i have waded through a LOT of videos about this technique and yours is a breath of fresh air! concise, easy to follow, and it looked great. and NO chatty, personal info that made my eyes roll back in my head. THANK YOU! lmao
To avoid translation issues, the item number is probably most helpful. Look for (or ask your retailer for) 3520 -- which is Fluid Matte Medium. You can also use 3530, which is regular Matte Medium.
Thank you very much. This is a learning experience for me and I have been looking for DIYs on transferring images onto canvas. So happy I saw this...from Nov. 2010. Please don't take it down. It is a must see. THANKS!
Yes! There are a couple of ways to go about that. You can do the image transfer as a layer directly onto your painting (again, watch for the texture of the underpainting) or you can make an acrylic paint skin on a separate piece of plastic (a stretched out garbage bag works well) then adhere this to your painting sort of like a collage, use a gloss gel to "glue" it to the surface of your painting..
Yes. Timing will change a little, so you'll need to test and practice with it, but Soft Gel, Regular Gel... matte, semi, gloss, etc. They should all work with this technique. Part of the reason Melanie chose Matte Medium here is to keep the sheen down so the canvas looks more natural.
One thing I might suggest to people interested in toner transfers is to find a print shop that will print on vellum. Whichever brand makes the "1000H" vellum is what I use, and I can lift the page in one piece EVERY SINGLE TIME! And there are NO FIBRES AT ALL to scrub off later!
Nice! Thanks for the suggestion. Honestly, we had a lot of trouble just making sure they used a toner-based printer. The first time we ordered prints (online) they sent the order to a place that used an ink-jet print - despite very explicit instructions regarding the type of print we needed. They didn't charge us, but it took an extra couple days to sort out.
1000H vellum is a high quality tracing paper available at most art stores. It's packaging is bright orange. Bring it with you to the print shop and ask them if they can run it through their printers.
that IS good advice the rubbing can be tedious!! Thanks! I wonder if parchment paper might work? I've yet to try to run it through or try this with my printer..I have the ink well Epson 2550... a bit diff than an ink jet... hhmmm worth a try for $avings.
Deborah, Melanie and others have been able to use this technique with inkjet prints, but in Tech Support we have seen the water sensitivity cause color bleed, and it can be frustrating. You may find certain pigment inks working better than the dyes, but this is definitely something to TEST before diving into a big project!
Both techniques work. The overnight method requires more scrubbing and takes 24 hours. This approach catches the transfer quickly after it takes place and you remove most of the paper while it has been softened by the water in the acrylic medium. The trick with this approach is being careful with the transferred image as the acrylic medium is also still soft. So it takes a more delicate touch and careful timing to do it faster.
Just a comment. I have worked a lot with graphics and what is not said in this simple description is that, if the image has a distinct left and right--such as one with text, signage on buildings, or a recognizable image of a popular location-you should flip the image when printing it so it reads backwards. The orientation will automatically correct once the image is transferred.
Thank you for this tutorial! I just did this using Golden soft gel and it worked great! I've tried waiting overnight for it to dry but I'm making multiple transfers and time is of the essence! I had a few hiccups, the second peel tore in a few spots where I had the gel too thick, so I thinned my coats and viola! Awesome!
Melanie uses a fluid medium in this video, but they'll all work pretty well. Since this particular technique depends so much on timing, I would follow the video closely and use fluid. A gel might go on thicker than a fluid and require a bit more time to dry before removal, it may also add the complexity of having thinner and thicker areas that cause parts to dry faster than others.
Betty - to the first part of your question the answer is absolutely! In fact, the smoother surface can make it easier to make complete contact with the print. As for the second part of your question, I've heard that it does work, but I've not tested it my self (I should do that right now!) - you should test it for yourself. And we're talking laser copy, not inkjet (just to be clear). Thanks for the question.
Sherry, sadly, no, you won't find GOLDEN products at Hobby Lobby. It should be available at Michaels and most other art supply stores. For help with the transfer to burlap, you might see the follow up video created by our Tech Support team: "Tips for a Successful Immediate Image Transfer" - where they get into some detail about transfers to textured surfaces.
I see. Re-reading your previous reply I thought you meant the soft gel gloss would produce a less hazy result without using varnish. I used a gloss varnish and it did bring the colours back to life (as if they were wet). I appreciate all the help. Thanks!
Near the end of the video Melanie mentions that you can do this technique on any surface that accepts acrylic paint. So, that should work perfectly. In fact, it could be a very nice twist on the technique to apply color first, then use the transfer technique to create some line and definition. With this example Melanie is laying down the black so she can go back over it with color and texture.
Dianne, the paper is standard bond paper as would be used in a copier. In the case of Melanie's demonstration here, the paper is larger (for the type of printer she used) but it's they same type of paper you would use in a regular size photocopier or laser printer.
@MissKitty28 - this is Melanie's technique, and she's used it and taught it extensively. But, it's not the only technique (wouldn't be very fast if it took 10 hours). Once the image is dry, you can probably put whatever you like - so long as it doesn't dissolve the acrylic or toner - over the image. Of course, we'd recommend a clear acrylic gel of some kind... or using the image as a foundation for painting with colors or glazes.
Keith - we've not done extensive testing on it, however it is mostly carbon, which is very strong as a pigment. We've not seen fading with it, but we can't vouch for every available formulation used in all the laser printers out there.
Yes! Of course you can - as Melanie states, so long as the surface accepts acrylic medium (as acrylic paint will, perfectly). The one thing you need to watch is the texture - you need direct contact, and if your painting has a lot of texture it can make it difficult to get complete contact without gaps.
Once you have removed the excess paper (pulled it back) allow the medium to dry about 30 mins, using spray bottle water wet the entire surface. To completely clean off the paper and reveal the image below Melanie uses either a Scotchbrite pad or better a damp microfiber cloth, as found in dollar stores for household cleaning. Move the cloth in circular motion, section by section regularly rinsing off the wet paper pulp which gets caught in the fibers.
@aharw - yes, it is inevitable that putting a medium over fabric will effect it's flexibility, and in the case of the image transfer technique Melanie is demonstrating the fabric is not intended to be used for apparel. The gel medium won't make the fabric perfectly stiff, but the image won't be durable enough (nor is it recommended) for laundering.
yes, if you watch the newest video on Image Transfers - (Tips for a successful immediate image transfer), it shows applying a coat of acrylic medium over the image once the paper has been removed. The topcoat helps to transparentize any leftover paper fibers and protect the image. Images can also be painted with acrylics after you seal it with the medium.
Yes. You'll need to be careful to make full contact (as Melanie mentions, no transfer will occur if there is no contact) and remove the paper carefully. The best thing you can do is try this out on a small scale to make sure it works for you and to practice you technique before committing to a larger and more important project.
@LillyEve1 It is correct that only toner based process will work for transfers due to water sensitivities. If an artist is interested in using an ink-jet printer they may want to look into Golden's Digital Grounds.
Painting leather with acylics begins with using Isopropyl (rubbing) alcohol to remove waterproofing coating, waxes, and other materials that may get in the way of adhesion. Apply a thin coat of the Matte Medium, Fluid Matte Medium or Polymer Medium Gloss and allow to dry. Then follow the transfer video instructions (also a newer one about tips for a successful image transfer). Keep the paint and medium layers thin, and once done, apply a waterproofing coat (such as camp dry spray).
You may paint over acrylics with oils. It is just important to make sure they are completely dry, and it may be a good idea to mount or stretch your image, assuming it is on a flexible support like canvas, prior to painting on it with oils. Oils are not as flexible as acrylics.
Please do not take this video down, I learned so much and will refer back to it. Is there a book by Golden showing various techniques using Golden mediums? LOVE Golden paints, they are THE best!
Hello Ginita, very pleased to hear that you like this video and learned from it. We have no immediate plans to take it down. There are a lot of books authored by our Working Artists over the years that can demonstrate techniques using our paints and mediums - Rethinking Acrylics by Patti Brady might be a good place to start, Inside Acrylics by Phil Garrett is also very good... Nancy Reynor's Acrylic Revolution...
d2, the copy that Melanie uses here was made on a large format laser printer typically used for printing architectural or mechanical drawings. You can often find these at copy/office centers. But, 11x16 is smaller than a typical laserprinter will use, 11x17 is a common sheet size that you can find at any office supply store. Your challenge with that would be getting all of 11" since laser printers don't usually print to the edge.
Thank you very much for clarifying that. I think I prefer your way because you have instant transfer and it's easier to get the paper off. I appreciate your reply. xx
Absolutely! But texture could be an issue. You'd want to do this over a smooth painting because it will be hard to get full contact, as Melanie demonstrates, with a lot of texture to conform with. Also, if there is a lot of texture, it will be a lot harder to pull the paper up cleanly or rub off the paper fibers.
Hello Nikka, The short answer is, yes, it will work. But, for something wearable, this may not be the best way to do it. As Melanie says, this technique works on practically anything acrylics stick to -- but it needs to be something on which you want a coat of acrylic medium. On a t-shirt, a coat of acrylic medium will stiffen the fabric and isn't made to be washed..
Yes. But (always) do a test piece first. The absorbency of paper primed with gesso will be different than that of a canvas and this all effects the timing. You may need to do a couple tests to get the timing just right for your materials and studio conditions. Be sure to watch the follow-up to this video as well, Melanie clarifies a couple things in the follow-up.
Joe, the technique Melanie is demonstrating uses a laser print (black and white toner-based, photocopy or print) - however, this can be done with color laser prints, ink jet prints, and even images in magazines. The technique and timing may be different though, so you should experiment to discover what works for the type of image, acrylic medium, and surface you want to use. Inkjet inks vary too, if they're not water resistant, the image will probably come out blurry or not at all.
Very interesting technique, grateful for the informations, I have one question; is it possible to paint over it using acrylic paint or oil paint ?? Thank you in advance
To follow the technique as shown here, yes, it needs to be a toner-based print (black and white laser copy or photocopy) -- however, transfers are possible with other materials. You need to experiment to see what works for you, but I've seen transfers made with color laser copies, ink jet prints and color magazines. If you search around TH-cam you'll probably see people demonstrating techniques using other materials.
Melanie mentions that this large format copy was from an architectural laser printer ... so other than being larger than normal, the paper ought to be standard laser printer compatible. I've done this myself using paper from our office copiers.
Callie, yes... the canvas shown is cotton. If you want to do this on a regular textile fabric, you may need to stabilize the fabric before you apply the acrylic medium as you'll have a hard time removing the paper as Melanie demonstrates on a supple fabric. You may want to tape it down on all sides or something. Just experiment with this on a small scale to find what works for you.
Thank you for mentioning this. Canvas can be ironed before image transfer to provide a nice smooth surface but we did not include that in this demonstration. 😊
@giimoTV --- Please do! That's the idea... the acrylic gel used for the transfer is a great ground for painting (with acrylics) the only thing I would avoid is painting solvents or mineral spirits that have the potential for damaging the image you've transferred. With acrylics, you should be able to paint over this with no problems. Letting it dry thoroughly first will help ensure that the image isn't disturbed.
for durability on a functional object, such as a table top, it's usually best to use commercial products like a waterborne polyurethane (Minwax, Varithane, etc)
Robyn, it depends a bit on the paint and surface prep. As Melanie says in the video, you can do this on practically anything acrylic paint will stick to. However artist acrylics aren't designed for the sort of wear and tear of furniture, the gels are pretty soft and would discolor if exposed to handling, heat and/or moisture. If this is a purely decorative (not functional) item, that may not be a concern, but we don't recommend this for daily use.
Well... you could and that would work, but I was actually suggesting you replace the varnish with a soft-gel. Some of the haziness comes from the natural texture of the paper that you've imparted on the gel below, part is from the residual paper. Putting clear on top tends to level out the texture and saturate the residue and reduce it's appearance.
We hesitate to say "only" -- as soon as we make an absolute statement there will be someone out there to prove us wrong. However, Melanie's demonstration was based on using laser prints or photocopies (both use similar heat-activated toner) and the timing has been refined for those materials. Other types of prints may indeed work, but you'll have to practice with them to see how long it takes to get a satisfactory image. I've seen similar demonstrations with people using images in magazines.
Tebaldo - Melanie uses Fluid Matte Medium for this project, that's the product name, and it should be available from most retailers that sell GOLDEN products in Latin America, but we are not in every country yet (working on it), go to our store locator to find the retailer closest to you.
You commented: "We do not recommend washing the canvas after applying an image, or using this technique on clothing that needs to be laundered. You may be able to achieve an image transfer that is washable, but it would involve different materials than Melanie has used in this video and probably a slightly different technique or additional steps." Can you please tell me what materials or technic can be used?
We can't comment on specific brands of printers. Generally the issue with ink-jet prints is the sensitivity of the inks to water, they tend to bleed and blur rather than create a crisp image. That said, there are probably people out there who are successful with it. You should experiment with it on a small scale and see if you can make it work. If it doesn't, give the B&W copy or laserprint a try.
I just tried it with a color (Xerox) laser copy - and it looks like it will work the same as B/W toner based laser copies. Of course, Melanie was making a foundation for painting... and that might be a better way to bring in some color.
@pmondoy - It has to be toner based for the technique demonstrated in this video. So, if it is indeed a "Laserjet" it should work. As with all things, test before applying this (or any new technique or material) to your final/important artwork. The concern with your dress question is the durability of the finished product and (in exchange) the suppleness of the fabric once you've put the amount of medium needed for the transfer.
Does it have to be an architecture laser printer or will a 'normal' HP laser printer suffice. I want to cover a white prom dress with transferred images. Any other things to take into consideration before I embark on this process? I'd like the dress to retain it's fabric/draping qualities. Do I need to mix with Golden's fabric medium? Thanks-great video!!
Great video! What paper did you use? Is it important that it be architectural paper? Other tutorials leave the paper overnight and it never peels off this easily. thanks!
@enitsirhceab It depends on what you're asking... Melanie states that this will work on anything you can put acrylic medium on. So, if you can put the medium on the ceramic or porcelain, then get good contact with the image, then removal of the paper... it should work. But our first recommendation is (always) do a test piece BEFORE committing to a new process in your work.
TiArra - this is a demonstration of a transfer using a photocopy or laser print. While the technique would be different, you may be able to transfer a printed image using the same materials. It would be best to experiment first, try some small transfers using images clipped from magazines, and refine your technique before trying something larger like your poster. Also, remember, transfers result in a reverse image (unless you transfer into a clear gel, see our other image transfer video for that technique)
+GoldenPaints Hello where did you get this printed? Im having an issue of finding a laser printer this large. Unless i do a blueprint printer? but cant do it in color
We recently made image transfers (much larger than this, actually) using prints we had made at a local office supply store (a big box retailer, you're likely to have in your town) - but we had to verify that the printer they use is toner-based and order at the counter. If you order online, they may use an ink-jet printer which will not work for image transfers. Some office centers (again, a big chain with locations everywhere) may also have one of these large format laser printers. Ours cost about $8 for a 32 x48" print.
+GoldenPaints i figured it out thank you. for clarification for others i did it at staples. what they call blueprint printer but can only black and white
+Erin Magee funny tou ask that. the first one yes it was great. i went to a different staples just now and printed one and came out poor quality. will go back to the first staples and get the printer model for you! 11x17 i just printed in color look great!
Thanks, Melania, for your wonderful video!!! Why, according to your video you starting to pick up paper after couple a minute, and most of the people on the other videos waiting for 24 hours?
There are options. The fast image transfer is simply to show that it is possible to remove the paper after only a few minutes during the image transfer process! It can take some practice to get the timing down, to learn when you are moving too fast, and how different substrates can make a difference, but worth testing to see what you think. Let us know how it goes!
@CoryAnthonyBilicko - Yes, anywhere you can apply accrylic paint. Although, the texture of that paint would effect the transfer if it creates gaps between the photocopy and the surface you're transferring the image to. Direct contact is essential.
What a great technic! I had problems at the beginning but the more I practiced the better the results. I love how I can now incorporate my photographs in my art. Do you know if Melanie Matthews has a book on image transfer?
I think the only thing that makes the paper "architectural" in this case is the size of the output device. It's a copier or printer made for printing large sheets like (what used to be called) "blue prints" and technical diagrams or schematics. I have used the overnight method as well, it is a lot more work, hence the title for this video "Fast Image Transfers" - but the overnight method requires less finesse and timing.
@MHPhotography722 - you would have to experiment to see if it works. This video only demonstrates a transfer using black heat-set toner, there are other videos (by other users of our products) demonstrating techniques using color. Also, Golden makes a Digital Ground that will allow you to print color inkjet on acrylic skins. So there are color options.
Yes! Absolutely, that is one of the best reasons to use this technique. In fact, we have another video (produced by out Tech Support team) that shows a technique of creating an image transfer on a clear gel skin then painting the back of it for a hand-colored effect with a black and white image. (see the video titled "Gel Image Transfer" on our YT channel)
@TwistedxJester I just did this yesterday with laser prints that were a few weeks old. So, while we've not tested it, I tend to think it doesn't matter as long as the print is still clean and hasn't been damaged in any way.
I have a question for Melanie. Is it also possible to do this technique when I have already done an acrylic wash on the canvas? Is it better to do a transfer on un-primed canvas?
Renee Moreno This should work either way. You are effectively priming the canvas when you put the Fluid Matte Medium on the canvas to make the transfer, but it may be even better to put a priming/sealing coat down with Polymer Medium or GAC 100 prior to the transfer just to mitigate any contaminants that might be in the canvas you are using.
Hello Vrinda, glad you enjoyed the video. Melanie uses our Fluid Matte Medium for this project. I don't know enough about Fevicol adhesive to tell you whether it would work or not.
@chazzooz - as with everything, the best way to find out is to experiment on a small test piece. The concern with oils over an image transfer would be the potential for dissolving the toner. If you were to put a clear coat of acrylic over the transfer before painting with oils, you should prevent that from happening. But, again, test any new product or process before trying it on an important project.
@CameraTamera1 - we've seen user videos using our gel and laser prints on overhead transparency (photocopy) film. While that's not what Melanie is showing here, others have used that technique successfully.
@14Martynka215 - I am not sure what you mean by "glue" , but the technique demonstrated here used GOLDEN Fluid Matte Medium. You can find that at most Golden online and retail stores. (It can be used as glue.... particularly in collage, so I get where you're coming from, but if you use "glue" as your keyword, you won't find our Fluid Matte Medium)
Great Tutorial. I had a question, Do you know if the black toner from the laser print is archival? I'd like to mess around with this technique, but was wondering if the black transferred image will end up fading, while the rest of the paint applied on top stays vibrant?
I don't know how this would work on styrofoam, you should try it. (Then let us know) The chemicals in our acrylics won't eat into the foam, they're water based and should adhere pretty well. The main concern would be if the foam surface is durable enough for the process of removal if you have to rub much of the paper off.
@LillyEve1 @LillyEve1 It is correct that only toner based process will work for transfers due to water sensitivities. If an artist is interested in using an ink-jet printer they may want to look into Golden's Digital Grounds.
@erinkaywebster - yes, a laser print or photocopy (as opposed to an ink-jet) print is required. And the paper is not special, any laser bond should work.
Just want to welcome everyone to Golden's "Paint Bar" (where this video was shot). It is in the corporate store right next door to the SAGG (gallery) above the factory floor in New Berlin, NY. Visitors are welcomed, see our website if you'd like to arrange a tour. Also, we recognize that we have another video showing direct image transfers, this is a slightly different technique for everyone to try.
Thank you for the quick reply. I had a feeling it wasn't washable. One more question, please. I transferred my photo onto canvas and it generally turned out well except it seems to dry with a hazy quality. Short of rubbing too hard as to remove the image, I think I've rubbed the paper off as much as I can. I experimented with gloss varnish which added "moisture" back to the image (and looks good). Is there any way to prevent this dried-out finish without adding varnish?
Hi have watched your video over and over is very cool.i am new at canvas printings and tried my 1st one today which was a disaster..I'm trying to transfer a black n white AO print to canvas using mod podge..also the print paper is 160gms does that matter..any suggestions would be great..
Hello Azahlia - sorry to hear you're having trouble with this, it might take a little practice - but you can also watch this video with added detail on the process: th-cam.com/video/K_cfJoJYQvU/w-d-xo.html
Unfortunately, you can't. The largest standard size we package is 3.78 liters (1 US Gallon) - however we occasionally ship larger sizes by special order through our Custom Lab services.
Hello, thank you so much for posting this! I tried the technique following same steps but only using grumbacher acrylic matte medium and varnish instead of golden, but it doesn't work, why would this be? any advice? Thanks!
Using the exact materials and technique shown, this would probably not hold up well through the laundry. You might improve durability through the use of our GAC900 (a heat-set fluid medium made for use on fabrics that will be laundered), but we've not tested image transfer using that particular product, you'll have to experiment to find the best way to accomplish your desired effect.
I would like to try this method to transfer a photo to a canvas tote. Will I need to seal the photo afterwards to make sure that it will not rub off or wear off?
Yes, anything that acrylic will adhere to will work. Just be aware that the absorbency of that material, like the environmental conditions of your studio, will affect the drying rate of the medium used which changes the timing of the process shown in this video. Our best recommendation is to always TEST your materials and technique with a small piece or scrap before committing to them in a larger or important project.
Instead of just laying the photo on the canvas, seems like if you wrapped it around a cardboard tube (like one for wrapping paper or a large cardboard mailing tube), you could slowly roll it out and it would minimize the air bubbles. I do this when applying photos or posters to sticky board.
Hi, I have a few questions here -> if I use this method to trasfer photo on cloth {pillow case} will I be able to sleep on that pillow? it won´t dirty my sweated face? -> if transfering to cloth can I wash it without loosing the picture? Thank you beforehand for answers
I bought your golden regular gel (matte) as a medium to transfer a laser copy photo to another thicker paper (photo album) I have been doing some test runs and using water to take the paper up. what tool/technique would you recommend to take up all the paper? my fingers seem to be leaving still residue of the old paper down and I dont want to damage the final product by rubbing too hard. Thanks for your help!
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i have waded through a LOT of videos about this technique and yours is a breath of fresh air! concise, easy to follow, and it looked great. and NO chatty, personal info that made my eyes roll back in my head. THANK YOU! lmao
Thanks Melanie! I will pass your comment along to the team.
To avoid translation issues, the item number is probably most helpful. Look for (or ask your retailer for) 3520 -- which is Fluid Matte Medium. You can also use 3530, which is regular Matte Medium.
Thank you very much. This is a learning experience for me and I have been looking for DIYs on transferring images onto canvas. So happy I saw this...from Nov. 2010. Please don't take it down. It is a must see. THANKS!
Thanks for the feedback, Celeste. You have nothing to worry about (regarding us taking it down) as this is the most viewed video on our channel.
Yes! There are a couple of ways to go about that. You can do the image transfer as a layer directly onto your painting (again, watch for the texture of the underpainting) or you can make an acrylic paint skin on a separate piece of plastic (a stretched out garbage bag works well) then adhere this to your painting sort of like a collage, use a gloss gel to "glue" it to the surface of your painting..
Awesome technique. Way easier than any other options. Thank you.
**The print out of the piece should be a mirror image of how you want the canvas.**
Yes. Timing will change a little, so you'll need to test and practice with it, but Soft Gel, Regular Gel... matte, semi, gloss, etc. They should all work with this technique. Part of the reason Melanie chose Matte Medium here is to keep the sheen down so the canvas looks more natural.
One thing I might suggest to people interested in toner transfers is to find a print shop that will print on vellum.
Whichever brand makes the "1000H" vellum is what I use, and I can lift the page in one piece EVERY SINGLE TIME! And there are NO FIBRES AT ALL to scrub off later!
Nice! Thanks for the suggestion. Honestly, we had a lot of trouble just making sure they used a toner-based printer. The first time we ordered prints (online) they sent the order to a place that used an ink-jet print - despite very explicit instructions regarding the type of print we needed. They didn't charge us, but it took an extra couple days to sort out.
1000H vellum is a high quality tracing paper available at most art stores. It's packaging is bright orange.
Bring it with you to the print shop and ask them if they can run it through their printers.
Great advice, Kyle. Thanks for sharing this.
Also Kyle Tom Palissade makes a paper that just peels off without the frustrating rubbing off of the background paper.
that IS good advice the rubbing can be tedious!! Thanks! I wonder if parchment paper might work? I've yet to try to run it through or try this with my printer..I have the ink well Epson 2550... a bit diff than an ink jet... hhmmm worth a try for $avings.
Deborah, Melanie and others have been able to use this technique with inkjet prints, but in Tech Support we have seen the water sensitivity cause color bleed, and it can be frustrating. You may find certain pigment inks working better than the dyes, but this is definitely something to TEST before diving into a big project!
Exactly what I was looking for to transfer an image of me as a child. Thank you!
Great to see how nicely and cleanly this method transfers to the canvas underneath...
Both techniques work. The overnight method requires more scrubbing and takes 24 hours. This approach catches the transfer quickly after it takes place and you remove most of the paper while it has been softened by the water in the acrylic medium. The trick with this approach is being careful with the transferred image as the acrylic medium is also still soft. So it takes a more delicate touch and careful timing to do it faster.
Just a comment. I have worked a lot with graphics and what is not said in this simple description is that, if the image has a distinct left and right--such as one with text, signage on buildings, or a recognizable image of a popular location-you should flip the image when printing it so it reads backwards. The orientation will automatically correct once the image is transferred.
Thank you for this tutorial! I just did this using Golden soft gel and it worked great! I've tried waiting overnight for it to dry but I'm making multiple transfers and time is of the essence! I had a few hiccups, the second peel tore in a few spots where I had the gel too thick, so I thinned my coats and viola! Awesome!
Unleashed Radiance - thanks for the feedback! Thanks for giving this technique a try, and for choosing GOLDEN.
Melanie uses a fluid medium in this video, but they'll all work pretty well. Since this particular technique depends so much on timing, I would follow the video closely and use fluid. A gel might go on thicker than a fluid and require a bit more time to dry before removal, it may also add the complexity of having thinner and thicker areas that cause parts to dry faster than others.
Betty - to the first part of your question the answer is absolutely! In fact, the smoother surface can make it easier to make complete contact with the print. As for the second part of your question, I've heard that it does work, but I've not tested it my self (I should do that right now!) - you should test it for yourself. And we're talking laser copy, not inkjet (just to be clear). Thanks for the question.
Sherry, sadly, no, you won't find GOLDEN products at Hobby Lobby. It should be available at Michaels and most other art supply stores. For help with the transfer to burlap, you might see the follow up video created by our Tech Support team: "Tips for a Successful Immediate Image Transfer" - where they get into some detail about transfers to textured surfaces.
Fabulous technique. I love Golden.
I see. Re-reading your previous reply I thought you meant the soft gel gloss would produce a less hazy result without using varnish. I used a gloss varnish and it did bring the colours back to life (as if they were wet).
I appreciate all the help. Thanks!
Near the end of the video Melanie mentions that you can do this technique on any surface that accepts acrylic paint. So, that should work perfectly. In fact, it could be a very nice twist on the technique to apply color first, then use the transfer technique to create some line and definition. With this example Melanie is laying down the black so she can go back over it with color and texture.
Dianne, the paper is standard bond paper as would be used in a copier. In the case of Melanie's demonstration here, the paper is larger (for the type of printer she used) but it's they same type of paper you would use in a regular size photocopier or laser printer.
@MissKitty28 - this is Melanie's technique, and she's used it and taught it extensively. But, it's not the only technique (wouldn't be very fast if it took 10 hours). Once the image is dry, you can probably put whatever you like - so long as it doesn't dissolve the acrylic or toner - over the image. Of course, we'd recommend a clear acrylic gel of some kind... or using the image as a foundation for painting with colors or glazes.
Keith - we've not done extensive testing on it, however it is mostly carbon, which is very strong as a pigment. We've not seen fading with it, but we can't vouch for every available formulation used in all the laser printers out there.
Yes! Of course you can - as Melanie states, so long as the surface accepts acrylic medium (as acrylic paint will, perfectly). The one thing you need to watch is the texture - you need direct contact, and if your painting has a lot of texture it can make it difficult to get complete contact without gaps.
The plastic applicator is call "Plastic Wallpaper Smoother" Found in hardware store
Once you have removed the excess paper (pulled it back) allow the medium to dry about 30 mins, using spray bottle water wet the entire surface. To completely clean off the paper and reveal the image below Melanie uses either a Scotchbrite pad or better a damp microfiber cloth, as found in dollar stores for household cleaning.
Move the cloth in circular motion, section by section regularly rinsing off the wet paper pulp which gets caught in the fibers.
@aharw - yes, it is inevitable that putting a medium over fabric will effect it's flexibility, and in the case of the image transfer technique Melanie is demonstrating the fabric is not intended to be used for apparel. The gel medium won't make the fabric perfectly stiff, but the image won't be durable enough (nor is it recommended) for laundering.
yes, if you watch the newest video on Image Transfers - (Tips for a successful immediate image transfer), it shows applying a coat of acrylic medium over the image once the paper has been removed. The topcoat helps to transparentize any leftover paper fibers and protect the image. Images can also be painted with acrylics after you seal it with the medium.
Yes. You'll need to be careful to make full contact (as Melanie mentions, no transfer will occur if there is no contact) and remove the paper carefully. The best thing you can do is try this out on a small scale to make sure it works for you and to practice you technique before committing to a larger and more important project.
@LillyEve1 It is correct that only toner based process will work for transfers due to water sensitivities. If an artist is interested in using an ink-jet printer they may want to look into Golden's Digital Grounds.
Painting leather with acylics begins with using Isopropyl (rubbing) alcohol to remove waterproofing coating, waxes, and other materials that may get in the way of adhesion. Apply a thin coat of the Matte Medium, Fluid Matte Medium or Polymer Medium Gloss and allow to dry. Then follow the transfer video instructions (also a newer one about tips for a successful image transfer). Keep the paint and medium layers thin, and once done, apply a waterproofing coat (such as camp dry spray).
You may paint over acrylics with oils. It is just important to make sure they are completely dry, and it may be a good idea to mount or stretch your image, assuming it is on a flexible support like canvas, prior to painting on it with oils. Oils are not as flexible as acrylics.
Please do not take this video down, I learned so much and will refer back to it. Is there a book by Golden showing various techniques using Golden mediums? LOVE Golden paints, they are THE best!
Hello Ginita, very pleased to hear that you like this video and learned from it. We have no immediate plans to take it down. There are a lot of books authored by our Working Artists over the years that can demonstrate techniques using our paints and mediums - Rethinking Acrylics by Patti Brady might be a good place to start, Inside Acrylics by Phil Garrett is also very good... Nancy Reynor's Acrylic Revolution...
Thank you for the tutorial. I didn't know this could be done so quickly!
What a great technique! Thanks for sharing!
d2, the copy that Melanie uses here was made on a large format laser printer typically used for printing architectural or mechanical drawings. You can often find these at copy/office centers. But, 11x16 is smaller than a typical laserprinter will use, 11x17 is a common sheet size that you can find at any office supply store. Your challenge with that would be getting all of 11" since laser printers don't usually print to the edge.
Thank you very much for clarifying that. I think I prefer your way because you have instant transfer and it's easier to get the paper off. I appreciate your reply. xx
Absolutely! But texture could be an issue. You'd want to do this over a smooth painting because it will be hard to get full contact, as Melanie demonstrates, with a lot of texture to conform with. Also, if there is a lot of texture, it will be a lot harder to pull the paper up cleanly or rub off the paper fibers.
Hello Nikka,
The short answer is, yes, it will work. But, for something wearable, this may not be the best way to do it. As Melanie says, this technique works on practically anything acrylics stick to -- but it needs to be something on which you want a coat of acrylic medium. On a t-shirt, a coat of acrylic medium will stiffen the fabric and isn't made to be washed..
Yes. But (always) do a test piece first. The absorbency of paper primed with gesso will be different than that of a canvas and this all effects the timing. You may need to do a couple tests to get the timing just right for your materials and studio conditions. Be sure to watch the follow-up to this video as well, Melanie clarifies a couple things in the follow-up.
I love the idea of this! I am anxious to try it.
+María Camp that's such a beautiful old fashioned phrase "I am anxious to..." I use it all the time, but no-one else does. Well done !
Thank you. :-)
Joe, the technique Melanie is demonstrating uses a laser print (black and white toner-based, photocopy or print) - however, this can be done with color laser prints, ink jet prints, and even images in magazines. The technique and timing may be different though, so you should experiment to discover what works for the type of image, acrylic medium, and surface you want to use. Inkjet inks vary too, if they're not water resistant, the image will probably come out blurry or not at all.
Very interesting technique, grateful for the informations, I have one question; is it possible to paint over it using acrylic paint or oil paint ??
Thank you in advance
To follow the technique as shown here, yes, it needs to be a toner-based print (black and white laser copy or photocopy) -- however, transfers are possible with other materials. You need to experiment to see what works for you, but I've seen transfers made with color laser copies, ink jet prints and color magazines. If you search around TH-cam you'll probably see people demonstrating techniques using other materials.
Melanie mentions that this large format copy was from an architectural laser printer ... so other than being larger than normal, the paper ought to be standard laser printer compatible. I've done this myself using paper from our office copiers.
Callie, yes... the canvas shown is cotton. If you want to do this on a regular textile fabric, you may need to stabilize the fabric before you apply the acrylic medium as you'll have a hard time removing the paper as Melanie demonstrates on a supple fabric. You may want to tape it down on all sides or something. Just experiment with this on a small scale to find what works for you.
thanks for show how to make this look so easy
Great demonstration that offers some exciting possibilities, but why wasn't the canvas ironed beforehand to eliminate any creases?
Thank you for mentioning this. Canvas can be ironed before image transfer to provide a nice smooth surface but we did not include that in this demonstration. 😊
@giimoTV --- Please do! That's the idea... the acrylic gel used for the transfer is a great ground for painting (with acrylics) the only thing I would avoid is painting solvents or mineral spirits that have the potential for damaging the image you've transferred. With acrylics, you should be able to paint over this with no problems. Letting it dry thoroughly first will help ensure that the image isn't disturbed.
for durability on a functional object, such as a table top, it's usually best to use commercial products like a waterborne polyurethane (Minwax, Varithane, etc)
Robyn, it depends a bit on the paint and surface prep. As Melanie says in the video, you can do this on practically anything acrylic paint will stick to. However artist acrylics aren't designed for the sort of wear and tear of furniture, the gels are pretty soft and would discolor if exposed to handling, heat and/or moisture. If this is a purely decorative (not functional) item, that may not be a concern, but we don't recommend this for daily use.
Well... you could and that would work, but I was actually suggesting you replace the varnish with a soft-gel. Some of the haziness comes from the natural texture of the paper that you've imparted on the gel below, part is from the residual paper. Putting clear on top tends to level out the texture and saturate the residue and reduce it's appearance.
We hesitate to say "only" -- as soon as we make an absolute statement there will be someone out there to prove us wrong. However, Melanie's demonstration was based on using laser prints or photocopies (both use similar heat-activated toner) and the timing has been refined for those materials. Other types of prints may indeed work, but you'll have to practice with them to see how long it takes to get a satisfactory image. I've seen similar demonstrations with people using images in magazines.
Tebaldo - Melanie uses Fluid Matte Medium for this project, that's the product name, and it should be available from most retailers that sell GOLDEN products in Latin America, but we are not in every country yet (working on it), go to our store locator to find the retailer closest to you.
You commented:
"We do not recommend washing the canvas after applying an image, or using this technique on clothing that needs to be laundered. You may be able to achieve an image transfer that is washable, but it would involve different materials than Melanie has used in this video and probably a slightly different technique or additional steps."
Can you please tell me what materials or technic can be used?
We can't comment on specific brands of printers. Generally the issue with ink-jet prints is the sensitivity of the inks to water, they tend to bleed and blur rather than create a crisp image. That said, there are probably people out there who are successful with it. You should experiment with it on a small scale and see if you can make it work. If it doesn't, give the B&W copy or laserprint a try.
I just tried it with a color (Xerox) laser copy - and it looks like it will work the same as B/W toner based laser copies. Of course, Melanie was making a foundation for painting... and that might be a better way to bring in some color.
@pmondoy - It has to be toner based for the technique demonstrated in this video. So, if it is indeed a "Laserjet" it should work. As with all things, test before applying this (or any new technique or material) to your final/important artwork. The concern with your dress question is the durability of the finished product and (in exchange) the suppleness of the fabric once you've put the amount of medium needed for the transfer.
شكرا علي اسلوبك الرائع في الشرح
لي سؤال ما نوع الورق المستخدم ونوع الطباعة الخاصة بيها
hello, great technique, i was wondering can you use a regular laser ink jet printer from home???
Does it have to be an architecture laser printer or will a 'normal' HP laser printer suffice. I want to cover a white prom dress with transferred images. Any other things to take into consideration before I embark on this process? I'd like the dress to retain it's fabric/draping qualities. Do I need to mix with Golden's fabric medium? Thanks-great video!!
Great video! What paper did you use? Is it important that it be architectural paper? Other tutorials leave the paper overnight and it never peels off this easily. thanks!
@enitsirhceab It depends on what you're asking... Melanie states that this will work on anything you can put acrylic medium on. So, if you can put the medium on the ceramic or porcelain, then get good contact with the image, then removal of the paper... it should work. But our first recommendation is (always) do a test piece BEFORE committing to a new process in your work.
TiArra - this is a demonstration of a transfer using a photocopy or laser print. While the technique would be different, you may be able to transfer a printed image using the same materials. It would be best to experiment first, try some small transfers using images clipped from magazines, and refine your technique before trying something larger like your poster. Also, remember, transfers result in a reverse image (unless you transfer into a clear gel, see our other image transfer video for that technique)
+GoldenPaints Hello where did you get this printed? Im having an issue of finding a laser printer this large. Unless i do a blueprint printer? but cant do it in color
We recently made image transfers (much larger than this, actually) using prints we had made at a local office supply store (a big box retailer, you're likely to have in your town) - but we had to verify that the printer they use is toner-based and order at the counter. If you order online, they may use an ink-jet printer which will not work for image transfers. Some office centers (again, a big chain with locations everywhere) may also have one of these large format laser printers. Ours cost about $8 for a 32 x48" print.
+GoldenPaints i figured it out thank you. for clarification for others i did it at staples. what they call blueprint printer but can only black and white
how was the quality of the print? When I went on their website it said (not good for photo's) Was it ok when you did it?
+Erin Magee funny tou ask that. the first one yes it was great. i went to a different staples just now and printed one and came out poor quality. will go back to the first staples and get the printer model for you! 11x17 i just printed in color look great!
Yes, the process works with many kinds of mediums and surfaces, including the GOLDEN Polymer Medium (Gloss), and GAC 500.
Thanks, Melania, for your wonderful video!!! Why, according to your video you starting to pick up paper after couple a minute, and most of the people on the other videos waiting for 24 hours?
There are options. The fast image transfer is simply to show that it is possible to remove the paper after only a few minutes during the image transfer process! It can take some practice to get the timing down, to learn when you are moving too fast, and how different substrates can make a difference, but worth testing to see what you think. Let us know how it goes!
@CoryAnthonyBilicko - Yes, anywhere you can apply accrylic paint. Although, the texture of that paint would effect the transfer if it creates gaps between the photocopy and the surface you're transferring the image to. Direct contact is essential.
What a great technic! I had problems at the beginning but the more I practiced the better the results. I love how I can now incorporate my photographs in my art. Do you know if Melanie Matthews has a book on image transfer?
I think the only thing that makes the paper "architectural" in this case is the size of the output device. It's a copier or printer made for printing large sheets like (what used to be called) "blue prints" and technical diagrams or schematics. I have used the overnight method as well, it is a lot more work, hence the title for this video "Fast Image Transfers" - but the overnight method requires less finesse and timing.
We need more videos of these plz and more details
@MHPhotography722 - you would have to experiment to see if it works. This video only demonstrates a transfer using black heat-set toner, there are other videos (by other users of our products) demonstrating techniques using color. Also, Golden makes a Digital Ground that will allow you to print color inkjet on acrylic skins. So there are color options.
Yes! Absolutely, that is one of the best reasons to use this technique. In fact, we have another video (produced by out Tech Support team) that shows a technique of creating an image transfer on a clear gel skin then painting the back of it for a hand-colored effect with a black and white image. (see the video titled "Gel Image Transfer" on our YT channel)
No paste, this transfer was done with Fluid Matte Medium (but can be done with other mediums as well).
Good video. Could you tell me if the paper used was ordinary copy paper? Thanks again.
@TwistedxJester I just did this yesterday with laser prints that were a few weeks old. So, while we've not tested it, I tend to think it doesn't matter as long as the print is still clean and hasn't been damaged in any way.
Thank you for the helpful response. I look forward to trying this. It could potentially save time.
I have a question for Melanie. Is it also possible to do this technique when I have already done an acrylic wash on the canvas? Is it better to do a transfer on un-primed canvas?
Renee Moreno This should work either way. You are effectively priming the canvas when you put the Fluid Matte Medium on the canvas to make the transfer, but it may be even better to put a priming/sealing coat down with Polymer Medium or GAC 100 prior to the transfer just to mitigate any contaminants that might be in the canvas you are using.
How can i get this fluid matte material?
will the fabric stiffen after you apply the medium? would using a transparency work better?
Good work.. could you please tell me what that white liquid was ? Can we mix fevicol + water to get desired results?
Hello Vrinda, glad you enjoyed the video. Melanie uses our Fluid Matte Medium for this project. I don't know enough about Fevicol adhesive to tell you whether it would work or not.
Hi, Its nice technique...
I have a question, If I am using this technique on fabric, I can wash it after some time / Days??
@chazzooz - as with everything, the best way to find out is to experiment on a small test piece. The concern with oils over an image transfer would be the potential for dissolving the toner. If you were to put a clear coat of acrylic over the transfer before painting with oils, you should prevent that from happening. But, again, test any new product or process before trying it on an important project.
I'm sorry, I might have missed this but can you use a colored laser print? Thanks.
@CameraTamera1 - we've seen user videos using our gel and laser prints on overhead transparency (photocopy) film. While that's not what Melanie is showing here, others have used that technique successfully.
Can I butt-in: Black toner is carbon mixed with plastic polymer. It does not fade. I am not sure about the colored ones though. :)
@14Martynka215 - I am not sure what you mean by "glue" , but the technique demonstrated here used GOLDEN Fluid Matte Medium. You can find that at most Golden online and retail stores. (It can be used as glue.... particularly in collage, so I get where you're coming from, but if you use "glue" as your keyword, you won't find our Fluid Matte Medium)
Great Tutorial. I had a question, Do you know if the black toner from the laser print is archival? I'd like to mess around with this technique, but was wondering if the black transferred image will end up fading, while the rest of the paint applied on top stays vibrant?
I don't know how this would work on styrofoam, you should try it. (Then let us know) The chemicals in our acrylics won't eat into the foam, they're water based and should adhere pretty well. The main concern would be if the foam surface is durable enough for the process of removal if you have to rub much of the paper off.
@LillyEve1 @LillyEve1 It is correct that only toner based process will work for transfers due to water sensitivities. If an artist is interested in using an ink-jet printer they may want to look into Golden's Digital Grounds.
@erinkaywebster - yes, a laser print or photocopy (as opposed to an ink-jet) print is required. And the paper is not special, any laser bond should work.
Just want to welcome everyone to Golden's "Paint Bar" (where this video was shot). It is in the corporate store right next door to the SAGG (gallery) above the factory floor in New Berlin, NY. Visitors are welcomed, see our website if you'd like to arrange a tour.
Also, we recognize that we have another video showing direct image transfers, this is a slightly different technique for everyone to try.
Thank you for the quick reply. I had a feeling it wasn't washable.
One more question, please. I transferred my photo onto canvas and it generally turned out well except it seems to dry with a hazy quality. Short of rubbing too hard as to remove the image, I think I've rubbed the paper off as much as I can. I experimented with gloss varnish which added "moisture" back to the image (and looks good). Is there any way to prevent this dried-out finish without adding varnish?
Hi have watched your video over and over is very cool.i am new at canvas printings and tried my 1st one today which was a disaster..I'm trying to transfer a black n white AO print to canvas using mod podge..also the print paper is 160gms does that matter..any suggestions would be great..
Hello Azahlia - sorry to hear you're having trouble with this, it might take a little practice - but you can also watch this video with added detail on the process: th-cam.com/video/K_cfJoJYQvU/w-d-xo.html
Unfortunately, you can't. The largest standard size we package is 3.78 liters (1 US Gallon) - however we occasionally ship larger sizes by special order through our Custom Lab services.
Hello, thank you so much for posting this! I tried the technique following same steps but only using grumbacher acrylic matte medium and varnish instead of golden, but it doesn't work, why would this be? any advice? Thanks!
Using the exact materials and technique shown, this would probably not hold up well through the laundry. You might improve durability through the use of our GAC900 (a heat-set fluid medium made for use on fabrics that will be laundered), but we've not tested image transfer using that particular product, you'll have to experiment to find the best way to accomplish your desired effect.
I would like to try this method to transfer a photo to a canvas tote. Will I need to seal the photo afterwards to make sure that it will not rub off or wear off?
love it thank u so much we can make which any kind of canves? thanks👑😇😇
Yes, anything that acrylic will adhere to will work. Just be aware that the absorbency of that material, like the environmental conditions of your studio, will affect the drying rate of the medium used which changes the timing of the process shown in this video. Our best recommendation is to always TEST your materials and technique with a small piece or scrap before committing to them in a larger or important project.
thank u so much 🌹🌹🌹🌹🌹🌹😇😇😇😇
Instead of just laying the photo on the canvas, seems like if you wrapped it around a cardboard tube (like one for wrapping paper or a large cardboard mailing tube), you could slowly roll it out and it would minimize the air bubbles. I do this when applying photos or posters to sticky board.
Hi, I have a few questions here
-> if I use this method to trasfer photo on cloth {pillow case} will I be able to sleep on that pillow? it won´t dirty my sweated face?
-> if transfering to cloth can I wash it without loosing the picture?
Thank you beforehand for answers
hi yes, i did take this photo!....its the trees of my back yard....the rare (hee hee) and lovely Canadian Maple in late fall.
I bought your golden regular gel (matte) as a medium to transfer a laser copy photo to another thicker paper (photo album) I have been doing some test runs and using water to take the paper up. what tool/technique would you recommend to take up all the paper? my fingers seem to be leaving still residue of the old paper down and I dont want to damage the final product by rubbing too hard. Thanks for your help!