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- เผยแพร่เมื่อ 4 เม.ย. 2020
- Color Graders look away --- This video is all about exploring ways to speed up the editing process by turning the Sony PPOFF. I take a closer look at Dynamic Range, Sample Footage, and the Limitations of this Camera Setting.
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The funny part is, nobody has ever asked me to get better dynamic range or complained about my dynamic range. They just like the story and the audio too. I used to worry more about color but now it’s just getting the shot correctly exposed and framed is way more important than messing with 8 bit log footage and messing up lol. I think you might get around 2 stops or more dynamic range but on a phone which is what most people watch videos on, no one seems to notice much. Now on my new FX3 it does seem to really matter but still the S-Cinetone also is amazing. Caleb Pike had the best advice I have used so far which is using S-Log 2 with the Color Mode set to IT709 matrix and detail to -7 or -5.
“Messing w 8 bit and messing up” lol! Agreed, i’ll have to give that slog2 setting a try and see how it goes, thanks for the pointer
Very interesting video. Thanks! Colouring grading and choosing the correct PP has boggled my mind for ages!
I’m going to give it a shot! Thanks for sharing your insight.
It was very helping as shooting videos with flat profiles need time to color grade and get the results you are expecting.. I am goig to try this out and will get back to you.. Cheers
Perfectly explained ✌🏻
I've started thinking about PPOFF too recently... it really helps when you do not have much time to edit after 9 to 5 work as me :D Thanks for the video. Your night shots are really great.
Thanks Pavel . I was also quite happy with the night shots and this setting. Definitely a time-saver 👍
It helps a lot especially with Lumafusion...I don't have to much time with color grading and I am not really able to do it :-) but PPoff in my a6400 looks much better and easy than Slog2
Well.... first of all... really well put together video mate! Second, most of us are not and will not be pro's. And for youtube videos and creative content, the PPOFF on sony camears looks great. My good I have wasted alot of time in the color page with no reason 🤣Learning by doing. Thank you for shining a light on this subject. I think alot of beginners and amateurs will gain so much more if they used time on the creative side of things, not the color side of things. Cheers
Thanks! Totally agree with ya on the creative side of things :) . I’ve spent my fair share of time messing with color... and on bad monitors 😂
Great video thank you!
I do the same. However, I use creative mode "neutral" with contrast -2, expose for the highlights and save the shadows by using DRO manually. In the dark, I use Cine2 because if it's really dark you can see a dramatic difference between them.
great video !!! , you mean that , first pp off , and then creative look turn on , and select st mode ???
Great video. Just got my a7Siii and am unsure whether to go off, cine, or slog. After this, I'm thinking I'd rather focus on other aspects of my shooting for now.
Thanks T.J. Enjoy the new cam 🎥
Nice video do you use the M dial for shooting video or the movie dial?
Bro nice. Thanks for the info. But what is your creative style when you took your night shots? Did you set it to night scene?
Thanks man, good question. I actually left it on the Standard creative setting, both day and night shots.
Yes the colors look good on the A7SIII without a Picture Profile; however, it is limited to 8 bit color. If one were to want to use the full capabilities of the A7SIII such as 10 bit color, it is required that they shoot in a Picture Profile that utilizes the 10 bit color such as SLOG3 or HLG3. This can be super important when it comes to uploading an HDR video to TH-cam for example. Just saying lol
Great video, shooting on the a7s on cine 4 for years now because everybody only talks about that or slog. But I think it’s hard to put out consistent looking shots for maybe a wedding video over 10 min long. Because it’s hard to be consistent in color grading and it’s takes so much time. I’m gonna try this
Thanks! I agree, it’s absolutely tough for me to color grade on a time crunch, and make it look consistent. Best of luck!
using the standard profile given straight out of the box has this weird sharpness effect that I dislike severely while shooting videos. To counter this, I just turn the sharpness down in the creative profile settings.
I’ve noticed the same when shooting 4k on my A7Riii, good tip!
what is the camera used in this video fro the clips?
Any thoughts on shooting my first wedding video with a Sony A6400 with PPOFF? I don't have a lot of time to edit and need to get the highlight video out quick and I don't have a problem with adjusting the tones and saturation in Premiere.
Hey Jon, I found PPOFF to be a safe choice to get accurate life-like colors, so I’d say yes go for it! It works well for wedding videos, especially if you’re going for the natural look. Another good idea is to switch to a flatter profile if you’re stuck with any harsh lighting / high contrast, and shoot the rest of the vid with PPOFF. Good luck!
@@camiror5870 Thank you, It's good to get someone else's opinion on this. I'm going to shoot with PPOFF and if it needs any adjusting, I'll adjust in Premiere.
hi..great video and explanation..im shooting on cine 2 and cine 4 but im not good on color grading.i use the eos hd too but too saturated to me..now i off my picture profile and use standard on creative style...i have question..did you shoot this on 4k or 1080p? because im thinking if sharphess will set on 0 it will be too sharp on 4k.🤔
GOMO PRODUCTION Thanks! Good point - I shot the A7S in 1080p. I agree to turn down the 4K sharpness a few points to eliminate the over-sharpening in camera
@@camiror5870 thanks for the reply..got one more question..how about the Dynamic Range Optimization (DRO) is it set on auto?because some people set it on a certain level when they using creative style.
@@bluecatdigitalstudio7500 I turn it off to be safe and adjust in post. It does help with dynamic range - don’t quote me on this, but in earlier days I’ve seen my black levels shift when pointing the camera from dark to brighter/high contrast scenes with DRO on, so ever since then I’ve kept it off to avoid the risk of that happening!
@@camiror5870 that makes sense,thank you very much bro! i subsctibed 🎥😊
Hi, many thanks for this vide! What do you have your zebras set to for exposure without a PP?
Hey Mark, I don’t love to shoot with zebras because it’s an extra step, and if I leave them on, it makes it difficult to compose. There are some different techniques like setting them lower to ensure skin tones are properly exposed, or 100ish to avoid blown highlights, but I’d need to experiment a bit before I say which is best. Thanks!
@@camiror5870 ok thank u, so how are you getting your exposure so decent? what method do u use?
@@MARKSMISCELLANEOUS I’m typically checking my MM value or metered manual to make sure it’s near 0, and sometimes look at the histogram
@@camiror5870 OK thank u, I heard that the MM is not always accurate esp for video, I'll have to look into that more. Thanks again!
I think without picture profile the result is also great!
TAMPA!
What exposure value need to consider while shooting video in creating style... should we consider +-0.0 for proper exposure?
Surender Makhloga around 0.0 is what I did for this video, no TTR exposures since no major grading
@@camiror5870 should I keep white balance auto ?
Surender Makhloga I‘d set it manually so your shots look consistent
All good points ... I don't think that TH-cam video requires color-grading .. I think it's a waste of time and a lot of extra expense. If you just get a good exposure and camera sharpness, contrast and saturation set ok, then your video will look pretty good and you can edit your video fast.
The only problem I run into is matching cameras ... like a GoPro or Osmo Pocket with the video from my alpha cameras ... hopefully nobody will care ... good show thanks.
Absolutely - the custom profiles do help when it comes to matching other cameras. Thanks!
I turn it off cause I’m still on iMovie at the moment