it is amazing how nancy and ann are so poised and talented but so strong and powerful to be able to tour and perform like they did in the 1980s and for many decades.
You know, I have seen old photos of them as kids and it's obvious from these that Ann and Nancy share a strong, almost unbreakable bond. Extremely heartwarming to observe.
Vary interesting indeed and tnx for uploading.This must have been a little later in the recording process of this track as the basic parts of the arrangement were already written and learned by the musicians.This is the time consuming and generally boring part of the whole process of fine tuning the arrangement and getting everything on tape for further editing.This is very time consuming and can indeed get on everyone's nerves ! We, as fans see the end product, and the concerts, the glitter and glamour of the end product and not fully realizing the extend of the work and patience necessary to put this thing together in a salable package.package. Tnx agn i really loved the insight it provided ! I used to play in a band , as first trumpet and do remember the hours of preparation necessary to put on a concert. Peace !
This is how it is in the recording/rehearsal studio. So many hours and hard work are spent on repeating, editing, tweaking, etc., as a musician myself I can attest to that. But the rewards of hearing a finished product are indeed bittersweet and fulfilling!
I love their 70’s stuff so much more, but I can understand wanting to keep up with the sound of the time. Regardless of the presentation, their songs are always genuine and universal.
I was listening to / watching this while doing my 5 mile ride on my bike trails. It was so awesome riding by the horses pasturing, on a hot August evening, with the sun setting and the moon rising, our beautiful painted, Texas sky, and this haunting tune blasting in my head phones. It reminded me of an 80s movie soundtrack with this as an anthem where I was winning some type personal/ emotional and physical race. Very awesome tune. It is also awesome with the vocals added. Ann's voice sounds great on it!
This is the lost mid 1980s material I wanted to see. This Nevison music should have been put on 1990's dull Brigade if there was no room for it on the 1985 and 1987 albums. This song is tremendous. Like a drama rock version of Flashdance. A huge lost opportunity for everyone that this song was not put on an album. Heart + Nevison = a musical marriage made in heaven.
I agree that this song is way too good to be hidden away and kept in the vaults. It wouldn't surprise me though if part of the reason it remains unreleased is the fact that Ann and Nancy (or "Heart" as an entity) still may not actually own the rights to the recordings or any portion thereof including unfinished songs like this one. But that shouldn't stop them from being able to re-record everything from scratch if the record company (Capitol/EMI/Universal) doesn't co-operate with giving them access to the multitracks or masters. Let's hope that the powers that be (whether that's Heart or the record label or both) aren't finished with going through the archives and decide to finally release gems like this, even if it's not in a more polished and complete form.
This is sooop not from Magazine. You can tell in several ways. 1, Roger Fisher isn't there a d Denny Carmassi and Mark Andes is. There hair styles are totally the 80s. And of course because Nancy is playing her Dean Baby Z that is from the early-mid 80s.
This should have been put on heart's 1985 or 1987 or 1990 album and ann made to scream her head off while singing this song. what a massive lost opportunity.
Holy hell... This sounds like Black Sabbath. Or... Was this before the Black Sabbath song? Obviously, I'm not referring to the song Black Sabbath itself.. lmao!!! Now it's "Let it Be"... Rock N Roll is amazing. As you journey through the depths of it's various creations, you peel back more layers! I just wish that more people could see how bands like Heart were also influenced by Black Sabbath and see how, In turn, Black Sabbath was influenced by Heart. Can I get a "like" from anyone out there that knows these two bands the way that I do and can comprehend what I'm saying by hearing what I'm hearing?
I always thought of them as more influenced by Zeppelin, but I can see what you mean. If you listen to their fist albums from the 70’s you hear Zeppelin.
I’m not too familiar with Sabbath, other than the classic ones you hear all the time when you listen to classic rock…but I will always think of Heart as a 70s band. The 80s/early 90s was a struggle for rock, unless it was “progressive”, as grunge was labeled at first. The mid to late 90s just completed what Heart was trying to do in the 70s(and they’re from Seattle!! No coincidence) They were good friends with Chris Cornell, btw. I think they jumped on the wrong bandwagon in the 80s.
@@juliew1426 I agree completely. You said that very well. Did you see when Ann played a song with the guy from the band that had that song, "Man in the Box"? Lol, I'm drawing such a blank right now.... It was a Seattle grunge band...
Ron Nevison should have got Ann Wilson and Heart to at least record this for use in a movie. What a tremendous song. This was after the movie Flashdance but would have been a great rock song for that film.
They should have made a 3rd album with Ron Nevison and Peter Wolf. The anti hair metal rock was not as prevalent as many thought it was just that radio and the music media was putting all 80s rock bands in the hair category.
Fan all these years... why did I not know that Ann Wilson could play piano? Was that because they already had a keyboard player and didn't want to showcase her keyboard talents? That would have been killer.
@@dampergoldenrod4156 my god your negative comments are everywhereeee. you don't like the Brigade album or Whitney Houston or Madonna we get it!!! 🙄 I think Ann and Nancy are the most beautiful and talented women but I'm not going to put other female singers down and compare them. Whitney and Madonna were talented and beautiful in their own ways and there still exist many feminine women believe it or not. Such ridiculous comments lol
I think we've pretty much titled it Love's Taken Over Me. It has not been released on an album. Not even used as the B-side of a single. So, as far as we know, it remains unreleased.
MICHAEL DAVIS In Part 1 the poster calls it 'Love's Taken Over Me' (or maybe 'Love's Taking Hold Of Me' ?). Without more info that seems to be a good name for it, especially when you listen to Ann's vocals near the end of this Part 2 and in Part 3 during what would be the chorus. Ever since I heard this I've been searching for more on it but so far have come up empty. Maybe I'm just not looking in the right places. I thought I was sure that there are places on the web where you can go to look up songs that have been published but not necessarily recorded (i.e. the many song publishers). Maybe that stuff is only available to people in the industry? This may have actually been published at some point and is available for someone to record. Or it may not nave been. Maybe someone else DID record it. I don't know. I wish that someone more familiar with the industry would come across this video and enlighten us. I'm not giving up the search yet. If I can't find anything then I think I'll just try to send a message to Ann & Nancy through their fan club. Or the next time they do a show in my city, try to ask them then - if I get the opportunity. By the way, I just recently found out that Ann & Nancy were 2 of the co-writers of 'Magic' by Olivia Newton-John. If you're not familiar with the song, go have a listen to it. I believe it's from 1980. I don't know if it was written that year or a few before, but I could easily see (hear) that being a Heart song from the Magic Man/Crazy On You era. Similar sound and feel, in my opinion. I mention this as just one example of a song that was written (well, co-written) but not recorded by them. Who knows what else is out there to discover!
MICHAEL DAVIS Ann is singing it here on TH-cam. This was not included in their 1985 or 1987 album for some reason it would have been an incredible power rock song.
Ann looks like she is struggling with some garnish or other organic matter between her left central incisor and left lateral incisor near the end of this vid. Its visible @13:59 disappears for a few verses then reappears @ 14:12.
+MICHAEL DAVIS Could be any number of reasons why. Maybe it wasn't up to them. Could have been the record company or the producer (Ron Nevison) that suggested leaving it off. Could be that they felt they already had enough similar sounding songs already on it and didn't want to have too many of the same type. That's not an unusual thing to have happen. Could be that it just wasn't going to be finished in time to include it and perhaps they had intended on using it as a B-side but never followed through with that. Also, keep in mind that this was at a time when the average record (and I do mean literally the vinyl record) was about 38-45 min long and ones that ran longer, say 50-55 or more, were still not really the normal yet. The CD which allowed those long albums to happen more easily was introduced (for sale) in North America in the spring of 1983 if I recall correctly. Depending on which album sessions this is from ('Heart' or 'Bad Animals'), this would have been recorded only in the first few years of the existence of the CD. From a purely technical standpoint, you usually wanted to keep the side of a record to about the halfway (20-25 min maximum) length because the more you try to fit onto one side, the tighter the groove (or track pitch) would have to be in order to fit it on. All other things being equal, you potentially get better sound quality by sticking to the maximum length rule because it allows the needle (or the original cutting lathe) more space to adjust to the changing levels and frequencies. Lower frequencies (bass) and louder levels take up more room on a record than the higher or quieter ones This is one of the main reasons that records are made with an equalization that cuts the bass and boosts the highs. That's also one of the reasons why you need a phono preamp either built into the receiver or turntable, or a separate one when playing a record. The preamp boosts the low level signal up to the line level and also applies the reverse equalization curve to restore the bass and attenuate the highs. The equalization is known as the RIAA curve and is the standard one that is used. There has been others in the past and some labels even had their own curve. Decca is one that comes to mind right away. But like I said the RIAA EQ curve is the one that has been the standard for many years. So as you can see, it's hard to know for sure which is the real reason(s) for not including it on the album. On another note (no pun intended), I may have been wrong when I mentioned in my earlier post that Ann & Nancy were co-writers of ONJ's 'Magic'. The problem is that I'm now not sure. I originally got that info from Spotify.. It has them listed as co-writers along with John Farrar and 2 others. I have since seen pictures/videos, even here on youtube, of a few of the original records that have only John Farrar as the writer. Does Spotify have incorrect info? Or did the other writers not get their due credit from way back then? Right now I have too much other stuff to do and don't really have the time to investigate this further, but if somebody else can do the research and let us know, then that would be great.
Thanks PurpleGhost. That was very interesting and helpful. I appreciate the info being a musician myself and serious amateur small-time recording engineer on a Garageband multi-track recorder. All that makes sense. Thank you again!!
it is amazing how nancy and ann are so poised and talented but so strong and powerful to be able to tour and perform like they did in the 1980s and for many decades.
So, on top of everything else else, Ann can play piano too?? How can one person have so much talent? Love it!
Ask Todd Rundgren.
Oh, she can play over a dozen other instruments too! Both of them can. Gotta love them!
She plays flute really well…and harmonica I think
Her mother played piano. Nancy also plays piano, in addition to other instruments as well.
Really wish this song made it on an album!
i loved how Ann fixed Nancy's hair and how Nancy returned the favor haha! sweet 😍
I love their relationship ❤️ with each other ❤️
Older sister vibes, that was hilarious!
@@veryc7437 ♥️♥️♥️that's how thems older sisters be 😂😂😂🤨
You know, I have seen old photos of them as kids and it's obvious from these that Ann and Nancy share a strong, almost unbreakable bond. Extremely heartwarming to observe.
Vary interesting indeed and tnx for uploading.This must have been a little later in the recording process of this track as the basic parts of the arrangement were already written and learned by the musicians.This is the time consuming and generally boring part of the whole process of fine tuning the arrangement and getting everything on tape for further editing.This is very time consuming and can indeed get on everyone's nerves ! We, as fans see the end product, and the concerts, the glitter and glamour of the end product and not fully realizing the extend of the work and patience necessary to put this thing together in a salable package.package. Tnx agn i really loved the insight it provided ! I used to play in a band , as first trumpet and do remember the hours of preparation necessary to put on a concert. Peace !
This is how it is in the recording/rehearsal studio. So many hours and hard work are spent on repeating, editing, tweaking, etc., as a musician myself I can attest to that. But the rewards of hearing a finished product are indeed bittersweet and fulfilling!
I love their 70’s stuff so much more, but I can understand wanting to keep up with the sound of the time. Regardless of the presentation, their songs are always genuine and universal.
Does anybody else notice how close the drum fill intro is to “In the air tonight?”
I hear it too!! very close
100 percent heat that
Nancy never gets her due for the fine solo's she plays!
Really cool!!! That's a lot of hard work. I like Nancy's shirt too.
After watching this a while I started thinking, this is like Heart's Let it Be, and in the next moment, Ann starts playing Let it Be!
What year?
The ole analog days. They say you cant beat it. Really kewl footage . thanx
The music, lyrics and vocals!! 🔥🔥🔥 I love this band and the music! Every song is so damn good!! ❤️
I love Ann messing with Nancy’s hair. Such a sister thing to do. 💜❤️
Look at Ann being big sis, fixing her hair so sweet.
1:04 What a nice moment
I L O V E H E A R T ❗❗😍😍
Thanks for sharing 👍👍
When the chorus came and Ann kicked in her power my heart skipped a beat. Or two. And not for the first time. Or the last...
I was listening to / watching this while doing my 5 mile ride on my bike trails. It was so awesome riding by the horses pasturing, on a hot August evening, with the sun setting and the moon rising, our beautiful painted, Texas sky, and this haunting tune blasting in my head phones. It reminded me of an 80s movie soundtrack with this as an anthem where I was winning some type personal/ emotional and physical race. Very awesome tune. It is also awesome with the vocals added. Ann's voice sounds great on it!
Ann fixing sister Nancy's hair is my sister omg you can't have love like sister love.
That part is just so cute ❤️
You said that right, brother!!!! ❤❤Blessed be thy Sister's love!!!
Sisters! My sister and I pinch each other’s nipples, in a sneaky way. Not in front of people outside the inner circle…
This is the lost mid 1980s material I wanted to see. This Nevison music should have been put on 1990's dull Brigade if there was no room for it on the 1985 and 1987 albums. This song is tremendous. Like a drama rock version of Flashdance. A huge lost opportunity for everyone that this song was not put on an album. Heart + Nevison = a musical marriage made in heaven.
these are just supernatural women they have so much talent and ability.
Nancy plays so damn good ❤🔥❤️🔥
I agree that this song is way too good to be hidden away and kept in the vaults. It wouldn't surprise me though if part of the reason it remains unreleased is the fact that Ann and Nancy (or "Heart" as an entity) still may not actually own the rights to the recordings or any portion thereof including unfinished songs like this one. But that shouldn't stop them from being able to re-record everything from scratch if the record company (Capitol/EMI/Universal) doesn't co-operate with giving them access to the multitracks or masters. Let's hope that the powers that be (whether that's Heart or the record label or both) aren't finished with going through the archives and decide to finally release gems like this, even if it's not in a more polished and complete form.
+PurpleGhost Yes, I agree!!
Not one, but TWO synths. That says it all about the 80's. 😂
This sounds more like classic Heart than any of the 80’s stuff. It sounds like it could’ve been on Magazine
This is sooop not from Magazine. You can tell in several ways. 1, Roger Fisher isn't there a d Denny Carmassi and Mark Andes is. There hair styles are totally the 80s. And of course because Nancy is playing her Dean Baby Z that is from the early-mid 80s.
Those synths are a crime against music.
.
Ann and Nancy deserve better.
A simple piano intro would've been just right for this song 🎹🎶
This should have been put on heart's 1985 or 1987 or 1990 album and ann made to scream her head off while singing this song. what a massive lost opportunity.
When Ann came on the screen I got happy.... just sayin :P
Just keep the camera trained on Nancy. She's compelling enough! Just saying...
Me too. Love Nancy but Ann's my fave 😍♥️
Holy hell... This sounds like Black Sabbath. Or... Was this before the Black Sabbath song? Obviously, I'm not referring to the song Black Sabbath itself.. lmao!!! Now it's "Let it Be"... Rock N Roll is amazing. As you journey through the depths of it's various creations, you peel back more layers! I just wish that more people could see how bands like Heart were also influenced by Black Sabbath and see how, In turn, Black Sabbath was influenced by Heart. Can I get a "like" from anyone out there that knows these two bands the way that I do and can comprehend what I'm saying by hearing what I'm hearing?
I always thought of them as more influenced by Zeppelin, but I can see what you mean. If you listen to their fist albums from the 70’s you hear Zeppelin.
@@juliew1426 oh definitely Led Zeppelin too. I was looking for people, like you, that can hear deeper than that.
I’m not too familiar with Sabbath, other than the classic ones you hear all the time when you listen to classic rock…but I will always think of Heart as a 70s band. The 80s/early 90s was a struggle for rock, unless it was “progressive”, as grunge was labeled at first. The mid to late 90s just completed what Heart was trying to do in the 70s(and they’re from Seattle!! No coincidence) They were good friends with Chris Cornell, btw. I think they jumped on the wrong bandwagon in the 80s.
@@juliew1426 I agree completely. You said that very well. Did you see when Ann played a song with the guy from the band that had that song, "Man in the Box"? Lol, I'm drawing such a blank right now.... It was a Seattle grunge band...
Luv Nancy and that shirt, she is wearing!!
Queen Ann The ultimate
Whatever it is they're playing is better than some of what's on the album, do the finished versions exist anywhere?!
Ron Nevison should have got Ann Wilson and Heart to at least record this for use in a movie. What a tremendous song. This was after the movie Flashdance but would have been a great rock song for that film.
Love you rock legend sisters and your rocking band!
What year?
Album sessions?
They should have made a 3rd album with Ron Nevison and Peter Wolf. The anti hair metal rock was not as prevalent as many thought it was just that radio and the music media was putting all 80s rock bands in the hair category.
Ann & Nancy ❤ friendly💞💗
as sisters💕❣️
sounds like a movie theme from the 80s
like a rock opera version of Flashdance.
Sounds nothing like the Heart that I loved as a kid.
I've seen some crazy pop filters in the days before you could buy one for $15, but that's the first time I've ever seen anyone use plastic wrap!
To me it looks more like a piece of white nylon (pantyhose type), hard to tell on this old lower quality video.
Fan all these years... why did I not know that Ann Wilson could play piano? Was that because they already had a keyboard player and didn't want to showcase her keyboard talents? That would have been killer.
God, that "synth" sound from the 80's. It sounds like a funeral march.
It does sound like funeral for a friend's tone..I dismissed your comment at first then listened again.
I love these synth sounds.☺
Yes, the synths are truly horrible.
@@purpleghost4083 I love them too
Wow right at the end of video Ann was nailing that song wheeeww
What year?
Album sessions?
Is that PAUL there????!!! Damn Peter you really had me there for one second
If I was producing I wouldn’t have Ann follow bass synth melody on verse. Needed something a bit melodic
It sounds like their version of a song from Zeppelin's Physical Graffiti.
Beautiful song. Was it ever released?
are u the guy tape this cool vid nacny is the best.
Who is blonde guy singing with Ann ?
1:03
^_^
Love this, love them! ❤❤
Breakfast Club music .. :)
i love this right here.
7:33. when was the last time you saw a women look this feminine and poise? probably not since the very early 1990s or late 1980s.
You're not seeing many women lately.
@@treybenton2392 you probably thought shitney houston and MCdonna were fEminem
@@dampergoldenrod4156 my god your negative comments are everywhereeee. you don't like the Brigade album or Whitney Houston or Madonna we get it!!! 🙄 I think Ann and Nancy are the most beautiful and talented women but I'm not going to put other female singers down and compare them. Whitney and Madonna were talented and beautiful in their own ways and there still exist many feminine women believe it or not. Such ridiculous comments lol
Where is PT 1? I don't see it anywhere.
th-cam.com/video/Vsk_vG6mQWE/w-d-xo.html
@@marcdavis7583 Awesome. Thank you, Marc!
6:57 Nancy hahaha
What song was this?
Is that Howard at 12:18? He looks too young to be Howard here.
Peter Wolf
Can anyone tell the name of the song?
Here is the song. th-cam.com/video/y_4W2lJ725I/w-d-xo.html
what song were they playing at 4:00 ?
3:24 I hear King Crimson, Court of the Crimson King....lol
I just came across this and yes that chord progression.. it's very reminiscent of King Crimson and Uriah heap from demons and wizards.
@@autk yes, Circle of Hands.
@@tlm8436 yes indeed that's the one...I just saw your reply...and went to listen to UH. I'm sure Howard L knew that as well..lol... everybody borrows.
What is the name of this song? an did it make it on an Album?
I think we've pretty much titled it Love's Taken Over Me. It has not been released on an album. Not even used as the B-side of a single. So, as far as we know, it remains unreleased.
Go to 6:56 and 7:15 and we already know who the comedian of the family is...😂😂😂
What year?
Album sessions?
14:29 YES!
peter wolf 11:59 actually sings well.
you know their eyes are the same. ann and nancys.
wayyy cool!
What is the name of this song?
"Love's Taken Over Me", but it's unreleased.
Does anyone know the name of this beautiful song?
MICHAEL DAVIS In Part 1 the poster calls it 'Love's Taken Over Me' (or maybe 'Love's Taking Hold Of Me' ?). Without more info that seems to be a good name for it, especially when you listen to Ann's vocals near the end of this Part 2 and in Part 3 during what would be the chorus. Ever since I heard this I've been searching for more on it but so far have come up empty. Maybe I'm just not looking in the right places. I thought I was sure that there are places on the web where you can go to look up songs that have been published but not necessarily recorded (i.e. the many song publishers). Maybe that stuff is only available to people in the industry? This may have actually been published at some point and is available for someone to record. Or it may not nave been. Maybe someone else DID record it. I don't know. I wish that someone more familiar with the industry would come across this video and enlighten us. I'm not giving up the search yet. If I can't find anything then I think I'll just try to send a message to Ann & Nancy through their fan club. Or the next time they do a show in my city, try to ask them then - if I get the opportunity. By the way, I just recently found out that Ann & Nancy were 2 of the co-writers of 'Magic' by Olivia Newton-John. If you're not familiar with the song, go have a listen to it. I believe it's from 1980. I don't know if it was written that year or a few before, but I could easily see (hear) that being a Heart song from the Magic Man/Crazy On You era. Similar sound and feel, in my opinion. I mention this as just one example of a song that was written (well, co-written) but not recorded by them. Who knows what else is out there to discover!
MICHAEL DAVIS Ann is singing it here on TH-cam. This was not included in their 1985 or 1987 album for some reason it would have been an incredible power rock song.
+Davin Dx You got that right!!
Ann looks like she is struggling with some garnish or other organic matter between her left central incisor and left lateral incisor near the end of this vid. Its visible @13:59 disappears for a few verses then reappears @ 14:12.
Why didn't they release this??
+MICHAEL DAVIS Could be any number of reasons why. Maybe it wasn't up to them. Could have been the record company or the producer (Ron Nevison) that suggested leaving it off. Could be that they felt they already had enough similar sounding songs already on it and didn't want to have too many of the same type. That's not an unusual thing to have happen. Could be that it just wasn't going to be finished in time to include it and perhaps they had intended on using it as a B-side but never followed through with that. Also, keep in mind that this was at a time when the average record (and I do mean literally the vinyl record) was about 38-45 min long and ones that ran longer, say 50-55 or more, were still not really the normal yet. The CD which allowed those long albums to happen more easily was introduced (for sale) in North America in the spring of 1983 if I recall correctly. Depending on which album sessions this is from ('Heart' or 'Bad Animals'), this would have been recorded only in the first few years of the existence of the CD. From a purely technical standpoint, you usually wanted to keep the side of a record to about the halfway (20-25 min maximum) length because the more you try to fit onto one side, the tighter the groove (or track pitch) would have to be in order to fit it on. All other things being equal, you potentially get better sound quality by sticking to the maximum length rule because it allows the needle (or the original cutting lathe) more space to adjust to the changing levels and frequencies. Lower frequencies (bass) and louder levels take up more room on a record than the higher or quieter ones This is one of the main reasons that records are made with an equalization that cuts the bass and boosts the highs. That's also one of the reasons why you need a phono preamp either built into the receiver or turntable, or a separate one when playing a record. The preamp boosts the low level signal up to the line level and also applies the reverse equalization curve to restore the bass and attenuate the highs. The equalization is known as the RIAA curve and is the standard one that is used. There has been others in the past and some labels even had their own curve. Decca is one that comes to mind right away. But like I said the RIAA EQ curve is the one that has been the standard for many years. So as you can see, it's hard to know for sure which is the real reason(s) for not including it on the album. On another note (no pun intended), I may have been wrong when I mentioned in my earlier post that Ann & Nancy were co-writers of ONJ's 'Magic'. The problem is that I'm now not sure. I originally got that info from Spotify.. It has them listed as co-writers along with John Farrar and 2 others. I have since seen pictures/videos, even here on youtube, of a few of the original records that have only John Farrar as the writer. Does Spotify have incorrect info? Or did the other writers not get their due credit from way back then? Right now I have too much other stuff to do and don't really have the time to investigate this further, but if somebody else can do the research and let us know, then that would be great.
Thanks PurpleGhost. That was very interesting and helpful. I appreciate the info being a musician myself and serious amateur small-time recording engineer on a Garageband multi-track recorder. All that makes sense. Thank you again!!
alright
too bad it's not the classic lineup of geniuses
I will take these...they're "OK"
drugs
You stole this . Shame on you. Tell me I'm wrong...hmmm?
STFU
Without Steve Fossen or Michael Derosier it’s not really Heart.
The transition into 80s would have been much better
Richard Marx at the beginning...maybe he wrote this song?
That isn't Richard Marx, it's the producer Ron Nevison.
Outhouse music.
this producer needs help
Don't think so...
Nope
zzzzzzzzzzzzzzz
Uuuuugh....'80s Heart....🤢