Hey Mark, just wanted to say thank you for responding to my email a while back with an audio message . That was great and I was able to use the answers in my next class . Thanks again
Loved the tone of this video. Friendly and informative and not pushing products or courses. This is how TH-cam used to be. Wonderful to see. It’s really great to see the information effortlessly flow and delivered with real charm honesty and by someone who is clearly experienced and thoughtful about their process. The envato link was great not least that this resource is insanely useful and often under appreciated. Another great shout with the cos 11. Very bright and good under clothing for that reason as it survives being buried or have a softie on it. For less run around filming and more interview controlled settings the Dpa Lavs are maybe the fullest sounding and worth investing in if a shotgun isn’t going to be used too. Again great to see a 416 lurking. As more and more people are wearing hybrid fabrics like goretex and viscose nylons ala lux sports lav mics can seem a high risk strategy for many scenarios. Nothing much can be done re fabric rubbing so definitely worth using a cos and some soft baffling to help with those rubbing fabric sounds. Nothing better though than a shotgun. I’m sure there is a reason to be using mirrorless for this piece (not sure if TH-cam’s shooting youtubers is meant to be ironic) but looking at the complicated and ungainly set up compared to an fx6 or better still an fx9 on the shoulder which mr bone is almost certainly expert with, really drew attention to the biggest reason not to use mirrorless cameras built out. That said this was an impeccably delivered journey into how that challenge kind of has to be met. Once you accept the need for a monitor that is bigger than the camera to do something functionally essential like getting focus then we are approaching that event horizon that should make us wonder why we aren’t using a camera specifically designed for shooting. Even more so when it comes to audio. By the end of the build these cameras look kind of ridiculous Frankenrigs despite the expert efforts shown here. For sure having a screw driver to hand is pretty much par for the course and I can see why that tool was a lifesaver. Great tip.Imo mirrorless shooting only really comes into its own for b roll where a monitor can be mounted effortlessly on the top of the camera. I still don’t know why I never see cameras with straps or resting on bags for stabilisation. Maybe cine saddle’s seem like an anachronism now but there are so many ways to get amazing hand held footage with a little bit of movement if the camera can rest on something and especially not be held out in front of the operator in mid air. Meanwhile this was a fantastic video that shows the challenges for anyone trying a dslr professionally. For so many reasons an fx6 is the right design and rather than an fx30 I would be interested to know what mr bones thoughts might be for a s35 fx6 body with fx30 specs. In the same way canon supported videographers with the c100 and c200 it would be great to see the design of the fx6 at a lower price point for those who actually want an integrated system to shoot doc style work with integrated sound and video tools. Just a thought. Thanks again for an outstanding video and invaluable insight delivered with real charm and care. The best of TH-cam.
Fantastic tips, thank you so much Mark! I don't know why the heck I didn't realize this on my own, but your handle configuration (monitor back / mic in front) is optimal. 👍 Welcome back to Toronto and enjoy your holiday time off!
5:56 "Just make sure to hit record twice." Yes! I just got an H4n and found that out...the hard way (of course). But hey, while I'm here babbling - THANK YOU, Mark! Love your channel!
You are such an inspiration Mark. I was a bit in a ditch lately when it came to trying to building up my freeelancing - watching this video truly helped me. Thank you.
Great comment. I regularly struggle pulling focus even on my 5'' monitor. So, I am considering a viewfinder. What one do you use? Or should I go for some of these modern virtual glasses with HDMI connectivity?
Fun video! I definitely appreciate practical tips like which lenses to use for handholding and what lenses you should not handhold. More videos with these types of practical shooting tips would be great.
Thank you for this fantastic video (and all the other ones so far)! Here's a topic suggestion for your consideration: when running and gunning as a one man crew at a new location that you had no chance to scout in advance and properly storyboard every shot, what would be your tips for getting shots that flow well together?
GREAT video!! I am going to switch to sony in 2023... Gonna start with a FX30 so I can learn how to be better then work my way up to an FX3 or a As7 III... Thanks a lot as always
Love this video with all the invaluable tips for gear to use. I have a few of them but will be expandsing my selection thanks to your great advice. Thanks again Mark
Im always filming 4 separate audio channels with my K3M on the A7Siii. Found that setup to be a bit more smaller package since the k3m is on top of the a7siii and not forward about 4 inches. Really makes a difference when it comes to travel with the setup since i NEVER have to break it down. Happy filming
@@markbone Lucky for me Smallrig created a top handle that is meant to be used for the K3M XLR and works great for my filming condition ( Saltwater Fishing Boats )
@@jasielm5258 I'm curious to ask, Do you know the pros and con to using the top handle K3M XLR on an A7s3 vs. Fx3 w/ top handle? I've been meaning to get into docs/ travel, but I also love the option of taking photos, and I'm wondering if the former setup is the best of all worlds.
@@kereyvproductions5521 same setup but the layout is different. K3M from FX3 will send your shotgun mic 6 inches forward from where the MI hot shoe is while OG K3M keeps it closer to the body. For instance my setup with K3M is the sigma 24-70 and my K3M mic wont pass the 24-70 making it easier to store in its complete build rig since it’s basically a perfect cube from side to side but on the FX3 handle you got lots of mic hanging in front of the lens. Makes it easier for things to brake. Been using K3M close to 2 years. No issues. I use the smallrig handle made specifically for K3M
Nice to see man! Don't apologize for breaks! Also that sony fx30 I might need to switch from canon now, was waiting for the r7c but the fx30 might be my next camera.....
Hi Mark, AOD member here. I think it will really valuable if you were to create a video on how to properly use EL zone for exposing. Many of the new Small HD monitors are coming out with this by default. Thanks
@@markbone I always think I know all the useful bits you're going to say and then you drop an absolute corker like the left/right eye focus (which I knew about) but why it'd be so useful for interviews!! Genius!!
As a fulltime automotive cinematographer this was also super helpful Mark! I use a RED Multitool and it has been one of the best investments i've ever done. Keep it always on my belt during production. Saved so much time. Yet that screwy thing is tiny and cute haha.
Great video :) Thank you! Just a note with the FX3 and FX30 you can also use the gyro info with Catalyst Browse which is incredible but all stabilisation must be off when shooting. Not sure about lens stabilisation.
Welcome back. Thank you for bringing compelling content to TH-cam. Been following since the beginning, and hope to join AOD sometime in the future. Great to get some of that good ol' MB wisdom again. Happy holidays!
Great tips ! I am using more or less the same gear, but I found that the combo Sanken COS11D + AVX was not great. The AVX has a auto gain feature (which you can not turn off), which sometimes makes the audio "clipping" when used with the COS11D. For this reason, I prefer combining the Sanken with the Rode Wireless go II
You’re selling me more and more on that Helios lens, that is now going to be my next purchase. Love the tip about the ninja walk too!! Great stuff as always Mark, Merry Christmas!!
This is one very informative especially for anyone who is approaching this craft on budget. Good job buddy hope to see you one day again in Berlin Germany... Much love for Germany 🇩🇪
Interesting fact I had a bottle opener that work exactly like the screwy you talked about. It was amazing. Then the link came loose and I lost it. I just bought a screwy. One of the best accessories ever.
Thanks for the video. I am trying Envato Elements. I really like the idea of having all assets in one place, but to be honest as soon as I downloaded one of the plugins for DaVinci Resolve,I found really complicated to install it. Copy, paste in various places, open Fusion which is just a no go for me. They should have a simple installer like other similar services. I think I will cancel it for now and I hope they will improve it.
Mark, when I used the FX3 for a project. The handling noise from the body and the built in handle reverberated up to the shotgun mic, like the existing shock mount wasn't enough. Did you notice this in your experience? Thanks for the videos!
Is there any specific reason why you went for Deity S-MIC 2S? Also what do you think of zoom m3 shotgun mic with 32bit float feature? Do you think it can replace your S-MIC 2S or S-MIC 2S is still better for your situation?
👁👄👁 Me watching this taking notes after shooting all my footage in Hawaii without a top handle. Beauty trip, lets grab a heli flight again sooner rather than later
I used a couple of Sennheiser MKE2s for 3 years, but once I got the Cos 11d it changed everything, especially in post, not as much compression or EQ work.
i now this video is older. But i wondered then. Do you not use any IBIS when filming with those wider lenses? Thanks for the video. I am on the AOD waiting list.
The tip with beauty-tape is killer! Plus what is the plastic "dome"-thingie around your lapel-mic called? That looks like a really cool option when I want to hide my lavalier (which I am terrible at) Kind Regards and Merry Christmas Jørgen
Thanks so much for these videos Mark. After watching your vids and talking with peeps in the AOD community. I might switch over from Canon to Sony. I love the fast workflow of these cameras. Is this camera good for anyone who wants a light run-and-gun camera, and suffers from minor back soreness (taking care of that)? XD
Yeah, it can work if you need a light camera. Ultimately holding any weight in front of your body will cause soreness, so this camera might just get you there slower than a heavier one
Top Handle... must have a Top handle... I gotta say this is true only to pull the camera out of the bag... After that Never Shoot while holding the top handle its the very best way to ruin your shots with shake and jitter... but alas there are good stabilization tools... to fix all the shots that are done with a top handle... Love your videos and information but this one deserves an entire reconsideration. Been operating cameras for 30 years and top handle shooting is very very rare... Now when you are ready, I'd love to discuss with you the WHY and the HOW of the real reason people Love to suggest using top handle, and it has nothing to do with getting great stable effective shots...
All I can say is that top handles have been an integral part of all my cinematography. Perhaps we want to discuss on an Art of Documentary call if you’re a part of our community
Another awesome video! I would love to hear a deeper dive on why not use the 3.5mm jack. If my camera doesnt have a XLR input, the external recorder audio will be better then sending directely to my camera?
Hey Mark, so I recently sold an FX3 (bought another FX6) and the young guy from Boston… He was showing me his work on his mobile phone and I was telling him that he had serious potential looking at his creativity with only an A6500 and I said keep studying “story” - write every day, and also to find inspiration… He said, “Do you know Mark Bone?” I began to smile and replied, “Not personally, but your on the right path…” We went on to talk about your film school AOD and he talked about wanting to take part in your next round of classes but he had just bought the FX3 which I sold him for cheap (didn’t have an hour of video on it) and that had taken him a year to save up… Look I know that the AOD is incredibly reasonable and in no way am I suggesting otherwise but is there any way (if you aren’t already) you can do a “scholarship” program where maybe (1) student per season is given a free ride? Maybe base it on a film/ video contest… Or maybe a sponsorship program where someone can pay the way of a young student with financial hardships? I would be willing to offer half of the funding toward a full tuition payment (during the early sign up phase) Let me just add I am NOT financially well off in any way, however I’ve been there with 100k in film school loans (I WISH AOD WAS AROUND BEFORE I attended and GRADUATED EMERSON COLLEGE) with NO MONEY to actually make films… Although I did love the school and the “college experience” it can all get SUPER expensive but your program has MORE TO OFFER FILMMAKERS in terms of actual filmmaking than most… YOU ACTUALLY WALK AWAY WITH YOUR OWN FILM/ plus reel… Sorry if I’m rambling I was inspired by this young man and when he mentioned you…😊❤️
‘Americo’! This is such a heart warming message. Shoot us an email at info@markbone.com and we can chat further about this. We have been doing scholarships in the past but haven’t ever advertised them
Hey Mark, Thanks for the helpful video. I'm wondering if you've ever used something like the SeeMo to turn your iPhone into a monitor and how that would compare to your SmallHD one?
Mark is my favourite TH-cam (and he’s a fantastic filmmaker) I often study his work to help develop my own. I find less micro-jitters with a mirrorless camera. They have built in IBIS v a cinema camera which doesn’t. Unless the lens is stabilised (which the 24-105 is (it’s used in this video) Mark; will there be a film which you shot in Hawaii? Killing it as always.
Luved the video but i'm suprised you don't use any side handles which help you get your hands off the actual camera or even a cage so you attach accessories.
Thanks for the tips! Do you recommend using the built-in image stabilizer on the camera? I have a Canon R6 and the enhanced stabilizer does a really good job (it crops the video and I don't mind that) but I'm not sure if it's affecting the quality of my videos or if there are situations where I should avoid using it.
Hi Mark. This is my first time viewing one of your videos and I really like it. I am going to be a regular now that I have been exposed to you. I have never done a video before but it is time. I shoot Sony a7r IV for still pictures.
Thanks for explaining so well Mark, helped a lot. I just got Deity S-mic2s for Sony-Fx3 for run and gun shoot. I am getting lots of handling noise through mic, is there a way to get around this? Thanks
Love it! Definitely do not reccomend shooting a wedding with no external monitor using manual focus with prime lenses..,..,. Btw is there any benifits to the fx3 that the a7siii doesnt have except the menu system?
I created a film school because I am so disappointed with most of them: theartofdocumentary.com our students are now winning Emmy’s and getting into film festivals :)
![Overrated: Camera features that don't matter [ft Gerald Undone]](http://i.ytimg.com/vi/SlLbkeNH9to/mqdefault.jpg)
![Overrated: Camera features that don't matter [ft Gerald Undone]](/img/tr.png)
![Updated gear setup [solo crew doc filmmaking]](/img/n.gif)
Great to have you back! Awesome tips as always!!🤘🏼
Thanks for having us down there Matt! Lots more videos to post from the trip!
That was my longest break in 4 years of not posting a video 😅 hope you’re well! Missed you guys!!
Hey Mark, just wanted to say thank you for responding to my email a while back with an audio message . That was great and I was able to use the answers in my next class . Thanks again
Mark has seriously some of the most helpful filmmaking videos on TH-cam. Always appreciate your insight on the art of filmmaking
You’re welcome Dylan! I love getting to make these
Loved the tone of this video. Friendly and informative and not pushing products or courses. This is how TH-cam used to be. Wonderful to see. It’s really great to see the information effortlessly flow and delivered with real charm honesty and by someone who is clearly experienced and thoughtful about their process. The envato link was great not least that this resource is insanely useful and often under appreciated. Another great shout with the cos 11. Very bright and good under clothing for that reason as it survives being buried or have a softie on it. For less run around filming and more interview controlled settings the Dpa Lavs are maybe the fullest sounding and worth investing in if a shotgun isn’t going to be used too. Again great to see a 416 lurking. As more and more people are wearing hybrid fabrics like goretex and viscose nylons ala lux sports lav mics can seem a high risk strategy for many scenarios. Nothing much can be done re fabric rubbing so definitely worth using a cos and some soft baffling to help with those rubbing fabric sounds. Nothing better though than a shotgun. I’m sure there is a reason to be using mirrorless for this piece (not sure if TH-cam’s shooting youtubers is meant to be ironic) but looking at the complicated and ungainly set up compared to an fx6 or better still an fx9 on the shoulder which mr bone is almost certainly expert with, really drew attention to the biggest reason not to use mirrorless cameras built out. That said this was an impeccably delivered journey into how that challenge kind of has to be met. Once you accept the need for a monitor that is bigger than the camera to do something functionally essential like getting focus then we are approaching that event horizon that should make us wonder why we aren’t using a camera specifically designed for shooting. Even more so when it comes to audio. By the end of the build these cameras look kind of ridiculous Frankenrigs despite the expert efforts shown here. For sure having a screw driver to hand is pretty much par for the course and I can see why that tool was a lifesaver. Great tip.Imo mirrorless shooting only really comes into its own for b roll where a monitor can be mounted effortlessly on the top of the camera. I still don’t know why I never see cameras with straps or resting on bags for stabilisation. Maybe cine saddle’s seem like an anachronism now but there are so many ways to get amazing hand held footage with a little bit of movement if the camera can rest on something and especially not be held out in front of the operator in mid air. Meanwhile this was a fantastic video that shows the challenges for anyone trying a dslr professionally. For so many reasons an fx6 is the right design and rather than an fx30 I would be interested to know what mr bones thoughts might be for a s35 fx6 body with fx30 specs. In the same way canon supported videographers with the c100 and c200 it would be great to see the design of the fx6 at a lower price point for those who actually want an integrated system to shoot doc style work with integrated sound and video tools. Just a thought. Thanks again for an outstanding video and invaluable insight delivered with real charm and care. The best of TH-cam.
Loved this one - had a zesty joyful radiance to it. Keep being authentic, Mark!
🙏🏻
Such a useful set of tips, such a pleasing video to watch! Thanks, Mark!
Vasilis from Greece
Loved the video and you didn’t talk too much at all! Well done, brother.
Levi ROCKS, as does Jesse, what a crew. Helpful hints here, thanks! Oh and Mark Bone you rock, appreciate all that you bring to this channel.
Fantastic tips, thank you so much Mark! I don't know why the heck I didn't realize this on my own, but your handle configuration (monitor back / mic in front) is optimal. 👍 Welcome back to Toronto and enjoy your holiday time off!
Yes it’s very well balanced :)
Mark, this was so so so helpful! I learned a ton in these 14 minutes. Incredibly valuable. Thank you!
You’re so welcome :)
5:56 "Just make sure to hit record twice." Yes! I just got an H4n and found that out...the hard way (of course). But hey, while I'm here babbling - THANK YOU, Mark! Love your channel!
It’s the worst. Everyone has done it. Including me
03:42 RE: Scewdriver
I just have a metal washer on my keychain. It’s not pretty but works! 😅
You are such an inspiration Mark. I was a bit in a ditch lately when it came to trying to building up my freeelancing - watching this video truly helped me. Thank you.
bbc part was epic!!!!
Levi Allen and Mark Bone in one frame sooo awesome! Really a huge fan of you both. Really informative as always Mark
And jesse driftwooood! 24 mil all the wayyy 🥰🥰🥰🥰🥰 super love this videeooo
First time meeting Levi. Loved hanging with him. He’s an old soul with a young heart
2:40 The viewfinder is a good option for focusing in some scenarios, depending on your projects.
My business partner loves viewfienders
Great comment. I regularly struggle pulling focus even on my 5'' monitor. So, I am considering a viewfinder. What one do you use? Or should I go for some of these modern virtual glasses with HDMI connectivity?
really enjoyed and learnt a lot, especially the Ninja walk (i'd seen other videos explain it but this somehow simplified it even more)! Thank you
Glad it helped!
Awesome useful video man. A well deserved Sub. Hope to see more of these.
Fun video! I definitely appreciate practical tips like which lenses to use for handholding and what lenses you should not handhold. More videos with these types of practical shooting tips would be great.
Thanks Aaron!
Insane value in every video. They are art work in themselves
Thank you for this fantastic video (and all the other ones so far)! Here's a topic suggestion for your consideration: when running and gunning as a one man crew at a new location that you had no chance to scout in advance and properly storyboard every shot, what would be your tips for getting shots that flow well together?
Great question!!
Always great to hear from you. Have a good and foremost a relaxing time.
Thank you kindly! Merry Christmas!
Looks fun. I want to be in Hawaii for Christmas.
Good audio in the wind - yes pliss! 😀
GREAT video!! I am going to switch to sony in 2023... Gonna start with a FX30 so I can learn how to be better then work my way up to an FX3 or a As7 III... Thanks a lot as always
Heck yeah! Welcome to team sony
Can't wait to see the doc from this trip! Valuable video man🙌🏾
Thanks brother
Love this video with all the invaluable tips for gear to use. I have a few of them but will be expandsing my selection thanks to your great advice. Thanks again Mark
Hey Adam! My pleasure brother! Stoked to be a part of your journey
Im always filming 4 separate audio channels with my K3M on the A7Siii. Found that setup to be a bit more smaller package since the k3m is on top of the a7siii and not forward about 4 inches. Really makes a difference when it comes to travel with the setup since i NEVER have to break it down. Happy filming
The K3M is clutch!
Just wish it had a top handle
@@markbone Lucky for me Smallrig created a top handle that is meant to be used for the K3M XLR and works great for my filming condition ( Saltwater Fishing Boats )
@@jasielm5258 I'm curious to ask, Do you know the pros and con to using the top handle K3M XLR on an A7s3 vs. Fx3 w/ top handle? I've been meaning to get into docs/ travel, but I also love the option of taking photos, and I'm wondering if the former setup is the best of all worlds.
@@kereyvproductions5521 same setup but the layout is different. K3M from FX3 will send your shotgun mic 6 inches forward from where the MI hot shoe is while OG K3M keeps it closer to the body. For instance my setup with K3M is the sigma 24-70 and my K3M mic wont pass the 24-70 making it easier to store in its complete build rig since it’s basically a perfect cube from side to side but on the FX3 handle you got lots of mic hanging in front of the lens. Makes it easier for things to brake. Been using K3M close to 2 years. No issues. I use the smallrig handle made specifically for K3M
best video of the month, thanks
My only video of the month 😂
love your palladium shoes bro, I say this because I never see other people wear them, and they are great shoes!
👌🏻
Nice to see man! Don't apologize for breaks! Also that sony fx30 I might need to switch from canon now, was waiting for the r7c but the fx30 might be my next camera.....
Enjoyed as always. Just the right amount of detail. Keep them coming!
Hi Mark, AOD member here. I think it will really valuable if you were to create a video on how to properly use EL zone for exposing. Many of the new Small HD monitors are coming out with this by default. Thanks
The way you slapped that back screen @2:32 made me shiver a bit 😅
I hope it breaks
@@markbone Savage 😂 Love your videos and docs, keep up the good work!
Christmas has come early! Can't express my appreciation enough for your work and all the tiniest details that add up!
Thank you! So glad these videos can help in anyway
@@markbone I always think I know all the useful bits you're going to say and then you drop an absolute corker like the left/right eye focus (which I knew about) but why it'd be so useful for interviews!! Genius!!
Nice one Mark! Merry Christmas to you as well. Your tips are helping me a great deal. Thanks from Snowy Vancouver.
Merry Christmas James!
06:00 "Just make sure to hit record twice". Hahahaha...
...True story 😭
Thanks Mark...just discovered your videos...very
Inspirational and great tips! Thank you!
As a fulltime automotive cinematographer this was also super helpful Mark! I use a RED Multitool and it has been one of the best investments i've ever done. Keep it always on my belt during production. Saved so much time. Yet that screwy thing is tiny and cute haha.
Glad it was helpful!
I use the red tool as well, love it!
Awesome video. Went ahead and bought the Screwy! Such an awesome simple tool. Where can we find the Sanken Mics in Europe?
Great video :) Thank you! Just a note with the FX3 and FX30 you can also use the gyro info with Catalyst Browse which is incredible but all stabilisation must be off when shooting. Not sure about lens stabilisation.
Yeah it’s great. I’m gonna be talking about that in upcoming videos
Welcome back. Thank you for bringing compelling content to TH-cam. Been following since the beginning, and hope to join AOD sometime in the future. Great to get some of that good ol' MB wisdom again. Happy holidays!
Niels! Hope to see you a part of the community, you’ll love AOD man. So many great, inspiring filmmakers in the community
You are the best i have learned alot from you thank you for always making such a great videos for all level filmmakers 🙏
Great tips ! I am using more or less the same gear, but I found that the combo Sanken COS11D + AVX was not great. The AVX has a auto gain feature (which you can not turn off), which sometimes makes the audio "clipping" when used with the COS11D. For this reason, I prefer combining the Sanken with the Rode Wireless go II
Thanks for the tips!
You’re selling me more and more on that Helios lens, that is now going to be my next purchase. Love the tip about the ninja walk too!! Great stuff as always Mark, Merry Christmas!!
You won’t ever regrets owning a helios
The Helios is a really sweet lens. Couldn't recommend it more.
This is one very informative especially for anyone who is approaching this craft on budget. Good job buddy hope to see you one day again in Berlin Germany... Much love for Germany
🇩🇪
Thank you mate!
Interesting fact I had a bottle opener that work exactly like the screwy you talked about. It was amazing. Then the link came loose and I lost it. I just bought a screwy. One of the best accessories ever.
Thanks for the video. I am trying Envato Elements. I really like the idea of having all assets in one place, but to be honest as soon as I downloaded one of the plugins for DaVinci Resolve,I found really complicated to install it. Copy, paste in various places, open Fusion which is just a no go for me. They should have a simple installer like other similar services. I think I will cancel it for now and I hope they will improve it.
Amazing video as always, Mark! Thanks for sharing this and great job with the edit
Thanks mate!!
Mark, when I used the FX3 for a project. The handling noise from the body and the built in handle reverberated up to the shotgun mic, like the existing shock mount wasn't enough. Did you notice this in your experience? Thanks for the videos!
i have a fx3 and i experienced the same thing
Is there any specific reason why you went for Deity S-MIC 2S?
Also what do you think of zoom m3 shotgun mic with 32bit float feature? Do you think it can replace your S-MIC 2S or S-MIC 2S is still better for your situation?
👁👄👁 Me watching this taking notes after shooting all my footage in Hawaii without a top handle.
Beauty trip, lets grab a heli flight again sooner rather than later
YES! I’ll take a heli across the country to see you asap
MISSED YOU MARK! This was great, so helpful as always… I really need an fx30 I’m learning 😂
Glad to be back :)
Thank you for the insight on the equipment there Mark. Let me get back out here and for whoever is reading continue to be great so go create. 😁
👌🏻
Thanks mark, really appreciate your vids. Happy holidays, enjoy live now, take care and see you 😊🙏🏻👍🏻
Thank you, I will
Thanks for sharing your knowledge. It's how we all get better!
So glad to help
Merry Christmas, Mark!
Thank,s Mark, lot of information i get on this video.
Hey Mark what is your monitor arm in this video? Thank you!
Wonderful video, great value!
Glad it was helpful!
What top handle are you using?
I used a couple of Sennheiser MKE2s for 3 years, but once I got the Cos 11d it changed everything, especially in post, not as much compression or EQ work.
i now this video is older. But i wondered then. Do you not use any IBIS when filming with those wider lenses? Thanks for the video. I am on the AOD waiting list.
The tip with beauty-tape is killer!
Plus what is the plastic "dome"-thingie around your lapel-mic called? That looks like a really cool option when I want to hide my lavalier (which I am terrible at)
Kind Regards and Merry Christmas
Jørgen
The Best 🤘
✌️✌️✌️
Hey Mark great video.
Thanks so much for these videos Mark. After watching your vids and talking with peeps in the AOD community. I might switch over from Canon to Sony. I love the fast workflow of these cameras. Is this camera good for anyone who wants a light run-and-gun camera, and suffers from minor back soreness (taking care of that)? XD
Yeah, it can work if you need a light camera. Ultimately holding any weight in front of your body will cause soreness, so this camera might just get you there slower than a heavier one
I love the footage from the fx3, fx3o, and a7siii. I despise the mic handle design. for mobility i just run a rode videomic NTG on a nato rail handle
Great video! That shirt is 🔥I had no idea about Trew Audio. Always needed a good supply store in the east end. Thanks!
Happy to help!
You're a legend!
Top Handle... must have a Top handle... I gotta say this is true only to pull the camera out of the bag... After that Never Shoot while holding the top handle its the very best way to ruin your shots with shake and jitter... but alas there are good stabilization tools... to fix all the shots that are done with a top handle... Love your videos and information but this one deserves an entire reconsideration. Been operating cameras for 30 years and top handle shooting is very very rare... Now when you are ready, I'd love to discuss with you the WHY and the HOW of the real reason people Love to suggest using top handle, and it has nothing to do with getting great stable effective shots...
All I can say is that top handles have been an integral part of all my cinematography. Perhaps we want to discuss on an Art of Documentary call if you’re a part of our community
Another awesome video! I would love to hear a deeper dive on why not use the 3.5mm jack. If my camera doesnt have a XLR input, the external recorder audio will be better then sending directely to my camera?
Great video as always very useful. What is your magic arm reference ❤ ?
Thanks!
Hey Mark, so I recently sold an FX3 (bought another FX6) and the young guy from Boston… He was showing me his work on his mobile phone and I was telling him that he had serious potential looking at his creativity with only an A6500 and I said keep studying “story” - write every day, and also to find inspiration… He said, “Do you know Mark Bone?” I began to smile and replied, “Not personally, but your on the right path…” We went on to talk about your film school AOD and he talked about wanting to take part in your next round of classes but he had just bought the FX3 which I sold him for cheap (didn’t have an hour of video on it) and that had taken him a year to save up… Look I know that the AOD is incredibly reasonable and in no way am I suggesting otherwise but is there any way (if you aren’t already) you can do a “scholarship” program where maybe (1) student per season is given a free ride? Maybe base it on a film/ video contest… Or maybe a sponsorship program where someone can pay the way of a young student with financial hardships? I would be willing to offer half of the funding toward a full tuition payment (during the early sign up phase) Let me just add I am NOT financially well off in any way, however I’ve been there with 100k in film school loans (I WISH AOD WAS AROUND BEFORE I attended and GRADUATED EMERSON COLLEGE) with NO MONEY to actually make films… Although I did love the school and the “college experience” it can all get SUPER expensive but your program has MORE TO OFFER FILMMAKERS in terms of actual filmmaking than most… YOU ACTUALLY WALK AWAY WITH YOUR OWN FILM/ plus reel… Sorry if I’m rambling I was inspired by this young man and when he mentioned you…😊❤️
‘Americo’! This is such a heart warming message. Shoot us an email at info@markbone.com and we can chat further about this. We have been doing scholarships in the past but haven’t ever advertised them
Informative video as always ! I'm now deciding on either getting an FX30 with a 24-105mm lens or an FX3 and use my currents lenses (24-70mm and 35mm)
Honestly I’d say to get the FX3!
Fx3 for sure
1st viewer love from imphal Manipur India 🇮🥰😍
🤗
3:41 ? Seriously? Don’t need to buy a £17 gimmick. I can just use a 0.25 cents aka the quarter for screwing in my equipment.
as always, thanks for the effort and the sharing. maybe discuss your focus issues with the sigma 24-70/2.8? thumbs up.
Very bad AF when shooting with strong backlighting in my experience
Thanks for this! Very helpful.
Glad it was helpful!
Gear gear gear! It's so important to find whatever works for us and for the situation!
Use what works for you brother!
Are those last shots of the Mauna Loa eruption? Wow, you were so close to where I live! I always love seeing Hawaii content!
Yeah! They were
@@markbone Fantastic You caught it! I got a bunch of great footage and stills!
Great, great info here. Thanks, man!
Glad it was helpful!
Hey Mark, Thanks for the helpful video. I'm wondering if you've ever used something like the SeeMo to turn your iPhone into a monitor and how that would compare to your SmallHD one?
Mark is my favourite TH-cam (and he’s a fantastic filmmaker) I often study his work to help develop my own.
I find less micro-jitters with a mirrorless camera. They have built in IBIS v a cinema camera which doesn’t.
Unless the lens is stabilised (which the 24-105 is (it’s used in this video)
Mark; will there be a film which you shot in Hawaii?
Killing it as always.
Yeah! I’ll be releasing a couple pieces in the new year
@@markbone see you on AOD in ‘23. I feel the course is just what’s needed…
Cool hat 🤠
K THX BYE
Hey mate, I'd love for you to do a full video on using the helios. Love to see what you can do with it. Keep up the great work mate. Loving it.
I’ve done some in the past :)
mark, one question here.. why aren't you using a small rig protective cage? it seems so much needed in your field, aren't they?
Bananas dude. I so badly need a 2nd camera angle so I can stop renting. 🙏🏽
Luved the video but i'm suprised you don't use any side handles which help you get your hands off the actual camera or even a cage so you attach accessories.
Keep it simple!
Thanks for your insights on this one. Do you have a deadcat for the deity s-mic 2s as well or are you satisfied with the foam it comes with?
Would you choose the Sony fx3 or the r6 mark ii for documentary/vlog content? Great Content
Either are great!
@@markbone appreciate your honesty
Thanks for the tips! Do you recommend using the built-in image stabilizer on the camera? I have a Canon R6 and the enhanced stabilizer does a really good job (it crops the video and I don't mind that) but I'm not sure if it's affecting the quality of my videos or if there are situations where I should avoid using it.
Hi Mark. This is my first time viewing one of your videos and I really like it. I am going to be a regular now that I have been exposed to you. I have never done a video before but it is time. I shoot Sony a7r IV for still pictures.
Awsome vid Mark I would love to see the custom settings and buttons you use on the FX6, also how do you expose for the luts you created.
I released a whole video about exposing my LUTS a couple months ago!
The mic is a 2S not 25. at 1:54
You are correct 😂😅🤦🏼♂️
Was looking for this cooment. The S mic 25 really bothered me 🤣
On that note, what kind of sleeve do you use to hold the mic in place?
Thanks for explaining so well Mark, helped a lot. I just got Deity S-mic2s for Sony-Fx3 for run and gun shoot. I am getting lots of handling noise through mic, is there a way to get around this? Thanks
Nice upload
Love it! Definitely do not reccomend shooting a wedding with no external monitor using manual focus with prime lenses..,..,. Btw is there any benifits to the fx3 that the a7siii doesnt have except the menu system?
Enjoy your content bro. Did you go to film school? Would you recommend an aspiring filmmaker to do so?
I created a film school because I am so disappointed with most of them: theartofdocumentary.com our students are now winning Emmy’s and getting into film festivals :)