Seven? The images of scrawlings by a mad man, font style, coupled with the creepy music, and that an actors name was left out to maintain mystique until the final scenes is great!
It's a brilliant opening sequence, titles and the weird bit with the other movie playing at first! Really disappointed not to see Monty Python and the Holy Grail on here!!
2001: A Space Odyssey. A black screen, the same/similar dimensional ratio as the monolith (albeit on a 90 degree turn), the same rumbling music later emitted by the monolith, then after more than 3 minutes, the sun rise over the earth and moon and that music....
Kevin Striker I can't believe they were able to make that movie in the 80's. I listen to the soundtrack often. Genius. It helps that Ridley Scott has a PhD in art.
I was waiting for Vertigo, I could never forget that ingenious title sequence. Especially for a 1958 film, I was very impressed. And there it was, among the number one.
10 - Enter the Void 9 - Goldfinger 8 - Catch Me If You Can 7 - Dr. No 6 - Touch of Evil 5 - Fight Club 4 - Lord of War 3 - Taxi Driver 2 - Lolita 1 - Everything by Saul Bass
My uncle got a Saul Bass Poster Book for christmas one year, but left it behind when he went home. I've had my eye on it for years. His artworks are so simple, yet so eyecatching, letting you know exactly what the film is about
Alien is my favorite movie, and the opening scene definetly sets the tone for the movie. Just a blank starring into space and then being blinded by the omnious dark planet, while trying to work out what exactly is being spelled across the screen, and even tho we're starting to realize the word, we anxiously almost panic for it to finish cause its getting even more unsettling: /-l l_ I E /V Also the soundtrack is deeply horrowing, very long, oblivious and myserious.
Hooray! I don't know what my favorite movie is, never will know.... but "Alien" is in like a ten-way tie for first place and that's one of the many reasons. I was so happy to see your comment because I've championed this film over so many of my friends picks that usually lean towards just more of everything; more cool-person dialogue (no matter which character it is, essentially making everybody cool-- unrealistic)... more fighting, more explosions, more things happening at the same time, more hand-held indecipherable action... just... more. They of course, disgustingly predictably prefer the sequel, "Aliens". Though it's fun, it's childish compared to the first film and helped kick off that trend I hate so much of "more". That trend has made me want to leap off a cliff. Alien was just a smarter move, without question. I find it hilarious (and frustrating) that I had to wait so many years to see people come forward enough to give that film the credit it deserves, fighting for a voice among all the buffets of schlock served in our faces. Alien is so full of detail to make a film at that time (1979!) seem real and possible, it's a crime to let it slide beneath the lists of greatness. From the acting that seems like we've just peaked in on real people, to the unbelievably interesting set pieces (NOTHING like it before. Nothing.)... to things like the scale of the people compared to the alien cranked ship... it's truly something wonderful. I agree with you.
No Se7en? Such a shame it isn't included on this list. Now that gives you a feeling how the film will be, perfect set-up and tone for te movie that is to come
Scott Pilgrim vs. The World. Hands down the best title sequence I've ever seen. It comes screaming at you seemingly out of nowhere, it looks just fantastic and is completely in line with the theme of the movie. I just love it.
You guys have the best "Top 10s". No other cine top 10s on TH-cam have the same level of cinephile vibe as yours. Your's are always a delight to watch!
Very interesting point! And truthfully a valid question to be taken into consideration. I, myself, a quite fine with them including it. I think it's, in terms of design, a brilliant piece of work. But there are many brilliant opening sequences, so I also couldn't say I would be super bothered if they didn't include it. I think it's important to mention it, though.
When always thinking of establishing tone in a sequence I always think of Alien first, it just perfectly sets up the mood and feeling of imediate dread
I'm happy that _Fight Club_ was on this list but sad that there was no mention of _Skyfall_. I'm not a hardcore fan of the franchise but I was mesmerized by the beginning of that movie (and not just because of Adele) the first time I saw it (in a theater) and I definitely would've given it a place here.
MAK they already had two bond films (one could possibly make a list comprised solely of bond films) and possibly didn’t want another one, I agree it is a cracking sequence though particularly how it blends into the action.
I would have preferred Casino Royale, myself. I like how it sets itself apart from most other Bond themes by being more intense and action-packed, instead of slow-paced and erotic -- a clear cut away from previous Bond films, just like the movie was supposed to be. The total lack of T&A made for a refreshing change, as well.
Cinefix is known for honoring the original, the progenitor, the classic ones more. And dare I say it's reasonable. Skyfall is basically an homage to the previous styles of Bond's title sequences. So, it is modern, but hell to the no that it is original.
JFK. A seven minute prologue with the titles. No messing around, just jumped straight into the story. The John Williams soundtrack just adds to the sequence perfectly.
Monster's Inc is a clear homage to the big man at 1. or in the extreme least an inspired title sequence to so much that was mentioned in this video. No?
Lt. Col. Frank Slade Møøse choreographed by HORST PROTT III Møøse noses wiped by BJØRN IRKESTØM-SLATER WALKER Suggestive poses for the møøse suggested by VIC ROTTER
Magnum force's opening is brilliant, imagine - you go to the cinema, wait for the trailers to end and then, you suddenly get blasted with Lalo Schiffrin's amazing soundtrack along with the enormous magnum gun in the screen, almost out of the projector - and then, when it ends with Clint's amazing dialogue as Harry Callahan ("This is a magnum 357, the strongest handgun from the world that can blow you head clean off, and you just have to sak yourself. Do you feel lucky, well do you punk?") and then, POW! BANG! cut to black for 01 second and a half and suddenly the story begins. Amazing intro and end titles.
I have to think of "The Untouchables". Years ago, I was going through some old video cassettes when I stumbled upon the title sequence of that movie. And just the way how simple it was designed, together with Ennio Morricone's menacing theme, got me hooked.
I like the title sequence in West Side Story, which actually appears at the end. It's so simple, yet depicts the street gang culture with the titles as graffiti, as the camera moves from spot to spot throughout the neighborhood. It's also pretty emotionally powerful with the music, after the main character has died and only then does everyone involved finally realize the mistake of their hatred and racism. Anyway, the ending title style with the music is like a funeral, very somber, but fitting. Also I'm glad they showed Napoleon Dynamite if not put it in the list, I was thinking that's another title sequence that uses simplicity creatively.
bigz3011 that opening title sequence is so cool. I don’t think that it properly sets up the tone for the movie though. It makes it seem like this badass thriller but the movie really isn’t that. Still cool though.
"Drive" had one of the best openings in recent years, followed by an incredibly stylized and effective title sequence. After the breathless chase sequence thru the streets of LA, the titles begin with those 80s inspired neon pink cursives as Kavinsky's moody "Nightcall" sets the tone under shots of Driver slowly cruising, pensive and alone. It did so many things at once- set the time and place as somehow "other", even tho it looked modern. It dialed back the adrenaline and demonstrated that Driver was in complete control at all times, whether going fast or slow. It let you know that this was a fantasy rooted in reality, or maybe a realistic drama with elements of the fantastical. It let you know that this movie was probably nothing like you expected, and then the movie kept that promise.
Mission: Impossible has had and always will be my favourite cold open followed by a title sequence that teases the movie perfectly without giving away the plot.
mayank sharma ....i can see why. Seriously even that weird website that when you move your mouse the thing moves and things flash didnt make me feel like that. i felt like i was watching electric soldier porygon
Monty Python and the Holy Grail!!!!!!! It has my absolute favourite opening titles sequence of all time and it didn't even get a look in! You mentioned ONE comedy one in passing! Terry Gilliam did such an amazing job - he should get some credit for his credits!
Glad to see personal favorite, Vertigo, made the honorable mention montage with #1. Especially liked the Bernard Hermann theme, all very state of the art for the late 50's.
That awful flashing is also bad for people like me, who have vertigo issues and my husband has it even worse. I had to hold my hand over that on my screen (iPad) until it was over!!! Even doing that, I still got nauseous. 🤭🥴🤢‼️
My all time favorite got a quick nod toward the end: the gorgeous, brilliantly evocative and enigmatic opening sequence of To Kill a Mockingbird! It sets up the innocence of childhood and foreshadows the loss of that innocence while cleverly introducing us to various little ephemera that come directly from the story. And that SCORE!
for me Se7en's intro was as genius as fight club. A dfferent style but deserved to be a top 10 pick. The introduction to the serial killer that is confusing at first but upon watching the movie again you see so many clues you didnt see in the title sequence the first time. Absolute brilliance.
“ o brother where art thou?” Has a phenomenal opening sequence. The old timey font, visually appealing shot, and “big rock candy mountain” perfectly sets up the premise of the movie while also being an amazing song
The opening sequence which is the title sequence of "Swordfish" is a must. It sets the tone for the whole movie. From the close up to the conversation with the detectives about how the changes suggested to previous movies wouldn't work, it sets the tone and had one of the best opening speeches in cinema history. Think what you want of the movie itself, credit needs to be given to the title sequence.
Ghost In The Shell. The creation of a cyborg body inter-cut with numbers that mechanically cycle through with the sound of a sped up typewriter until they become credits, while some terrific and unique music plays over the top.
I just discovered your channel yesterday and I'm now hooked. I've been binge watching video after video. You've either selected sequences per countdown that I would've chosen myself or have inspired me to add new films to my watchlist. Well done!
The opening credits to Vertigo--with that perfect blend of Bernard Herrmann's score and Saul Bass's design/imagery--are the perfection of cinematic art... Genius combined is exponential.
Reservoir Dogs should have been picked under "coolest movie title sequence ever". 6 guys in black suits and shades walking in slow motion to a 70s (although technically 60s) classic with a ridiculously cool rock intro- you can't get much better than that- though I always thought it should have been filmed in black and white.
Reservoir Dogs' title sequence is mentioned, however the story behind how that footage ended up being the title visuals and how it was literally test footage that was "stretched" to fill the needed length of time to satisfy union stipulated credit duration and was a last moment filler that was then matched up to some post-production existing music, the legal use of which was under dispute at the time, all points to a slapped together title run. The whole reason it is in slow motion is because it was not long enough, not because of any directorial insight. It is accidentally fitting.
@@NimrodClover And it's not even real slow motion. Since the footage wasn't recorded at a high frame rate that would allow seamless slow motion playback, Tarantino apparently just doubled up on each frame to "stretch" it out, as you mentioned. Which is actually brilliant, of course.
Navesblue The opening of The Big Lebowski was great to watch, but when I read the screenplay, I found myself laughing even more. They are very good at writing and phrasing things in funny ways. I can see why producers are willing to make financial risks to make the bro's movies happen.
Your choices kick arse, there brilliant. 😮 when I was 14 I went to the cinema to watch The Untouchables, the music, the monochrome shadows slowly revealing the films title and the last drum beat showing a birds eye view of Capone getting a shave on a beautiful tiled floor, it's a portrait. I knew straight away that the film was going to be fantastic and along with "Empire of the sun" it's the only film I've gone to the cinema to see twice within week.😮
MAVIIgalaxy I wondered the same thing. It seemed very out of place in what I thought was an excellent film. However, when i read what he had to say about the opening it made a little more sense to me
"Signs," which has this strange swelling chord that accomanies the opening credits with a totally odd and discomforting green color. It's an "OK" movie that does not live up to that opening, which somehow feels like something from the 50's which adds to the tension.
Totally agree with you on Fight Club. Personally, I think the intro for Casio Royal was brilliant, capture the intrigue of international espionage with gambling motifs... really brilliant.
I suppose I didn't really expect Monty Python and the Holy Grail to have a spot on here, but a mention at least, lol.
Wi nøt trei a høliday in Sweden this yër?
TheEarthwormZodiac yeah oh well
TheEarthwormZodiac We will now fire the people responsible for firing the translators.
no llama love from Cinefix
TheEarthwormZodiac I didn't expect it, but Monty python's life of Brian title sequence is actually amazing
Monsters Inc deserves an honorable mention
Doors, closets, monsters. Very well done
That was what came to my mind.
But then again, why not honnor the original of this, The Pink Panther...Catch me if you Can was also a tribute to this in a way...
Agreed
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Seven? The images of scrawlings by a mad man, font style, coupled with the creepy music, and that an actors name was left out to maintain mystique until the final scenes is great!
Definitely deserves 2nd or 3rd spot
@@yahya-s-ahmed Yeah, and I don't even think much of the film itself. (Fincher's Zodiac is a much better serial killer thriller.)
@@AgentOccam zodiac is also a great movie
But seven was something very special and novel at the time
th-cam.com/video/ecbmy50sl0M/w-d-xo.html
Yeah I was just waiting for it and it never came
and it's like one of the most disturbing title sequences ever
I think Monty Python - Search for the Holy Grail at least deserves a mention. the title perfectly sets the tone for the silly movie with silly humour
Glad to see the comment was made before I could!
I bet they didn't even think of it. It really deserved a place in this top
Thom G I was waiting for the holy grail!!
It's a brilliant opening sequence, titles and the weird bit with the other movie playing at first! Really disappointed not to see Monty Python and the Holy Grail on here!!
the people responsible for making this list have bern sacked
2001: A Space Odyssey. A black screen, the same/similar dimensional ratio as the monolith (albeit on a 90 degree turn), the same rumbling music later emitted by the monolith, then after more than 3 minutes, the sun rise over the earth and moon and that music....
I agree - it's building expectation with minimalism and music.
Another great intro is the intro to "The Ten Commandments" by Cecil B. DeMille.
i got chills just thinking about it
The first 3 minutes with a black screen and music is an overture. They do that for long old movies.
se7en’s opening sequence perfectly sets up the eerie and dark mood for the film
I didn't even know that was John Doe until I saw this video.
Se7en slept-on in this list.
musically dark thanks to nine inch nails. AKA trent reznor.
Top 10 endings of all time must be next!!!
KissMyAsthma whiplash!!!!
KissMyAsthma they've done it already
the Godfather number 1
Maybe not so endings but end credits.
Do you mean Ending Credits?
Because movie endings they have covered already.
LOVE the title sequence for "Catch Me If You Can." Perfection.
There ought to be an Oscar category for opening and closing credits...🤔😎🏆
I agree 100%!
Enjoy the minimalism of Blade Runner's opening sequence. The music by Vangelis just makes it.
Kevin Striker I can't believe they were able to make that movie in the 80's. I listen to the soundtrack often. Genius.
It helps that Ridley Scott has a PhD in art.
In 2015 he received an honorary doctorate from the Royal College of Art in London.
I think intro music deserves a mention, music alone is what makes the opening scene of (for example) hateful eight so incredible, nothing else
unfortunately, they don't do soundtrack/score lists due to copyright issues.
Nathaniel Bugalou Oh yeah, they could show a few seconds though right ? Not sure
i don't really know how any of that works
They could do the whole song because it's fair use. TH-cam's system is however broken
They could change the pitch of the song, but it could ruin the intention of using it
I was waiting for Vertigo, I could never forget that ingenious title sequence. Especially for a 1958 film, I was very impressed. And there it was, among the number one.
That would have made my list.
Absolutely
10 - Enter the Void
9 - Goldfinger
8 - Catch Me If You Can
7 - Dr. No
6 - Touch of Evil
5 - Fight Club
4 - Lord of War
3 - Taxi Driver
2 - Lolita
1 - Everything by Saul Bass
Love lolita
Lord of war was my favorite
Enter the Void, Taxi Driver and Catch Me If You Can are my favs
Absolutely they forgot to put *a clockwork orange*
My uncle got a Saul Bass Poster Book for christmas one year, but left it behind when he went home. I've had my eye on it for years. His artworks are so simple, yet so eyecatching, letting you know exactly what the film is about
This Top 10 is the reason why I love this channel.
So you didn't love it until today?
I immediately thought of North by Northwest and Vertigo, so I can't argue with your number 1.
"Watchmen" is hands down my favorite and "Lord of War" my second favorite.
yeah, I watched the Watchmen titles over and over. It is so informed about comics!
The titles of both these films were the best part of them.
Watchmen and Seven at least were recognized, but those are maybe the two best title sequences ever. I don't know which one is best, probably Watchmen.
The only good thing about XMEN origins was the title sequence with the montage of Wolverine and Sabertooth fighting through different wars.
TRUE!
Yes ! That imagery through time and wars is just brilliant and done perfect in my opinion.
Diego Morett I was convinced it would be on the list. That scene was the first thing to spring to mind when I saw the title of this TH-cam video!
Or at least mentioned
Oooh, good one. Agreed it should be on the list.
Couldn't agree more. Bass was The Man. "Walk on the Wild Side" alone proves it. A masterpiece, that opening!
Tropic Thunder!!!!! The fake trailers were genius
killruben3 oh that is a good one
@@elchamber I think you misspelled "...a good...". The correct sequence of letters is "...the best..." ;-)
Lol
The greatest part was Tobey Mcguire marqueed as "MTV Movie award's best kiss winner" in the trailer. That trailer didn't pull any punches! Hahaha
killruben3 And Deadpool made us actually read them!
I thought #1 was a cop out! But... at "...you can ***k right off" I subscribed. 👍🏻
Orrin Monro
It was pretty perfect delivery, yeah. 😁
Haha me too. Brilliantly done. Came to check the comments because of it
Me too
Yep, same.
Me too
Alien is my favorite movie, and the opening scene definetly sets the tone for the movie. Just a blank starring into space and then being blinded by the omnious dark planet, while trying to work out what exactly is being spelled across the screen, and even tho we're starting to realize the word, we anxiously almost panic for it to finish cause its getting even more unsettling: /-l l_ I E /V
Also the soundtrack is deeply horrowing, very long, oblivious and myserious.
I agree. The simplicity is what makes it so effective.
You can thank Jerry Goldsmith for that haunting title sequence. I also like the Alien 3 title sequence.
Hooray! I don't know what my favorite movie is, never will know.... but "Alien" is in like a ten-way tie for first place and that's one of the many reasons. I was so happy to see your comment because I've championed this film over so many of my friends picks that usually lean towards just more of everything; more cool-person dialogue (no matter which character it is, essentially making everybody cool-- unrealistic)... more fighting, more explosions, more things happening at the same time, more hand-held indecipherable action... just... more. They of course, disgustingly predictably prefer the sequel, "Aliens". Though it's fun, it's childish compared to the first film and helped kick off that trend I hate so much of "more". That trend has made me want to leap off a cliff.
Alien was just a smarter move, without question. I find it hilarious (and frustrating) that I had to wait so many years to see people come forward enough to give that film the credit it deserves, fighting for a voice among all the buffets of schlock served in our faces.
Alien is so full of detail to make a film at that time (1979!) seem real and possible, it's a crime to let it slide beneath the lists of greatness. From the acting that seems like we've just peaked in on real people, to the unbelievably interesting set pieces (NOTHING like it before. Nothing.)... to things like the scale of the people compared to the alien cranked ship... it's truly something wonderful. I agree with you.
'Oblivious'? Odd word choice.
No Se7en? Such a shame it isn't included on this list. Now that gives you a feeling how the film will be, perfect set-up and tone for te movie that is to come
It was mentioned very briefly, I was hoping they would too because its great.
It got a honorable mention.
Yes indeed I heard that but I wanted it to be a real spot hahaha
Starwarsfantommy And as well as setting the tone, it's really the start of the plot.
Very true!
I hope Enter the Void is mentioned.
Eyyyyy.
Daniel Crowley Fuckin lmao,man
Samee lmao
Snatch is a really great opening sequence, which really embodies the tone and style of the film and gets us familiar with the characters.
Yes
Scott Pilgrim vs. The World. Hands down the best title sequence I've ever seen. It comes screaming at you seemingly out of nowhere, it looks just fantastic and is completely in line with the theme of the movie. I just love it.
You know they actually used a really long hallway for it? No cgi
Scott Pilgrim is definitely one of my favourite
Great movie, shitty music, except for Bire Larson's version of Black Sheep, of course.
I was really amazed this was not even mentioned!
@@macsmith2013 easy there buddy. Launch pad mcquack is pretty damn good
SAME. You know it's not cgi? They genuinely just had a really long hallway
You guys have the best "Top 10s". No other cine top 10s on TH-cam have the same level of cinephile vibe as yours. Your's are always a delight to watch!
I was worried you wouldn't mention Saul Bass :D Good ending!
Niko Kääpä unlike watchmojo, these guys really deliver each time
Unfortunately, they included 'Catch Me If You Can', which is derivative of Saul Bass' work, instead of a more memorable opening sequence.
Very interesting point! And truthfully a valid question to be taken into consideration. I, myself, a quite fine with them including it. I think it's, in terms of design, a brilliant piece of work. But there are many brilliant opening sequences, so I also couldn't say I would be super bothered if they didn't include it. I think it's important to mention it, though.
Cinefix is so mesmerizing. I love learning everything it has to offer, and I can't stop watching their intelligent, interesting videos!
The opening sequence of 2001 A Space Odyssey, with the background music of Also Sprach Zarathustra, is a masterpiece by itself. Mesmerizing...
I was hoping to see David Fincher's "The Girl With The Dragon Tattoo," but whatevs.
i was about to comment that...like, right?
me too. Great opening.
honestly, you could add any Fincher opening to the list. My fav was Seven.
@@creepwood77It was mentioned, though very briefly.
Yes, that's a great one!
In my first semester of college I had to research Saul Bass, prepare a lecture about him and create a poster and a mobile based on his work
show as the poster, I'm curious
When always thinking of establishing tone in a sequence I always think of Alien first, it just perfectly sets up the mood and feeling of imediate dread
Watchmen and The Warriors are my favorite opening credits of all time, they're fantastic!
I'm happy that _Fight Club_ was on this list but sad that there was no mention of _Skyfall_. I'm not a hardcore fan of the franchise but I was mesmerized by the beginning of that movie (and not just because of Adele) the first time I saw it (in a theater) and I definitely would've given it a place here.
MAK they already had two bond films (one could possibly make a list comprised solely of bond films) and possibly didn’t want another one, I agree it is a cracking sequence though particularly how it blends into the action.
I would have preferred Casino Royale, myself. I like how it sets itself apart from most other Bond themes by being more intense and action-packed, instead of slow-paced and erotic -- a clear cut away from previous Bond films, just like the movie was supposed to be. The total lack of T&A made for a refreshing change, as well.
@@dr4c0blade Both excellent choices but I think Goldeneye's tops both.
Cinefix is known for honoring the original, the progenitor, the classic ones more. And dare I say it's reasonable. Skyfall is basically an homage to the previous styles of Bond's title sequences. So, it is modern, but hell to the no that it is original.
CuriousCase007 it is very distinctive, plus the voice of Tina Turner is excellent.
JFK. A seven minute prologue with the titles. No messing around, just jumped straight into the story. The John Williams soundtrack just adds to the sequence perfectly.
you guys choose the strangest upload times out of any youtube channel I've ever seen 😂
Kevin Guimond you're the one watching at said strange time
Kevin Guimond Wut 9am
Cameron Trivett bruh it's 5am where I am east coast us lol
it's a perfect time in south east asia
Monty Python & The Holy Grail and Monsters Inc. got snubbed hard.
Monster's Inc is a clear homage to the big man at 1. or in the extreme least an inspired title sequence to so much that was mentioned in this video. No?
Or the Life of Brian
Underrated pick here? “Miracle” opening with a montage of news clips leading up to the story. Genius way to show historical context.
How did you didn't mention Monty Python and the Holy Grail's hilarious title sequence?
i just posted a comment about this too. I cant believe that.
Talk about setting up the tone...
Lt. Col. Frank Slade A Møøse once bit my sister... Hahahaa oh my god! It kills me everytime I watch it..
FerGarza88
Those responsible for sacking the people who have just been sacked have been sacked.
Lt. Col. Frank Slade
Møøse choreographed by HORST PROTT III
Møøse noses wiped by BJØRN IRKESTØM-SLATER WALKER
Suggestive poses for the møøse suggested by VIC ROTTER
Only an honorable mention for Seven? Come on ...
Magnum force's opening is brilliant, imagine - you go to the cinema, wait for the trailers to end and then, you suddenly get blasted with Lalo Schiffrin's amazing soundtrack along with the enormous magnum gun in the screen, almost out of the projector - and then, when it ends with Clint's amazing dialogue as Harry Callahan ("This is a magnum 357, the strongest handgun from the world that can blow you head clean off, and you just have to sak yourself. Do you feel lucky, well do you punk?") and then, POW! BANG! cut to black for 01 second and a half and suddenly the story begins. Amazing intro and end titles.
I have to think of "The Untouchables".
Years ago, I was going through some old video cassettes when I stumbled upon the title sequence of that movie. And just the way how simple it was designed, together with Ennio Morricone's menacing theme, got me hooked.
Scott Pilgrim Vs the World has a really cool one :)
I like the title sequence in West Side Story, which actually appears at the end. It's so simple, yet depicts the street gang culture with the titles as graffiti, as the camera moves from spot to spot throughout the neighborhood. It's also pretty emotionally powerful with the music, after the main character has died and only then does everyone involved finally realize the mistake of their hatred and racism. Anyway, the ending title style with the music is like a funeral, very somber, but fitting.
Also I'm glad they showed Napoleon Dynamite if not put it in the list, I was thinking that's another title sequence that uses simplicity creatively.
Betting something from Saul Bass is going to be number one like Vertigo or Psycho maybe.
Although I do agree with this list, I think Monty Python and the Holy Grail should have at least gotten a deserving honourable mention
I love how you handled #1. 15 minutes flew by as I wondered which of his you were going to give the award to. Perfect
6:07 Pretty sure that's not Watchmen.
some hardcore nitpicking right here
Amit Klain looked like the opening title from Watchmen to me....
that's Warriors, but they did show Watchmen seconds before
;3
Are you blind? they show Watchmen right when He mention it
Watchmen opening deserved it's own place :(
totally
No capes! -Edna Mode
Watchmen and Girl with the Dragon Tattoo were my two favorites
Absolutely! I think Watchmen's is one of the best opening scenes of all time
good one
Monty Python and the Holy Grail's opening credits perfectly sets the tone for the film, and it deserves the #1 spot imo
The Girl With the Dragon Tattoo (U.S.)?!
i agree with you, the david fincher´s version is beautiful.
I was looking for someone else thinking on The Girl With the Dragon Tattoo
bigz3011 that opening title sequence is so cool. I don’t think that it properly sets up the tone for the movie though. It makes it seem like this badass thriller but the movie really isn’t that. Still cool though.
"Drive" had one of the best openings in recent years, followed by an incredibly stylized and effective title sequence. After the breathless chase sequence thru the streets of LA, the titles begin with those 80s inspired neon pink cursives as Kavinsky's moody "Nightcall" sets the tone under shots of Driver slowly cruising, pensive and alone. It did so many things at once- set the time and place as somehow "other", even tho it looked modern. It dialed back the adrenaline and demonstrated that Driver was in complete control at all times, whether going fast or slow. It let you know that this was a fantasy rooted in reality, or maybe a realistic drama with elements of the fantastical. It let you know that this movie was probably nothing like you expected, and then the movie kept that promise.
I loved the beginning for Catch If You Can, one of my favorites of all time
The American Girl With the Dragon Tattoo was simply beautiful.
Impossible to name them all, of course. Some really good choices here.
Contact comes to mind.
It always pleases me to see a movie lover that can remember that there were movies made more than 5 years ago. Great picks.
Mission: Impossible has had and always will be my favourite cold open followed by a title sequence that teases the movie perfectly without giving away the plot.
I'll have to watch it again.
Sleep can wait.
Not even a nod to Saturday Night Fever? Blade Runner’s absence is also totally perplexing
“Wet, Hot, American Summer”
All-Time Best, imho
I wish Monty Python films were in this video. Either Holy Grail or Life of Brian or both should've been in one of the categories.
I nirmally dont react this way but 10 actually made my left eye hurt enough that i was afraid i might start to have a stroke and had to cover my eyes.
Connor notyerbidness there is an epilepsy warning in the Beginning of the title sequence
mayank sharma ....i can see why. Seriously even that weird website that when you move your mouse the thing moves and things flash didnt make me feel like that. i felt like i was watching electric soldier porygon
Spider-Man 2 with the webbed pictures and theme is fantastic
I was thinking of that too!
Agree whole heartedly with pick no 1
This needs to be updated with the Tenet opening
What?
You guys didn’t disappoint... My favorite has always been Spartacus... Saul Bass..
Seven in my opinion has the best title sequence.
Anirban Biswas absolutely
For me, its Persona
Anirban Biswas One of my faves too.
Love the homage to Saul Bass and would add his "title" sequence, which are also the credits, of West Side Story at the end the film.
"No Country for Old Men." The west Texas scenery with Tommy Lee Jones' narration over it was perfect.
Scott pilgrim vs the world has an awesome fucking intro!!!
Monty Python and the Holy Grail!!!!!!! It has my absolute favourite opening titles sequence of all time and it didn't even get a look in! You mentioned ONE comedy one in passing! Terry Gilliam did such an amazing job - he should get some credit for his credits!
"Monty Python-Holy Grail"....a llama bit my sister....'nuff said.
Glad to see personal favorite, Vertigo, made the honorable mention montage with #1. Especially liked the Bernard Hermann theme, all very state of the art for the late 50's.
*epilepsy warning*
Thank you
That awful flashing is also bad for people like me, who have vertigo issues and my husband has it even worse. I had to hold my hand over that on my screen (iPad) until it was over!!! Even doing that, I still got nauseous. 🤭🥴🤢‼️
Had to close my eyes, horrible.
My all time favorite got a quick nod toward the end: the gorgeous, brilliantly evocative and enigmatic opening sequence of To Kill a Mockingbird! It sets up the innocence of childhood and foreshadows the loss of that innocence while cleverly introducing us to various little ephemera that come directly from the story. And that SCORE!
Before I watch Deadpool better be on this list, that opening title sequence was hilarious!
for me Se7en's intro was as genius as fight club. A dfferent style but deserved to be a top 10 pick. The introduction to the serial killer that is confusing at first but upon watching the movie again you see so many clues you didnt see in the title sequence the first time. Absolute brilliance.
“ o brother where art thou?” Has a phenomenal opening sequence. The old timey font, visually appealing shot, and “big rock candy mountain” perfectly sets up the premise of the movie while also being an amazing song
I would love to see a complete 1-hour essay just about opening titles.
The opening sequence which is the title sequence of "Swordfish" is a must. It sets the tone for the whole movie. From the close up to the conversation with the detectives about how the changes suggested to previous movies wouldn't work, it sets the tone and had one of the best opening speeches in cinema history. Think what you want of the movie itself, credit needs to be given to the title sequence.
Ghost In The Shell. The creation of a cyborg body inter-cut with numbers that mechanically cycle through with the sound of a sped up typewriter until they become credits, while some terrific and unique music plays over the top.
"You can *beep* right off!"
Damn it,, this channel is awesome!
You guys left out THE HUNGER (1983). Bauhaus performing Bela Lugosi's Dead during the opening disco scene is the BEST!
I just discovered your channel yesterday and I'm now hooked. I've been binge watching video after video. You've either selected sequences per countdown that I would've chosen myself or have inspired me to add new films to my watchlist. Well done!
Where's Drive?
I know, I was about to make this comment myself.
Dallas Campos it's one of the best. The opening is exactly what that film is in just a few minutes
In the shelf of WANNABE SHITTY movies.
Rubén Gómez Radioboy bro...shut the fuck up. what are you twelve? what's your favorite movie?
ButchDickey Hahahahaha Try harder
I love the Terminator II opening sequence! And X Men Days of Future Past.
The opening credits to Vertigo--with that perfect blend of Bernard Herrmann's score and Saul Bass's design/imagery--are the perfection of cinematic art... Genius combined is exponential.
love the watchman's opening sequence
Someone broke the first and second rule
My all time favorite.
The opening of "Once Upon A Time In The West".
Also my all time favorite western!😁👍
@Michael Walton Mine too!
hey! you guys jackrf my bit!
great list as always though.
Mother's Basement Jackrf... nice
“Wet, Hot, American Summer”
All-Time Best imho
Reservoir Dogs should have been picked under "coolest movie title sequence ever". 6 guys in black suits and shades walking in slow motion to a 70s (although technically 60s) classic with a ridiculously cool rock intro- you can't get much better than that- though I always thought it should have been filmed in black and white.
Reservoir Dogs' title sequence is mentioned, however the story behind how that footage ended up being the title visuals and how it was literally test footage that was "stretched" to fill the needed length of time to satisfy union stipulated credit duration and was a last moment filler that was then matched up to some post-production existing music, the legal use of which was under dispute at the time, all points to a slapped together title run. The whole reason it is in slow motion is because it was not long enough, not because of any directorial insight. It is accidentally fitting.
@@NimrodClover And it's not even real slow motion. Since the footage wasn't recorded at a high frame rate that would allow seamless slow motion playback, Tarantino apparently just doubled up on each frame to "stretch" it out, as you mentioned. Which is actually brilliant, of course.
great stuff. and spot on regarding Saul Bass! 😂
SE7EN. The most interesting opening credits ever! The tone was set perfectly.
I'm a little miffed that The Nightmare Before Christmas, Monsters Inc. and The Big Lebowski didn't get an honorable mention anywhere in here.
Navesblue
The opening of The Big Lebowski was great to watch, but when I read the screenplay, I found myself laughing even more. They are very good at writing and phrasing things in funny ways. I can see why producers are willing to make financial risks to make the bro's movies happen.
Your choices kick arse, there brilliant.
😮 when I was 14 I went to the cinema to watch
The Untouchables, the music, the monochrome shadows slowly revealing the films title and the last drum beat showing a birds eye view of Capone getting a shave on a beautiful tiled floor, it's a portrait.
I knew straight away that the film was going to be fantastic and along with "Empire of the sun"
it's the only film I've gone to the cinema to see twice within week.😮
Just when I saw Nocturnal Animals opening title sequence...
DanteZzZ I know right? I wonder why Tom Ford would start the movie like that. Very cringe-worthy and uncomfortable haha
MAVIIgalaxy I wondered the same thing. It seemed very out of place in what I thought was an excellent film. However, when i read what he had to say about the opening it made a little more sense to me
To anyone else wondering why that sequence was put in, here's the article: www.vulture.com/2016/09/tom-ford-on-nocturnal-animals-opening-credits.html
I saw the film and the opening almost made me laugh
Yeah I was laughing out of uncomfortableness
"Signs," which has this strange swelling chord that accomanies the opening credits with a totally odd and discomforting green color. It's an "OK" movie that does not live up to that opening, which somehow feels like something from the 50's which adds to the tension.
Totally agree with you on Fight Club. Personally, I think the intro for Casio Royal was brilliant, capture the intrigue of international espionage with gambling motifs... really brilliant.
Fahrenheit 451 was mentioned but not how it was done completely without any writing, only spoken word, purposefully, because of the plot.