great video. I tried your way in Da Vinci Resolve studio 18 with the settings below, but it didn’t work. Footage: Blackmagic raw shot on Sigma fp through BMD video Assist 12G Used pc: MacBook Pro M1 Pro 16” 2021 Project settings input color space: BMD Film Gen1 Timeline color space: Rec.2020 / ST2084 1000nit Output color space: Rec.2020 / Rec.709-A The exported QuickTime PeoRes 4444XQ color was more saturated, and a little dense in color. I would like to export HDR ProRes file, but what should I do to complete precise color? It would be very grateful if you could give me any ideas.
Hi, Thanks a lot for your help ! However, for my configuration I need to keep "Use Mac display color profiles for viewers" ticked in General settings. Maybe it's because I use my own calibrated profile.s made with ccStudio instead of the default iMac screen profile.
Awesome! Next issue - these settings dont translate when exporting frame grabs. thing still look washed out and colors are not the same as the video in resolve. Any ideas?
Try uploading them somewhere and check on a non color managed system, see, what's up. The issue could be your P3 display and macos color management, which obviously can't read gamma tags off of stills prior to tagging the video on the export page
Thank you Mariusz - this finally worked for me! Incredibly relieving. Now I'm just wondering - do you know how to fix the gamma shift that occurs when exporting STILLS or screenshots from DaVinci?? That fix is still very difficult for me to figure out. Thank you
Interestingly enough, this did work perfectly when viewing the colorgrade in Quicktime and even TH-cam. THOUGH, when exporting a Prores final instead of H.264, the colors absolutely implode on TH-cam. Does anyone know why? H.264 is such a low file size that it comes with artifacts on TH-cam - so I'm adamant about using Prores. Just can't seem to have my cake and eat it too when it comes to coloring and resolution.
hello mariusz, can you share how we also match MacBook color and iPhone colors, because when I see on da vinci send to iPhone to share it , still have some different saturation( I tried all screen color spaces on MacBook )
![[Part 1] ทารกน้อยถูกทิ้ง👶 หญิงชราเก็บขวดขายเลี้ยงดูเขาจนโต #โลกการละคร](http://i.ytimg.com/vi/nPTDvFCExks/mqdefault.jpg)
I’m posting this video here th-cam.com/video/1QlnhlO6Gu8/w-d-xo.html as it has been recommended down in the comments by Jim. I’ve not found success in using the ultimate fix method from that video but apparently this is the best way to do that. I’m not sure if I’m doing something wrong, still confused by this and I’m still trying to figure it out.
did the confusion ever end? i am struggling so much with this
davinci literally at points feel like rocket science lol, there is so much complexities involved in this and I feel like the only people who have the true answers are the people who coded it
After a lot of trial, this was the one that worked for me to finally publish videos at the right color grade. Super useful video man. Well done
Man, I searched the solution for 3 month and everyone tells about the rec 709 a method, but this video helped me to reach accurate colors in my vids.
Tysm❤️
This solution is so much easier and more logical than every other one I've seen.
OMG I USED THE SAME SETTINGS AS YOU AND NOW THE EXPORTS HAVE THE SAME COLOR AS THE PREVIEW AND IT'S BEAUTIFUL, THANK YOU SO MUCH I LIKED
@Mariusz Gajdzik
The settings you are using work on your specific case, but they are technically wrong, they are the opposite of what is best practice and they are not recommended especially for
delivering content for the web - You shouldn't suggest these settings.
First of all, Apple uses a wired combination of Gamut and Gamma which doesn't exist as ''standard'' and they don't match exactly your settings.
DCI-P3 is the Theatrical cinema standard that uses D60 as a white point and gamma 2.6.
Apple P3 is still DCI-P3 gamut but with D65 white point and gamma 2.2 instead.
Your settings are close to the Apple specification but not quite.
You are altering the white point (D60 vs D65) in your output, gamma is correct for Apple specs as sRGB means gamma 2.2
Anyway, these are not video standards and encoding any video content like these means that software, OS or browsers that don't use colour management are going to ignore these settings and assume your video is encoded as Rec709 gamma 2.4. - Just because everything is encoded with these standards.
In all these cases the reproduction of your videos will change drastically. That will happen on Windows for example and on Mac that uses a non-Apple display.
Da Vinci Resolve, as default, doesn't use the Mac OS colour management for preview - Quicktime, like most Apple apps, is a colour-managed application instead.
The issue to fix is the mismatch between the 'preview in Resolve GUI/Viewer and Quicktime/TH-cam, not a rendering issue.
When you activate > USE MAC DISPLAY COLOUR PROFILE FOR VIEWER
You are allowing the Resolve viewer to read the ICC profile of your display, Rec709 colour space can be properly mapped on the P3-D65 gamma 2.2 colours that your display is set to.
Because of all o that the viewer in Resolve will now match the Quicktime rendering previews and you can start grading.
You can use Davinci Resolve YRGB Colour managed workflow in SDR if you want, but you still need to set the custom output display to Rec709-A
Rec709-A Means that Rec709 is going to be mapped for A-pple display preview, and the setup is complete.
These settings are not changing how Resolve renders colours and gamma (your settings actually do that).
These settings fix how Resolve viewer looks like, matching Quicktime viewer. Which is the right workflow.
To conclude, everything above is not a ''professional'' setup. It's a workaround for Mac Os colour management.
To deliver professionally to clients as a colourist or for broadcast, you should use a Reference display, calibrated for Rec709 and receive a clean signal from a decklick card.
This is going to bypass all the OS colour management or video card and setting and ensure accuracy and consistent results.
I have been using rec-709-A for years with Davinci YRGB but my on windows and vlc shows colors super saturated? how do you tackle this issue with vlc?
You legend. I have been going mad this afternoon trying to workout why on Earth my export was so bright and looked yellow! Tried so many things but it has now worked thanks to this!
Luckily I didn't have to watch too many videos because I came across yours pretty early. I can't thank you enough for this video. Worked perfectly! Thanks again!
Every video on youtube tells you to turn on "Use mac display color profile" and thats whats been keeping my videos looking washed out on youtube. After I turned it off it looked identical to what I export, THANK YOUUUUUU!!!!
Thanks man! I've always noticed quicktime desaturating colors and preferred vlc but I guess I never realized the color space conversion tags, coming from premiere pro. This was like the final piece to my puzzle.
Sir lah yrham lik lwalidine fhad nhar a khouya Mariusz 🙏❤
This video was a godsend! After countless hours on pro grading forums and what not without any luck, this solved my problem!
You saved the day! After many tutorials finally something works!
THANK YOU! I was losing my mind trying to solve this.
Dzięki Mariusz! Szukałam tych wskazówek od dłuższego czasu, a tutaj jest wszystko jasno wyjaśnione i w końcu działa! Już traciłam nadzieję :)) Dobrego dnia!
Its incredible since I watched so many Videos explaining it and finally it never worked. Yours just worked. Thank you!
Glad it helped!
Omg you saved me!!! All the other videos didnt work for me, after looking into this problem for days now this is such a relief! Thank you very much!!
Perfect, just what I needed to export on my Macbook Pro M1 and see the same results in the export as in Davinci.
THIS IS THE BEST! Rather than ridiculous suddenly need to tick mac blabla ugh... Thanks a lot!
Out of all the information out there, which for some reason there are 12012398 different proposed solutions for this issue, this is the only one that actually worked for me. Thank you so much!
Thanks so much..This is the right fix..have been strugling for days to find the right solution..Blackmagic support was very friendly and knowledgeable, but couldn't fix the issue like you..Thanks !!!
THANK YOU SO MUCH!
I have been struggling to fix this issue, and none of the other solutions I found worked for me. Seems like this is the right solution if you're working on a Mac. I don't know why this is not better documented, so many thanks for sharing your knowledge here.
i watched a lot of tutorials, and yours is the only that works. Thank you
I have been using 709-A method which works perfectly with mac but not at all with vlc and windows, and I just found that out right now and I had so angry client probably because of this and your method is perfect! just have to change the color tags everytime but its perfect man. thanks
This Video MADE IT SO EASY for me to get the exact result I needed. Thank you!
This worked beautifully for me. thank you! my colors were a little washed out and desaturated on export and now they look identical to my program monitor.
Finally!!! Thank you..I struggled with this for years
Oh man, I love TH-cam. This worked for me! Thank you so much!
HEY!!!! Thank yo so much for providing this information. You really saved my work. You earned a subscriber a follower an a fan. Please keep doing more videos for Mac - Davinci Resolve users. I have a Macbook pro M1Pro 2021 which I love and 3 years later keeps being formidable for editing, colorgrading, post etc. Bu this Davinci 19 I think I has some errors, glitches bucs. Precicely whe using 2 monitors.
at first i doubted you but really you pulled through in the end and solved a big problem for ua. thanks bro
Hi, congratulations for the video it's very clear. I had a question about it, I work with a Mac and an external monitor calibrated in range 2.4, On daVinci I work by setting the color space in rec 709 range 2.4. For the gamma shift problem the exported files are more faded, if I used the Mac monitor I would use rec-A; but since I use an external monitor (so it can't be set in rec 709) how do I have the same result between the preview and the exported files? I know that the problem is Quick time, but anyway if I upload them on TH-cam I see the same problem.
Thank you very much, sorry to bother you.
Thank you very much. This is by far the best solution to this problem I found. All the others feel like complicated workarounds and they aren't even as good as yours !!
Big thank you ! nothing worse than spending hours editing photos and videos and having your clip with that washed out look at the end
Big THANKS!!!! I've been searching so many ways on youtube to solve the problem washed out colors of my video export, Finally I fixed it!!!!!!!!! Thank you so so so much!!!!!
Thank you so much. It does work and helps a lot!! Black Magic seems sometimes so sloppy in fixing bugs and inconveniences (some of them have been posted on their forum many times).
Hey! My monitor is LG 32 inch 4K resolution, so which color space should i choose for my mac studio computer for accurate colours? Display P3 / sRGB IEC61966-2.1 / LG HDR 4K (default preset) or some other? Thanks in advance!
Thanks for this, Mariusz. Sending big love from Alberta, Canada. 💌
Appreciate you a lot for this one, this was the only tutorial that worked on my mac, thanks a lot!!
Thank you so much! This definitely got me closer to the look I create in DaVinci when viewed in Quicktime, which will save me so much time (I usually have to export a ton of versions as I repeatedly tweak the colour and contrast.) Very easy direction to follow as well!
Thanks man! I have watched like 20 videos about washed out colors over the years and this was first that actually fixed the damn problem 😅
Thanks so mush for sharing this. It worked for me!
Oh my gosh THANK YOU IT ACTUALLY HELPED ME
All the other videos out there didn't work 😂😂😂😂😂
OMG this worked! Although it was the viewer that was washed out and the exports that were "normal". But the 10 bit setting fixed the porblem nevertheless!
Thank you so much man, I was searching for this problem for so long. It works so fine now. Good job !!
Thank you Mariusz! Found a lot of different answers out there this was the only video able to fix my issue
its really insane that these editing programs arent just set like this out of box-- the majority of users are using these preferences. if someone needs some HDR techincal output they should be the ones required to make all kinds of changes. thanks for the vid.
man, could not agree more!
Not sure if it is a good idea to set it to P3 if you're exporting for TH-cam and platform which expects Rec709. I think the Rec709-A is a better option. But I like the video anyway. Always good to have people making videos about the topic. And you are not trying to fix it in the grade. You're trying to fix the "tag problem" using color management. And this is the right way to do it. I am just not sure if it is a good idea using "P3" tag for rec709 exports.
The rec709a bakes it in, and it looks oversaturated in VLC and Firefox unfortunately. I needed to match them across all the software as many of my customers use VLC. Like I mentioned I’m not sure it’s the best way, but it seems to work the best for my needs. Thanks for your additional info tho! Appreciate it 😊
Agree. Working in Rec709 / Gamma 2.4 and then tagging the footage with P3 / Gamma 2.2 doesn’t sound great. Will have to test if this is viable.
@@MariuszGajdzik do note VLC isn’t a good app to check colors in. It’s not color managed at all. Then again… Since you disable color managed viewers in Resolve, VLC and Resolve would in theory match similarly wrong.
Firefox I’m not up to speed with in terms or respecting color profiles or not.
Please do and let me know how this works. I'd love to know. It seems to work for me across my devices.
Sadly, many people in Poland use VLC as a default viewer. Firefox is quite popular too... 🥲
oooh THANK YOU SO MUCH !!! I have tried a lot of "solution" and your solution is perfect for me !! ( sorry for my english I'm French ^^)
You fixed my problem!! thanks a million! new subscriber here
Glad I could help!
Do you always use "automatic" for quality setting? Thank you so much for the video btw, it fixed my weird export finally!
I usually export in h265 in 80000 kb/s in 4k for TH-cam or h264 with the same bitrate
You're a LEGEND! This solved the issue here too! Thank you!
Wow, I've been searching for days on why my render wasn't looking as in the software.
Thanks to you : Problem solved.
Many thanks
when you're explaining it seems not make sense for me because I warched others to fix this problem. You did and explain total oposite. I tried many approaches but your approach seem work for me. Thanks, mate! (Note, the eport seting one is the key one)
Thank you for your great video. I tried your way in Da Vinci Resolve studio 18 with the settings below, but it didn’t work.
Footage: Blackmagic raw shot on Sigma fp through BMD video Assist 12G
Used pc: MacBook Pro M1 Pro 16” 2021
Project settings
input color space: BMD Film Gen1
Timeline color space: Rec.2020 / ST2084 1000nit
Output color space: Rec.2020 / Rec.709-A
The exported QuickTime PeoRes 4444XQ color was more saturated, and a little dense in color.
I would like to export HDR ProRes file, but what should I do to complete precise color?
It would be very grateful if you could give me any ideas.
This saved my film. I've tried the commonly suggested "use Mac profile" and Rec-709a/Rec-709 adjustments but to no avail. Thank you.
Thanks! So helpful! 🤩
Glad it was helpful! Thanks 🙏🏼
This was super helpful, thanks so much!
Glad it was helpful!
I continuously come back to this video.
WELL DONE MAN!! YOU HELPED ME A LOT
Thank you so much! it was really helpfu. We managed to finally get the right colors!
Glad it helped!
Thanks so much!!! saved my life
Hi, Thanks a lot for your help ! However, for my configuration I need to keep "Use Mac display color profiles for viewers" ticked in General settings. Maybe it's because I use my own calibrated profile.s made with ccStudio instead of the default iMac screen profile.
I’ve been having these issues since Davinci 16 lol. I’m going to give this a try and hopefully return with great news!
Thank you, I was trying to fix this issue for a few hours, and this works perfectly. Big thanks, man!
thank you! Been trying to fix this for so long.
Mariusz, thank you soooo much. best solution!!
Hi, will this work on windows?
this was the video that actually helped me out. thank you sir
The delivery settings are on point and work perfectly; thanks for sharing!!
tez pomoglo, tylko w moim przypadku na exporcie wszystko jest SRGB
Gracias! realmente el unico video que soluciono mi problema!
Solved my issue. Thank you!!!
Finally something that works thank you 🙏
This was great I’ve been having these issues for so many years
Awesome! Next issue - these settings dont translate when exporting frame grabs. thing still look washed out and colors are not the same as the video in resolve. Any ideas?
yes same issue when still exports :(
Try uploading them somewhere and check on a non color managed system, see, what's up. The issue could be your P3 display and macos color management, which obviously can't read gamma tags off of stills prior to tagging the video on the export page
THis worked! thank you
Glad it helped!
Thank you so much!!!! This is exactly what I needed to change. Now it's perfect!
Hey Mariusz, thank you for the effort! Your solution worked for me :)
Mate and for windows, what should we export?! :)
This was very helpful thank you :)
Thank you Mariusz - this finally worked for me! Incredibly relieving.
Now I'm just wondering - do you know how to fix the gamma shift that occurs when exporting STILLS or screenshots from DaVinci?? That fix is still very difficult for me to figure out. Thank you
Thank you so much, this has brought me close to the same look.
Does this work for HEVC (iPhone video)? I have noticed it’s always washed out whenever we bring it into Davinci.
Those social media lower thirds are amazing, where did you get them?
This saved my video, thank you for this explanation, Im now relieved that my blacks are now black! hahaha ekk
thanks for this video, worked great
Glad I could help
Thanks, works great for iMac
Thanks a lot ! It helped me to fix this problem.
Thanks mate! Work perfectly!
Interestingly enough, this did work perfectly when viewing the colorgrade in Quicktime and even TH-cam. THOUGH, when exporting a Prores final instead of H.264, the colors absolutely implode on TH-cam.
Does anyone know why? H.264 is such a low file size that it comes with artifacts on TH-cam - so I'm adamant about using Prores. Just can't seem to have my cake and eat it too when it comes to coloring and resolution.
My hero.
This definitely helped ME. Thank you.
This works for me. Unfortunately not when airdropping to iPhone. Colors wash out immediately!Anyone has a fix for this???
Same problem for me, iPhone shows up differently,.
I trust you in 10 sec cause your video color looks fantastic 😂😂😂
THANK YOU!
Thank you so much. it's working great.
hello mariusz, can you share how we also match MacBook color and iPhone colors, because when I see on da vinci send to iPhone to share it , still have some different saturation( I tried all screen color spaces on MacBook )
this just saved me thank you
THANK YOU! Спасибо большое! Danke)
love it this was very helpful thank you