love how it brings out the paper texture in the basic swatch and the french ultramarine with it making the neutral gray is spot on for dark bits of cloud and french ultramarine for the sky, TFS
You are a great artist/teacher...learned so much from you this morning..anxious to order the watercolor paint you used for this painting. The landscape is beautiful . The composition so nice enjoy seeing beautiful skies. TY so much Liron Yanconsky.
With the Quin Rose, the middle bit looks just like M Grahams Terra Rosa. I appreciate your attention to conveying the importance of having mixing colors. Besides playing with them is half the fun. :)
Hi Liron! I love this series and I’m glad u did DS burnt sienna . I recently purchased it along with the DS essentials set. I was painting with MGraham burnt sienna lately but I prefer DS because it’s a little warmer. It’s definitely a color I can’t go without in my palette and I like to pair it with cerulean blue for painting run down old wooden buildings.
Liron, I'm one of those painters that uses Brnt Sienna in my painting. What I did find was a big difference in the different brands. Originally it was Winsor Newton, then M. Grahams and now Daniel Smith. So far i do like the D.S. the best for my needs. Thanks for this review. It was very helpful. B.J.
Yes, I agree there's quite a serious variance between brands. I find Schmincke's Burnt Orange to be quite similar to Daniel Smith's Quinacridone Burnt Orange (: I still haven't tried other brands' (aside from Van Gogh in my very first set, which was kind of in between orange and brown). Thank you! (:
Love this color for making greys. With French ultramarine the warm and cool possibilities are endless. Why ever use Paynes grey? I just discovered that a warm red can be cteated with burnt sienna or burnt umber. Exciting!
Hi Liron, thank you for sharing this video. I don't have Burnt Sienna from any brand. My essential 7 set came with Quinacridone Burnt Orange and I've always just used that in place of Burnt Sienna. For me, it seems like a reasonable facsimile. The pigment numbers are different, of course. But, it mixes with French Ultramarine as well as the Burnt Sienna which you demonstrated here. Also, when I mix Quin Burnt Orange with Hansa Yellow Medium and Quin Rose, my results are similar to what you get. Have you considered Ultramarine Blue as a replacement for French Ultramarine? A lot of people like Ultramarine Blue when they don't like French Ultramarine. You could also try Cobalt Blue and see how it mixes with Burnt Sienna. I just know you will find a blue that will work for you in place of French Ultramarine.
I totally get it. There were some periods when I used Burnt Sienna and Quin. Burnt Orange interchangeably (: About French Ultramarine VS Ultramarine Blue - quite honestly I can't tell the difference. Maybe I should read more about it. I saw Teoh has a vid on it I should probably check out (:
Liron, I think the pièce de résistance in this video is not the DSpigment but your picture of the cottage. I hope you made a video of you paining it step by step to show us.
Some 2 pigment neutrals of varying usefulness and value I can mix on my palette WITHOUT ultramarine are: Daniel Smith's Cerulean Blue, Chromium + M. Graham's Transparent Red Iron Oxide OR Holbein's Van Dyke Brown Holbein's Van Dyke Brown + M. Graham's Anthraquinone Blue Perylene Maroon + Perylene Green (Both Daniel Smith) The last combination is my most common and is my go-to when I need a non-granulating, transparent black/neutral.
Thanks for the suggestion! Unfortunately I haven't tried any Schmincke yet. I'm thinking about picking up some 1/2 pans for my travel palette this summer, so I'll add it to my list of paints to check out.
Some really great neutrals can be mixed with Prussian Blue (or Phthalo Blue albeit with different texture): DV¹ Prussian Blue + DV Venetian Red DV Prussian Blue + WN² Brown Madder DV Prussian Blue + DV Cadmium Red Light 1. Da Vinci 2. Winsor & Newton
Prussian Blue can also make a perfect Hooker's Green with Nickel Azo Yellow PY150. After all the original recipe was Genuine Gamboge NY24 + Prussian Blue PB27. This works because Nickel Azo Yellow is a close match for Gamboge (including mixing characteristics).
Do you think this color you are using is more toward red oxide? about half the burnt siennas i see have a more orangey hue, like a sweet potato or what crayola crayons call "bittersweet." Can you comment on this? Thanks! I really like your channel. You are very helpful.
We don't say "burned sienna" or "burned umber". For adjectives we use "burnt", so it's "burnt sienna", "burnt umber", "burnt toast", etc. For the simple past tense and past participle, we use "burned", although the UK uses "burnt" for both. Therefore I would use it as such: "The food has been burned." Yet: "Throw out the burnt food." These spellings are consistent with my American pronunciation, where "burnt" is /bɝnt/ (or /bɝnʔ/) and "burned" is /bɝnd/.
You got a good answer, yes - PBr7 is actually Brown Iron Oxide (: Some prefer the more red-is versions. I actually like both. For perfect grass with French Ultramarine, I find the brown version (like Daniel Smith's) to look a little more to my personal taste. I hope this helps!
Liron Yanconsky I prefer the transparent red-orange types such as Da Vinci Burnt Sienna Deep (PR101) or Winsor & Newton Burnt Sienna (PR101). I also like to use M. Graham Quinacridone Rust (PO48) or Daniel Smith Quinacridone Burnt Orange (PO48) instead sometimes. I love these for their transparency and rusty orange glow. Is this what you meant by the more reddish versions? They're really not more red, just more intense, so I'll assume you meant more reddish as opposed to more brownish -- in other words, a difference of chroma rather than hue. I also use Prussian Blue with Venetian Red, which produces a fantastic textured grey flecked with bits of color. It has quickly become my favorite means to produce greys. Sometimes I change things up a bit though, and swap the Burnt Sienna Deep and Venetian Red for Da Vinci Burnt Sienna (PBr7) and Winsor & Newton Brown Madder (PR206), respectively. They can make similarly excellent greys, albeit with many of the properties of each swapped.
I like your review. Glad that your voice is okay. Can you work on your background. I mean put some of your Watercolor or changes a collection. You are talented so you can make some nice background.
I love this burnt sienna mixed with DS indigo
It's a beautiful combo 😍
Yay! Daniel Smith again, and such a popular colour. Own it, and can’t resist finding new uses and mixes. Great pick. I love it when you ‘go deep’!
Thank you! 😁🙏🏼 It’s a really useful one!
love how it brings out the paper texture in the basic swatch and the french ultramarine with it making the neutral gray is spot on for dark bits of cloud and french ultramarine for the sky, TFS
Yes, definitely one of my favorite paints, and one of my favorite papers (:
Thank you!
You are a great artist/teacher...learned so much from you this morning..anxious to order the watercolor paint you used for this painting. The landscape is beautiful . The composition so nice enjoy seeing beautiful skies. TY so much Liron Yanconsky.
Thank you ^_^
I'm really happy to help!
With the Quin Rose, the middle bit looks just like M Grahams Terra Rosa. I appreciate your attention to conveying the importance of having mixing colors. Besides playing with them is half the fun. :)
Yes, it’s really a pleasure to do this show 😊🙏🏼⭐️ Thank you!
Hi Liron! I love this series and I’m glad u did DS burnt sienna . I recently purchased it along with the DS essentials set. I was painting with MGraham burnt sienna lately but I prefer DS because it’s a little warmer. It’s definitely a color I can’t go without in my palette and I like to pair it with cerulean blue for painting run down old wooden buildings.
I'm happy to cover a paint that's relevant to you (:
I went the same route of Essentials set + Burnt Sienna at the time.
Thank you 🙏🏼
Oh quin rose + burnt sienna is a very common mix too😄.. Watered down.. It's a nice base for skin tone😁
Yes, I even use it with Pyrrol Scarlet for skin tones. It works well too (:
@@a_name662 black? That's gonna get hella' dull and opaque really quickly. A blue darkens skin tones better in my opinion.
Happy 16 K Liron, you keep climbing! Good job!
Thank you 😊 Crossing milestones
Let's see where this year takes us!
Liron, I'm one of those painters that uses Brnt Sienna in my painting. What I did find was a big difference in the different brands. Originally it was Winsor Newton, then M. Grahams and now Daniel Smith. So far i do like the D.S. the best for my needs. Thanks for this review. It was very helpful. B.J.
Yes, I agree there's quite a serious variance between brands.
I find Schmincke's Burnt Orange to be quite similar to Daniel Smith's Quinacridone Burnt Orange (:
I still haven't tried other brands' (aside from Van Gogh in my very first set, which was kind of in between orange and brown).
Thank you! (:
well done!! 16k congradulations.
Thank you 🙏🏼😊🎉
Love this color for making greys. With French ultramarine the warm and cool possibilities are endless. Why ever use Paynes grey? I just discovered that a warm red can be cteated with burnt sienna or burnt umber. Exciting!
I agree. Ultramarine and Burnt Sienna (whether PBr7 or PR101) can imitate Payne's Grey easily, so it's really not necessary.
תודה לך על הסירטונים שאתה מעלה. מלמד ומעשיר. הרבה הצלחה בהמשך!.:)
Thank you 😊🙏🏼 I'm happy to help!
Thanks Liron for the review, much appreciated. 💞💫
I'm happy you enjoyed! 🙏🏼😊 Thank you
Hi Liron, thank you for sharing this video. I don't have Burnt Sienna from any brand. My essential 7 set came with Quinacridone Burnt Orange and I've always just used that in place of Burnt Sienna. For me, it seems like a reasonable facsimile. The pigment numbers are different, of course. But, it mixes with French Ultramarine as well as the Burnt Sienna which you demonstrated here. Also, when I mix Quin Burnt Orange with Hansa Yellow Medium and Quin Rose, my results are similar to what you get.
Have you considered Ultramarine Blue as a replacement for French Ultramarine? A lot of people like Ultramarine Blue when they don't like French Ultramarine. You could also try Cobalt Blue and see how it mixes with Burnt Sienna. I just know you will find a blue that will work for you in place of French Ultramarine.
I totally get it. There were some periods when I used Burnt Sienna and Quin. Burnt Orange interchangeably (:
About French Ultramarine VS Ultramarine Blue - quite honestly I can't tell the difference.
Maybe I should read more about it. I saw Teoh has a vid on it I should probably check out (:
Liron, I think the pièce de résistance in this video is not the DSpigment but your picture of the cottage. I hope you made a video of you paining it step by step to show us.
Haha thank you! 😊🙏🏼 unfortunately I didn’t record that process!
But I have a few full process coming out really soon that I think you’ll love 🙏🏼
Some 2 pigment neutrals of varying usefulness and value I can mix on my palette WITHOUT ultramarine are:
Daniel Smith's Cerulean Blue, Chromium + M. Graham's Transparent Red Iron Oxide OR Holbein's Van Dyke Brown
Holbein's Van Dyke Brown + M. Graham's Anthraquinone Blue
Perylene Maroon + Perylene Green (Both Daniel Smith)
The last combination is my most common and is my go-to when I need a non-granulating, transparent black/neutral.
Thanks for the suggestion! Unfortunately I haven't tried any Schmincke yet. I'm thinking about picking up some 1/2 pans for my travel palette this summer, so I'll add it to my list of paints to check out.
Thanks; I hadn't looked at oranges since I usually mix them.
Some really great neutrals can be mixed with Prussian Blue (or Phthalo Blue albeit with different texture):
DV¹ Prussian Blue + DV Venetian Red
DV Prussian Blue + WN² Brown Madder
DV Prussian Blue + DV Cadmium Red Light
1. Da Vinci
2. Winsor & Newton
Do you mean Schmincke Translucent Orange? PO71? That's a fine paint. It would probably make a good black with Prussian Blue or Phthalo Blue, too.
Prussian Blue can also make a perfect Hooker's Green with Nickel Azo Yellow PY150. After all the original recipe was Genuine Gamboge NY24 + Prussian Blue PB27. This works because Nickel Azo Yellow is a close match for Gamboge (including mixing characteristics).
I have some Burnt Sienna watercolours that are too orange for my taste, this one looks more brown-leaning and less orangey?
Do you think this color you are using is more toward red oxide? about half the burnt siennas i see have a more orangey hue, like a sweet potato or what crayola crayons call "bittersweet."
Can you comment on this? Thanks! I really like your channel. You are very helpful.
We don't say "burned sienna" or "burned umber". For adjectives we use "burnt", so it's "burnt sienna", "burnt umber", "burnt toast", etc. For the simple past tense and past participle, we use "burned", although the UK uses "burnt" for both. Therefore I would use it as such: "The food has been burned." Yet: "Throw out the burnt food." These spellings are consistent with my American pronunciation, where "burnt" is /bɝnt/ (or /bɝnʔ/) and "burned" is /bɝnd/.
You got a good answer, yes - PBr7 is actually Brown Iron Oxide (:
Some prefer the more red-is versions. I actually like both.
For perfect grass with French Ultramarine, I find the brown version (like Daniel Smith's) to look a little more to my personal taste.
I hope this helps!
red-is version is reddish version? or do i still need to learn my native language? lol
Liron Yanconsky I prefer the transparent red-orange types such as Da Vinci Burnt Sienna Deep (PR101) or Winsor & Newton Burnt Sienna (PR101). I also like to use M. Graham Quinacridone Rust (PO48) or Daniel Smith Quinacridone Burnt Orange (PO48) instead sometimes. I love these for their transparency and rusty orange glow. Is this what you meant by the more reddish versions? They're really not more red, just more intense, so I'll assume you meant more reddish as opposed to more brownish -- in other words, a difference of chroma rather than hue. I also use Prussian Blue with Venetian Red, which produces a fantastic textured grey flecked with bits of color. It has quickly become my favorite means to produce greys. Sometimes I change things up a bit though, and swap the Burnt Sienna Deep and Venetian Red for Da Vinci Burnt Sienna (PBr7) and Winsor & Newton Brown Madder (PR206), respectively. They can make similarly excellent greys, albeit with many of the properties of each swapped.
I like your review. Glad that your voice is okay. Can you work on your background. I mean put some of your Watercolor or changes a collection. You are talented so you can make some nice background.
Oh thank you so much! 😊🎨 I will hopefully significantly improve my background in a few months, when I move to a new studio!