Yes it is. Currently I m learning karanas too. To be honest it’s not easy at all to perform. The best part is the more u do the more u ll understand your body. This is truly scientific and not mere dance.
Perfectly used by the great and brilliant artist , the themes hidden in sculptures . These themes can be , maybe , extended with more imaginationry and explainatory understandings of basic instincts tried to be suggested thru .
It appears to be the best Bharatha natyam style of dancing,. and the present style of Bharathanatyam is simplified. We respect and appreciate Madam for her wonderful research. Work.
@@sumanthganapathibasavapatn141 thanks. That’s makes a lot sense now. This unmata karana use in dance to depict jealousy or anger. Clearly the second variation used to show the furious narashimha...🙏🏻
@@sivakumarsubramaniam2388 No wonder. "Matta" means intoxicated or enraged. In combination with Madaskhalita and Ghurnita, the Unmatta-karana is used to depict drunkenness as well. On its own, it displays vibrant anger and aggressive motions.
U can contact my teacher. If u interested plz share yr email. I ll send her details. She is truly a great teacher, dancer n human being. U ll live her.
I didn't like , it's not true,karanas are collected from all over India but here imaginary karanas are collected only from Tamil Nadu and made only based on bharatnatyam which is totally incorrect,the real karanas are much more different from your imaginary karanas
You should watch the entire series of bharatiya natya Shastra...she discusses about how natya Shastra is spread all over India and Asia. This is just a small part of the whole series
Stop seeing hip movement as a sin. When a dancer dances she/he literally imagines his/her body as a temple. So there is no superior or inferior part in the body. All of them equally important and playing their own role to make the temple ( dance) look sacred. "Beauty is in the eye of the beholder,". Just saying..
FYI emphasis on hip movements has been notoriously tied on Bharatnatyam (though not like odissi) for at least from mid 1st millennium BCE. What you're seeing nowadays is a modern interpretation of the Vazhaloor style of Bharatnatyam AKA Kalakshetra style
This is original form of bharatanatyam, the form we have now is different. Respect the dancer, she is trying to bring back the original form and not the fake form we have now.
I am Speechless whenever I watch this. And I watch it often.
Same here
I think this could be her magnum opus despite just being a guide to the Karanas. The singers and musical performers carried it too!!
3:11 her four limbs performing 4 different movements.. Just magnificent 🤩🤩🤩🤩
Yes it is. Currently I m learning karanas too. To be honest it’s not easy at all to perform. The best part is the more u do the more u ll understand your body. This is truly scientific and not mere dance.
The wonder never ceases. She is reincarnation of bharata muni
The background music is as beautiful and captivating as this dance performance 😌🙏🏻❤
Speechless!!! I watched these when this progm was telecast in durodarshan... Lot of respect with u padmaji! ❤❤❤
Marvelous performance. Spellbound. Watched this again and again and again. Namaskarams to Padmaji.
అద్భుతం,ఓం నమో శ్రీ నటరాజ స్వామి ని గుర్తు చేశారు ❤️👍🙏
Perfectly used by the great and brilliant artist , the themes hidden in sculptures .
These themes can be , maybe , extended with more imaginationry and explainatory understandings of basic instincts tried to be suggested thru .
This is dream come true by your wonderful performance. Please give full story behind SHIVKAWTUM for non South Indian.
What elegance!Super!A great dancer !
Completely enchanted by this! The sculptures on all temples came to life just through watching this!
I like padma Subramanyam mam❤❤
அம்மா நீங்க ஓர் அற்புதம் அம்மா
Amazingly beautiful.god bless you Madam with a same type of performance and a healthy life.
Padmaji you have become the dance, just merged with & into the dance.Mesmerising.
Who are these woderful Peris😍😍?
It appears to be the best Bharatha natyam style of dancing,. and the present style of Bharathanatyam is simplified. We respect and appreciate Madam for her wonderful research. Work.
not simplified destroyed by Christian missionaries
Amazing .. masterpiece ❤❤❤
Beautiful performance.
Very good performance which is stole from sathir nadanam
Karanas , movements frozen on the temple walls. Beautiful Postures with all the beauty of movements...!!!!
Amazing Karnas reproduced classically....by the exponent...
No words, amazing talent, padma mam🥰🙏🙏🙏🙏🙏🙏
Amazing great great
Its hard work.. Thanks
💖💖💖💖🙏🙏🙏🙏🙏no words. Magnificent 💖💖
Superb..... Beautiful...
Thank you SO SO MUCH🎉🎉❤
Frozen movements.incredible,
Wonderful 🙏
very nice thanks ji
Beautiful.
Talapuṣpapuṭam, Vartitam, Valitōrukam, Apaviddam, Samanakam
Līnam, Swastikarēchitam, Manḍalaswastikam, Nikuṭṭakam,
Ardhanikuṭṭam,
Kaṭīchinnam,
Ardharēchitam, Vakśa swastikam,
Unmattam, Swastikam,
Pṛṣṭha swastikam, Dik swastikam
Alātam, Kaṭīsamam
I wish the following karanas by Padma Bhushan Dr. Padma Subrahmanyam are also uploaded :
Ākśiptarēchitam
Vikśiptākśiptam
Ardhaswastikam
Añchitam
Bhujaṅgatrāsitam
Ūrdhvajānu
Nikuñchitam
Mattalli
Ardhamattalli
Rēchitanikuṭṭam
Pādāpaviddakam
Valitam
Gūrṇitam
Lalitam
Daṇḍapakśam
Bhujaṅgatrastarēchitam
Nūpuram
Vaiṣākharēchitam
Bhramaram
Chaturam
Bhujaṅgāñchitam
Daṇḍarēchitam
Vṛśchikakuṭṭitam
Kaṭībhrāntam
Latāvṛśchikam
Chinnam
Vṛśchikarēchitam
Vṛśchikam
Vyamsitam
Pārśvanikuṭṭakam
Lalāṭatilakam
Krāntam
Kuñchitam
Chakramaṇḍalam
Urōmaṇḍalam
Ākśiptam
Talavilāsitam
Argaḷam
Vikṣiptam
Āvartam
Dōlāpādam
Vivṛttam
Vinivṛttam
Pārśvakrāntam
Niṣumbhitam
Vidyutbhrāntam
Atikrāntam
Vivartitakam
Gajakrīḍitam
Talasamsphoṭitam
Garuḍaplutam
Gaṇḍasūchī
Parīvṛttam
Pārśvajānu
Gṛdrāvalīnakam
Sannatam
Sūchī
Ardhasūchī
Sūchīviddham
Apakrāntam
Mayūralalitam
Sarpitam
Danḍapādam
Harinaplutam
Prēnkōlitam
Nitambam
Skalitam
Karihastam
Prasarpitam
Simhavikrīḍitam
Simhākarṣitam
Udvṛttam
Upaśṛtam
Talasaṅghaṭṭitam
Janitam
Avahittakam
Nivēśam
Ēlakākrīditam
Ūrūdvṛttam
Madaskalitam
Viṣṇukrāntam
Sambhrāntam
Viśkhambam
Udghaṭṭitam
Vṛśabhakrīḍitam
Lōlitam
Nāgāpasarpitam
Śakaṭāsyam
Gaṅgāvataranam
did u ever find the rest of the karanas performed?
@@1nilu1 yes, I will upload shortly on my channel.
@@vasudhakota972 thank you. Or could you just send the link here?
@@1nilu1 sure. Once I upload all of them
@@vasudhakota972 ok thanks, awaiting.....
🙏💐💐💐💐 Jai Mata Di 💐💐💐💐💐🙏
Amazing
Divine!
🙏🙏🙏🙏🙏
Watching this for the second time still sitting spellbound
Excellent
Celestial
Thank you....
Pranaams sathguru......
So beautiful
Thank you 😊
Deva logathula irukava aaduna epdi irukkum nu kadavul kirubai yala ippo pathuten
We can see the Rambha, vurvasi n menaka in her
Goddess dancing
❤🙏🙏🙏🙏🙏
Beautiful
Wonderful
Can anyone send link of next part
This may be one new project .
What ragas are used here?
Uniqueness ❤️❤️❤️❤️👍
Wowww
డాన్స్ లో swift movements ఉంటే ఇంకా బాగుంటుది. (ఉదా: LVL)
I wish there were English lyrics to what’s being sung
It’s nothing but the karanas name...
5:10
This looks like Unmatta to me, is that right?
Yes it is. We do have two variations..
@@sivakumarsubramaniam2388 Ah, thank you. I was referring from a Pallava sculpture of Narasimha which is in this posture. Thanks.
@@sumanthganapathibasavapatn141 thanks. That’s makes a lot sense now. This unmata karana use in dance to depict jealousy or anger. Clearly the second variation used to show the furious narashimha...🙏🏻
@@sivakumarsubramaniam2388 No wonder. "Matta" means intoxicated or enraged. In combination with Madaskhalita and Ghurnita, the Unmatta-karana is used to depict drunkenness as well. On its own, it displays vibrant anger and aggressive motions.
@@sumanthganapathibasavapatn141 omg... u are dancer too? I would like to add u as a friend. U are very knowledgeable.
Wow.
ఆహా...
👍👍
🙏🙏🙏❤️
Atpudam
My first language _ Sanskrit ( bsc, kumbakonam)
How to learn this
U can contact my teacher. If u interested plz share yr email. I ll send her details. She is truly a great teacher, dancer n human being. U ll live her.
@@sivakumarsubramaniam2388 am interested in learning sir
Her latest inspiring speech at the Drishti Art Foundation 18th Year Celebration th-cam.com/video/0H0YlYW_jQQ/w-d-xo.html
I didn't like , it's not true,karanas are collected from all over India but here imaginary karanas are collected only from Tamil Nadu and made only based on bharatnatyam which is totally incorrect,the real karanas are much more different from your imaginary karanas
She's replicating Karanas as depicted in South Indian temple, that's all
She is trying to replicate the statues in Chidambaram, not the whole India
You should watch the entire series of bharatiya natya Shastra...she discusses about how natya Shastra is spread all over India and Asia. This is just a small part of the whole series
5:09 is just comedy. That’s just embarrassing and not at all what’s depicted in the sculptures.
It is justifying the entire sloga n sculpture. U need to understand the basic 1st
Why do they moving their hips like this? This is not Bharathanatyam. This way of dancing you can call Cabaret.
These are Karanas of Natyashastra. Bharatanatyam and Odissi and the rest derive from it.
Stop seeing hip movement as a sin. When a dancer dances she/he literally imagines his/her body as a temple. So there is no superior or inferior part in the body. All of them equally important and playing their own role to make the temple ( dance) look sacred. "Beauty is in the eye of the beholder,". Just saying..
FYI emphasis on hip movements has been notoriously tied on Bharatnatyam (though not like odissi) for at least from mid 1st millennium BCE. What you're seeing nowadays is a modern interpretation of the Vazhaloor style of Bharatnatyam AKA Kalakshetra style
This is original form of bharatanatyam, the form we have now is different. Respect the dancer, she is trying to bring back the original form and not the fake form we have now.
💖💖💖💖🙏🙏🙏🙏🙏no words. Magnificent 💖💖
Amazing
🙏🙏🙏🙏
🙏🙏🙏