It’s always a good day when Peter Parker talks camera tech. Thanks Spider-Man! For real, though, thanks for the breakdown. Been looking into buying these LUTs
Just Hit 1k Views!! thanks so much for the outstanding support guys!! MUCH LOVE! Edit: 3k....oof this is crazy EDIT: ......19k woah...woah... EdDIit: 29k please stop this has too many views!!
Thanks so much! It’s nothing super special, I just add a multiband compressor with the preset in premiere pro titled “broadcast” and then I tweak it from there.
no you can't, and tbh I would recommend doing that if you could, because you still have to adjust exposure white balance and just overall correct the imag
Sorry for the super late reply, I didn't see this :( honestly I can't remember, I think I just downloaded 35mm film grain and overlayed it on my footage. sorry :((((
Bro how you exposed this luts and the lut called thungstend at wha iso do you take that video in the night and how you get that sharpennes? Is the a7siii or the lens that you used ?
hey! so all of the shots of me talking i was using the Cinebloom filter by moment. just made a video about that btw (shameless plug)XD but for all of the example shots i did not have the filter on, so no mist filter on those.
I've been pretty under impressed with these Luts, everyone talks about them like they are all the range.. they are cool.. not worth the price I paid for them though..... great video mate! you wouldn't happen to know how to convert them to a Rec709 Lut? and/or how to get them to work with a monitor like the Feelworld Lut6 for viewing? Always causes an error.
@@researchproject034 I just think they are overpriced. They are good, but Should be 20 bucks imo! And in my experience, you always have to fine tune, and sometimes even start from scratch to get the colors the way you want it. Specially for bigger productions with a lot of footage.
Micah thanks for this information and video. I intend to purchase the Sony A74 and maybe two of them or the Sony A7S3 alongside the Sony A74.Going to use the Phantom Luts for these camera's. Also the Panasonic S5 and Panasonic S1h and Panasonic gh5s to use with the GHAlex lut.
Hey JD sorry took me so long to respond to this, unfortunately Joel only sells the luts compatible with Sony, black magic, and arri Alexa cameras. He doesn’t currently have any support for canon.
Could this theoretically work on the Sony A6300 if I used the right settings (Basically use the same settings like Slog3 and Cine3 that you would otherwise use on a Sony A7)??????
Not entirely sure since I don’t have that setup. However I do recall the the Sony a6300 doesn’t have the full 14 stops of dynamic range required for slog 3 so if you do want to try out these luts, I would make sure you get the “legacy” version that supports slog 2. They are meant to be used with pre a7S3 cameras.
a have a sony A6700. Do his luts work? im kinda confused. Can I just buy his sony ones and use that? Or are they A7S3 specifik? I know I can install them, but will colours like as intended ?
Hey Ahmed! thanks for the support! So every shot in this video was shot on the Sony A7Siii. oh and the background music throughout the entire video is "Lunar Glow" by Ookean. i think its on epidemic sound
Hey, thanks so much for watching my video! Actually, for that look I am using a moment Cinebloom filter I actually met a TH-cam video about it here th-cam.com/video/g3fG__Hzg-0/w-d-xo.html
I cannot tell if it's a TH-cam thing, but when you say "you really can't tell a difference" on the card sheet clip, there are several colors, including cyan, that look as though they need to be denser and with a bit more saturation. If that's the case it's fine, but if you're buying a $50 LUT that is exclusively billed as a 1 to 1, than you really shouldn't have to tweak it up much after purchasing. Just my thoughts.
Overexposing slog3 is bad because you lose 2 stops in the highlights and you destroy skin tones, skins look horrible with yellow and pink spots. So with these amazing new sensors, i would follow his suggestion to expose normally, saving highlights and skin tones using the intra 10 bit 4:2:2 codec
Hey mate, ive just started shooting slog 3 this week and rying to understand it... I use gamma assist, with these luts, would you rec that I aim for 0.0 in the exposure metering instead of +1.3-2.0?
I think it depends. For outdoor day scene, normal expoaure is better, since you wanna protect those highlights, and there are few dark area in the frame. But for night scenes, there are few highlight spots, and those tends to be strong light source anyway, so overexposing them is fine, by overexposing a bit, and bring it back in post, you are getting cleaner shadows, which can cover large portion of the frame in night scene.
Hey! thanks for watching my video! sorry for not elaborating on this further. So Joel states you don't need to overexpose with the new sony sensors (FX3 & A7SIII) simply because of the low noise floor. I think this makes sense, however, when you are shooting at higher ISOs (take a night shoot for example) I think it is ABSOLUTELY NECESSARY to overexpose by +1.7 Stops. to reduce the amount of noise in the shadows. while the new sensors are extremely clean, they still fall apart at higher ISOs. so again Bright shoots at base iso (for a7s3 and fx3 is iso 640) no need to overexpose. for darker shoots at any iso higher than 1200 id say overexpose by +1.7 stops
I just bought Phantom Luts after watching this. Phantom Lut requires PP8 but PP8 is gone. I can find slog3 and SGamut3Cine but cant find other settings equivent of PP8, knee, gamma, details, sharpness etc. In Readme, sharpness is -7 but I cant do that since PP8 is gone now. And I dont know what to do. Please help.
@@swanhtet1Just use the new log shooting mode, and choose slog3 sgamut3cine. Maybe even try the FX6 version of the lut, since the new log shooting and Ei mode on FX3 is simlair to the FX6.
hey Jeff! thanks for watching the video! so all the shots that are showing off the luts are not using a bloom filter, however the talking head shots are all shot with the 20% Cinebloom filter by Moment. looking back at it, i definitely think its too bloomy. i think I'm gonna pick up the %5 cinebloom filter
@@MicahPowell it’s all good-stick with your style. I wasn’t judging. I’m just beginner learning. I’ve got my fx3 on order… I’m hoping to put your tips to work soon. Thank you!
@@jeffwongdesign Oh no man, I didn’t think you were! That’s awesome I freaking love the FX3 it’s a amazing camera! I bet you’re excited to get that!And these luts are really great for beginners as well!!
@@MicahPowell yah. Very excited to get the fx3. A little intimidated. Hopefully I can learn how to use it and start making some better content. I’ll check out the luts.
Hey! so with the new updated luts they arent made for the a6500 however you can buy the "Legacy" versions of the luts and they should work with the A6500. I'm not sure if the a6500 supports Slog-3, and even if it did from what i understand the Legacy versions run off of slog-2. so to sum up, they should work fine with slog-2 just make sure you buy the Legacy versions. www.joelfamularo.com/colour-fs7
It’s always a good day when Peter Parker talks camera tech. Thanks Spider-Man! For real, though, thanks for the breakdown. Been looking into buying these LUTs
Shhh not everyone knows my secret identity yet!! Haha thanks for watching and I hope you enjoyed!!
Omg, for real, I was thinking "where did I see this guy before?" and yeah, it's Spider-Man :D
@@lukastemberger haha! I saw it right away and now can’t unsee it. Spider-Man is a great reviewer though, haha
Always plugging Joel’s luts! They are unmatched forreal
Awesome video dude!!! Btw… love all that footage from Puerto Rico! ✨ Beautiful!
Beautiful Puerto Rico ! 😍 Great video, man!
Loved the outtro. You made me laugh :)
Great video! Exactly what I was looking for!
You were amazing in Billy Elliot!
Billy Elliot Spiderman what's next?
the look of this video is great!
I love the way you did this video, simple but super easy to follow
Man, this was relaxing!
Music makes me feel like in a massage palace
Just Hit 1k Views!! thanks so much for the outstanding support guys!! MUCH LOVE!
Edit: 3k....oof this is crazy
EDIT: ......19k woah...woah...
EdDIit: 29k please stop this has too many views!!
brilliant my bro!
Appreciate it man!!
Hi what’s the music you’re using in this video please?
Excellent video. Keep up the great work!
what's the music
Great video! A ton of great information here. Keep it up man. Looking forward to seeing more content!
Great video, i subbed! Joels luts are amazing, keep up the great videos man.
great vid-- was thinking about buying and now I am! thanks!
Thanks!! You definitly wont regret buying them!!
Loved the video. Very informative. Thanks
I appreciate all the Puerto Rico shots.
Joel's work is impressive
Does it work with Sony ZV E10?
Hey!!! He doesn’t make them exactly for the zve 10, but they will still work! They may just require some tweaking!
Wait, wait, wait. You have 49 subscribers (now 50 ;))?! Fantastic work man, keep it up!
Haha! thanks man!!
I finally became someone’s 100th Subscriber Congrats man!
haha Thanks so much!!!
Looks amazing. subscribed!
Hey. What is your lighting setup? Inside it looked really beautiful.
Thank you for your detailed video!
I found this to be very educational for me so thank you and well done.
Your audio sounds super! How did you process your dialog audio in post?
Thanks so much! It’s nothing super special, I just add a multiband compressor with the preset in premiere pro titled “broadcast” and then I tweak it from there.
Great video, lots of information! Subscribed
Hey man nice video! I love these luts ! I have them and there amazing! New subscriber here
Can u upload these to the FX3... So it like bakes in the lut to the video?
no you can't, and tbh I would recommend doing that if you could, because you still have to adjust exposure white balance and just overall correct the imag
Where you visiting Puerto Rico? Great work!
i was going all around Puerto rico! was so much fun! thanks so much!
Can you buy luts that work for both a DJI drone and something like a Sony A7S3?
Bro please we need a tutorial for the form than you used your a7siii how do you exposed and your settings pleassssssss 😅
love the background music, where I can find it?
bruv. you are very good at explaining stuffs love it
what exact grain did you use on the head shots bro??
Sorry for the super late reply, I didn't see this :( honestly I can't remember, I think I just downloaded 35mm film grain and overlayed it on my footage. sorry :((((
Bro how you exposed this luts and the lut called thungstend at wha iso do you take that video in the night and how you get that sharpennes? Is the a7siii or the lens that you used ?
really an mazing vid man :)
I got the luts but with my blue light background I cant seem to get that really good color. It requires a lot of tweaking.
cool video man... keep going.
Were you using a mist filter for the talking head shots? How about for the example shots with the LUTS applied?
hey! so all of the shots of me talking i was using the Cinebloom filter by moment. just made a video about that btw (shameless plug)XD but for all of the example shots i did not have the filter on, so no mist filter on those.
did you use any filter while making this video? like a diffusion filter perhaps? and also do these luts work with a6700?
Did you use a diffusion filter in this video?
I've been pretty under impressed with these Luts, everyone talks about them like they are all the range.. they are cool.. not worth the price I paid for them though..... great video mate! you wouldn't happen to know how to convert them to a Rec709 Lut? and/or how to get them to work with a monitor like the Feelworld Lut6 for viewing?
Always causes an error.
I agree. They are nice, but not worth the price!
@@LasseDorumsgaard What makes them not so worth the price? Just curious
@@researchproject034 I just think they are overpriced. They are good, but Should be 20 bucks imo! And in my experience, you always have to fine tune, and sometimes even start from scratch to get the colors the way you want it. Specially for bigger productions with a lot of footage.
This was great man!! Thanks
Hey thanks for watching it!!
Micah thanks for this information and video. I intend to purchase the Sony A74 and maybe two of them or the Sony A7S3 alongside the Sony A74.Going to use the Phantom Luts for these camera's.
Also the Panasonic S5 and Panasonic S1h and Panasonic gh5s to use with the GHAlex lut.
Thank you!!
Great info. Do you know if the LUTs will work with the Sony alpha 1?
I’ve used them in the a1 and fx3 and they work great! Definitely my base conversion kit for pretty much everything.
For the A1 use the FX6 luts
Thanks! Great comparison! Can you tell me the name of the soundtrack used in your video?
Would these work for canon footage?
Hey JD sorry took me so long to respond to this, unfortunately Joel only sells the luts compatible with Sony, black magic, and arri Alexa cameras. He doesn’t currently have any support for canon.
Which Lut is on the indoor shot?
Hey! Thanks for watching ! For the indoor shot, I’m 90% sure I used the Jamaica lut. That was pretty much the only one I ever used
@@MicahPowell i like it
Your awesome. Just found your content and subbed.
I recently purchased the Phantom LUTS. I’m liking them a lot.
Could this theoretically work on the Sony A6300 if I used the right settings (Basically use the same settings like Slog3 and Cine3 that you would otherwise use on a Sony A7)??????
Not entirely sure since I don’t have that setup. However I do recall the the Sony a6300 doesn’t have the full 14 stops of dynamic range required for slog 3 so if you do want to try out these luts, I would make sure you get the “legacy” version that supports slog 2. They are meant to be used with pre a7S3 cameras.
@@MicahPowell Thank you homie, Ill look into it!
a have a sony A6700. Do his luts work? im kinda confused. Can I just buy his sony ones and use that? Or are they A7S3 specifik? I know I can install them, but will colours like as intended ?
hey man, solid video! curious what camera the test footage was shot on, & one last thing what's the background music it's so calm haha
cheers!
Hey Ahmed! thanks for the support! So every shot in this video was shot on the Sony A7Siii.
oh and the background music throughout the entire video is "Lunar Glow" by Ookean. i think its on epidemic sound
Bro what camera and what lens do you used por this video ?
Absolutely phenomenal video. Great job.
I have a Canon M50 with a Laowa 9mm f2.8 lens and Weebil S that I shoot real estate with. Are these Phantom luts compatible with Canon?
do you use the ari luts for a clean look?
yeah man! the arri luts really gives the shot an "unedited" look which for some things can be really great
Hi, i have the new Sony Alpha 7 iV, can I use this fantastic Luts for my case? Best regards from Germany
Hey! Thanks for watching the video! As far as I understand it should. Since the luts support slog 3.
For the beginning of your video are you using one of his LUX for the soft dreamy affect?
Hey, thanks so much for watching my video! Actually, for that look I am using a moment Cinebloom filter I actually met a TH-cam video about it here
th-cam.com/video/g3fG__Hzg-0/w-d-xo.html
@@MicahPowell appreciate the response! thank you
Great video!! On your talkng head which version of the Phantom Luts did you use?
Hey! Thanks for watching!!!! On all the talking head shots, I used the “Jamaica” lut.
@@MicahPowell Thank you Micah! It was a pleasure to watch. Keep going and create more videos!!
I cannot tell if it's a TH-cam thing, but when you say "you really can't tell a difference" on the card sheet clip, there are several colors, including cyan, that look as though they need to be denser and with a bit more saturation. If that's the case it's fine, but if you're buying a $50 LUT that is exclusively billed as a 1 to 1, than you really shouldn't have to tweak it up much after purchasing. Just my thoughts.
please tell me where and how to buy?amazingly explained
Wow LUT's are amazing just what i need with children and no time to edit! I would be all in if they made these for the Sony NEX-5T.
Overexposing slog3 is bad because you lose 2 stops in the highlights and you destroy skin tones, skins look horrible with yellow and pink spots. So with these amazing new sensors, i would follow his suggestion to expose normally, saving highlights and skin tones using the intra 10 bit 4:2:2 codec
Hey mate, ive just started shooting slog 3 this week and rying to understand it...
I use gamma assist, with these luts, would you rec that I aim for 0.0 in the exposure metering instead of +1.3-2.0?
I think it depends. For outdoor day scene, normal expoaure is better, since you wanna protect those highlights, and there are few dark area in the frame. But for night scenes, there are few highlight spots, and those tends to be strong light source anyway, so overexposing them is fine, by overexposing a bit, and bring it back in post, you are getting cleaner shadows, which can cover large portion of the frame in night scene.
so we do not have to overexpose for any of these luts?
Hey! thanks for watching my video! sorry for not elaborating on this further. So Joel states you don't need to overexpose with the new sony sensors (FX3 & A7SIII) simply because of the low noise floor. I think this makes sense, however, when you are shooting at higher ISOs (take a night shoot for example) I think it is ABSOLUTELY NECESSARY to overexpose by +1.7 Stops. to reduce the amount of noise in the shadows. while the new sensors are extremely clean, they still fall apart at higher ISOs.
so again Bright shoots at base iso (for a7s3 and fx3 is iso 640) no need to overexpose.
for darker shoots at any iso higher than 1200 id say overexpose by +1.7 stops
Hey thank for the vid, what lenses did you use for your tests ?
Hey! Thanks for watching this video! So as of rn I only have the 24-70 Gmaster from Sony. Which is what all of this was shot on
Do you know if it works for the Sony A1 and it’s so which pack do I download?
Bro how do you get that Sharpness with the a7siii?
Cool video😊
I have a silly question, but with my fs7, let’s say not filming in raw or prores, will it still look good with the available inside codecs?
Did you just apply the lut on the raw footage or did you modify others colorimetrics settings too ?
Awesome video. This looks a lot like Puerto Rico... is it?
I’m wondering if I need to use SGamut or SGamutCine on my FX6. These luts get blown out using SGamutCine. Better to use just regular SGamut?
amazing video! :)
Thanks so much!!
will this work on sony zve10?
What camera do you use? And what is your color grading process
best luts ever
For real man! They really are
Great examples and very well explained! You should have more subscribers than you do! Keep at it bro
Sorry if you mentioned this - but what camera did you shoot your footage on?
Hey no worries, i shot this all on my Sony A7S3
Do you apply exposure adjustments before or after applying the LUT?
BEFORE!
Whats peter parker doing with them luts
Good Video!
So nice man n thanks a lot ❤️❤️❤️❤️ I lop it
Really great tips, going to check out Phantom luts! :) Are you using OCIO color space?
Great video!
hi beginner here. do u have to convert first your log to rec709? from log profile to rec709 to this LUT?
or you can directly use it from slog3?
@@S-Tenacity hey!! No problem! So these are what you call a “conversion lut” so they’ll convert from slog to rec 709
@@MicahPowell so you can apply this (on 2nd node) right away? without converting your log footage to rec709(CST)?
They should make the luts for red komodo camera.
I just bought Phantom Luts after watching this. Phantom Lut requires PP8 but PP8 is gone. I can find slog3 and SGamut3Cine but cant find other settings equivent of PP8, knee, gamma, details, sharpness etc. In Readme, sharpness is -7 but I cant do that since PP8 is gone now.
And I dont know what to do. Please help.
Hey there! What camera are you on?
@@MicahPowell My camera is Sony FX3.
@@swanhtet1Just use the new log shooting mode, and choose slog3 sgamut3cine. Maybe even try the FX6 version of the lut, since the new log shooting and Ei mode on FX3 is simlair to the FX6.
Great video :)
will it work on lumafusion?
Detail -7 bro? I can leave it at 0 ?
Make more content, you're doing great
You can use it also on a7iii
Thanks for the info-I'll probably grab it as well, thank you! What bloom filter are you using? It's very bloomy. (just curious)
hey Jeff! thanks for watching the video! so all the shots that are showing off the luts are not using a bloom filter, however the talking head shots are all shot with the 20% Cinebloom filter by Moment. looking back at it, i definitely think its too bloomy. i think I'm gonna pick up the %5 cinebloom filter
@@MicahPowell it’s all good-stick with your style. I wasn’t judging. I’m just beginner learning. I’ve got my fx3 on order… I’m hoping to put your tips to work soon. Thank you!
@@jeffwongdesign Oh no man, I didn’t think you were! That’s awesome I freaking love the FX3 it’s a amazing camera! I bet you’re excited to get that!And these luts are really great for beginners as well!!
@@MicahPowell yah. Very excited to get the fx3. A little intimidated. Hopefully I can learn how to use it and start making some better content. I’ll check out the luts.
Shatakkii Approves!
will it work with a6500?
Hey! so with the new updated luts they arent made for the a6500 however you can buy the "Legacy" versions of the luts and they should work with the A6500. I'm not sure if the a6500 supports Slog-3, and even if it did from what i understand the Legacy versions run off of slog-2.
so to sum up, they should work fine with slog-2 just make sure you buy the Legacy versions.
www.joelfamularo.com/colour-fs7
@@MicahPowell thanks a lot! great review