Isn't it a paradox with both the piano and the instruments of Bach's time - harpsichord and clavichord - the notes fade rapidly and the art of the player is making people believe they can hear sounds that no longer exist physically. And the challenge you pose is how to harness this magic to make listeners experience the resolution of dissonances even when the actual dissonant note is no longer audible, This is a fascinating question! Thank you for the insights you bring to this music.
Isn't it a paradox with both the piano and the instruments of Bach's time - harpsichord and clavichord - the notes fade rapidly and the art of the player is making people believe they can hear sounds that no longer exist physically. And the challenge you pose is how to harness this magic to make listeners experience the resolution of dissonances even when the actual dissonant note is no longer audible, This is a fascinating question! Thank you for the insights you bring to this music.