Jerry Hadley - Salut demeure chaste pure - Faust

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  • เผยแพร่เมื่อ 25 พ.ย. 2024

ความคิดเห็น • 27

  • @6828tom
    @6828tom ปีที่แล้ว +2

    Had the thrill of singing in the chorus behind Hadley. He was a delight and very friendly.

  • @suzannederringer1607
    @suzannederringer1607 4 ปีที่แล้ว +7

    I don't understand how anyone could think Jerry's voice unsuitable for FAUST. He sings this with tenderness and nuance and manly grace. He is certainly MY Ideal Faust!

    • @e-bikeskibum7141
      @e-bikeskibum7141 ปีที่แล้ว

      I agree Suzanne, Jerry is an ideal Faust!

  • @道-p2e
    @道-p2e 5 ปีที่แล้ว +6

    This is my best, for younger generation of tenors, his voice and artistry is always recognizable and unique, Bravo!

  • @SpecialtyHorseTraining
    @SpecialtyHorseTraining 3 หลายเดือนก่อน +1

    lovely pianissimo on those last high notes.

  • @mirjamdevries9376
    @mirjamdevries9376 ปีที่แล้ว +1

    Voce dolcissima, piena di passione. 💗

  • @rationalsceptic7634
    @rationalsceptic7634 4 ปีที่แล้ว +5

    A hugely underated Tenor RIP

  • @mattn2470
    @mattn2470 10 ปีที่แล้ว +6

    such delicacy

  • @georgemosarm1345
    @georgemosarm1345 2 ปีที่แล้ว

    Marvelous interpretation!

  • @timrauser8201
    @timrauser8201 ปีที่แล้ว +1

    There are a number of great recorded Fausts out there, but none of them convince me to lend my sympathy to this rather unsympathetic character the way that Hadley does. A brilliant performance the whole way through that wonderful Teldec set.

  • @fontevrault4690
    @fontevrault4690 10 ปีที่แล้ว +6

    I also challenge the notion that Hadley had a "small" voice--he had a supremely nuanced, flexible and versatile instrument that seemed to rise to any occasion. Also, perhaps it requires a "giant" voice to sing Mephistopheles, but Faust's arias throughout are tender and romantic--hardly shouting fests.

  • @Butchy1
    @Butchy1 5 ปีที่แล้ว +3

    Jerry, beautifuk singing, Aragall is the very best at Faust, but Jerry right there as well.

  • @alecfeiss4514
    @alecfeiss4514 10 ปีที่แล้ว +3

    @evan abaling, I believe your statement is untrue. Why don't you tell that to Alfredo Kraus... a voice of similar, if not even slightly smaller volume, or even Nicolai Gedda. All of these guys sang that stuff. And they sang nearly the same exact kind of OTHER rep too. Just because Corelli, Bjorling, and others sang it a lot, doesn't mean it's reserved. Big voices back in the day sang "everything." Bjorling went from Don Giovanni to Il Trovatore... not exactly the same stuff.

  • @virginiaabrahamse6048
    @virginiaabrahamse6048  12 ปีที่แล้ว +2

    The conductor is Carlo Rizzi not Bonynge.

  • @SilverSingingMethod
    @SilverSingingMethod 12 ปีที่แล้ว +3

    Bonynge is the conductor here. And too bad he messed with Hadley's voice.

    • @richardholmesmusic2128
      @richardholmesmusic2128 7 ปีที่แล้ว +4

      Thanks so much for wrongly blaming Maestro Bonynge with your knee-jerk, not-based-in-fact opinion. And what are you blaming him for, the pp high C? Far more appropriate to the mood of the piece than the usual scream on C (or B, if transposed).

    • @kyleaustin7045
      @kyleaustin7045 6 ปีที่แล้ว

      How did Bonynge do it?

    • @bobthebuilder2778
      @bobthebuilder2778 4 ปีที่แล้ว

      Amen Silver , so glad someone pointed that out..thank you

    • @ransomcoates546
      @ransomcoates546 3 ปีที่แล้ว

      @@richardholmesmusic2128 It’s pure falsetto here. You can have the effect, but it must be ‘voix mixte’.

  • @EvanAbelingTenor
    @EvanAbelingTenor 11 ปีที่แล้ว +1

    I personally don't think that Hadley should have been singing this aria... You really have to have a giant voice to sing Faust.

    • @richardholmesmusic2128
      @richardholmesmusic2128 7 ปีที่แล้ว +13

      Absolutely wrong. YOu need a voice of great flexibility, warmth, and focus to sing both this aria and the role. The moments whree sheer power count in Faust are extremely few, almost entirely in the Duel Trio and the Final Trio,. Hadley had ample power for the bigger moments in the role. It's not like the lyric tenors we now have singing Cavaradossi. Bjoerling was renowned for NOT having the big voice, but having a voice of great clarity and focus. Corelli never sang the role in public, and shouldn't have.

    • @peterchristopher3527
      @peterchristopher3527 6 ปีที่แล้ว +4

      Tell Bjorling and Gedda that,

    • @道-p2e
      @道-p2e 5 ปีที่แล้ว +5

      Jerry has enough power to handle this, and there are ton of great tenors doing well here.

    • @LostSoulAscension
      @LostSoulAscension 4 ปีที่แล้ว

      @@EmilyGloeggler7984 Go tell him yourself lol.

    • @道-p2e
      @道-p2e 4 ปีที่แล้ว +1

      @@peterchristopher3527 And GDS, Georges Thill...Jerry is perfect for this.

  • @ransomcoates546
    @ransomcoates546 3 ปีที่แล้ว

    It’s not good at all the way he alternates between an overly dark forte and an unsupported falsetto-ish piano. Doesn’t even sound like him.