I agree that this concerto was played with beauty but also with sensitivity and skill. Thank God that he did not let his skill completely take over. How precious to let his individual instincts stand out.
Wow. Broberg brings exquisite detail to a ravishing iteration. I hear details in decorations and harmonies I never noticed as strongly before -- such as at 5:57, for one -- having heard many versions by famous pianists. Also, there's a lot of the majestic wisdom of the Magic Flute in this concerto, I now realize. Superb.
Merlin's Beard! He actually worked "La Marseillaise" into his First Movement Cadenza! I LOVE IT!!! Quite apart from that, this is the most Stunning and Heartfelt performance of this wonderful concerto I have heard IN DECADES! BRAVO, Mr Broberg!!!
IL n'a pas fait intégré "La Marseillaise" Rouget de L'Isle s'est inspiré de ce phrasé du concerto de de Mozart pour la composition de la Marseillaise. 😮
Mozart did not write a cadenza for this work, I believe. In fact, he didn't write many cadenzas - not until Beethoven did written cadenzas become the norm. For a long time, cadenzas by the likes of near contemporary Hummel were the standard.
The melodic figuration at 32:23 and again, elaborated, at 32:42 is an example of guileless genius. We were gifted through Mozart an intelligence of stunning generativity . He sometimes seems to splash off an extra melody in the way an unexpected rainstorm can exceed a levee's capacity and leave engineers scrambling to release the overflow! My favorite music theory professor once quipped that the sort of felicities other composers only wring with labor, Mozart blithely tossed over his shoulder. But for brilliance that nearly blinds the rest of history's intellectual progress, Mozart might have a match in the astonishing mathematician Leonhard Euler. Both children of the 18th-Century Enlightenment, Euler and Mozart are easily the savants of Modernity. In fact, Euler's intellectual curiosity was so prodigious he actually spent time ruminating on music theories, and wrote an essay called "Tentamen novae theoriae musicae," (Attempt at a New Theory of Music).
My music professor always emphasizes that music is mathematical. He uses the scores to prove his point. There is balance and symmetry. The musical forms whether they be sonata allegro, rondo, dance forms etc all have a plan. the location of the golden mean and halfway point both have meaning. The composers adhered to the plan even though the form was not yet codified. Speaking of theory, Mozart was able to give us interesting chord progressions in his developments. ie. 1) Piano concerto 17 1st movement 2) Eb M divertimento for string trio 1st movement 2nd movement. Last movement.
@@claykeanu6287 Clay Keanu, yo no se el suficiente ingles, como para comunicarme con vos. Pero te agradezco mucho tu intención. Debes ser un hombre muy bueno y sensible.
@Christopher Ben me encantaría seguir tu trabajo, pero tube que recurrir al diccionario, para saber el significado de la palabra "Seems". De todas maneras muchas gracias.
Mozart must be smiling in his heaven. The right balance between orchester (to the point) and soloist (the small "rubati", sort of inventing the part as he goes along). The transparency of the orchestral voices (thanks to an outstanding conductor) and a soloist giving 110 %. A new high bar for the work!
This is perfect! Most precisely played version on TH-cam and I can imagine than any other! I suggest passages of the Uruguayan anthem instead of the Marseillese :) it is less known and more interesting. Congratulations to all the involved in this piece of perfection.
@@davidrogoff8812 Utter nonsense. People are not machines, so no performance, even by the same musician, will ever sound exactly the same. That has nothing to do with "interpretation", but the simple fact of multiple variables that will naturally occur from performance to performance. I get tired of explaining this to people that are ignorant of music and/or don't understand it's language, so I'll give you Stravinsky's words on the subject; if you think you know better than he then good luck to you: _"For, as I have already said, music should be transmitted and not interpreted, because interpretation reveals the personality of the interpreter rather than that of the author, and who can guarantee that such an executant will reflect the author's vision without distortion?"_
@@davidrogoff8812 No, I'm not being rude at all. Maybe you shouldn't have left me a curt dismissive "comment". With that manner of address, I have neither the time nor the inclination to be subtle. Now, you have the temerity to tell me I posess a "low character". That's hilarious, coming from one whose comportment is deplorable.
The composer of the Marseillaise was in Vienna a few years before writing it. There are eight years between this composition and the French anthem, so it was indeed inspired by this piece. But then Mr Broberg did add a few notes 😊
ivan igor Pollick it's truly amazing! It's unfortunate this sublime concerto isn't more frequently performed; I think it ranks second only to Beethoven's majestic Emperor Concerto in quality, for such works prior to the Romantic era. And there's echos of "La Marseillaise" throughout the first movement: it forms the base of the development section.
@@timothythorne9464 Are you a Japanese soldier who has been hiding in the jungle since the end of WW2? This concerto, for quite sometime. is being recognized as one of the greatest piano concerto ever composed... and it is quite frequently played, performed, and recorded. In my opinion, the K 503 is by far superior to any of Beethoven's piano concertos...i suggest you to look at Prestoclassical.com and found out how many versions this concerto has, or, i will do it for you: www.prestomusic.com/classical/search?search_query=mozart%20piano%20concerto%20k%20503
I was also curious about the Fazioli piano. I have come to love Steinways but I really do like the sound of the Fazioli. Competition is a great thing. That said, Steinway does do a lot to support their users. A lovely sound from the Fazioli! Plenty of women in the orchestra - good. I hope they're not ring-ins from the conservatory up the road but musos with a real job.
In addition, in the 2nd movement there is a passage on the left hand that refers to the Marseillaise, probably in reference to the recent, in those years, French Revolution
@lablous the concerto dates from 1786. The French Revolution didn’t really kick off till 1789, and the Marseillaise was composed in 1792, the year after Mozart died.
The title is wrong - it's not D major but C major, as you can tell from the notes. The piano performance is Mozart- perfect, articulated and phrased, but fluid. Not too excited about the orchestra. Too dry.
I agree that this concerto was played with beauty but also with sensitivity and skill. Thank God that he did not let his skill completely take over. How precious to let his individual instincts stand out.
Wow. Broberg brings exquisite detail to a ravishing iteration. I hear details in decorations
and harmonies I never noticed as strongly before -- such as at 5:57, for one -- having heard many versions by famous pianists. Also, there's a lot of the majestic wisdom of the Magic Flute in this concerto, I now realize. Superb.
Merlin's Beard! He actually worked "La Marseillaise" into his First Movement Cadenza! I LOVE IT!!!
Quite apart from that, this is the most Stunning and Heartfelt performance of this wonderful concerto I have heard IN DECADES! BRAVO, Mr Broberg!!!
Very interesting cadenza! Nicely!
15:03 :)
I've had that idea, too, on my own! Too bad about Mozart's childhood sweetie Marie Antoinette, though.
IL n'a pas fait intégré "La Marseillaise" Rouget de L'Isle s'est inspiré de ce phrasé du concerto de de Mozart pour la composition de la Marseillaise. 😮
According to wikipedia, the Marseillaise was written later. Clearly inspired (to say the least) by this concerto.
Delightful performance. Very talented young man. Thank you.
❤звучание поразительно изящное франкоинтриоующее завораживающее и опьяняющее своей красотой
Love that he plays his own cadenza . Outstanding recording.
Cadenza 1st or 3rd ? From himself creation ?
Cadenza 1 was nice...but bringing Tchaikovsky in there was funny and a little bootlegged...
@@ubuntuivan , are you telling me you appreciated the Marseillaise getting interjected? uuuugggh
Mozart did not write a cadenza for this work, I believe. In fact, he didn't write many cadenzas - not until Beethoven did written cadenzas become the norm. For a long time, cadenzas by the likes of near contemporary Hummel were the standard.
I totally agree. Love it!!
1st movement
0:33 begins | 1:20 magical | 7:16 magical | 12:56 magical | 15:53 ending
2nd movement
16:29 begins | 19:31 moment | 21:21 *cough? | 22:27 moment
*3rd movement
24:05 begins | 25:53 gliding | 30:03 fast | 33:10 ending
Beautifully executed, with great musical sensitivity. And I loved his cadenza in the first movement. Bravo!
SO ist es, wenn Musik zum Kunsterlebnis wird. Ein Dankbravo dem Pianisten!
The melodic figuration at 32:23 and again, elaborated, at 32:42 is an example of guileless genius. We were gifted through Mozart an intelligence of stunning generativity . He sometimes seems to splash off an extra melody in the way an unexpected rainstorm can exceed a levee's capacity and leave engineers scrambling to release the overflow!
My favorite music theory professor once quipped that the sort of felicities other composers only wring with labor, Mozart blithely tossed over his shoulder. But for brilliance that nearly blinds the rest of history's intellectual progress, Mozart might have a match in the astonishing mathematician Leonhard Euler. Both children of the 18th-Century Enlightenment, Euler and Mozart are easily the savants of Modernity. In fact, Euler's intellectual curiosity was so prodigious he actually spent time ruminating on music theories, and wrote an essay called "Tentamen novae theoriae musicae," (Attempt at a New Theory of Music).
My music professor always emphasizes that music is mathematical. He uses the scores to prove his point. There is balance and symmetry. The musical forms whether they be sonata allegro, rondo, dance forms etc all have a plan. the location of the golden mean and halfway point both have meaning. The composers adhered to the plan even though the form was not yet codified.
Speaking of theory, Mozart was able to give us interesting chord progressions in his developments. ie. 1) Piano concerto 17 1st movement 2) Eb M divertimento for string trio 1st movement 2nd movement. Last movement.
@@howardchasnoff208 Thanks, Howard! Ill listen to those now.
The Fazioli piano is suitable for almost all Mozart piano concertos!
Bravo Kennet, sos un grande y me encanto la cadenza con la Marsellesa.
@@claykeanu6287 Clay Keanu, yo no se el suficiente ingles, como para comunicarme con vos. Pero te agradezco mucho tu intención. Debes ser un hombre muy bueno y sensible.
@Christopher Ben me encantaría seguir tu trabajo, pero tube que recurrir al diccionario, para saber el significado de la palabra "Seems". De todas maneras muchas gracias.
פשוט משמח את הלב !!!!
Mozart must be smiling in his heaven. The right balance between orchester (to the point) and soloist (the small "rubati", sort of inventing the part as he goes along). The transparency of the
orchestral voices (thanks to an outstanding conductor) and a soloist giving 110 %. A new high bar for the work!
superb interpretation.
His wonderful performance is beyond description
This is perfect! Most precisely played version on TH-cam and I can imagine than any other! I suggest passages of the Uruguayan anthem instead of the Marseillese :) it is less known and more interesting. Congratulations to all the involved in this piece of perfection.
The best cadenza is the one not played.
@@HR-yd5ib
At nearly 78 I'm pretty literate, but I cannot imagine what your cryptic remark implies. Can you explicate it in a hundred words or less?
@@josephefasciani7343 how about that: cadenzas = shite.
What a wonderful rendition!!! ❤️ ❤️ ❤️
bravissimo.¨!!!!!!!
sensibilidad y limpieza. extraordinario
Wonderful interpretation
Music doesn't need to be "interpreted" because there's nothing to interpret.
@@kennethdower7425 Not to argue the point, but if what you say is true, then all performances of the piece would sound the same.
@@davidrogoff8812 Utter nonsense. People are not machines, so no performance, even by the same musician, will ever sound exactly the same. That has nothing to do with "interpretation", but the simple fact of multiple variables that will naturally occur from performance to performance. I get tired of explaining this to people that are ignorant of music and/or don't understand it's language, so I'll give you Stravinsky's words on the subject; if you think you know better than he then good luck to you: _"For, as I have already said, music should be transmitted and not interpreted, because interpretation reveals the personality of the interpreter rather than that of the author, and who can guarantee that such an executant will reflect the author's vision without distortion?"_
@@kennethdower7425 You are rude. Your reply bespeaks low character.
@@davidrogoff8812 No, I'm not being rude at all. Maybe you shouldn't have left me a curt dismissive "comment". With that manner of address, I have neither the time nor the inclination to be subtle. Now, you have the temerity to tell me I posess a "low character". That's hilarious, coming from one whose comportment is deplorable.
_Shame on me, I did not know it was the French National Anthem in the 1st movement! GOD bless you Kenneth, excellent performance!_ 😎
It's funny that Keneth had done that variations in his Cadenza so the french anthem sounds on it. No other pianist does it.
@@alvarito45 , I wonder why ... uuuggghh
The composer of the Marseillaise was in Vienna a few years before writing it. There are eight years between this composition and the French anthem, so it was indeed inspired by this piece. But then Mr Broberg did add a few notes 😊
How did you change the font?
Bravo!
So. I won.t cry😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭
neautifully played,beautifull concerto
ivan igor Pollick it's truly amazing! It's unfortunate this sublime concerto isn't more frequently performed; I think it ranks second only to Beethoven's majestic Emperor Concerto in quality, for such works prior to the Romantic era. And there's echos of "La Marseillaise" throughout the first movement: it forms the base of the development section.
Отлично
@@timothythorne9464
Are you a Japanese soldier who has been hiding in the jungle since the end of WW2?
This concerto, for quite sometime. is being recognized as one of the greatest piano concerto ever composed... and it is quite frequently played, performed, and recorded. In my opinion, the K 503 is by far superior to any of Beethoven's piano concertos...i suggest you to look at Prestoclassical.com and found out how many versions this concerto has, or, i will do it for you:
www.prestomusic.com/classical/search?search_query=mozart%20piano%20concerto%20k%20503
I was also curious about the Fazioli piano. I have come to love Steinways but I really do like the sound of the Fazioli. Competition is a great thing. That said, Steinway does do a lot to support their users. A lovely sound from the Fazioli! Plenty of women in the orchestra - good. I hope they're not ring-ins from the conservatory up the road but musos with a real job.
Is it really possible to compare Fazioli & Steinway on the basis of this video ?
@@neilsvonzeppelin250 It is not a comparison; it's just an opinion...
It's me ... or around 15:05 ... we are listening to La Marseillaise?
it is
Six years before its creation; and, in minute 17:46, there is also the yet uncreated Argentine National Anthem (!!!)
La Marsellaise and the Beethoven 5th motif very strong here. Both came after this concerto - possibly inspired them???
lo abbiamo sentito al Van Cliburn ma stavolta è davvero sorprendente
Bravo!!!
beautiful.¨!!!!!!!
Dazzling
33:00🎹🎹🎹🎹🎹🎹🎹🎹🎹🎹
«Allegro maestoso» I look forward to hearing Lorenz Gadient/Wim Winters’ version. :)
28:05
Anyone knows who won this competition ?
17:45 hay compases reconocibles en el inicio del Himno Nacional Argentino.
geniusz
la cadenza è molto bella. Di chi è?
0:33
33:00👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻kennth thanks👏🏻🌹🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻💐🌹👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
15:03
yeah, haha, did he insert the French National Anthem (La Marseillaise) there? Was it part of his cadenza?
with marsellesa
Indeed. Nice detail, left hand
We’re going to the fun fair today and then we.ll. Go on some. Rides
8
Ricordi Anastasia?
Who wrote the cadenza?
In addition, in the 2nd movement there is a passage on the left hand that refers to the Marseillaise, probably in reference to the recent, in those years, French Revolution
The pianist wrote his own cadenza.
Mozart's own cadenzas have been lost for some of his later concerti. It's usually up to the performer to craft a fitting cadenza
@lablous the concerto dates from 1786. The French Revolution didn’t really kick off till 1789, and the Marseillaise was composed in 1792, the year after Mozart died.
This concerto is also known as the Cat Concerto!
Who told you that ?! ..M.B.....Kochel ?....I 'm not sure....
Yeah....except, it's *not.*
marsellesa concert 15:03
@@ferube4171 2nd mov, left handed
@@zinam5795 Coincidentally, having coffee with Köchel yesterday, he told me that, even showed a coloured photo of the little kitten
Kenneth Broberg - that's a very Swedish sounding name....
The more I look at Kenneth Broberg, the better and better he looks. He is Jewish isn't he?
You did not notice his back? He looks awful, is that better for you?
@@capullitodem1 What "back"? Nobody notices peoples' "backs". What is there to notice about peoples' backs?????
Moi j'adore ses chaussettes !!!!
The title is wrong - it's not D major but C major, as you can tell from the notes. The piano performance is Mozart- perfect, articulated and phrased, but fluid. Not too excited about the orchestra. Too dry.
Dribblers Inc.
Für einen Satz, der mit "Allegro Maestoso" betitelt ist, ist diese Interpretation für mein Gefühl etwas zu dünn..
considerably inferior to the André Tchaikowsky recorded performance of this work
Men just can’t play an instrument like a woman can.
I wish they would leave out these dreadful cadenzas ... uggh.