It's so interesting how in ballet the teachers have passed their prime dancing age. Many probably can't even dance at all anymore but in most other forms of dance the instructors are very young often even peers of their subjects.
This feels like the opposite peak of the 2 mountains of physical acting and voice acting... Theatre and film acting fall into the valley below, which is not to say it's any less valid, but it is to say that is carried pieces form both extremes, of JUST the voice, or JUST the body
![Monica Mason as Carabosse in ‘The Sleeping Beauty' [Royal Ballet, 1978]](http://i.ytimg.com/vi/Mg5VUS5Zn54/mqdefault.jpg)
![Rare Documentary on the Bolshoi Ballet Academy [1967]](http://i.ytimg.com/vi/mrNFCTRLw90/mqdefault.jpg)
Always lovely to see Monica Mason coaching, such calm clear instructions, the dancers are so lucky to have her.
Just lovely. How wonderful to see Monica Mason. A true legend 🩰🩰🩰🩰🙏👵🇦🇺
It's so interesting how in ballet the teachers have passed their prime dancing age. Many probably can't even dance at all anymore but in most other forms of dance the instructors are very young often even peers of their subjects.
I LOVE Kristen, she just nails every character she plays. I saw her in a performance of Mayerling and she was wonderful!
I absolutely love, love Monica Mason, the Royal Ballet is so lucky to have her.
So proud of Monica Mason. From a fellow South African. 👏👏👏
Mayaraaaaa❤
Captivating!
Mayaraaa 🥰❤️
Great ❤
Beautiful 💝💖💕🌟💫😍🌺
Kristen is such an incredible character artist- always giving herself fully to the role.
Love it 🥰 Mayara's leotard is beautiful: what brand is it?
I enjoy seeing this progression of Monica's tutelage of Kristin, from the first National Ballet Day all those years ago.
❤❤❤❤
Hi, Could you upload Zoonations Mad Hatter's Tea Party? Really would like to watch the show again. Many thanks!
This feels like the opposite peak of the 2 mountains of physical acting and voice acting... Theatre and film acting fall into the valley below, which is not to say it's any less valid, but it is to say that is carried pieces form both extremes, of JUST the voice, or JUST the body
Does anyone know why Carabosse is not using the stage trap door in this run? (instead she exits stage right at the flash)
The trap door isn’t currently working, unfortunately.