I just wanted to let you know that this video really saved my bacon today. It's the first time anyone has ever explained ISO and F Stops to me in a way that made sense. I had to shoot an indoor event for work today without using a flash, and I was able to get my manual settings right for the first time ever. Thank you SOOOOO much!!
Canon 5D Mark III, 50mm lens. I switch between that, my Canon 600D (T3i) and my iPhone periodically just to make sure I'm not doing something someone watching can't do because of camera limitations.
Great. Get yourself lit on camera properly. When you’re done and satisfied cameras all set everything else, then add little practical lights or whatever to your background or little lights Tucktaway in the cubbies or on tables and it’ll look really good.
Hi, is there a way I can get a great looking white background with only 2 softboxes, a white sheet, an iPhone, and a really small room where I have to be almost stuck to the white sheet to shoot? Thanks for your answer! I'm pretty sure I'm not the only one in that situation. ;)
That's a tough on. You can try flipping your setup to give you a bit more room, and maybe one light is your key light and the other is the hair light that hits the sheet. The trick is to blast the sheet with light so the shadows don't show up.
My wife and i were just talking about using a white cotten sheet and other colors. Low and behold i found your video moments latet. Wow and thank you sir :)
Thanks Sheldon! Glad it was helpful. You can spend a LOT of time trying to make a white sheet smooth, but if you light it a lot, you won't see the wrinkles.
Hey Paul. What do you mean? Do I light myself as well as the background? Absolutely. I try and keep the background lighting, whatever that may be, and myself lit, separately.
great video. helped me out tremendously. brand new to fliming with a dslr. now I film a lot of reviews on a white background and in a small area with small products. my product is only ever about 6 inchs away for my white background and I still want to light the bottom as well. any tips to where I wont get all that light spill because my products are so close to my background? like I said I want the white on what my products are sitting on as well
Hard to say without seeing it. I would say either diffuse the light, or bounce it. In other words, instead of direct light on the product, you bounce it off a ceiling. Make sense?
You can set up the lights so you get the vignetting or you can add it and post it’s quite easy. If you want I can make a video on how to do vignetting but if you check TH-cam there’s probably 1 million already on how to do this.
It's funny that you posted this video today. I just spent the day setting up my new studio for shooting green screen, black and white backgrounds. I need more intensity on my key so i'm back to the shop tomorrow to build a new light.
Hey man love your content, really appreciate you taking the time to educate others What camera do you reccommed for basic videos/green light keying and photography budget around 1.5K USD$? Alternatively do iPhones11 work fine for the same things mentioned above?
I would absolutely use your phone to start filming and not spend the money on a camera. The phone is simple and you’ll be able to work out all the things with lights and backgrounds and everything else before you go dumping money into something expensive and then you’ll know what you really need when you go to get a camera
I would say that the last one at 320 ISO, and 3.2 Aperture was the best. It gave your face a good definition between the lighted side and the non-lighted side with out being hard (Nice soft transition between the two.). I would have liked it if you would have pulled back and allowed us to see the set up. Light positions camera position, and the like. I would like to see if this would work in my basement. Thanks for the upload, and look forward to the next one. -John
Yep, that's where I pegged it. A lot of this is really what looks and works good for you. And yes, I need to remember to show the setups. I forget people watching aren't there in the room with me seeing what I am looking at. Maybe I can take some pix and post them on the website. Thanks!
Does the green bed sheet work well? I've had thoughts about doing that, but never found a sheet that was a bold enough green (for my taste). I DID end up going to a school supply store (the kind that teachers go to for supplies) and getting some of the large green paper that comes in rolls. I had them roll off about 6 or 7 feet and I bought that. I don't remember the price, but it wasn't much. One must be careful going the paper route though. It's easy to tear and to wrinkle...nothing like a sheet. :) Okay, here I am commenting on something rather unrelated to the video, so let me ALSO say: GREAT video!! Thank you.
Epic outtake! I've left myself alone in the dark like that a few times so far ("so far" means that, yes, I know it will happen again... and again... and again...) :-)
Mama always said I put the "guy" in "fungi"... She always liked me best! :-D Stay tuned for next week's thriller episode, "A Fungus Walks Among Us!" ... or ... "Eukaryote Chopped the Shiitake out of my Heart!" :-) Followed by Alfred "Liberty Caps" Hitchcock's seminal favourite, "Spores by Sporeswest"
I wear glasses and always have the stupid glare on them no matter where I put lights. You seem to have a pretty good handle on keeping the glare off your glasses. Any suggestions?
I make sure my glasses are ordered with an anti-glare coating. I also position the light above my line of sight and pointing down a bit, then I make sure to keep my chin (head) pointing down a bit. All these things take a bit of experimenting and tweaking, but if you play around with it, you'll eventually get it. For those of us with glasses, we don't have that luxury of point a light into our eyes to get that film eye light, and have to make accommodations for it.
I had an advertising production job that had us recording with people almost every day. Over the years, I noticed that somehow, we were having less and less trouble with glare from people wearing glasses. We took all of these normal precautions for years with basically okay results but eventually it got to the point where we really just didn't have any trouble at all. I was reluctant to begin thinking we were just getting better at handling it. I'm almost certain that anti-glare coating on glasses was an enormous help because it became more of the norm and it meant that reflections of lights were less bothersome for our crew.
After viewing to the end I reviewed the section that talked about removing the imperfections in the background. I was looking for any information that would explain how you got the lighting to look softer against the background. There is a difference between what you show from your tests and the final look of the background for the content. Did I miss something?
It took me a while Linda to see what you are talking about - yes it is softer in the beginning, and then when I switch to what I am already using, the 320 at 3.2 aperture, it looks harsher. That's my bad, as in the test footage, the white balance on the camera was pegged at 5000 so I didn't get any variance changes, whereas in the NOT test shots (the beginning and end), I took a shot and used a custom white balance. I could certainly use a custom white balance for each test shot, but I don't think it would show what's really going on between the shots. Oddly enough, the custom white balance is all I did and it does indeed look like ti softens the background. Do that make sense?
Absolutely none, but have been asked A LOT to film some. I don't. It is my opinion that I don't want someone's once in a lifetime (hopefully) major life event placed in my hands, no retakes, and possibly mess it up. If I were going to do this (I won't) I would apprentice under someone who really knows what they are doing until I felt a lot more comfortable with it.
here is my question: if I take a white sheet that is see through, i can just have a black or blue or green sheet in back and then proceed to light the sheet as you have shown? I need white background for pics of people
Was the vignette due to the lights or did you add that in post? I never thought about setting aperture low (3-4) to blur the background/greenscreen/sheet - to blur out wrinkles or imperfections. Neat trick. Thanks!
Clean video ! Two questions though : (1) you are adjusting the camera settings, but not the light balance. Is this only for sake of simplicity ? Back in the days I was into photography, _that_ would have been my first move : choosing my aperture and shutter speed, adjusting my main light and iso to have a proper exposure and finally adjusting the background light until the lightmeter reads +2.5 or +3.0 IL. to burn the background (I mean, to overexpose it, not to put it on fire because lightning bulbs were too close to the background paper, of course). (2) You are using a reflective background. But what about a diffusive one ? I've never done that myself, but when you shoot products or food, you sometimes use a diffusing support. This is some kind of table you put your subject on, and its made of diffusing material so you can light the background from behind. The nice thing is you have that infinite white backgrounde (the "limbo") without any shadows even if the product is actually _on_ the table. Did you have ever tried to used a similar solution when shooting videos ? For example, using a large white diffuser. I _feel_ like it would allow to place your subject much more closer to the background while still achieving some good result. Great for a very small room. But once again, this is only speculation as I never tried that myself...
Yes, this is all the sake of simplicity. The idea is a quick and dirty white background, and, the idea that you TEST and LOOK at what your are shooting to see what you want. I've used all sorts of infinite white backgrounds all the way down to whatever. The other thing I am trying to impress on these basic filmmakers, is that the thing you really want is the SUBJECT lit well. Maybe I went too simple.
I guess what I mean is did you want a vignette rather than a uniform flat white (sometimes called "the Apple Commercial Background" or "The Matrix Gun Room".) I'll assume that if you turned off some lights, you weren't trying for "Apple/Matrix" style background. As usual, this was an excellent tutorial. Thanks for your work!
I don't add any vignetting to my videos. This just happened to give me a look that would make sense to people watching by having a few of the bulbs turned off on the backlights.
For once in a blue moon I'm going to give some piece of advice: when doing this kind of things, it's nice to have those settings you're trying written on some kind of clapper board. Actually, any kind of small whiteboard should work. You just write the settings you're trying and, once you're there, you show it to the camera. That makes it as easy as it gets to know what you are trying each time. Unless you mess up and forget to update the info on the whiteboard or write the wrong data but, hey, if this is the easiest way, chances are you're going to mess it up anyway. Also, remember to wash your sheets before using them, that helps a lot. Remember what Hitchcock used to say: no shit on your sheets.
Lisa Hurley, who are you talking to? to TBF? He is giving advice every week, kind of. To me? I could give advice on "restart your computer and pray that's the way things get fixed for you" and not much more...
Helpful advice for anyone.... you do not have to have the black/grey corners. This is called vignetting. And generally that is for LOW key or dark atmospheres. HIGH key is the phrase to describe a very light or all white situation. You can gain all white through out background by lighting it evenly across from the top and bottom or from both sides. I prefer the both sides method. And there is ZERO need for a hair light when shooting high key background. Hope that is helpful. BONUS - did you know you can turn a pitch black background all white? - Yep - just need enough light that is at least two full stops hotter than your subjects exposure - try it. BONSUS #2 - if you learn to use a light meter and lighting values - you can do wonderful things with your mind and not have to check the computer or the LCD. Try it! Very cool to learn.
Holy sheet! Great educational video. When I tested my settings I never thought to hit record and share, but it's awesome stuff. Cool how you show all of the trials. That's the real learning point. If you just came on and said "here are the optimal settings, see you next time", it would be far less. I have two pop up screens (black/white and green/blue) that I use on a light stand with a clip, but I like the "flip up" aspect to changing. Very cool! Think I'll go now, and do a load of whites. :-)
LOL! Nice. I think for some of us who have about 0 minutes left in the week, spending the time upfront to make things work quickly ends up really saving a lot of time and headaches in the end. "Holy sheet" and "do a load of whites." LMAO. I hope you can iron out all the details. :)
And on particular sunny day, Saint Peter was heard yelling at the Angelic Advertising Agency " I don't have time to teach your new recruits how to make the white light...... well go watch that basic filmmaker guy
I did not buy a sheet, it was an old one hanging around. I said I draped it over my green screen, not that I needed a green screem. "False title change it please." LMAO. Ah...no.
I understand this was for the video, but why didn't u just chroma key ur green screen to white? I'm not hating, just wondering, cus I'm a youtuber and aspiring filmmaker. great vids man
When you are doing things like product reviews, and you start keying reflective things, it makes it a real pain to pull the key without a lot of spill. Basically, it's way easier to drop the white sheet down and start shooting, than play around with keying.
I think he is, or he's been watching and realized how much I like it. I don't think he or others know how much I DON'T care about likes vs dislikes. The only time I would pay attention to it is if there were a significant amount, like 60/40, then I would look at what I may have done wrong, and not do it again.
I just wanted to let you know that this video really saved my bacon today. It's the first time anyone has ever explained ISO and F Stops to me in a way that made sense. I had to shoot an indoor event for work today without using a flash, and I was able to get my manual settings right for the first time ever. Thank you SOOOOO much!!
$0?
Too expensive for me.
LOL!
Film News Report hahaa
:)
Film News Report SAME
I have a different issue: i don't have 7 feet, i only have 2, give or take.
what camera are you using....thanks
Canon 5D Mark III, 50mm lens. I switch between that, my Canon 600D (T3i) and my iPhone periodically just to make sure I'm not doing something someone watching can't do because of camera limitations.
YOU HELPED ME OUT A LOT
I STRUGGLE WITH BACKROUND LIGHTING
Great. Get yourself lit on camera properly. When you’re done and satisfied cameras all set everything else, then add little practical lights or whatever to your background or little lights Tucktaway in the cubbies or on tables and it’ll look really good.
do you need a green screen behind the white board?
Nope.
Hi, is there a way I can get a great looking white background with only 2 softboxes, a white sheet, an iPhone, and a really small room where I have to be almost stuck to the white sheet to shoot? Thanks for your answer! I'm pretty sure I'm not the only one in that situation. ;)
That's a tough on. You can try flipping your setup to give you a bit more room, and maybe one light is your key light and the other is the hair light that hits the sheet. The trick is to blast the sheet with light so the shadows don't show up.
My wife and i were just talking about using a white cotten sheet and other colors. Low and behold i found your video moments latet. Wow and thank you sir :)
Thanks Sheldon! Glad it was helpful. You can spend a LOT of time trying to make a white sheet smooth, but if you light it a lot, you won't see the wrinkles.
Great video I subscribed!
Thanks David!
love your ending to this. funny as hell. awesome job with all your videos by the way. keep up the great work!
Thanks Matt. I ALWAYS make some sort of mistake, and have learned to just roll with it. :)
Hey this may be a silly question but do you light yourself up as well or not?
Hey Paul. What do you mean? Do I light myself as well as the background? Absolutely. I try and keep the background lighting, whatever that may be, and myself lit, separately.
thanks man
You bet!
great video. helped me out tremendously. brand new to fliming with a dslr. now I film a lot of reviews on a white background and in a small area with small products. my product is only ever about 6 inchs away for my white background and I still want to light the bottom as well. any tips to where I wont get all that light spill because my products are so close to my background? like I said I want the white on what my products are sitting on as well
Hard to say without seeing it. I would say either diffuse the light, or bounce it. In other words, instead of direct light on the product, you bounce it off a ceiling. Make sense?
How did you achieve the vignetting?
You can set up the lights so you get the vignetting or you can add it and post it’s quite easy. If you want I can make a video on how to do vignetting but if you check TH-cam there’s probably 1 million already on how to do this.
How much does that bedsheets cost?
$65,312. Made of white gold thread. Actually no idea. $8?
Thank you for that clarification
It's funny that you posted this video today. I just spent the day setting up my new studio for shooting green screen, black and white backgrounds. I need more intensity on my key so i'm back to the shop tomorrow to build a new light.
LOL! Nice. Love to see your setup at some point - I bet it ends up being awesome!
Hey man love your content, really appreciate you taking the time to educate others
What camera do you reccommed for basic videos/green light keying and photography budget around 1.5K USD$?
Alternatively do iPhones11 work fine for the same things mentioned above?
I would absolutely use your phone to start filming and not spend the money on a camera. The phone is simple and you’ll be able to work out all the things with lights and backgrounds and everything else before you go dumping money into something expensive and then you’ll know what you really need when you go to get a camera
I would say that the last one at 320 ISO, and 3.2 Aperture was the best. It gave your face a good definition between the lighted side and the non-lighted side with out being hard (Nice soft transition between the two.). I would have liked it if you would have pulled back and allowed us to see the set up. Light positions camera position, and the like. I would like to see if this would work in my basement. Thanks for the upload, and look forward to the next one. -John
Yep, that's where I pegged it. A lot of this is really what looks and works good for you. And yes, I need to remember to show the setups. I forget people watching aren't there in the room with me seeing what I am looking at. Maybe I can take some pix and post them on the website. Thanks!
Sounds great.
Great advice. I currently use a green bed sheet for green screen. I was using a plastic table cloth, but it was too shiny.
Ouch. Shiny things. :)
Does the green bed sheet work well? I've had thoughts about doing that, but never found a sheet that was a bold enough green (for my taste). I DID end up going to a school supply store (the kind that teachers go to for supplies) and getting some of the large green paper that comes in rolls. I had them roll off about 6 or 7 feet and I bought that. I don't remember the price, but it wasn't much. One must be careful going the paper route though. It's easy to tear and to wrinkle...nothing like a sheet. :)
Okay, here I am commenting on something rather unrelated to the video, so let me ALSO say: GREAT video!! Thank you.
Jay Webb Actually the sheet I use works pretty well. I guess I got lucky and hopefully the hotel I took it from doesn't mind.
Lol! Awesome!
TheVirtuallyAddicted
LOL!
Him: "How to DIY a white backdrop"
also him: "I have these two lights here, this hair light up there and these two lights back here"
Him: Huh?
I think he was implying that we'd love to know What each kind of light is, where all it is pointing, and tips for setting the power.
@@kevinthurber7016 Ah! Hmmmm....3 years ago. The lights are here: th-cam.com/video/BpOakYp-gJ4/w-d-xo.html
Epic outtake! I've left myself alone in the dark like that a few times so far ("so far" means that, yes, I know it will happen again... and again... and again...) :-)
Mushrooms. :)
Mama always said I put the "guy" in "fungi"... She always liked me best! :-D Stay tuned for next week's thriller episode, "A Fungus Walks Among Us!" ... or ... "Eukaryote Chopped the Shiitake out of my Heart!" :-) Followed by Alfred "Liberty Caps" Hitchcock's seminal favourite, "Spores by Sporeswest"
LMAO! I want to make those.
It could be the next "Veggie Tales"! :-)
I wear glasses and always have the stupid glare on them no matter where I put lights. You seem to have a pretty good handle on keeping the glare off your glasses. Any suggestions?
I make sure my glasses are ordered with an anti-glare coating. I also position the light above my line of sight and pointing down a bit, then I make sure to keep my chin (head) pointing down a bit. All these things take a bit of experimenting and tweaking, but if you play around with it, you'll eventually get it. For those of us with glasses, we don't have that luxury of point a light into our eyes to get that film eye light, and have to make accommodations for it.
+Basic Filmmaker thank you for responding!
I had an advertising production job that had us recording with people almost every day. Over the years, I noticed that somehow, we were having less and less trouble with glare from people wearing glasses. We took all of these normal precautions for years with basically okay results but eventually it got to the point where we really just didn't have any trouble at all. I was reluctant to begin thinking we were just getting better at handling it. I'm almost certain that anti-glare coating on glasses was an enormous help because it became more of the norm and it meant that reflections of lights were less bothersome for our crew.
nice video, thanks
Thank you!
After viewing to the end I reviewed the section that talked about removing the imperfections in the background. I was looking for any information that would explain how you got the lighting to look softer against the background. There is a difference between what you show from your tests and the final look of the background for the content. Did I miss something?
It took me a while Linda to see what you are talking about - yes it is softer in the beginning, and then when I switch to what I am already using, the 320 at 3.2 aperture, it looks harsher. That's my bad, as in the test footage, the white balance on the camera was pegged at 5000 so I didn't get any variance changes, whereas in the NOT test shots (the beginning and end), I took a shot and used a custom white balance. I could certainly use a custom white balance for each test shot, but I don't think it would show what's really going on between the shots. Oddly enough, the custom white balance is all I did and it does indeed look like ti softens the background. Do that make sense?
Off topic question, but, do you have any experience in filming weddings?
Absolutely none, but have been asked A LOT to film some. I don't. It is my opinion that I don't want someone's once in a lifetime (hopefully) major life event placed in my hands, no retakes, and possibly mess it up. If I were going to do this (I won't) I would apprentice under someone who really knows what they are doing until I felt a lot more comfortable with it.
here is my question: if I take a white sheet that is see through, i can just have a black or blue or green sheet in back and then proceed to light the sheet as you have shown? I need white background for pics of people
That should be fine. Blasting it with light will be the key if you want it truly bright white.
Nice man! Thanks for the tip!
You bet Jay!
Was the vignette due to the lights or did you add that in post?
I never thought about setting aperture low (3-4) to blur the background/greenscreen/sheet - to blur out wrinkles or imperfections. Neat trick. Thanks!
You bet, and the vignetting was done by turning off 3 of the 4 lights on each bank light on each side.
Clean video !
Two questions though : (1) you are adjusting the camera settings, but not the light balance. Is this only for sake of simplicity ? Back in the days I was into photography, _that_ would have been my first move : choosing my aperture and shutter speed, adjusting my main light and iso to have a proper exposure and finally adjusting the background light until the lightmeter reads +2.5 or +3.0 IL. to burn the background (I mean, to overexpose it, not to put it on fire because lightning bulbs were too close to the background paper, of course).
(2) You are using a reflective background. But what about a diffusive one ? I've never done that myself, but when you shoot products or food, you sometimes use a diffusing support. This is some kind of table you put your subject on, and its made of diffusing material so you can light the background from behind. The nice thing is you have that infinite white backgrounde (the "limbo") without any shadows even if the product is actually _on_ the table. Did you have ever tried to used a similar solution when shooting videos ? For example, using a large white diffuser. I _feel_ like it would allow to place your subject much more closer to the background while still achieving some good result. Great for a very small room. But once again, this is only speculation as I never tried that myself...
Yes, this is all the sake of simplicity. The idea is a quick and dirty white background, and, the idea that you TEST and LOOK at what your are shooting to see what you want. I've used all sorts of infinite white backgrounds all the way down to whatever. The other thing I am trying to impress on these basic filmmakers, is that the thing you really want is the SUBJECT lit well. Maybe I went too simple.
You are definitely super
Thanks Obehi Ewanfoh!
Thank you.
You bet!
Was the vignetting intentional?
Not sure I'd say intentional. The vignetting was a result of turning off 3 of the 4 lights on each bank light on each side.
I guess what I mean is did you want a vignette rather than a uniform flat white (sometimes called "the Apple Commercial Background" or "The Matrix Gun Room".) I'll assume that if you turned off some lights, you weren't trying for "Apple/Matrix" style background. As usual, this was an excellent tutorial. Thanks for your work!
Sorry. Yes, I didn't want a totally white infinity background. It looked too weird and sterile for this video, so I turned off some of the lights.
This is only a lighting based effect ? I though you were using a vignetting filter at some point when editing videos ?
I don't add any vignetting to my videos. This just happened to give me a look that would make sense to people watching by having a few of the bulbs turned off on the backlights.
Sweet video it did really help more jokes or sumtin would be fun
Thanks! More jokes? Like, "What's the difference between a guitar and a fish? -- You can't tuna fish." Groan.
Another cool and informative video. But it was missing a vital piece of information : who will give me a free white sheet? 😉
There's a joke here. A bad joke.
Good stuff!
Thanks again!
For once in a blue moon I'm going to give some piece of advice: when doing this kind of things, it's nice to have those settings you're trying written on some kind of clapper board. Actually, any kind of small whiteboard should work. You just write the settings you're trying and, once you're there, you show it to the camera.
That makes it as easy as it gets to know what you are trying each time.
Unless you mess up and forget to update the info on the whiteboard or write the wrong data but, hey, if this is the easiest way, chances are you're going to mess it up anyway.
Also, remember to wash your sheets before using them, that helps a lot. Remember what Hitchcock used to say: no shit on your sheets.
A very good tip indeed!
I think so. Also, the one about the whiteboard should workd as well.
Why don't you give advice more often?
Lisa Hurley, who are you talking to? to TBF? He is giving advice every week, kind of. To me? I could give advice on "restart your computer and pray that's the way things get fixed for you" and not much more...
fadetounforgiven
My computer has been on for years. How do you restart it? :)
Helpful advice for anyone.... you do not have to have the black/grey corners. This is called vignetting. And generally that is for LOW key or dark atmospheres. HIGH key is the phrase to describe a very light or all white situation. You can gain all white through out background by lighting it evenly across from the top and bottom or from both sides. I prefer the both sides method. And there is ZERO need for a hair light when shooting high key background. Hope that is helpful. BONUS - did you know you can turn a pitch black background all white? - Yep - just need enough light that is at least two full stops hotter than your subjects exposure - try it. BONSUS #2 - if you learn to use a light meter and lighting values - you can do wonderful things with your mind and not have to check the computer or the LCD. Try it! Very cool to learn.
Lots of good tips here Shawn. Thanks!
+Basic Filmmaker well you do a great job here. I hope it is useful for someone. :)
Holy sheet! Great educational video. When I tested my settings I never thought to hit record and share, but it's awesome stuff. Cool how you show all of the trials. That's the real learning point. If you just came on and said "here are the optimal settings, see you next time", it would be far less. I have two pop up screens (black/white and green/blue) that I use on a light stand with a clip, but I like the "flip up" aspect to changing. Very cool! Think I'll go now, and do a load of whites. :-)
LOL! Nice. I think for some of us who have about 0 minutes left in the week, spending the time upfront to make things work quickly ends up really saving a lot of time and headaches in the end. "Holy sheet" and "do a load of whites." LMAO. I hope you can iron out all the details. :)
LOL!
I took it down, thought I might be damned to hell. :-)
Cool
Thanks Divi!
tfs, great tips!
You're welcome!
And on particular sunny day, Saint Peter was heard yelling at the Angelic Advertising Agency " I don't have time to teach your new recruits how to make the white light...... well go watch that basic filmmaker guy
LOL! I was always told DON'T go into the light. It's a ruse.
Background is so white is that Heavens gate? :)
No. Originally I was going to show how to "Create the lamest special effect portal to another dimension" but it ended up being too easy. :)
Wow i tought you were gonna say "haha 0$ but 100€"
:)
Sorry this is not 0$ you bought the green screen and the sheet unless it was magically laying around your place already. False title change it please.
I did not buy a sheet, it was an old one hanging around. I said I draped it over my green screen, not that I needed a green screem. "False title change it please." LMAO. Ah...no.
The sheet was not 0$. But do you.
Got it. You want to be right. Good. You're right. The sheet is not $0.
I understand this was for the video, but why didn't u just chroma key ur green screen to white? I'm not hating, just wondering, cus I'm a youtuber and aspiring filmmaker. great vids man
When you are doing things like product reviews, and you start keying reflective things, it makes it a real pain to pull the key without a lot of spill. Basically, it's way easier to drop the white sheet down and start shooting, than play around with keying.
thank you so much man. love your channel. keep up the good work!!
Thanks AJ
Oh no That guy who dislikes the videos is late! :o
I feel compelled to click the thumb down for him...
Haha, He might be on vacation.
I think he is, or he's been watching and realized how much I like it. I don't think he or others know how much I DON'T care about likes vs dislikes. The only time I would pay attention to it is if there were a significant amount, like 60/40, then I would look at what I may have done wrong, and not do it again.
Nice tutorial but u just being too formal and it made u less charming?
Idk maybe its just me but this curtis judd dude looks more friendly.
Don't know what to tell ya.
i take back my word after saw your 10 mistakes that fucked up your videos lol
LOL!