I just recently made the jump into fulltime videography (its absolutely terrifying haha), but a main focus for my work in 2025 is going to be weddings. I shot one about a month ago and have played around so very much with generic luts for my slog3 and this video profoundly changed the way I will approach my color grading. You're work is very inspirational and I will be watching a whole lot more of your work. Thank you for sharing!
I'm happy that you are part of this short documentary 'One Love Tennis'. I love your videos. You are one of the youtuber I always watch when it comes to camera gears. This color grading process is a top notch. I learned a lot on this video. Greetings from PH.
Dunna went ahead and did da damn thang. Love this in depth color grading process especially as I continue to learn more about it. Definitely a long game.
Just wow Dunna! What a fantastic informative video! Thank you so much for this in depth look at this process! This will help immensely with my current project... 🙏🙏🙏
Hey Dunna great job explaining your process! This video actually came at a perfect time as I just got back from my trip to the Maldives and I used your video as a guide for the grade and it’s the first video I’ve graded that I’m actually pretty happy with! 😂 Just wanted to ask you though what monitor you grade on? I using a MacBook Pro and I keep reading that you can’t get good grades without a super expensive reference monitor set up so just wondering what you are using thanks :)
I’m just finally starting to get more into grading after a few years of filming and the simplicity of pushing all clips to DWG so they are all common makes me feel silly for not thinking of earlier haha
Hey mate, great video. I plan on following along and seeing what results I get can I just ask? Is there a reason most people change Intoo a few color spaces just to get to Rec709? Is what is the difference from just putting in 1 CST node, choosing input footage then selecting rec709? Cheers!
great vidd! i dont know if this relevant to your interest, but do u think you could take some of new music video clips and do a colour breakdown trying to 'match' the colours and your thought process behind 'replicating' colours and make a video about that? 💯
Loved the video. I was wondering, how would the node tree be if I use a LUT that converts the slog3 into Rec.709. Should I just replace the CST/Cinematch node for the LUT? Or should I also convert it to Davinci color space after the Rec.709?
great video, pretty much exactly what I was looking for, but there was one thing I noticed that you didn't explain. Why do you primarily use the HDR wheels? And why do you use the primary wheels only for certain specific things, like the vignettes?
That’s a BIG topic! Thanks for the great question. The short answer is that the hdr panel is color space dependent and the primaries aren’t. So they react a bit differently. I think I need to make a video on this one to get into the weeds about it!
Please, that would be great, and tack onto that how the curves affect things in relation to the wheels as well. I won’t lie I primarily use the curves and hardly touch the wheels but if i knew the difference then I might
@@dunnadidit One more thing, I just wanted to say tank you one more time. Ever since I watched this video I've been on an entire Color grading journey to seriously upgrade my workflow. I was going straight from SLOG to rec709 but now I'm trying DWG gamut for the first time and I know who Cullen Kelly is, but the point is that you're the only person I've found who has mentioned the pinky reds of Sony (this has been my biggest issue since switching to DWG). So thank you
One quick question: Is this usually how it works with grading? I thought it was the norm to get sent the raw/source files which you'd then be able to grade (wich would skip the part where you had to re-cut the video into the clips again)
Every project is a little bit different! Sometimes it’s raw files and an xml file. My experience has actually been more often like this in the realm of commercials and shorts.
@ nice, I recently picked up a brand new M1 Max with 32 gb ram and I’m feeling that it can do anything except render fast with the Dehancer plugin.. so I’m looking to avoid using Dehancer but get a similar emulation that runs smootjer
So helpful. I learned a great amount from this video. Thank you for creating it for us
Thanks so much for your comment and your generosity!
I just recently made the jump into fulltime videography (its absolutely terrifying haha), but a main focus for my work in 2025 is going to be weddings. I shot one about a month ago and have played around so very much with generic luts for my slog3 and this video profoundly changed the way I will approach my color grading. You're work is very inspirational and I will be watching a whole lot more of your work. Thank you for sharing!
I'm happy that you are part of this short documentary 'One Love Tennis'. I love your videos. You are one of the youtuber I always watch when it comes to camera gears. This color grading process is a top notch. I learned a lot on this video. Greetings from PH.
Thank you so much for the kind words! I’m loving all the positivity from PH on this film!
Dunna went ahead and did da damn thang. Love this in depth color grading process especially as I continue to learn more about it. Definitely a long game.
Happy to hear that!
Just wow Dunna! What a fantastic informative video! Thank you so much for this in depth look at this process! This will help immensely with my current project... 🙏🙏🙏
Thanks for watching!
This is such a great tutorial for colour grading. Thanks Dunna
Amazing video, greetings from Philippines!
Cheers!
Thank you for making this, very informative and helpful!
Dunna did it again😎 Appreciate your content
Appreciate it!
Thank you so much brother for all the value !
Thanks for watching!
Hey Dunna great job explaining your process! This video actually came at a perfect time as I just got back from my trip to the Maldives and I used your video as a guide for the grade and it’s the first video I’ve graded that I’m actually pretty happy with! 😂
Just wanted to ask you though what monitor you grade on? I using a MacBook Pro and I keep reading that you can’t get good grades without a super expensive reference monitor set up so just wondering what you are using thanks :)
This is such a useful video! Thank you.
Duna Did it! 🎉
👍🏼👍🏼
Thanks for sharing, greetings from Sardinia, Italy! 👏👏🙋♂
Thanks for visiting
I’m just finally starting to get more into grading after a few years of filming and the simplicity of pushing all clips to DWG so they are all common makes me feel silly for not thinking of earlier haha
Amazing video! Thank you for that
My pleasure!
Amazing video
Thank you!
Excelent video, bro.
Do we not have to set project settings to DWG now? I haven't seen changing color via timeline settings - very cool.
This is amazing ❤🎉
Impressive
Thanks!
Would you happen to have the practice files used in this video? Thank you for the video!
Well done! I wish it would be for Samsung Video and Go Pro. Thanks Dunna!! 👋🖖
Fantastic video yet again Dunna. Will this workflow work for 8 bit HLG3? Thanks
"Can you create a tutorial on 'how to calibrate the 63 built-in film LUTs in Dehancer within DaVinci Wide Gamut ?"
17 hour video
I’ll definitely consider it!
just wow!
Haha thanks!
eyy! my philippines. 😍🥰
Great!
Hey mate, great video. I plan on following along and seeing what results I get can I just ask? Is there a reason most people change Intoo a few color spaces just to get to Rec709? Is what is the difference from just putting in 1 CST node, choosing input footage then selecting rec709? Cheers!
great vidd! i dont know if this relevant to your interest, but do u think you could take some of new music video clips and do a colour breakdown trying to 'match' the colours and your thought process behind 'replicating' colours and make a video about that? 💯
Loved the video. I was wondering, how would the node tree be if I use a LUT that converts the slog3 into Rec.709. Should I just replace the CST/Cinematch node for the LUT? Or should I also convert it to Davinci color space after the Rec.709?
You just want to make sure slog3 is going into that mode with the lut on it. So you could do slog3→DWG→grade→slog3→LUT
Thanks for sharing this man! I actually want to upgrade to Resolve Studio 18, is there a way to downgrade from Resolve 19? Thaanks!
great video, pretty much exactly what I was looking for, but there was one thing I noticed that you didn't explain. Why do you primarily use the HDR wheels? And why do you use the primary wheels only for certain specific things, like the vignettes?
That’s a BIG topic! Thanks for the great question. The short answer is that the hdr panel is color space dependent and the primaries aren’t. So they react a bit differently. I think I need to make a video on this one to get into the weeds about it!
Please, that would be great, and tack onto that how the curves affect things in relation to the wheels as well. I won’t lie I primarily use the curves and hardly touch the wheels but if i knew the difference then I might
Cool! I’ll keep that in mind for future videos!
@@dunnadidit One more thing, I just wanted to say tank you one more time. Ever since I watched this video I've been on an entire Color grading journey to seriously upgrade my workflow. I was going straight from SLOG to rec709 but now I'm trying DWG gamut for the first time and I know who Cullen Kelly is, but the point is that you're the only person I've found who has mentioned the pinky reds of Sony (this has been my biggest issue since switching to DWG). So thank you
One quick question:
Is this usually how it works with grading?
I thought it was the norm to get sent the raw/source files which you'd then be able to grade (wich would skip the part where you had to re-cut the video into the clips again)
Every project is a little bit different! Sometimes it’s raw files and an xml file. My experience has actually been more often like this in the realm of commercials and shorts.
What mac set up are you running right now
MacBook Pro M1Max 16” 64gb ram
@ nice, I recently picked up a brand new M1 Max with 32 gb ram and I’m feeling that it can do anything except render fast with the Dehancer plugin.. so I’m looking to avoid using Dehancer but get a similar emulation that runs smootjer
Would have loved to watch but 49 minutes without chapters is daunting 😕
My least favorite thing in Davinci is working with Nodes. Thank you for this video. I needed it.
My pleasure!
Shmish-schmosh bleep blop. Engagement is good, kittens.
Biggidy-boggidy baroop-da-doop meow meow.