Tremendous sound. I’ve played this video repeatedly for a couple of weeks now. Record some more and put it on Bandcamp. I’d buy it. Don’t worry about “it’s not perfect” that’s what like about it. It’s the interaction between human and machine, the improvisation and the happy accidents which stop things becoming too clinical and sterile. My favourite TD album is Ricochet, recorded live, mistakes and all. Sequences with life.
I agree with this guy ☝️, your step sequences have a different and powerful feel. Techno guys can use the gear, but making something delicate and musically relevant is a different adventure. I look at the 960 in a different light, and they are so inexpensive, I think I was born too soon sometimes. 🤔
Far too complicated to get the parts made and far too complicated for most customers to grasp the concept. I don't think the 2500 series are top sellers and the sequencer is harder to use than most others.
@VykaarTones I prefer the 960 so I can switch stages in/out. My PAiA sequencer only had length by patch cord too, then I modified with 3pole/double throw switches for each stage to add skip.
Are you using precision resistors or just the regular 5%? Hopefully my A156 turns up tomorrow so i should be able to get all the notes pitch correct but as always, not necessarily in the right order.
The 2500 modules do not have ratcheting built in but this can be achieved with the Doepfer A-160-5. In this video I am using an external clock going to the Step input of the 1027 sequencer and the envelope generators. If I want ratchets I would send the clock to the step input and the clock in on the A-160-5. The ratcheted clock out of the A-160-5 would then go to the envelope generators. I might do a video showing this in the future.
Tremendous sound. I’ve played this video repeatedly for a couple of weeks now. Record some more and put it on Bandcamp. I’d buy it. Don’t worry about “it’s not perfect” that’s what like about it. It’s the interaction between human and machine, the improvisation and the happy accidents which stop things becoming too clinical and sterile. My favourite TD album is Ricochet, recorded live, mistakes and all. Sequences with life.
I will create music using these modules within the next week or so 🙂
I agree with this guy ☝️, your step sequences have a different and powerful feel. Techno guys can use the gear, but making something delicate and musically relevant is a different adventure. I look at the 960 in a different light, and they are so inexpensive, I think I was born too soon sometimes. 🤔
cool, great jam :)
Takes me back to the 70's. I miss the original TD 😊😊😊😊 Thanks!!
nice......now give us a 45min version.
good woork sir!
Challenge accepted
Grazie 🙏❤️
Notwithstanding it being Behringer, I’m pretty jealous of this system. If only that 1027 were not so big…
I find it rather fiddly and small preferring the original Arp 10 step sequencer and the Moog 960 or Behringer clone.
like it, why uli did not made the 2500 mod matrix?
Far too complicated to get the parts made and far too complicated for most customers to grasp the concept. I don't think the 2500 series are top sellers and the sequencer is harder to use than most others.
@VykaarTones I prefer the 960 so I can switch stages in/out. My PAiA sequencer only had length by patch cord too, then I modified with 3pole/double throw switches for each stage to add skip.
Out of interest, What's the full cost to assemble the complete primary modules? (compared to the system 55 at around £1500)... Vote Dalek!
About the same I guess although the 2500 modules are cheaper now than when I bought mine.
Are you using precision resistors or just the regular 5%? Hopefully my A156 turns up tomorrow so i should be able to get all the notes pitch correct but as always, not necessarily in the right order.
Just bung in whatever I have till it sounds right... Arsenal!
Are you able to do any ratcheting?
The 2500 modules do not have ratcheting built in but this can be achieved with the Doepfer A-160-5. In this video I am using an external clock going to the Step input of the 1027 sequencer and the envelope generators. If I want ratchets I would send the clock to the step input and the clock in on the A-160-5. The ratcheted clock out of the A-160-5 would then go to the envelope generators. I might do a video showing this in the future.