Fine musicians dressed well all with ties. Respect for the audience and for themselves. Playing at the highest level . A decorum lost for the most part but not forgotten
I am the guitarist in a duo with a flutist. And learning jazz standards, as opposed to playing jazz accompaniment that I write. And the flute player says, here’s a easy song. Three chords. Now I have to try to be the whole rhythm section… It sure doesn’t sound like three cords. It’ll be really fun. What a beautiful, gorgeous tune…
It is three chords but it totally isn't three chords at the same time. I played bass on this tune in a jazz combo and loved it but it's a challenge, for sure. The Dm7 is fun to try to outline and then it switches to EbM7#11 and DM7#11. But there's a lot of space to really outline there.
Amazing! thank you! For me this settles the doubts about the "proper" structure of this composition, here they play AABBAA, both in the head AND the solos, 48 bars, just like the original record. I'm saying because i've heard different versions, and different realboks also have discrepancies in the solos, AABBA, AABB... and of course in jam sessions with less experienced players (I've been there lol, who wouldn't), it's easy to drift away in this one... better agree whatever the form in advance, and no need to say always listen the others
Ira Coleman Please Ira could you tell me something about the unusual bass holding method we see you using in this concert? Right leg over , looks uncomfortable. Riding a rocket. Please enlighten us?
Never mind how you're holding the bass. I love how you tuned that E string down to D in the middle of your solo -- at least that's what it looks and sounds like. Then you got that low D and E-flat, which was perfect for this tune. kudos!
He dose not carry the groove as it show be A Latin feel, this isn’t the best,I prefer Joe Henderson,or Junior Cook on tenor saxophone to give it that fullness.
Listen to FH Quintet play this song at Onkel Po’s Carnegie Hall in 85 or from his Live at the Club record. He almost never plays it with latin feel the whole tune. He also goes back to the afro cuban rhythm during the bridge many times
This is one of my favorite jazz tunes from the prolific Freddie Hubbard.
Man....Pure Genius! ❤
One of my very favorite jazz tunes! Little sunflowers: and one of my very favorite flowers!
I like that Freddie refused to play until he got his flugelhorn in tune to his ears. Great solo, a true genius.
Just a classic with great swing!
A virtuoso. RIP Freddie.
Freddie Hubbard and his.orchestra have performed.very well.
Let's be honest, this is not a great performance.
Great threads on the Fred, as ever.
Time flies Ira Coleman... the great music remains!!!
Fine musicians dressed well all with ties. Respect for the audience and for themselves. Playing at the highest level . A decorum lost for the most part but not forgotten
Esta na minha lista das 10 + ❣
a type of perfection. beauty
Such a document, thanks for uploading
One of my all time favorites. Bliss...
I am the guitarist in a duo with a flutist. And learning jazz standards, as opposed to playing jazz accompaniment that I write. And the flute player says, here’s a easy song. Three chords. Now I have to try to be the whole rhythm section… It sure doesn’t sound like three cords. It’ll be really fun. What a beautiful, gorgeous tune…
It is three chords but it totally isn't three chords at the same time. I played bass on this tune in a jazz combo and loved it but it's a challenge, for sure. The Dm7 is fun to try to outline and then it switches to EbM7#11 and DM7#11. But there's a lot of space to really outline there.
VERY NICE JAZZ GREAT LITTLE 🌻 SONG
Kenny without cap? Unreal...
Gorgeous. Thanks.
That chromatic lick at 10:19 is fire!
Insane. And then he executes on it again even cleaner
Undoubtedly!!
Amazing! thank you!
For me this settles the doubts about the "proper" structure of this composition, here they play AABBAA, both in the head AND the solos, 48 bars, just like the original record. I'm saying because i've heard different versions, and different realboks also have discrepancies in the solos, AABBA, AABB... and of course in jam sessions with less experienced players (I've been there lol, who wouldn't), it's easy to drift away in this one... better agree whatever the form in advance, and no need to say always listen the others
MITICO KENNY GARRETT !!!!
30 years ago?!
Ira Coleman Please Ira could you tell me something about the unusual bass holding method we see you using in this concert? Right leg over , looks uncomfortable. Riding a rocket. Please enlighten us?
+Ira Coleman Great concert!
Never mind how you're holding the bass. I love how you tuned that E string down to D in the middle of your solo -- at least that's what it looks and sounds like. Then you got that low D and E-flat, which was perfect for this tune. kudos!
This is Duane Hubbard...You were a BAD Dude!!
@@KatrinaHub I am telling you
Thats my Sunflower with Freddies POWER to much to handle lol
👏👏👏🎼🎼👎👏👏👍👍👍
😀💙🌸🌱
😀🌾🌱💛
Carl Allen kinda looks like Billy Cobham when Cobham was with Horace Silver.
2:54
3:08
Drummer is a bummer; otherwise, a nice rendition
He dose not carry the groove as it show be A Latin feel, this isn’t the best,I prefer Joe Henderson,or Junior Cook on tenor saxophone to give it that fullness.
He’s stepping all over the solos of Kenny, and no consistency in his Latin and standard grooves…..
Listen to FH Quintet play this song at Onkel Po’s Carnegie Hall in 85 or from his Live at the Club record. He almost never plays it with latin feel the whole tune. He also goes back to the afro cuban rhythm during the bridge many times
😂
These were young lions at the time , didn’t capture the fullness ,and groove of this tune . Over played . Just my opinion.
Coked up
Stupid comment, got nothing to do with the music or his legacy in this artform.
F O
alto aint that great at all
thats kenny garrett