That’s the video I was waiting for in your beginner blues course, maybe it is a bit advanced but with some intermediate lessons it would make perfect sense
okay thank you for brightening my few on chords, all though I knew it , in this context, I would have overlooked that Eb A D is also Amb5...that's also because My teacher, tought me the BGC Eb NR, I never played them with roots actually...
with upper structeres Ammaj over F#mmajb5, which provides us a E+E# then a Cmmaj over B7 to mirror this mmaj upperstructure...if we play a Bb #913, and we go to Bdim we have our Rootless voicing of a dim chord, I admit that the dissonance is a bit Monkian, and maybe too much but at least at bar six I like the LH voicing ober Bdim:G# C#D G, is that okay?
I just wrote out the two chorusses of your solo, if I have written them properly I will present them to you...On Blues the following strict Rules for soloing applies: "Screw the Rules"
I just worked on F7 I Bb7 I F7 I F# m7 B7 I Bbmaj7 Db7 I Gbmaj7 A7 IDmaj7 F7 I Abm7 Db7 I Gm7 C7 I C# m7 F#7 I F7 D7 I G7 C7 II I Am studying it now for two weeks almost but I feel although practiced too much on it HOW should I play or study on it in your opinion
If you could possibly change the position of the superimposed inset box to the Left hand side top corner instead of the Right hand side top corner in the section of the video between 2:10 and 2:50, your excellent right hand lines would be a lot more visible. Not a criticism, just a suggestion.
Hi Tony! Can not thank you enough for your tutorials!!! HUGE THANX!!! (if there is a chance to ask some questions about jazz via email? And as a MODX owner i would like to send you a small gift for Yamaha Modx as a contribution for all your effort))Thanx again! Ivan
I was truly grateful. Thank you.
Best teacher on TH-cam. Well, according to me.
Great stuff ! Thank you !
My goodness, this is so good. Love your videos. Thank you so much, Tony.
Excellent ! Sensible, euphonious suggestions, good advice.
A.D Selinger euphonius 😃
Very fine tutorial. The time in is crucial, and you nailed it . . . again. Very helpful!🙂
Thanks for all the great instruction.
Whoooo!!! This is badass!!! Thank you!
Awesome, thanks for sharing your musical skills!
I love it!!!..thanks again Tony!
thank you so much for your videos!!!
excellent et tres clair
That’s the video I was waiting for in your beginner blues course, maybe it is a bit advanced but with some intermediate lessons it would make perfect sense
Francesco Manfredi I was thinking that too. I never really explained how to play the melody of the song. I'll probably do a follow up video
okay thank you for brightening my few on chords, all though I knew it , in this context, I would have overlooked that Eb A D is also Amb5...that's also because My teacher, tought me the BGC Eb NR, I never played them with roots actually...
This is very helpful. Thank you.
thanks again
nice!
Thanks v much...
loved it! You can catch the intro at 1:21 on the doors we could be so good together.
with upper structeres Ammaj over F#mmajb5, which provides us a E+E# then a Cmmaj over B7 to mirror this mmaj upperstructure...if we play a Bb #913, and we go to Bdim we have our Rootless voicing of a dim chord, I admit that the dissonance is a bit Monkian, and maybe too much but at least at bar six I like the LH voicing ober Bdim:G# C#D G, is that okay?
Hi Tony, what about 4th bar: F#mmaj7b5> B7#9b13 of course NR is that alowed?
I just wrote out the two chorusses of your solo, if I have written them properly I will present them to you...On Blues the following strict Rules for soloing applies: "Screw the Rules"
rules ARE made to be broken!
Wow!!!!!!
Yo!
I just worked on F7 I Bb7 I F7 I F# m7 B7 I Bbmaj7 Db7 I Gbmaj7 A7 IDmaj7 F7 I Abm7 Db7 I Gm7 C7 I C# m7 F#7 I F7 D7 I G7 C7 II I Am studying it now for two weeks almost but I feel although practiced too much on it HOW should I play or study on it in your opinion
If you could possibly change the position of the superimposed inset box to the Left hand side top corner instead of the Right hand side top corner in the section of the video between 2:10 and 2:50, your excellent right hand lines would be a lot more visible. Not a criticism, just a suggestion.
Hold it right there, till I get a pen.
try D G Aflat and C in the left hand for a Bflat7
Yes!
but still for me soloing over C#m7 F#7 is not that easy...
Me either, but I make it look easy?!?!
Hi Tony! Can not thank you enough for your tutorials!!! HUGE THANX!!! (if there is a chance to ask some questions about jazz via email? And as a MODX owner i would like to send you a small gift for Yamaha Modx as a contribution for all your effort))Thanx again! Ivan
3:40
Subtitle Español, plisss
I hear Thelonius Monk right?!
Sorry you said it after I recognized it I swear ;)
0:06