Dude, this is actually really impressive. I've listened to the album O.K. Computer thousands of times in the last 20 years... those tones are imprinted in my mind, and your recreations are absolutely on point.
The intro to airbag is still one of those special moments around high school when you find a new band and that one special riff starts off a soon to be favorite album
Head opening video. No fancy hyper expensive boutique pedals. It's all about the composition, the riff, the tone, the combination of a few simple effects..., well, the basics. 👌🏽💫
Dude!!! Thank you for explaining what Jonny used for the guitar solo on Go To Sleep. I saw him play that live back in 2003 and it blew my mind!!! Now I know how he does it. Again, thank you 🙌
Just got my DigiTech Whammy today and I’ve been using this video to help recreate my favorite Radiohead parts. Also used this video as a point of reference in building my own pedalboard so thanks for this one!
This is so cool to learn about after being fascinated with Radiohead effectology in my teens. Still remember that Christmas morning with my Ebow. Really awesome resource!!
Joe...thank you so much. You made me so happy yet again, I don't know what to do with guitar, I went as far as thinking to quit because it's become so boring to play, but this video has changed everything for me. I am not rich and therefore I don't posses any pedals or an amp with built in effects, like you. I live in a small town and I know few people that play an instrument or that even listen and enjoy music as much as I do, but your work has inspired me to try my best and to polish my ideas, songs and playing. Thanks
If you're finding yourself in a rut, it doesn't take, - arguably, you're better off without,- expensive pedals to create interest. Work with different tunings, including the number of strings, or try to work with an inexpensive slide, or a cheap used wah pedal. If you buy used off of Reverb, there are a lot of dated or not widely known pedals in every category for under $ 50.Keep in mind that pre internet, - back when many of the most creatively renowned players came up, - there wasn't much available, and even less information on what actually was.
thanks for this amazing video! I knew about the Akai Headrush feature to be able to restart the loop very easily (best case when playing live without the crowd noticing) but turning it off and on again and again in 15 step is just genius. Also, I dig the shirt :) please keep on doing this great work!
Recently I have been fascinated with Jonny’s Starcaster. Got to play a real one yesterday! I’m curious why he uses it on Subterranean. Ik on Pyramid Song it makes since with the bow because of the curved hollow body but I’m curious why does he use it for subterranean? I love the sounds he gets!
Thom's guitar on Bloom I always figured it was a digital delay that was maxed out. I used to get a pretty similar effect with an old Boss DD5. Good stuff my dude! Edit: Apparently the DD6 you've got oscillates! The DD5 does not haha.
The Breakfast Menu haha thanks! Yeah, I was having this discussion with someone recently, and because of the decay, a delay could do (or may have done?) pretty much the same thing. All cool tools and options. The DD6 is not what Ed used on the record for Karma obviously (they used Nigel’s AMS rack delay) but it’s fun to mess with!
Just leaving this here cause I'm tryna learn how you play 15 step and I need a marker to keep looping the video till I get it 😂 Fantastic video by the way! 8:33
Im a lead guitar player and funny enough the repeats Thom does in Bloom is probably one of my favorite things of course the Jonny max patch is another thing too
Thanks! This video is due for an update ☺️ Yep, he definitely has used a Hot Cake on stuff which goes great with the AC30, the original In Rainbows live era Bodysnatchers tone was a Bixonic Expandora (RAT variant) but I was kind of going for the studio tone which was recording console preamp distortion, which is what the Crayon is made to simulate.
wow thats amazing!!!! this video has great value .... even though i realize i'm miles away (gear wise, and also technically playing too) of reach those tones ..... i'm amazed ... thank you ... greetings from Portugal!
hey there! i went down a massive pedal rabbit hole and i ended up spending money on about 20+ pedals and fairly recently decided to sell them all off. i’m back to the basics with my les paul junior, boss sd1 and super fuzz through a fender twin. i’ve been feeling super inspired by Jonny Greenwood lately. what effect would you add if you were me next? an echo type delay, digital delay, flanger, dyna comp, phaser, or a shredmaster?
@@danielcarter3928 if you’re feeling the modern Jonny aesthetic, a good Boss digital delay will get you those scrongly Smile arpeggiated parts! But also can never go wrong with a tape delay sound. I think the DD-8 has both! As far as flangers, I recently fell in love with the Walrus Polychrome! Great, great analog flanger/chorus/vibrato tones.
hey, I don't know if you'll answer to my comment but it's a serious doubt that toke me after I watched this wonderful video: after I watched that, I had clearer idea about Jonny's pedalboard and i looked for photos of the original pedalboard. in a picture, I saw a EH stereo Poly chorus. is this wrong? thanks for everything!
@@JesuaBruno hey! I think if I remember from thekingofgear.com , Jonny used the Polychorus for some In Rainbows era stuff, like 4 Minute Warning and maybe one or two others!
Ik I’ve commented before but I’m back again to ask if you recall what you’re using for the TonePrint on the TCE Flashback. Still thank you for this video, since my last comment I’ve collected almost everything in this video (or something adjacent).
Fantastic work, really nailed the tones. Noticed you have a Prophet (either the 08 or Rev2), you should try replicating some of their synth pads sometime!
So i grew up as a blues singer/songwriter. I was also addicted to heroin . I used psilocyben therapy to kick the dope & also Radiohead's music. Now I am stuck (in effect,punching up talent wise) trying to create similar sounds. I can honestly say, Radiohead's later music ( a bit more positive ) & Atoms For Peace music to attributing to saving my life. Conversely, I've always loved Amnesiac & their "darker" material. During 1 Fungus session I watched them recording In Rainbows The Basement sessions & The Bends & felt as if I were there. My circle of friends doesn't get my fascination w/ Radiohead's music or even Thom's solo stuff. I believe they are (talent wise) one of the best bands of this time. A long w/ Tool ,Mars Volte & maybe The Decemberists ? All very different yet if one is talking musical mastery or lyrically ie ( Colin Meloy from Decemberists) they're all fantastic . I find myself trying to learn DAWS & looping now . Its fantastic to fall in love with different styles to play. Sending good vibes
I’m really sad that I didn’t find this video sooner. The fact that you recreated these sounds with perfection amazes me! I don’t have the best ear so this may be a dumb question. But we’re there any effects on the Bass guitar for this album? And if there was, would it be possible that you could do a video about it as well?
By this album, do you mean OK Computer or In Rainbows? In any case, my friend David is a wizard that knows all.. thekingofgear.com/colin But that being said, I believe Colin uses very few pedals, his sound is mostly from a great guitar (vintage P-bass) into an even greater amp (Ampeg SVT 8x10 stack). Definitely some compression in the mix (often done in post-production rather than as a pedal). The most iconic Colin "pedal" sound would be his use of a gnarly Shin-Ei Companion Fuzz on the bridge to Exit Music, as well as his use of another fuzz, the Lovetone Big Cheese, on live performances of The National Anthem.
You’re right! I only noticed that more recently in the studio version. I think he tends to be a little more liberal with the phaser and delays on certain live renditions though where he can’t change tones as fast!
@@JoeEdelmann3 It makes sense. You usually tend to go for the live sounds in you covers anyways. Ex: packt like sardines in a crushd tin box Intro and everything in its right place synth.
DJ B cool! Yeah that’s definitely another way to do it! (And originally how I thought Jonny did it!) Wah and envelope filter are very similar principle effects, and your foot speed becomes the tremolo.
You nailed the ending of karma police, I feel like on bodysnatchers Ed keeps his foot far back then sweeps at little bit so it's still background and not the central part
For the tremolo part of Lucky put the DOD after the tremolo ;) you can hear that the autowah of the DOD go with the volume of the tremolo instead of the volume of your picking
radiofaber the DOD was placed after the tremolo here. ☺️I may just have had a slightly different sensitivity setting, or strummed a bit inconsistently, but the tremoloed signal will still fade a bit and trigger the envelope less over time. I think you can see Jonny re-pick/strum a bit when he does it live because of this.
telecasper thank you! The TKOG pedals are fantastic. I regrettably didn’t write down my settings while making this, but I tend to use it in Mode 3 (Echo only) with most of the settings around noon (messing with rate or using tap to get the right time). And then occasionally in mode 6? I wanna say with the reverb added
I don’t recall, but it’s not super important - this isn’t one of the ones where he’s trying to get a specific note effect so the delay is just more for ambience! Any shortish/medium length will do!
I had no idea he looped the guitar in 15 step... I seem to remember him using a rc200 live too to create weird shuffle sounds during the live intro of 15 step?
GATO I believe the weird shuffle sounds are him using a MIDI foot controller to trigger sequences in a Max MSP drum machine that has some funky reverse resampling happening!
![How to Play Like Ed O'Brien: Making Waves [Tutorial with Joe Edelmann]](/img/n.gif)
Radiohead's nerdy community is just as cool as the band itself!
As a member of this community
That's sadly incorrect
@@ofir_likes_beer he said nerdy not fanbase.
@@ofir_likes_beer nah
Ur damned right
Huh?
Dude, this is actually really impressive. I've listened to the album O.K. Computer thousands of times in the last 20 years... those tones are imprinted in my mind, and your recreations are absolutely on point.
Really cool to hear Ed's parts on their own, I've come out of this with a lot more respect for him
The Internet Ed is the man!!
The intro to airbag is still one of those special moments around high school when you find a new band and that one special riff starts off a soon to be favorite album
Eric Portillo same here, but it was December of 2010 and I was in college. From there I was hooked!
Head opening video. No fancy hyper expensive boutique pedals. It's all about the composition, the riff, the tone, the combination of a few simple effects..., well, the basics. 👌🏽💫
I remember being obsessed with Jonnys sound on Sunterranean Homesick Alien. You nailed it here.
Now I know how they got that effect at the end of karma police. Always thought it was a synth patch tbh
it was an old rackmount digital delay
Ed's part on nude is magical, i always wondered how the fuck did he make that kinda sound with a guitar, thanks man, awesome work right there!
Man, YOU KILLED THIS! Thank you for sharing your extensive research. The Radiohead-nerd community appreciate you 😈
Dude!!! Thank you for explaining what Jonny used for the guitar solo on Go To Sleep. I saw him play that live back in 2003 and it blew my mind!!! Now I know how he does it. Again, thank you 🙌
I could watch a 3 hour version of this. Amazing gear man especially for Bloom
th-cam.com/video/YK4Fmrlqz3I/w-d-xo.html If you want some more pedal insight, here's an interview with Ed from The Pedal Show. :-)
Your work here sir is gratefully appreciated. Your a gentleman and a scholar.
I am simply blown away after watching this, you honestly may be TH-cam’s leading authority on every Radiohead-related topic. Amazing.
I’ve never seen such a well researched, high effort and perfectly made pedal video. This was absolutely fantastic
Wow you NAILED these tones. Brings me back to childhood hearing these parts isolated
Just got my DigiTech Whammy today and I’ve been using this video to help recreate my favorite Radiohead parts. Also used this video as a point of reference in building my own pedalboard so thanks for this one!
This is so cool to learn about after being fascinated with Radiohead effectology in my teens. Still remember that Christmas morning with my Ebow. Really awesome resource!!
You really nailed that paranoid Android solo
Lorcan Rowley I don’t understand in the solo paranoid , what pedals are you use ?
faboupalmeraie they’re listed in the top right
Wow. This is a masterpiece. Thank you so much for all the time and research you put into this. You really nail the guitar parts yourself, too!
three guitarist in a band, with each recognizable sound, amazing...
Jonny and Ed are truly An Amazing combo.
Tom’s Tone in the Album In Rainbows is great!!!
Dude, thank you and where has this channel been all my life? Incredible work man.
Joe...thank you so much. You made me so happy yet again, I don't know what to do with guitar, I went as far as thinking to quit because it's become so boring to play, but this video has changed everything for me. I am not rich and therefore I don't posses any pedals or an amp with built in effects, like you. I live in a small town and I know few people that play an instrument or that even listen and enjoy music as much as I do, but your work has inspired me to try my best and to polish my ideas, songs and playing. Thanks
If you're finding yourself in a rut, it doesn't take, - arguably, you're better off without,- expensive pedals to create interest.
Work with different tunings, including the number of strings, or try to work with an inexpensive slide, or a cheap used wah pedal.
If you buy used off of Reverb, there are a lot of dated or not widely known pedals in every category for under $ 50.Keep in mind that pre internet, - back when many of the most creatively renowned players came up, - there wasn't much available, and even less information on what actually was.
This fantastic. I've been looking for this video for literal decades. Thanx man.
This has been my introduction to your work. I’m excited both by your work and also for your future. Outstanding, sir.
Man oh man, that Oxford Drive sounds great! Awesome tones and spot on. Great work.
thanks for this amazing video! I knew about the Akai Headrush feature to be able to restart the loop very easily (best case when playing live without the crowd noticing) but turning it off and on again and again in 15 step is just genius.
Also, I dig the shirt :) please keep on doing this great work!
Such a great video. Great playing. Accurate tone recreations. Awesome.
As a massive fan of radiohead, this is priceless for me dude. Thankyou so much for sharing.
This is actually amazing, huge smile on my face, thanks for making this video!
Yooooo I didn’t know that was EOB’s part in nude!! I always thought it was a violin. Crazy pedal tricks that your perfected
I assumed it was Jonny on viola
After running in to your videos the last few weeks.. how could I not subscribe after seeing your commitment to the craft...?
Dude amazing breakdown! Nice work
Excellent tutorial and one of the best I’ve seen! A real eye opener into the making of RH sound. And a great demonstration of the pedals! 👏🏻
Omg finally, after so many years ive been radiohead fans.. great video man, keep it up
Airbag sounds exactly like it! We’ll really all your riffs do. The “fall” of the whammy treadle is tricky to time just right on Subterranean
You deff deserve to make it man. Passion in the blood!
Recently I have been fascinated with Jonny’s Starcaster. Got to play a real one yesterday! I’m curious why he uses it on Subterranean. Ik on Pyramid Song it makes since with the bow because of the curved hollow body but I’m curious why does he use it for subterranean? I love the sounds he gets!
Thom's guitar on Bloom I always figured it was a digital delay that was maxed out. I used to get a pretty similar effect with an old Boss DD5. Good stuff my dude!
Edit: Apparently the DD6 you've got oscillates! The DD5 does not haha.
The Breakfast Menu haha thanks! Yeah, I was having this discussion with someone recently, and because of the decay, a delay could do (or may have done?) pretty much the same thing. All cool tools and options. The DD6 is not what Ed used on the record for Karma obviously (they used Nigel’s AMS rack delay) but it’s fun to mess with!
Just leaving this here cause I'm tryna learn how you play 15 step and I need a marker to keep looping the video till I get it 😂
Fantastic video by the way!
8:33
DAT SOLO FACE! Great job man, your tones are spot on!
Hi Joe! Love your videos! Does Ed and Jonny use the digitech whammy after or before their distortion pedals in their chain?
For a minute there I lost myself.
Would be amazing if you made a video on how Jonny uses his Akai headrush. Some of his uses are very interesting!
Im a lead guitar player and funny enough the repeats Thom does in Bloom is probably one of my favorite things of course the Jonny max patch is another thing too
Great job, one thing is he uses a crowther hot cake on songs like body snatchers, although that crayon sounds perfect.
Thanks! This video is due for an update ☺️ Yep, he definitely has used a Hot Cake on stuff which goes great with the AC30, the original In Rainbows live era Bodysnatchers tone was a Bixonic Expandora (RAT variant) but I was kind of going for the studio tone which was recording console preamp distortion, which is what the Crayon is made to simulate.
this is so satisfying to watch oml
That Paranoid Android solo was the shit, he nailed it.
Please do a Tame Impala one! This is a brilliant video and is so in depth man you did a great job!
Pleeeeeeaseeeee
Pleeeeaseeeee x2
Pleeeeease x3
@@chrisrivas03 Pleeeeeeeeeaaaaaaaseeeeeee x4
Pleeeeeeaseeeeee (x42)
wow thats amazing!!!! this video has great value .... even though i realize i'm miles away (gear wise, and also technically playing too) of reach those tones ..... i'm amazed ... thank you ... greetings from Portugal!
hey there! i went down a massive pedal rabbit hole and i ended up spending money on about 20+ pedals and fairly recently decided to sell them all off. i’m back to the basics with my les paul junior, boss sd1 and super fuzz through a fender twin. i’ve been feeling super inspired by Jonny Greenwood lately. what effect would you add if you were me next? an echo type delay, digital delay, flanger, dyna comp, phaser, or a shredmaster?
@@danielcarter3928 if you’re feeling the modern Jonny aesthetic, a good Boss digital delay will get you those scrongly Smile arpeggiated parts! But also can never go wrong with a tape delay sound. I think the DD-8 has both!
As far as flangers, I recently fell in love with the Walrus Polychrome! Great, great analog flanger/chorus/vibrato tones.
@@JoeEdelmann3 thank you! DD8 is a good call for sure.
That's a really impressive job you've done here !
Damn I can't believe you were able to get some of those tones. So dope
hey, I don't know if you'll answer to my comment but it's a serious doubt that toke me after I watched this wonderful video: after I watched that, I had clearer idea about Jonny's pedalboard and i looked for photos of the original pedalboard. in a picture, I saw a EH stereo Poly chorus. is this wrong? thanks for everything!
@@JesuaBruno hey! I think if I remember from thekingofgear.com , Jonny used the Polychorus for some In Rainbows era stuff, like 4 Minute Warning and maybe one or two others!
Damn! Great job man. Thank you for putting this together! Play on
Ik I’ve commented before but I’m back again to ask if you recall what you’re using for the TonePrint on the TCE Flashback. Still thank you for this video, since my last comment I’ve collected almost everything in this video (or something adjacent).
Sure thing! I don’t recall exactly which it was, sorry, but it was one of their Deluxe Memory Man imitation toneprints. Maybe one of Pete Thorns?
@@JoeEdelmann3Thanks for the reply and keep up the amazing work you do on this channel!
As a huge Radiohead fan I must say Airbag was spot on.
Great video! So, now i want to listen some "In Rainbows" stuff
Fantastic work, really nailed the tones. Noticed you have a Prophet (either the 08 or Rev2), you should try replicating some of their synth pads sometime!
Check these out! th-cam.com/video/tpkQsmXFy3w/w-d-xo.html
th-cam.com/video/GcxRHzkyphg/w-d-xo.html
Goos video. When you mention the active pedals. is that the order of the chain too?
Yep!
@@JoeEdelmann3 excelent man. Nothing but a great tone.
You guys do a great job of covering them
This is just incredible. I always wondered what pedal got that bodysnatchers sound. 👍
I've been wondering for so long about bodysnatchers fuzz... thanks a lot man...
that wah intro to bodysnatchers (19:06) was pretty rad mah dude
I thought they used the Korg Kaoscillator pad on the Go To Sleep solo.
Nope! That’s the computer program Max MSP. They use the Kaoss pad (the Kaossilator is a synth, the Kaoss is FX) on Everything in Its Right Place. ☺️
If only Ed's part in videotape made it into the album 😭.
Marshall Blackbox pedals might be coming back tomorrow so it will be a lot cheap and easier to get the shredmaster and guvnor
I'm happy you do this. Learning a lot!
So i grew up as a blues singer/songwriter. I was also addicted to heroin . I used psilocyben therapy to kick the dope & also Radiohead's music. Now I am stuck (in effect,punching up talent wise) trying to create similar sounds. I can honestly say, Radiohead's later music ( a bit more positive ) & Atoms For Peace music to attributing to saving my life. Conversely, I've always loved Amnesiac & their "darker" material. During 1 Fungus session I watched them recording In Rainbows The Basement sessions & The Bends & felt as if I were there. My circle of friends doesn't get my fascination w/ Radiohead's music or even Thom's solo stuff. I believe they are (talent wise) one of the best bands of this time. A long w/ Tool ,Mars Volte & maybe The Decemberists ? All very different yet if one is talking musical mastery or lyrically ie ( Colin Meloy from Decemberists) they're all fantastic . I find myself trying to learn DAWS & looping now . Its fantastic to fall in love with different styles to play. Sending good vibes
Congrats on making a change in your life! Radiohead and Thom’s music really altered my musical path also.
I’m really sad that I didn’t find this video sooner. The fact that you recreated these sounds with perfection amazes me! I don’t have the best ear so this may be a dumb question. But we’re there any effects on the Bass guitar for this album? And if there was, would it be possible that you could do a video about it as well?
By this album, do you mean OK Computer or In Rainbows? In any case, my friend David is a wizard that knows all.. thekingofgear.com/colin
But that being said, I believe Colin uses very few pedals, his sound is mostly from a great guitar (vintage P-bass) into an even greater amp (Ampeg SVT 8x10 stack). Definitely some compression in the mix (often done in post-production rather than as a pedal). The most iconic Colin "pedal" sound would be his use of a gnarly Shin-Ei Companion Fuzz on the bridge to Exit Music, as well as his use of another fuzz, the Lovetone Big Cheese, on live performances of The National Anthem.
What a boost of creativity! 100% nailed it, the tones are so clear. That's a pricy gear collection right there.
imo, subterranean homesick alien starts with mostly reverb. Amazing video!
You’re right! I only noticed that more recently in the studio version. I think he tends to be a little more liberal with the phaser and delays on certain live renditions though where he can’t change tones as fast!
@@JoeEdelmann3 It makes sense. You usually tend to go for the live sounds in you covers anyways. Ex: packt like sardines in a crushd tin box Intro and everything in its right place synth.
You forgot to mention Thom Yorkes custom made super short microphone stand.
Tkog mini glitch is amazing
Is that a volume cutoff button on your guitar? That you’re hitting during paranoid Android solo
@@atlantean1209 yep, it’s a kill switch!! Just like Jonny uses ☺️
this is like the maximum level of dorky, nerdy coolness heh. cheers /thnx for the knowledge !
Are you using a certain scale for Jonny’s ending section of Weird Fishes or no?
Yes! And I don’t recall which it is now 😅 maybe something B minor-ish since that’s the root of the end section?
@@JoeEdelmann3 oh okay! and i have one more question what is the tap tempo for the space echo on weird fishes (jonnys part)?
When I play Lucky (live) I just use a wah with distortion during that break @5:47 and it works well.
DJ B cool! Yeah that’s definitely another way to do it! (And originally how I thought Jonny did it!) Wah and envelope filter are very similar principle effects, and your foot speed becomes the tremolo.
Literally clicked as fast as I could.
Im driving now,.. so pls excuse my lateness. Great content Joe.
*if u could explore Phil drumming, that would be great!!
The Kratome thanks! Drive safe! 😬
I have that mini glitch pedal and it never sounds like this. Ive always felt it was wired wrong
This is great!! Your explanations and guitar playing are awesome! Keep doing it, we love it ;)
You nailed the ending of karma police, I feel like on bodysnatchers Ed keeps his foot far back then sweeps at little bit so it's still background and not the central part
Angelo santi thanks man! Yeah the bodysnatchers one is tricky to balance, I think my friend Cory did a good job in our cover.
@@JoeEdelmann3 just looked at it again and yeah he did a good job, also thanks for recommending mbv
Brillante, realmente aluciné con esos sonidos ....ahora tengo la necesidad de tener todos esos pedales😥 !!
this is AMAZING! Congrats and thanks!
For the tremolo part of Lucky put the DOD after the tremolo ;) you can hear that the autowah of the DOD go with the volume of the tremolo instead of the volume of your picking
radiofaber the DOD was placed after the tremolo here. ☺️I may just have had a slightly different sensitivity setting, or strummed a bit inconsistently, but the tremoloed signal will still fade a bit and trigger the envelope less over time. I think you can see Jonny re-pick/strum a bit when he does it live because of this.
radiofaber I did it a little bit better on Burne Holidays OKC cover, I think! th-cam.com/video/kG4qW4GA4No/w-d-xo.html
Wow! Spot on recreation of those epic tones! Love the TKOG pedal. Could ahare somehow the Space Echo settings..?
telecasper thank you! The TKOG pedals are fantastic. I regrettably didn’t write down my settings while making this, but I tend to use it in Mode 3 (Echo only) with most of the settings around noon (messing with rate or using tap to get the right time). And then occasionally in mode 6? I wanna say with the reverb added
how did you tap the delay on the space echo for weird fishes ?
I don’t recall, but it’s not super important - this isn’t one of the ones where he’s trying to get a specific note effect so the delay is just more for ambience! Any shortish/medium length will do!
You’re playing is great. Throw those Lace sensor pick ups in that tele and you’re going to absolutely nail a lot of those tones.
Thanks! I later put in laces and made a video on it: th-cam.com/video/CDULLuTttkQ/w-d-xo.html
This is incredible. Thank you.
Brilliant video. Great work.
19:50 heavenly
Amazing video dude.
I had no idea he looped the guitar in 15 step...
I seem to remember him using a rc200 live too to create weird shuffle sounds during the live intro of 15 step?
GATO I believe the weird shuffle sounds are him using a MIDI foot controller to trigger sequences in a Max MSP drum machine that has some funky reverse resampling happening!
GATO I attempted to do the same (without the foot control) here: th-cam.com/video/rmIbfpYaE4U/w-d-xo.html
fuck the bodysnatchers tone is so sick with the filter
Try upstrokes and rake the 1-5 strings palm muted on Airbag's main riff
I've definitely seen him do that, it's true. But I also love slamming down on those notes haha
I just ordered the King of Gear Mini-Glitch pedal. I’m pretty jazzed to mess around with it.
It’s such a fun pedal!! Lots of cool uses too beyond just Jonny’s signature one!
Also meant to say thanks for such a badass video! 😬
omg the ending of karma police is so great
Just picked up the new 202 boss space echo and checking around to see what songs use it. Low and behold here I am.
Where did you get the whammy 4 adapter? I can’t find it anywhere
@@Bob-cm7sb the pedal? I got it way back in like 2008 or 9 I think! 😅