Conceptually, among THE most difficult prelude/fugue combinations from Book 1. And this pianist confidently provides one of the best interpretations I’ve heard in my almost 70 years on this little (but potentially limitless) planet of ours.
Hai un bel tocco e si sente che stai nel pezzo. Comprendo cge sei un anima giovane ma nei pezzi a carattere "essenziale" e piú autentici gli abbellimenti o le accelerazioni sono stonature (per capirci riascoltati Richter;). Comunque sei molto brava. Tifo per te e tuo futuro.
@@MarkHeller13 well, actually, it's assumed nowadays that back then they were much less strict in terms of rhythm than we are now. And it's actually logical: dynamics of harpsichords (which were used predominantly, although pianos already existed) cannot be controlled directly by the player, so the only real means for interpretation left was varying rhythm and speaking about interpretations... is it really a good thing to play compositions only one way? what's the need for different musicians then? i believe, there is nothing inherently wrong in playing a piece the way somebody likes as long as... somebody likes it. given that Bach was a pretty innovative composer, i'm not sure if he would have any objections
Terrific fugue. I liked the tempo you chose as well.
Conceptually, among THE most difficult prelude/fugue combinations from Book 1. And this pianist confidently provides one of the best interpretations I’ve heard in my almost 70 years on this little (but potentially limitless) planet of ours.
This is my favorite piece from the well-tempered clavier, that moment at 6:08 when the bass enters!
You did fantastic!
貴女のファンの一人です。大好きな曲 BWV849 の演奏を興味深く拝聴しました。
FAZIOLIと貴女の演奏は、お気に入りの組み合わせです^^
素敵な演奏を、ありがとうございます。
Just wonderful. I enjoy cery much all of WTC performance of Marta Czech.
You are such a rare gift - thank you so much - blessed be.
Semplicemente MERAVIGLIOSO!!!!!Gould ha una degna erede, che ha superato il Maestro❤
This prelude is soooo beautiful... ❤
This is strongly voiced, nicely done.
Wow, great interpretation, nice tempo! Thank you❤
Fugue at 3:46
Thoughtful prelude and impressive fugue. I love it.
WUNDERBAR!!!
Beautiful interpration! Bravo!
敢えてペダルを使用された
よい効果を生んでいる
Hai un bel tocco e si sente che stai nel pezzo. Comprendo cge sei un anima giovane ma nei pezzi a carattere "essenziale" e piú autentici gli abbellimenti o le accelerazioni sono stonature (per capirci riascoltati Richter;).
Comunque sei molto brava. Tifo per te e tuo futuro.
❤
来日演奏の予定はないのかなあ
Bdabo
Whenever I listen to a Bach's piece interpretated in modern piano I wonder if this was what Bach meant. I found it too romantic.
I agree...too much rubato
@@MarkHeller13 well, actually, it's assumed nowadays that back then they were much less strict in terms of rhythm than we are now. And it's actually logical: dynamics of harpsichords (which were used predominantly, although pianos already existed) cannot be controlled directly by the player, so the only real means for interpretation left was varying rhythm
and speaking about interpretations... is it really a good thing to play compositions only one way? what's the need for different musicians then? i believe, there is nothing inherently wrong in playing a piece the way somebody likes as long as... somebody likes it. given that Bach was a pretty innovative composer, i'm not sure if he would have any objections
@@andreysafin3224 totally agree!
Generally well done, but the fugue played way too fast for me, also too expressive, Richter still does the job for me.
Give me Boogie Woogie any time. Bach is far too morbid.