Dude I have the maddest respect for those who work behind the stage. Stage builders, lighting and sound engineers, all personnel and equipment you never hear of. How do you even transport all this stuff and how many people are on the road crew?
Great job. Loved your interview with Dave too. Love to see rigs. Could you explain sometime about the "tracks" i think you're saying the musicians are hearin on stage while playing?
Very cool. I love that album. I was in middle school when that came out and I had my mom go to the record store and buy me the tape so I had it as soon as I got out of school.
Really interesting that Kiko's red guitar had the high frets scalloped but the STB one did not. You'd think it would be a pretty glaringly different feel between the two, you'd want to have them both either scalloped or not. But wtf do i know, I don't make my living playing the things.
@@leeroden7900Right now, Bryan Jones is maintaining that Dave is playing the same stuff we can buy in the store. That said, I'm sure we're getting more models.
Hey Jeremy, love the channel mate. And LOVE Megadeth. But as far as I know the new Epiphone doesn’t have his Signature Seymour Duncan’s they have Fishman Fluence. I noticed Gibson started cutting corners with this on the last Slash Signature, they didn’t put his signature Seymour Duncan’s either (again) instead opting to go with the cheaper in house models. And the Epiphone models also, they have the Epiphone CustomBuckers. A pity as these guitars are getting more expensive but are less like the guitars they claim to be than before
I believe those V's you are thinking of are the Epiphone Prophecy. A Black V with silver Fishman Fluence. The Mustaine Epiphone has Seymour Thrash Factors.
10:50 "we use cabs .. you need them .. those who play real music (need them)" pff don't be elitist. 97 dB is still too loud and damages eardrums permanently.
Why is Ibanez married to bolt-on necks? I'd be into trying one out if it wasn't for that. I'm an ESP guy for life because of the way they go either set-neck, neck-thru or set-thru (which they perfected) whenever they can get away with it based on price. I own one bolt-on guitar, and it's a 7-string I bought just so I could learn how to play one. And it's not about any perceived sustain BS, because I thin bolt-ons these days are just fine when it comes to tone and sustain. It's all about the comfort around the high frets. Ibanez looks like they get pretty low-profile with the heel joints but compared to neck-thru they're still way chunky and in the way.
@@releshred1272 I'm sure they are. Solidity isn't the issue, nor is sustain and some of the other things neck-through "snobs" sometimes bitch about. It's all about the playability at the upper frets, and not having to deal with a block of wood invading the palm of your hand when you're trying to fret at 18, 19, 20 and above. Even with my set-neck Les Paul style ESP, I have these issues where my thumb has to stop moving up when my fingers still need to keep moving up the fretboard. On my OTHER Les Paul style ESP, my LTD Deluxe set-through neck, there's no such problem and the playability is nice and clean all the way up to the 24th fret. So I use the 22-fret set neck for nothing but rhythm, and don't even try to get to the upper frets on it. So that's what it's all about to me. Easy access to the entire fretboard. But I know there are plenty of people out there who have gotten used to these chunky neck joins and have no problem with it, they can dance all over the upper frets with no ease. I just don't understand why anyone would want to HAVE to get used to something like that when it's perfectly feasible and affordable to get good playability all over the neck with neck-through or set-through construction. So that's my take on it.
Dude I have the maddest respect for those who work behind the stage. Stage builders, lighting and sound engineers, all personnel and equipment you never hear of. How do you even transport all this stuff and how many people are on the road crew?
2:13 That's not a "double skunk stripe" (there's no such a thing lol), it's a 5-piece laminated neck.
these guys are the reason i write metal songs!!! long live this current megadeth lineup..
rip
Great job. Loved your interview with Dave too. Love to see rigs. Could you explain sometime about the "tracks" i think you're saying the musicians are hearin on stage while playing?
I’d like to know the bass rig setups
Awesome!
Ive seen Megadeth a few times. One of my very first concerts was the Youthanasia tour. Awesome video!
Thank you, appreciate it! 🤘🏻
Very cool. I love that album. I was in middle school when that came out and I had my mom go to the record store and buy me the tape so I had it as soon as I got out of school.
Really interesting that Kiko's red guitar had the high frets scalloped but the STB one did not. You'd think it would be a pretty glaringly different feel between the two, you'd want to have them both either scalloped or not. But wtf do i know, I don't make my living playing the things.
Damn no one has checked out what Lomenzo is rocking 😢
6:18 Correction: just as cool. The whole thing is just as cool.
I was there in Laval (Montreal) also. Hey, Jeremy are you from the area also?
🤟💀 Killer Video! Jeremy, Seen Them In Halifax & They Crushed It! You Are One Lucky Man! 🤟👽
Ayyyyy thanks bro!! Going see them in Tampa in 2 weeks with Misfits!
fun video!
i mean i use fx bias 2 elite as a vst in cakewalk when i play and why even buy amps or speakers anymore, just use vst and plugins its that good
Dave’s tech seems so nice and informative 😂🤘🏻
He was super kind to us! Even in the dark haha
Epiphone has came a long way . I have the prophecy lp with fishman fluesnce pickups .
Man the Kramer sigs didn't last long jumped to Gibsons pretty quick!!
Cool stuff.
bass?
Had no idea you were a metal fan! Two monster rigs.
Megadeth bro!!!
I saw Megadave at the house of blues, first row.
LETS GOOO 🤘🏻🤘🏻🤘🏻🎥
Were those US Kramers? There were a bunch of pics of US prototypes around but so far theyve only launched the overseas models
Yes!! They are available to order now 🤘🏻 check out my interview with Dave that came out today, we talk all about the Kramers!
@@JeremyWhiteShow yeah not the U.S made ones though.
@@leeroden7900Right now, Bryan Jones is maintaining that Dave is playing the same stuff we can buy in the store. That said, I'm sure we're getting more models.
Hey Jeremy, love the channel mate. And LOVE Megadeth. But as far as I know the new Epiphone doesn’t have his Signature Seymour Duncan’s they have Fishman Fluence. I noticed Gibson started cutting corners with this on the last Slash Signature, they didn’t put his signature Seymour Duncan’s either (again) instead opting to go with the cheaper in house models. And the Epiphone models also, they have the Epiphone CustomBuckers. A pity as these guitars are getting more expensive but are less like the guitars they claim to be than before
I believe those V's you are thinking of are the Epiphone Prophecy. A Black V with silver Fishman Fluence. The Mustaine Epiphone has Seymour Thrash Factors.
there is 2 models dude. the prophecy model has fishmans, the custom model has seymour duncans. so you're wrong.
10:50 "we use cabs .. you need them .. those who play real music (need them)" pff don't be elitist. 97 dB is still too loud and damages eardrums permanently.
Sook
Why is Ibanez married to bolt-on necks? I'd be into trying one out if it wasn't for that. I'm an ESP guy for life because of the way they go either set-neck, neck-thru or set-thru (which they perfected) whenever they can get away with it based on price. I own one bolt-on guitar, and it's a 7-string I bought just so I could learn how to play one. And it's not about any perceived sustain BS, because I thin bolt-ons these days are just fine when it comes to tone and sustain. It's all about the comfort around the high frets. Ibanez looks like they get pretty low-profile with the heel joints but compared to neck-thru they're still way chunky and in the way.
All my $5,000 and up George lynch ESP's are bolt on and are solid.
@@releshred1272 I'm sure they are. Solidity isn't the issue, nor is sustain and some of the other things neck-through "snobs" sometimes bitch about. It's all about the playability at the upper frets, and not having to deal with a block of wood invading the palm of your hand when you're trying to fret at 18, 19, 20 and above. Even with my set-neck Les Paul style ESP, I have these issues where my thumb has to stop moving up when my fingers still need to keep moving up the fretboard. On my OTHER Les Paul style ESP, my LTD Deluxe set-through neck, there's no such problem and the playability is nice and clean all the way up to the 24th fret. So I use the 22-fret set neck for nothing but rhythm, and don't even try to get to the upper frets on it.
So that's what it's all about to me. Easy access to the entire fretboard. But I know there are plenty of people out there who have gotten used to these chunky neck joins and have no problem with it, they can dance all over the upper frets with no ease. I just don't understand why anyone would want to HAVE to get used to something like that when it's perfectly feasible and affordable to get good playability all over the neck with neck-through or set-through construction. So that's my take on it.
Jackson also makes great neck-through guitars. Can't go wrong with either ESP or Jackson's non bolt-on offerings.
@@DeadRingerMachine Ibanez have shaved heels and horns with no fret access issues
Killer job man!
That's my son
He’s great!
I don’t know the name of this channel. What is it again? 😁
9:47 "I dowed in towns that he likes & he was good with it"... WTF is he mumbling?!
Is he attempting to say "dialed in tones"?
Dude, you don’t need to show us how much you know about guitars, or the tech, cuz he knows more than you. Just let the guy talk.
Love you Bryan
This is boring they dont say anything an u ask garbage questions
The only actual amps you had for the rundown (LoMenzo's) and you skipped it. good job (not).
Why is Dave's tech in the dark?
Prefers it haha
@@JeremyWhiteShow Haha. I thought you might say something like that.