Sony FX6 Vs Sony FX3 Both Are Great, But Which is Better?
ฝัง
- เผยแพร่เมื่อ 1 มิ.ย. 2023
- In this video, we're going to compare the Sony FX6 and Sony FX3 cameras. Both cameras are great, but which one is the best for you?
Both the FX6 and FX3 cameras have many great features, but which one is right for you? We'll compare the features of the two cameras and help you decide which one is the right camera for your needs. So whether you're a beginner or an experienced videographer, this video is for you!
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SONY FX6 SETUP
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Sony FX6 ➡ geni.us/gyBu6P
Sigma 24-70 ➡ geni.us/Jwk4r5h
Sony 20mm ➡ geni.us/RCqSPck
Sony 35mm ➡ geni.us/O432KQ
Sony 50mm ➡ geni.us/Zsk2K
Sennheiser MK416 Mic geni.us/mctctgy
Sennheiser G4 Lav geni.us/cjP9KB
Kondor Blue FX6 Cage ➡ geni.us/znwP3eN
Kondor Blue Trigger Handle ➡ geni.us/bUUbB
Nato Monitor Mount ➡ geni.us/THOSCj
Nato Mounts for Monitor ➡ geni.us/LhBX2m
Nato Clamp ( Hollyland Mars 4K) ➡ geni.us/1ykEv5
V Mount Plate (Grey) ➡ geni.us/SzZ5Y0u
Base Plate ➡ geni.us/VJD9U3
Kondor Blue Dovetail ➡ geni.us/KHvvgJ
15mm Rods ➡ geni.us/5oO8y
Atomos Ninja V ➡ geni.us/hmnBk6H
Hollyland Mars 4K ➡ geni.us/ytAKxz
Samsung SSD Drive ➡ geni.us/OgFTAP
Nisi C5 Mattebox ND ➡ geni.us/fvkNERf
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SONY FX3 SETUP
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Sony FX3 ➡ geni.us/qHyD7w
Tilta Cage ➡ geni.us/o1N8Y
Smallrig Handle extension ➡
Sennheiser G4 Lav ➡ geni.us/cjP9KB
Cheaper Lav Option ➡ geni.us/f0mPbKM
Sennheiser MK416 ➡ geni.us/mctctgy
Mic Spacers ➡ geni.us/PkFpwEY
Cheaper Shotgun Mic ➡ geni.us/lnzrti
Base Plate ➡ geni.us/7TeGqS
15mm Rods ➡
V Mount Plate ➡ geni.us/hHZBI
V Mount Battery ➡ geni.us/MZBZ
Articulating Arm ➡ geni.us/rIiNo
Sony 35mm GM ➡ geni.us/gdB6N
Cheaper 35mm Lens ➡ geni.us/BN6v
Tilta Mirage ND ➡ geni.us/cLd5
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Graded With My LUTS: tinyurl.com/yc5u46yk
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🎥 Gear I Use to Make Videos:
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1. Sony FX30 ➡ geni.us/yA10S
2. Viltrox 13mm f1.4mm geni.us/ALyu
(For Sony FX3) Sony 20mm G f1.8 geni.us/w32KKxR
3. Polar Pro VND geni.us/2TBUka
4. Sony ECMB10 Mic geni.us/KqJNU
5. Hollyland Lark Max geni.us/uzgx1
6. Angelbird 1TB CF Express A geni.us/cBYlcP5
7. Cobra 3 Pedal Version - tinyurl.com/2k57933h
8. Cobra 3 Original Version - tinyurl.com/55kx4kzf
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🤓 Follow Me:
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Twitter: / imkofiyeboah
Instagram: / imkofiyeboah
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Try Artlist today ➡ artlist.io/artlist-70446/?art...
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Are you 50 Cent?
Yes, I am 50 Cent.
I recently upgraded to the FX6 from the FX3, and even tho the image quality is very similar, to me the user experience of using a more robust cinema cam system is worth it for me. Every time I shoot with it I'm geeking out inside lol. And like you said, client perception is real. Everyone just looks at the camera and is like "wow". That to me alone is worth it.
Honestly that’s worth the extra $2k 😅😅
I used to think that was so stupid but after getting a red camera the clients perception and willingness to pay completely changed without even seeing the footage. Ever since I've been focused on the clients experience and perception, I mean we are camera guys after all, it's all about optics.
Fantastic video. I love the topics you choose (I’m an FX3 user, so this was especially good for me) and your friendly, conversational approach. Thank you!
Oh thank you!
Great points, and you're spot on who justifies your work based on the tools that you use. Whatever works for you and your art should override what you make it with. Also, you are an articulate guy, my dude. Keep up the outstanding work. 💪🏾
Thank you man I appreciate it!
Great video showcasing the differences. FYI at 9:54 right at the cut your audio went out of sync. It came back at 10:25. I have the FX3 and really wanted to get the FX6 however I had to switch out to a Red camera this week all because the only Sony camera with genlock is the FX9 (4 years old) and the Sony Venice ($40,000 more than I can afford to spend). Hopefully Sony announces a new professional camera soon.
Oh that’s so weird !
noticed it too.
Just came across your content! Love what you’re doing.
Thanks homie 👊🏾👊🏾
needed to see this one, thank you for the input
No problem!
Really simple difference between the two. Similiar features with a similiar image quality on the note that FX6 has more advanced features and gimmicks. FX6 more walks into the PRO PRO territory of a cinema camera, while FX3 is and can be considered PRO while still having some "amatuer" useful stuff like decent photo work. FX6 is way more robust and therefore can be easier to use, which in turns makes it "feel" like a real cinema shooting beast. FX3 is quite more nimble and light and good for hand or gimbal use, which then again has its own perks and advantages. Both cameras are excellent but have their own uses. Overall FX6 is a bigger brother and therefore without much surprise is a better camera, but due to its size its not applicable to use everywhere, where as fx3 in a small rig setup will perform and make those quality shots that make a huge difference in a project. The best way I always like to explain is FX6 is an A cam, while FX3 is B cam for supportive shots and work. One must also considered the type of work that youre gonna be included in, which densley impacts the type of camera u need. If youre doing youtube,weddings,vlogs,instagram and just want beautiful shots, even the APS-C FX30 is an excellent choice on a budget (if you dont plan on doing alot of low light shootings). FX3 is a perfect choice and golden middle ground for many. FX6 as a last choice is a full on fledged cinema camera that u dont really need if youre not gonna be doing cinema grade stuff. (youre not realistically bringing such a big camera for weddings okay, unless u hate your life :P). One might even consider A7SIII for more hybrid work.
Thanks for your breakdown of what Cinema is and for explaining how we get so caught up in our interpretations of labels: "Cinema," "epic," etc. I use the FX30 and I consider it a Cinema camera. It's video first, with some photography features.
That’s right !!
After the lens crop, 4k crop, lens breathing crop, ibis crop.. how much sensor size do you have left with the fx30?
@@papsny enough for you to make that video I asked for and I still haven’t seen it
you sir are a bad azz make some fire!
you sir are a bad azz make some fire!
Allways spoiling us with great content 👌
Haha I try 😬
Great video as always bro! I have the Fx30 and I'm looking to upgrade to the Fx3 even though I know we're due for a new Fx3 within the next year or so. So i'm trying to decide do I hold off. But what your video definitely solidified is that the Fx6 is not for me AT ALL (at this current phase of life) because I just don't think it's conducive to my style of running and gunning.
Honestly that’s so okay man ! The whole point of these videos is to help people see what fits their unique workflow
Bro, you just got a new subscriber. Thanks for the comparison. I have been using fuji xt4 and am considering switching to sony system for mainly video, film work as I wish to pursue that as business. I am considering both, plus perhaps a7s4 which is coming in q3. It was cool to hear your thoughts on both.
Thanks homie !
Where did you hear it was coming in Q3? Lol.. most rumors have been about Sony killing that camera in favor of the FX3 line.
Great job dude !
Thanks !
With doc work I shoot a lot with the 10 bit long gop codec on the fx3. Such a helpful space saver while keeping enough color info. Pretty frustrating the fx6 doesn’t have it
Hello, thank you for your video. I would appreciate hearing your recommendation. I'm considering upgrading from my Sony a6400 to a full-frame camera, and I'm facing a dilemma: whether to spend and get the FX3 or save money and go for the ZV-E1, getting pretty much the same image but with the remaining funds invested in more lenses, etc. I shoot a variety of content, from events to weddings, so my direction is quite diverse.
Love this video - subscribed!
Ayyy thank you !
Great video. My company is currently researching replacing our FS5, and we're on the fence for FX3 or FX6.
Glad it helped 👍🏾
Kofi great video as usual my friend. I'm team FX3 and it's for a number of reasons. As you mentioned the lack of flexibility in the codecs in the FX6 makes it a lot less appealing to me, at the very least it would've been nice if they had added XAVC-S which surely they could've. ALL-I on the FX6 are such big files and didn't make sense for my workflow.
I had two a7SIII, ended up selling one then ended up selling the other to get the FX3. So far no regrets, really loving everything about it. Now and then I will try and look through the EVF and realise oh damn this ain't the a7SIII ha ha. Though, I do have the a7IV which for me is still a king hybrid camera.
I do wonder though if we will see a firmware update with shutter angle for the FX3 in a future update and maybe Sony compressed RAW? that would be the day.
Regarding client perception, I just ordered couple vlocks and rigging out the FX3 once done it'll pretty much look a lot 'like a bigger cinema camera. Though also allow me to not need to keep changing the batteries so often.
That's one thing that was on my mind and what I noticed was the FX3 seems to drain the battery a lot quicker than my a7SIII.
Anyway, great video as always!
Thanks ! And yeah I hope we get an Xavcs for when I don’t want to spend TERABYTES backing up footage but we’ll see 😅
Hopefully they do, everyone’s really hung up on shutter angle 😅
@@KofiYeboah fingers crossed my man! Definitely doable. Ha ha, I feel for you man.
FX6 is perfect for nearly everything. Big fan of the FX3 for gimbal work though because my back ain't what it used to be haha.
Great points, they're all great cameras and they have they place in the world.
Exactly !
I have both and have been contemplating purchasing another FX6 as a B cam to my main and using FX3 as a C cam. This video makes me want to pull the trigger even more lol
Ahah only get it if your wallet says so
rich people problems lol
Thanks for the breakdown Kofi. I wanted to ask if you had any other piece of rigging equipment to mount the fx6 monitor on the back of the top handle. Thanks.
Idk if they make it anymore but it’s a tilta arm
I am learning how to do videos on my Fuji Xh2s cameras. Coming from stills, it's a little daunting.
Great video and well explained. The funny thing is I stubbled upon your video trying to see if it was worth upgrading from my Sony A7siii to the FX3... If so, I wonder if the a7siii would be a good B cam for it or if that was pointless. I would love to hear your thoughts about it.
Oh that’s easy, cop it if you’re going to shoot s log 3 OR just a second fx3 pretty much
@@KofiYeboah thanks bro! I like your style. Keep up the good work
Nice video Kofi!
I currently have an a6500. Been using it since like 2016/2017. Needed something that was equally as good for photos and videos cause that's the type of work I was getting. I'm looking to upgrade to a fx6 now to focus more on video content. The fx3 is tempting too but the build of the fx6 is what got me. I usually run smaller crews so things like sdi & ND's i tink will be more valueable over time even though it's more expensive. The new film the creator directed by gareth edwards DP Greig Frasier with John David Washington was filmed mosly on fx3. Would be dope to get your take on that. If fx3 is good enough for a oscar winning DP then it's for sure a cinema camera, nuff said lol
Idk if it’s mostly on the fx3 right now there’s no confirmed account from Grieg how much of the movie is on it ( the Alexa 65 is also listed which I’m sure was the primary based on the amount of vfx) but I gotcha !
I wouldn’t call it a cinecam just because a movie was filmed on it. There was an award winning Hollywood movie filmed with the A7sii, that’s not a cine cam though. Both cameras lack essential cine-cam features and utility
Thanks for the video. I notice you're hand held in a lot of the shots. Do you have a video talking about when you film hand held Vs on a gimbal Vs tripod?
Coming soon!
I have clients who don't really have an opinion about which cameras I bring to the shoot. I own the FS7 and an EX3. I do two camera interviews and although there is a slight color difference between the two, it's not a big deal matching them in Resolve.
That’s dope 👍🏾
I'm about to switch from Canon to Sony and I think the first cinema line camera I'm going to purchase is the Sony FX30. Great video.
Thanks ! Glad it helped !
Hi next Thursday I will to record a gym video, can you tell me some tips because you’re an expert doing that.
I have an s3 24, 35, 50mm GM ronin, but i love me movements of your gum videos.
Honestly, my FX30 is so freakin’ capable after my A6000 and Nikon D3300 that I FEEL like a real filmmaker. And sometimes, that’s all that matters. 😂
Honestly this answer is the best one
i think that the fx6 with top handle is the perfect run and gun Cinema camera, E-ND is amazing
I love mine !
Hi buddy It's obvious that with the fx6 you're going to get a more crunchy image and better sharp images because fx6 brings internal ND filter without compromise the colors in film, otherwise with the fx3 when you put a External ND front in lens you have to be careful down the steps, anyway I think you know that already, the only 2 External ND I trust Polar Pro Peter McKinnon and Nisi filters, those are good but for some reason make a lil bit red skin tones and green color lil bit exaggerated making banding in some cases, so I prefer the Sony original internal ND filters and the best part of the FX6 vs FX3 with FX6 you can setup RAW-XAVC-I thru HDMI or SDI in the menu, the difference is so huge. Good video. Have a good one. 👍
Reply
Even w/o NDs it’s still kinda different as well and my takes kinda the same 🙏🏾 I do hear great things about the nisi filters though 😁
Hi Kofi! I hope you get the chance to see this message. I just got the FX6 and noticed more noise at 12800 compared to my FX3. Did you turn on noise suppression when you had the FX6 and did you choose low, medium, or high? Thanks for your time.
My noise suppression is actually off 👍🏾
I love your videos so much! Can I make a contribution to your content?
I have to listen to your videos in .75 speed because I’m new to the game and don’t t understand what all the letters and numbers mean.
Could you speak a touch slower? Or if you didn’t want to that, could you place more information in text on the screen?
When you compare to items, they still look the same to me.
But no mind, because I will watch anyways. Love your teaching style!🎉
Great video! You're very easy to listen to
I appreciate that!
We use an A7siii and a fx3 for all our work (tv, streaming services, and internet) and want to upgrade to the fx6. Even tho we have the money for it, we always buy something else like lighting and grip gear because the upgrades you get from the fx6 is all convenience and not quality.
Probably just wait for the fx6 markii (or whatever they will call it) since we're in no rush to upgrade even tho we really want to lol
That’s a good way about it !
Hey brother, great video as always!! Love your content. I believe that the FX3 vs FX6 is a true David vs Goliath Story. I own both and the beauty of this is that I am not a TH-camr my comments is from working full time in video production with both and in true honesty we need to stop comparing the two. I believe in the right tool for the right job, in my profesional opinion and I said profesional because that’s what I do 24/7 they both fit in different spaces all though they both can live in the same places I am going to mention. FX3 lives in the more fast pace environment (Weddings, Profesional Social Content, gimbal for bigger jobs and as a great B camera in corporate production) for me The FX6 is for more Corporate, bigger production where you have a crew despite how many people use it for handheld in my eyes this camera belongs on sticks rigged out but that just me and that’s how I Operate mines but I tell you this, despite the FX6 being a real cinema camera and the FX3 not because that’s the honest truth! 8 out of 10 times I gravitate more towards the FX3 every single time for these reasons ( Better codec options, stabilization with Sony glass will always win over the FX6 no matter how heavy you make it, it’s lighter so I move faster for fitness videos, the ability to capture the moment right away all of us who operate the FX6 knows that’s a true statement) the FX6 was my dream camera and now that I own it and make money with it, I kinda love the FX3 more lol but that’s just me!!!
Thanks homie! In my honest opinion, a camera is suited for whatever application you want it to be for😅, somethings are more or less convenient, but if any thing can be said it’s that they’re all just tools for whatever you want 😅
@@KofiYeboah Yes sir!! And at the end of the day is not the camera it’s the operator! Lol
do you use a monitor on your fx3?
@@tonyamartin1425 yes and no depends on what I’m doing and how I’m moving 😉
It's funny how long I've been weighing these two until last night when I finally deep dived the Ronin 4D and now I think I'll just get that...
As long as the tool fits
in terms of the the noise reduction software on the camera would you recommend not using Cine EI on the fx3 if you want a smoother image that would be closer to the fx6?
You could! IT’s situational
As I am still learning, I was interested to hear you turn to the common and, for me, mysterious complaint about "lack of shutter angle" (at 6:59). Do folks mean there is a setting on some cameras that keeps shutter speed/frame rate ratio constant no matter the change in frame rate? Surely they are not complaining that their camera reports shutter speed in fractions of a second instead of degrees? I might be out of the loop as I shoot my films on very modest cameras (Fuji X-T3 and X-T4).
Lol no you’re correct 😅 to me it’s not a huge deal but people hate that it’s not there
nice job bro
Thanks!
I'm sure you heard that the DP for "Dune" shot his latest film, "The Creator", with the FX3. I think that's a huge promotion for the FX3. It definitely keeps the FX3 on my radar.
I think it is! Curious to see how much of it was on there as I think some are over inflating how much the fx3 was used
@@KofiYeboah we’re not sure yet. I don’t think anyone knows for sure, except that before the movie was shot, Greig Fraser said himself in a podcast that they were “shooting the whole movie on it” “the entire movie”, of course things could’ve changed between then and production 🤷♂️ it’s a waiting game to find out what ended up being used and how much
@@KofiYeboah
Which version is newer?
It was confirmed that Fraiser shot the entire thing on this camera. Using Anamorphic Atlas Orion lenses.
What's your take on the fx6 vs a74 for brand videos or documentary styled video clips?
Theres a video on the channel somewhere ( it’s about a year old) but both are fine
Kofi, please make a video showing MB/s data of FX30 vs FX3 vs FX6
Might be a boring video I think you can just google those stats if I’m being honest 😅
I worked at a video rental house in NYC for over a year and had dozens of people ask me what the difference is between these two.
The answer is usability. With the announcement of the FX6 Cine EI update, the FX6 is currently the superior all-purpose camera in Sony’s cinema camera line.
200000%
I currently have the Panasonic S5iix. I love it. But I am realizing I am needing Internal NDs with SDI ports for alot of gigs I am doing so I am selling my S5iix to upgrade to the FX6.
Oooh enjoy !
@@KofiYeboah thanks so much!!
Okay, so you said you prefer the FX6 for handheld, and yet, the FX3 has IBIS. Can you make a video on that? Because I will likely be doing a lot of handheld stuff and that is an interesting point you made.
Additionally, would you say that an FX6, despite being more "professional", is technically a better "beginner" camera over the FX3 because of the conveniences? I've been considering jumping into the deep end with an FX6 as a beginner just to do it, but if the FX6 may be easier, it removes that difficult stigma.
Honestly, i don’t like IBIS 😅 the lil wobbles make me sad and idk why it’s not that bad 😅
And like beginner is a hard one to qualify, usually a beginner you want to remove as many obstacles as possible, so the fx6 technically would be the choice
But also beginners probably don’t have a lot of money, so the fx3 is financially safer
@@KofiYeboah Yeah I have noticed the artificial jitters before but thought it was possibly just really shaky footage, so that is a good point. I have the budget for an FX6 but the choice is an FX6 or an FX3 with a 70-200 GM ii OSS 2.8 lens because I hear you should "date cameras and marry lenses". Tough choice on how to blow an enormous amount of money.
Did you use canon r5c? I want to hear your review on it
I’ve never seen one in person before 😅😅
if you dont mind me asking, what camera was this video shot on
The FX30!
all I can think about is how easy it would be for Sony to create a flat accessory that goes on top and allows you to at least use 3.5mm audio
You’d think so
in the perfect world as an independent filmmaker i would have both cause some scenes require a lighter smaller camera at times.....
I am still using a7 III s 😁 and a7 siii. I like the fx3 but at the moment it's too much money first the a7 siii must giveme the money bag that I have invest
Good call!
What's the movie called in this video that says parts of it were shot on the FX3?
The Creator 👍🏾
@@KofiYeboah fantastic, thank you! Also great video! Just purchased my FX3
Was that Jamal browner that popped up for a second there?
Yup!
@@KofiYeboah heck yeah, good dude
It feels weird to compare them, even if you have the same image quality the FX6 has a lot more capable features.
Timecode, proper audio ports and the ability to change the exposure and other stuff without crimping your hands.
That’s the point! After a certain point it’s just a workflow thing that you’re paying for 🫡
Like your last take, man
Thanks !!
Awesome information but what's up with the Barry from the Valley voice “Dude”.
…who?
Actually I prefer 60fps@1/60-90s much better than 1/125s if not planning to slow it down to 40%.
Weirdo..
Joke, ahah interesting!
@@KofiYeboah Give it a shot, as the 1/125 just too choppy if not slowed down. Even 60fps at 1/60fps looks very natural.
I stumbled on a camera I wasn’t lookin 4, u continue to show me the hot keys, wat do u thin gonna happen #universe
I have an FX3 and I love that camera. I am looking to purchase an FX6 soon but I don't think it will replace my FX3. Different tools for different situations.
That makes sense !
"If you can do multiplication pretty easily, you don't need shutter angle."
THANK YOU. This argument is so overinflated.
Lol someone’s going to be upset about it
Right? Like basic math I didn't realize there was a world of people that couldn't change their shutter on the fly lol
I choose FX6, just bought a whole set filter from kase for it.
I’m trying out the Nisi C5 right now 🫡
I like the FX3 but the FX6 still has better functionality for me. that being said the FX6 colors are also better... not that most people would see the difference but I do lol
Ahah it’s more a me thing 😅😂
We are waiting for the new FX6 firmware! 😇
You and I both
How about 6k quality? For short film?🎥 Netflix
If you’re shooting for Netflix,use the budget and buy something expensive
For me built in ND filters are for ENG (like the old Betacams) and Documentary cameras...., cinema cameras make image quality the number one priority. The rest of the camera and gear should be modular. There is no way built in filters are as good as 5x4 glass...., Built in filters are like buying a Porsche GT3 and using the stock rims for racing.
I mean , I’ve not heard many people complain about built ins in terms of colour 🤷🏾♂️
@@KofiYeboah The sony's have a interesting internal processing because the colors are cool and the highlight rolloff can be a bit harsh in high contrast scenes. I shoot narrative so I'm looking for different things from a camera compared to you who does so many things!
What's your opinion on Komodo? Specoifically that proponents of the camera don't talk about the blackshading wait times when changing locations/air temp changes,, camera startup time and the sdi burn out issues when its not plugged in the right order. Is this sdi thing still an issue?
@@workinprogress2077 it’s a bit old of a video but I got one in the channel about that vs the fx6 😁 I Went Back to the Sony FX6 After 28 Days With the Red Komodo
th-cam.com/video/4uqnYDJBlTA/w-d-xo.html
Being forced to record all infra would stop me using a camera.
Direct to Gas Station 😂😂😂😂😂😂. I remember those. Showing my age 😂😂😂
I’ve seen so many obscure movies in my childhood ahah
Never really cared what manufacturers or users called a camera. "Cinema Camera" "Video Camera" "Hybrid Camera" Humans seem to have a pathological mania to categorize and put everything into a labeled box, which is actually a dysfunction and a sign of intellectual insecurity IMHO. In the end, none of this crap matters, all that matters is what you can do with the tool. Your footage looks great and the FX3 and FX6 are excellent imaging tools. What Sony and the world at large need to categorize them as is immaterial to me, I just want to use them to tell moving stories and create memorable images.
Sir fx 6 prise ?
Yes
Realizing I can sell my R6mii, couple of rf lenses, and my bmpcc6k and get an fx6 like my hero Mark Bone🤣
The FX3 is not a cinema camera…. Gareth Edwards; ‘Hold my beer!’ … the fact is when you know what your doing it doesn’t matter what equipment you use, it’s better to master light and production skills than focus on gear.
📠📠📠
📈📈📈
I seriously think a camera can't call itself a cinema camera if it doesn't have basic items like shutter angle.
Greig Fraser has entered the chat 😂
Im just trollin
Hi Kogi ,. were are you based ?
I’m from Canada 👍🏾
Awesome, I love your work@@KofiYeboah
Team Sony FX30!
EI sucks tho. Being limited to only 2 iso's just kills any run and gun shoot with minimum lighting. Its a beautiful camera when you have crew and lighting and well lit environments. But so much of the time I'd rather shoot on an fx3 over the fx6 specifically because they did not put flexible iso on the fx6 for slog3
Wait what are you taking about ? Flexible iso is in the FX6 lol
@@KofiYeboah not when you shoot slog3 … you can only shoot in EI for Slog3 which only records at 800 and 12800
@@cryptosig283 that’s not true , in custom mode, if you change your base look and get s log 3 and output in BT.709
@@KofiYeboah hold up what??
@@cryptosig283 you put your camera in custom and change your base look to slog3
While I agree the FX6 is a better overall camera, the FX3 has built in stabilization, which is very useful in certain scenarios
That’s true !
Actually turns out the ENTIRE movie was shot on fx3
Nice !
You look like 50 cent 😂 good Luck
Okay lol
@sony give this man a top handle for the fx6 lol =]
They gave me something better (next video👀)
@@KofiYeboah can you do a video about your EI values from high to low and why did you pick those particular values from a previous video of yours? 400 800 200 12800 etc
@@mill3ronfir3gaming51 those are in both Cine ei videos and on the fx6 hacks 👍🏾
In team iphone, and I identify as a filmmaker 😅
And I have no authority to tell ya otherwise shah
Tbh, i wish people would get practical with it. The fx3 is not a cinema camera because it lacks the features that have become essentisl for that format and are part of cameras for that format.
There are ways to workaround them, but the term "cinema camera" is used to describe a class of cameras that come with those features and not just a decription of the image quality. And to be frank, I think the argument is being distorted when people say any camera is a cinema camera if you can press record on it.
The fx3 is a fine camera, one that can get "cinematic" images from, but it lacks many of the features, software and hardware, that makes it not so. It shouldnt bruise anyones ego of the camera they have isnt commongly called a cinema camera.
To add to this, its sad that sony is taking so long to add these software feautures that would help bridge that gap and im glad that people are calling it out on those missing features when others are willing to slap the word "cinema" or "cinematic" on things they like all because they wanna feel part of the club.
Tbh I don’t think it’s a big deal😅
@Kofi Yeboah I agree but I think it being labelled as a cinema camera is misleading at best. It's better to be aware of the features it doesn't have to make sure people are making an informed decision.
Good video BTW, I hope I don't sound harsh or anything but I do think the fx3 is being labelled as something it isn't. Same goes for the sigma fp, S5II, and BMPCC cameras. They are all amazing cameras and it doesn't need to be mislabelled for us to know its still great.
Biggest hurdle for starters is being misled about this stuff to then realise that they could survive on a £300-£700 camera given that the features on these "cinema" cameras is acc not gonna bridge that professional gap for them.
@@adeloyearts205 unless the term is a sliding definition based on societal circumstances, kinda like “filmmmaker” no one’s shooting on film but based on the changes of how we access and use, the definition changes like anything else really
@Kofi Yeboah completely agreed but as they change, what counts as them also changes. As it stands and under the commongly used cinema cameras, the fx3 alongside many mirror less just aren't cinema cameras. Which is fine. They are absolutely capable of making films and making films that could end up on the big screen but they just don't have those shared features.
Good job, bro!🇺🇦🇺🇦🇺🇦
Thanks 👍!!
Damn, im barely understanding anything thats being said... lol. Im just trying to do sports and highlights/social posts for HS kiddos 😂 i use a camcorder 😭
One is a good A camera, the other, a B camera.
The fx3 can be a great A aswell!
FX3 user!
Nice 😊😊
What makes a cinema camera? If i shoot a movie for the cinema with my potato nikon, is it a cinema camera then? 😂
I mean technically, sure
Fx6 is better, next…
FX3 is better. It’s cheaper. Very close in picture quality to the fx6 and best of all
Used for 90% of an upcoming a block buster feature. Therefore it makes it better 😂
Wait wait did Greig Fraser confirm that? Or? Because it’s listed with the Alexa 65 and no one knows what he’s used yet
@@KofiYeboah hmm I thought it was confirmed news 🤔 saw a few comments say the gaffers on set confirmed fx3 was used for most of the production
But I guess its still up in the air
@@EdwardOrnelas until it’s out of Fraser’s mouth, it could be 1 shot for all we know
I believe the fx3 shot like 75 percent of the film and the Arri was used for the more vfx heavy shots.
@@Ed_Scott can someone end the link on this from Greig Fraser ?
FX3 is not a Cinem…… oh….they shot The Creator on it…..
buy a RED a real cinema camera
Didn’t we go through this in another video 😂
@@KofiYeboah haha you know I had to drop it. I follow you now.
@@KofiYeboah the fx6 120fps looks really good though.
I'm still team Canon
Stay there
I jk 😂
Bruh you selling drugs? How can you afford both?
I mean, having clients that pay you helps lol
Amazing channel
Thanks !
Only thing I hope sony would bring to the fx30/3 is shutter angle and it would honestly make it cinema but its getting there. I don't think many poeple realize built in nds are more for run and gun filmmakers and if you are working on set, camera crew will still use external nds. So the fx30/3 is cinema for me.
Yeah I agree, though a nice set of NDs is PRICEY
@KofiYeboah my dream ones are from polar pro but man those are expensive 🥲