This is a real gem, filmed at the Newport Jazz Festival on July 2, 1966. Beside Benson who plays a beautiful Gibson Super 400 and is constantly fiddling with the knobs in search of the perfect killer tone, on Hammond B3 duties we can see a very young Lonnie Smith who passed away just recently (RIP) and an even younger Ronnie Cuber on bari sax performing a take-no-prisoners blues. As far as cinematography is concerned, this is on a par with Bert Stern's fabulous Jazz On A Summer's Day, musicians and audience are hipper than hip and beautifully filmed and edited throughout and the groove vibe is in the air and almost palpable. But this is 1966, just a year before the Summer Of Love and the Monterey Festival where things would take a different course musically. Priceless stuff, thanks for posting.
This tune is on The George Benson Cookbook- it’s called Benson’s Rider. You can even hear some of the same licks- but of course this live version is burning!
I was 16 in 1966. I played guitar when I was 12 then, put the guitar away in favor of playing sports. Picked it back up when I was 15 and am still playing today. Boy... Am I glad I didn't see this in 1966. I might've called it quits!!! He is my favorite guitarist and is always a great source of inspiration. I mean, just to get close sometimes.....
I think that is a Super 500 - I played one of these models before owned by Mel Brown - guitar player for Bobby Blue Bland. It is a very physically large instrument - great tone - super cool.
I just wish the man had played a few more jazz dates here-and-there once he had hit the big time. His pop hits are pleasing enough, but to hear him burn through some jazz is just too cool for words! I tried for years to catch him sitting in with Lou Donaldson, but no luck. That man was tough to pin down....
@@GeorgiaBoy1961 gotta make that "dough ray me"! I've never seen him live either but have been fortunate to catch a plethora of fine axemen, ( Stanley Jordan being one who particularly stands out). GB is a pioneer and legend who conveys some kool memories and stories when interviewed. # Elite and groundbreaking player...
Here from the Beato interview. 😀 I first really got into GB with his massive vocal era, but nice to see the young George he spoke about in that wonderful interview. He _always_ 'sang' melodies from his head to his fingers just as he said.
ahhh, this is the George Benson I remember. Also found on the album George Benson Cookbook. With Gene Taylor, Lonnie Smith (at first I thought it was JImmy Smith on the organ), Billy Kay and Ronnie Cuber. This TH-cam video is so hot I think it just melted my computer!
George was knockin it down at this level at 23 years of age. What ax was he playing? You tell me . He could make a guitar from Sears and Roebuck sound good. Thanks you George, you showed us how its done.
Unequaled greatness, possibly the greatest soloist in the history of the instrument. Apropos of nothing, I’ve never seen a guitarist who messes with his volume and tone knobs more frequently than Benson.
Just a theory, but I think Benson is concerned with his arch-top feeding back and causing distortion. If you play jazz on that type of instrument - yeah, that's me, been there done that - they will feed back if you turn up the volume too much. Many guys stuff some foam into the sound holes to dampen the feedback or have a guitar tech install a "sound post," which is another fix for that issue. Benson later moved to playing an Ibanez which was a bit more of a hybrid in terms of being an arch-top hollow-body since I don't think it had a solid top but was partly laminated. Either way, regardless of instrument, Benson was on fire during this gig wasn't he?!
The amp was distorting and he was trying to find the magic spot on the volume knob of that Super 400, basically the amp was failing and he had to deal and keep playing.
I FAR prefer early Benson than his later, mega-popular stuff. But when he was playing pure blues and jazz - that's GB at his finest. When this was shot, George was like the new wonder kid / upstart - as the jazz guitarists of the day were still under the giant shadow of Wes Montgomery - in fact, this was recorded about two years before Wes passed away. And the organ stuff is a perfect contrast and counterpoint. Thank God it was put on film!
Such a cool performance by these cats, and GB working the knobs on that Super 400 like he means to find every little piece of badass tone that guitar has in it. A really inspirational piece and I'm sure I'll be borrowing licks off of this for a long time. Thanks, man! Blues cats everywhere are diggin' this.
this kid has potential, if he stays with it he might make it on to the Rolling Stone best 1000 guitarists of lal time. i mean clearly not top 250 material yet
@@fusionfan6883 There was this other kid, a year younger and not quite as funky, but nonetheless, right there with him in the chops department. George is from Pittsburgh, this other guy is from Philly but when George heard him for the first time, they were both in NY. His comment was, "just how good do you have to be to make it in NY?" Perhaps you've heard of him, his name is Pat Martino.
I'm a huge Martino fan and respect his fight back to fitness after his brain surgery, but he lacks the variety of phrasing and down right soulfulness of George to my mind.
I saw him playing this very theme in Paris in 1969. The concert featured K. Burrell. B. Kessel and G. Green. GB was playing as first part of the show. The audience was stunned. Unforgettable...
No one was playing guitar like this at that time. True virtuoso. Blown away by his facility with the instrument at this young stage of his career. His funky phrasing …my goodness. Definite influence from Grant Green and the great organists of the era.
@@jorgemauriciomercado288 yes of course, and he was amazing and hugely influential for Benson as well. But just like Wes elevated the instrument, so did Benson. Another icon that elevated jazz guitar at the time was Pat Martino.
Don’t forget how killing Dr Lonnie Smith is here. So percussive and deep in the pocket. He hadn’t been playing very long either. He was definitely born to play the Hammond B3. RIP.
Great playing...too bad they didn't have HD cameras back then. And better audio recording gear. His tone is terrible...not like his later LPs. I never noticed his CKT disorder before. Gibson's volume and tone knobs are not known to adjust themselves at will.
Although greatly influenced by Wes (and which guitarist wasn’t??!) GB had his own distinct sound very early on… great to see footage of drummer Billy Kaye
Amazing stuff, thanks for sharing! Cookin' all over with these young cats. Love Dr lonnie's playing and of course incredible what George is doing. Ronnie is also spot on!
At 23 he's very particular with his sound - the constant knob adjusting. AND you see where his voicing originates: a dynamic attack, blues infusion, style. What a treasure to guitar.
Like Wes Montgomery, I like George best when he played straight jazz and not the commercial stuff. But I guess like his idol Wes, he had to pay bills and eat like the rest of us.
I’ve been a guitarist all my life and nearly 71 - GB was ahead of his time and when you hear Jimi Hendrix is voted best of all time… Jimi was undoubtedly a trail blazer but technically he was no where in sight compared to GB
Two different genres, but, as a jazz player myself, he would've been able to play anything that Hendix played, but had Hendrix tried to do what Benson did, he would've stumbled. Us Jazz players are just humble.
Good lord that sounds incredible. That tempo is moving right along and is pretty rare to hear someone bring that hard that fast. Benson plays it as good as anyone I’ve heard including Wes.
Couldn't resist working that line out at 3.00 :) George Benson Line - Video Notebook #01 I think I've played this video about a thousand times now :) Thanks for uploading it!
Such a cool sounding line! He plays pretty much the same line (ends differently though) but slower at about 1:40 on ain't that peculiar if you want to get a more detailed listen of it :)
@@haloskater24 my ears differ. I hear a little r&b, a little jazz, and a little rock (particularly a little rock to come down the line). In any case it’s very stimulating and rich at the same time.
You could really see see how raw George's playing was at this stage of his career. He had only been playing this style a couple years at this point. Before that he was been playing in R&B bands in bars, small clubs and juke joints. In this particular video you can hear it and see it. He hadn't developed his signature sound yet. Ten years later he was selling 10's of millions of albums. The "Breezing" album is quintessential George Benson but I dig this stuff much more.This is an incredible clip.
It's the "Cookbook" band! Lonnie Smith...Ronnie Cuber.. I am embarrassed to say I can't remember the name of this tune-but it is indeed from "Cookbook".. Thanks so much for posting this! What a treat!
For all of you dropping names of other artists who may have influenced George, Thanks. I grew up listening to soul and Funk of the 70’s. I listened to GB, Grover, Joe Sample etc, but am still making many jazz and blues discoveries. So when you say, “hey listen to this guy,” others of us will benefit because we will go listen. I play piano, and I have a chance to learn so much now from TH-cam, so keep those recommendations coming. They may irritate a few,(although I can’t imagine why) but we all benefit in the long run.
Benson's cranking that Fender Showman amp. According to an interview, Wes Montgomery was using one the first time George saw him. He said he was impressed with the amp. (As well as with Wes, of course!)
Really cool video, and the groove is amazing! But George was messing around with the volume because he was trying to find a good balance between having a decent volume, but with no distortion (the guitar was a bit distorted when the volume was full on 10). If you turn the volume too low, you loose a bit of body and dynamics. Awesome Super 400 by the way!
Yes, i think that searching for tone during the performance adds so much for the listener. That variation of volume, distortion and tone sounds so good for me. Maybe sometimes the journey's better than the destination.
Oh... I better go back and check it again. I know Jimmy's sound, and I could've sworn that was him... I could be wrong but you (and whoever labeled the video) could be too...
Killing it at 23. But you could tell he wasn't all that thrilled with his sound, as he was constantly adjusting his volume and tone knobs on his guitar throughout his set. But he was still finding his tonal voice, and the right equipment was forthcoming...
This is a real gem, filmed at the Newport Jazz Festival on July 2, 1966. Beside Benson who plays a beautiful Gibson Super 400 and is constantly fiddling with the knobs in search of the perfect killer tone, on Hammond B3 duties we can see a very young Lonnie Smith who passed away just recently (RIP) and an even younger Ronnie Cuber on bari sax performing a take-no-prisoners blues. As far as cinematography is concerned, this is on a par with Bert Stern's fabulous Jazz On A Summer's Day, musicians and audience are hipper than hip and beautifully filmed and edited throughout and the groove vibe is in the air and almost palpable. But this is 1966, just a year before the Summer Of Love and the Monterey Festival where things would take a different course musically. Priceless stuff, thanks for posting.
Lonnie Smith was a legend and a gent !
He was adjusting for each phrase!! Amazing!
That’s about as hip as it gets
Was this Newport Beach, CA...dee
This tune is on The George Benson Cookbook- it’s called Benson’s Rider. You can even hear some of the same licks- but of course this live version is burning!
This is insane even by today's standards
Big thanks to whomever posted this video. I thoroughly enjoyed it .. was awesome ..
The logical extension of Wes.
I was 16 in 1966. I played guitar when I was 12 then, put the guitar away in favor of playing sports.
Picked it back up when I was 15 and am still playing today.
Boy... Am I glad I didn't see this in 1966.
I might've called it quits!!!
He is my favorite guitarist and is always a great source of inspiration.
I mean, just to get close sometimes.....
He was still 23 and yet this is an absolute gem of a masterclass in groove
One of the true Masters of my lifetime. That Super400 sounds great with some hair on it!
George Benson. Extraordinary!
That combination of Benson's playing and that beautiful Gibson
is about as close to heaven as one can get on earth... Beautiful!
I think that is a Super 500 - I played one of these models before owned by Mel Brown - guitar player for Bobby Blue Bland. It is a very physically large instrument - great tone - super cool.
You all are very welcome! I am so glad that you appreciated this fine performance. I will be on the lookout for more!
Could you tell me the name of this piece he’s playing please?
This is the GB I cherish. The man could shred. The latter material was popular and probably got him paid but his early work….whew!
I just wish the man had played a few more jazz dates here-and-there once he had hit the big time. His pop hits are pleasing enough, but to hear him burn through some jazz is just too cool for words! I tried for years to catch him sitting in with Lou Donaldson, but no luck. That man was tough to pin down....
@@GeorgiaBoy1961 gotta make that "dough ray me"! I've never seen him live either but have been fortunate to catch a plethora of fine axemen, ( Stanley Jordan being one who particularly stands out). GB is a pioneer and legend who conveys some kool memories and stories when interviewed. # Elite and groundbreaking player...
Here from the Beato interview. 😀
I first really got into GB with his massive vocal era, but nice to see the young George he spoke about in that wonderful interview. He _always_ 'sang' melodies from his head to his fingers just as he said.
ahhh, this is the George Benson I remember. Also found on the album George Benson Cookbook. With
Gene Taylor, Lonnie Smith (at first I thought it was JImmy Smith on the organ), Billy Kay and Ronnie Cuber.
This TH-cam video is so hot I think it just melted my computer!
Its Uptown also has great tracks !! Clockwise is one of my favorites
Cuber was a vital component.
George great, but WES YOUR MENTOR USED HIS THUMB….. who was the bari player,JERRY MULLIGAN?
So few people that I know actually know THIS 'version' of George Benson! Brilliant.
He was already awesome but there were many amazing players then of course - Pat Martino, John McLaughlin, to name just two.
Fantastic.. Hard to believe George still improved so much after this. My all time favorite musician
Every time I think he’s gonna zig, he zags and it’s perfect.
George was knockin it down at this level at 23 years of age. What ax was he playing? You tell me . He could make a guitar from Sears and Roebuck sound good. Thanks you George, you showed us how its done.
Gibson Super 400.
Benson thru a big hollow body gibson thru a blackface twin thru 2 2x12 cabinets! TONE BABY!
Unequaled greatness, possibly the greatest soloist in the history of the instrument. Apropos of nothing, I’ve never seen a guitarist who messes with his volume and tone knobs more frequently than Benson.
yeah because he has ADD..
Just a theory, but I think Benson is concerned with his arch-top feeding back and causing distortion. If you play jazz on that type of instrument - yeah, that's me, been there done that - they will feed back if you turn up the volume too much. Many guys stuff some foam into the sound holes to dampen the feedback or have a guitar tech install a "sound post," which is another fix for that issue. Benson later moved to playing an Ibanez which was a bit more of a hybrid in terms of being an arch-top hollow-body since I don't think it had a solid top but was partly laminated. Either way, regardless of instrument, Benson was on fire during this gig wasn't he?!
Has so much feels AND the chops! Unreal talent
HUGE!!! He was a baby!!! So extraordinary, so beautiful. Music like this makes my heart; just happy.
he was much younger when he released his first song in 1954 titled "she makes me mad"
George is smokin! Not exactly sounding like he would in later years, but awesome. Glad he got away from the compulsive knob-adjusting, pretty much.
To touch the volume knob can be a signal for sound technician but, as usual, he doesn't care...
🙄
The amp was distorting and he was trying to find the magic spot on the volume knob of that Super 400, basically the amp was failing and he had to deal and keep playing.
Little did anyone know, that around 10 years later. George Benson would have a record that would set the music world on fire.
What Is a Disc?
I FAR prefer early Benson than his later, mega-popular stuff. But when he was playing pure blues and jazz - that's GB at his finest. When this was shot, George was like the new wonder kid / upstart - as the jazz guitarists of the day were still under the giant shadow of Wes Montgomery - in fact, this was recorded about two years before Wes passed away. And the organ stuff is a perfect contrast and counterpoint. Thank God it was put on film!
Sounding freaking awesome George...x. love his chops
Why doesn't this clip have 10,000,000 views?
Those numbers belong to Bieber and the Kardashians. go figure.
I endorse this message!
I’m see seeing this man live in two weeks! In 🇬🇧! He’s 80 years old
Wanna talk legends!? Let’s talk….
Great sound! Epic video
P.S he’s THIS good in 1966.. No wonder he’s an absolute monster in mid 1970’s on albums like Breezin’ , Bad Benson etc etc
I love the 'George Benson Cookbook'. I also love jazz organ during the cool 60's period.
Incredible footage! Thank you for sharing this. A "holy grail" clip for George Benson and jazz guitar fans!
This is why i love TH-cam
Such a cool performance by these cats, and GB working the knobs on that Super 400 like he means to find every little piece of badass tone that guitar has in it. A really inspirational piece and I'm sure I'll be borrowing licks off of this for a long time. Thanks, man! Blues cats everywhere are diggin' this.
Not to take away from your comment, but I think what Benson is doing with the knobs has more to do with volume and making sure he doesn’t feed back.
@@spb7883 ahhhh that’s why it’s so crunchy right at the beginning.
@@menriquez89 Yeah 60s fender amps had a tendency to crunch up if you werent careful, ESPICALLY with a hollowbody.
this kid has potential, if he stays with it he might make it on to the Rolling Stone best 1000 guitarists of lal time. i mean clearly not top 250 material yet
Wow! Hugely important film, this. Consider how advanced George’s ideas were at this time. *Nobody* had comparable chops for another 20 or more years.
Totally agree - sweep picking amongst other things! And George created a perfect fusing of bebop, soul and blues which is unmatched to this day.
@@fusionfan6883 There was this other kid, a year younger and not quite as funky, but nonetheless, right there with him in the chops department. George is from Pittsburgh, this other guy is from Philly but when George heard him for the first time, they were both in NY. His comment was, "just how good do you have to be to make it in NY?" Perhaps you've heard of him, his name is Pat Martino.
I'm a huge Martino fan and respect his fight back to fitness after his brain surgery, but he lacks the variety of phrasing and down right soulfulness of George to my mind.
Tim Nelson Maybe but have you heard Grant Green?
I think Joe Pass could keep up with Benson, listen to his early 60s albums with Pacific Records.
WOW !!! Truly the "Mohammed Ali Champ" of the Jazz Guitar - even way back in 1966. Thanks for posting.😀
I saw him playing this very theme in Paris in 1969. The concert featured K. Burrell. B. Kessel and G. Green. GB was playing as first part of the show.
The audience was stunned. Unforgettable...
Dr. Lonnie Smith on "Hammond B3" !
No one was playing guitar like this at that time. True virtuoso. Blown away by his facility with the instrument at this young stage of his career. His funky phrasing …my goodness. Definite influence from Grant Green and the great organists of the era.
I love the variation in tone, distortion and volume as George is searchin for the perfect balance.
I got to see him Benson in a small club in 1972. Simply amazing. His voice is so strong that he didn't even sing in the microphone.
Wes was alive at that time !!
@@jorgemauriciomercado288 yes of course, and he was amazing and hugely influential for Benson as well. But just like Wes elevated the instrument, so did Benson. Another icon that elevated jazz guitar at the time was Pat Martino.
yeah
George never sacrificed the groove for flashy playing. You can tap your foot to that all the way through.
A Fender Bassman, nice choice George, this is a wonderful historical document, certainly but it sounds so fresh and hip, timeless
Don’t forget how killing Dr Lonnie Smith is here. So percussive and deep in the pocket. He hadn’t been playing very long either. He was definitely born to play the Hammond B3. RIP.
I’ve never seen anybody mess with the knobs on their guitar more than this. Also, GB is a master.
it's almost a OCD
I suppose he wasn’t happy with his tone?
OCD??? I don't know, but it works!!!
Carlos Santana is a serious competitor in that domain!
You can tell how he changes his technique after turning the knob. He knows exactly the sound he wants out of the guitar at any given moment.
George Benson-guitar; Lonnie Smith-organ; Ronnie Cuber-baritone saxophone; Billy Kaye-drums.
This is great! I hope someone eventually digs up the Grant Green footage from the same festival.
Someone did. no video, just pictures.
Kenny burrell was there too I think..
I would love to see another song from this set..
@@edcherry9282 As do I, Ed.
3:45 Flicking your cigarette in time with the music is so 1966.
Great playing...too bad they didn't have HD cameras back then. And better audio recording gear. His tone is terrible...not like his later LPs.
I never noticed his CKT disorder before. Gibson's volume and tone knobs are not known to adjust themselves at will.
Although greatly influenced by Wes (and which guitarist wasn’t??!) GB had his own distinct sound very early on… great to see footage of drummer Billy Kaye
Amazing stuff, thanks for sharing! Cookin' all over with these young cats. Love Dr lonnie's playing and of course incredible what George is doing. Ronnie is also spot on!
Thanks for confirming my suspicion that that was indeed Dr Lonnie.
At 23 he's very particular with his sound - the constant knob adjusting. AND you see where his voicing originates: a dynamic attack, blues infusion, style. What a treasure to guitar.
Georgies got it goin on here baby! The whole combo is smoking!! I love the slightly overdriven tone George gets here!!!
This is so fabulous. What a special experience to have been there. I saw him in the late 80s.
There's something called Swing that if you don't have it..,.better change for something else...maybe..
Like Wes Montgomery, I like George best when he played straight jazz and not the commercial stuff. But I guess like his idol Wes, he had to pay bills and eat like the rest of us.
Yeah, I'm willing to overlook that fact of life as well. Gotta love George! ;-)
I’ve been a guitarist all my life and nearly 71 - GB was ahead of his time and when you hear Jimi Hendrix is voted best of all time… Jimi was undoubtedly a trail blazer but technically he was no where in sight compared to GB
Two different genres, but, as a jazz player myself, he would've been able to play anything that Hendix played, but had Hendrix tried to do what Benson did, he would've stumbled. Us Jazz players are just humble.
Amazing! I don't think enough credit has been given George Benson, he has a fine voice too, just love him!
How did you get this? George was born killing it
Good lord that sounds incredible. That tempo is moving right along and is pretty rare to hear someone bring that hard that fast. Benson plays it as good as anyone I’ve heard including Wes.
1000 THANKS 2 U 4 SHARING - THIS GREAT GUITAR-
PLAYER of WORLD-CLASS and His FANTASTIC ORCH !!!
Wow! I had no idea George was performing that yearly! I'm much more familiar with his 70s and 80s work.
Couldn't resist working that line out at 3.00 :) George Benson Line - Video Notebook #01 I think I've played this video about a thousand times now :)
Thanks for uploading it!
Mike, you are welcome-- a ton of great guitar lines in this performance!
Such a cool sounding line! He plays pretty much the same line (ends differently though) but slower at about 1:40 on ain't that peculiar if you want to get a more detailed listen of it :)
***** Ah! Thought I'd heard it before! Love this album. Thanks :)
Such a natural and perfect swing it's stunning ! The Cookbook is a wonderful recording
This feels like a rock n roll solo that suddenly turns jazzy then goes a bit rock than jazzy then rock.
Not Rock. This is definitely an R&B feel from that era
@@haloskater24 my ears differ. I hear a little r&b, a little jazz, and a little rock (particularly a little rock to come down the line). In any case it’s very stimulating and rich at the same time.
YES HE WAS AND IS BEST GUITARIST ON THIS PLANET.
Il était déjà le patron du jazz rock
Wow! 😮 What an amazing and historic performance! 👏 It must have been incredible to see this live in person
Man I was 3 then now I'm 57 lol
Not a note out of place. Just amazing
And to think this is two years before the great West Montgomery passed, whould have been a blast seeing the two on stage together.
I had played too many solos of George Benson and I was amazed to know his style it was an golden era in Jazz
Such a talent, it's amazing, and he never sang a note (yet)! I love his voice too, especially when he scats to his guitar licks. Pure genius.
Very much enjoyed this performance... Thanks for posting it....
George's Bassman amp sounds like JBL D120 speakers in that box :)
George is grooving but he's got that nervous right hand trying to get that right mix! Lol!
Peak music years 🔥🔥
Faaaack, just so choice. Love it at 5:48 when they drop out for a sec.
People kid themselves. A jazz virtuoso of jazz can play anything even today's shred.
I don't think that's even a compliment. You play what you feel.
@@DonDeering lol but nm
The great and legendary Benson 🙌 ❤❤❤❤❤❤❤❤❤❤❤❤❤ ever unique and master of his craft 🙌 🎸🎸🎸🎸🔥🔥🔥🔥🔥🔥🔥🔥
You could really see see how raw George's playing was at this stage of his career. He had only been playing this style a couple years at this point. Before that he was been playing in R&B bands in bars, small clubs and juke joints. In this particular video you can hear it and see it. He hadn't developed his signature sound yet. Ten years later he was selling 10's of millions of albums. The "Breezing" album is quintessential George Benson but I dig this stuff much more.This is an incredible clip.
Raw GB❤
What a groove!
I Love this early GB playing a Florentine cutaway Gibson Super 400 in a Sunburst finish!
It's the "Cookbook" band!
Lonnie Smith...Ronnie Cuber..
I am embarrassed to say I can't remember the name of this tune-but it is indeed from "Cookbook"..
Thanks so much for posting this!
What a treat!
I think it's called "Benson's Rider".
unreal talent then and now
For all of you dropping names of other artists who may have influenced George, Thanks. I grew up listening to soul and Funk of the 70’s. I listened to GB, Grover, Joe Sample etc, but am still making many jazz and blues discoveries. So when you say, “hey listen to this guy,” others of us will benefit because we will go listen. I play piano, and I have a chance to learn so much now from TH-cam, so keep those recommendations coming. They may irritate a few,(although I can’t imagine why) but we all benefit in the long run.
Amazing he’s only 23 here, and he still sounds like George Benson. He found his voice early.
Lonnie Smith, organ, t Ronnie Cuber, bari sax, Billy Kaye on Drums.
I wonder what George Benson is thinking when he sees this video. " Darn! That young man was incredible! Whoever he is!" LOL!
That lick 3:00 to 3:05 awww man !....❤
By far the best guitarist still alive
Maybe, but Kenny Burrell is still my favorite
Benson's cranking that Fender Showman amp. According to an interview, Wes Montgomery was using one the first time George saw him. He said he was impressed with the amp. (As well as with Wes, of course!)
Really cool video, and the groove is amazing! But George was messing around with the volume because he was trying to find a good balance between having a decent volume, but with no distortion (the guitar was a bit distorted when the volume was full on 10). If you turn the volume too low, you loose a bit of body and dynamics. Awesome Super 400 by the way!
Yes, i think that searching for tone during the performance adds so much for the listener. That variation of volume, distortion and tone sounds so good for me. Maybe sometimes the journey's better than the destination.
And he was plugged into a Showman and those things don’t break up unless you turn it to 10!
Cool! How old is he here? 18? At the most, I bet. Man, the guy can play!
Melvin Sparks sounded a lot like GB on this clip
George playing the guitar - or just the knobs! To funny. So good.
Oh... I better go back and check it again. I know Jimmy's sound, and I could've sworn that was him... I could be wrong but you (and whoever labeled the video) could be too...
3:01 what a killer line
やっぱり天才は若い頃から天才なんだ😅
Killing it at 23. But you could tell he wasn't all that thrilled with his sound, as he was constantly adjusting his volume and tone knobs on his guitar throughout his set. But he was still finding his tonal voice, and the right equipment was forthcoming...
He only has one defect, he isn't and he doesn't want to be my man either...
😢😢😢😢😢😢😢😢
Wow, that tone, that groove.
Love George, local fella..,.this reminds me of Grants High Heeled Sneakers
he wa playying also rythmic at that time Woow but now everybody is just trying to noodle with solos on the fretboard whearas rythmic is also important