Telemann, always full of surprises. The guy could do anything musically, and apparently as easily as you and I type these comments on TH-cam. One of the most impressive musical geniuses to come out of Germany in the early to mid 18th century. There must have been something in the water back then.
I am born in Magdeburg the city where Telemann is born and short before Telemann was born the whole city was completely destroyed and the most citizens where murdered... With Bach and Händel and their cities it was similar. I think that the war and the things that followed it make the generation of Telemann and the others developing their skills because of having a better life
A Magnificent Magnificat ! So well-performed here. It is unfortunate that Telemann is so overshadowed by some of his German contemporaries, deserving a higher profile than he normally receives.
Ah YES!!! This is unmistakable>>K.Redel on that Early Philips Double CD \With Mathew 1730 Passion, some while back now; the latest Version is on Christophorus = Allabastrina Choir & Consort under Elena Sartori, rather good too. Have a very soft-spot for this Redel one!! Excellent Work! early too...circa 1705??
I do recall the first time I heard this>>K.Redel Version Philips, still holds one captive in its majesty & beauty!! An early work from this musical polymath, whose works are NOW gradually coming out in LOTS of First Editions! The CPO Label is always a Flagship for this unflagging innovator and admirable Maestro! V Fine Magnificat in C TRY the lighter Deutsches Magnificat in G! ;->Viva GPTELEMANN.
Künstler: Mieke van der Sluis (Sopran), Graham Pushee (Countertenor), Wilfried Jochens (Tenor), Philip Langshaw (Bassbariton), Harry van der Kamp (Bass), Alsfelder Vokalensemble, Barockorchester Bremen, Wolfgang Helbich
Not really strange: when Telemann began writing very young on commission he was very often asked to reproduce Ouverture-partitas in Lullian style. He was very aware of the french style! He reports this well in his famous autobiography.
@@dieterpeszat2105 In non-English speaking countries like here in Belgium his name is invariably pronounced wrongly with the accent ont the first syllable. It's PurCELL not PURcell. A parcel is not a 17th century composer but sth delivered by the webshop.
@@christianwouters6764 Interesting. Pronunciation is also different in the US than in the UK. - But the composer's name is Henry P u r c e l l (with two l at the end). Therefore my objection. - Kind regards from Germany.
@@christianwouters6764 Actually, the PURcell pronunciation is the correct one. Americans will often pronounce it the other way, but Wikipedia points out that that is a rare pronunciation.
@@AML2000 I read somewhere that after Purcells' death a poem was published where his name was made to rhyme to the word "bell" in the next verse. This would indicate the accent on the second syllable. This appears logical because words as parcel, morsel with one l are certainly otherwise pronounced. But I am not English speaking so it remains dark for me.
@@lanota5796 I know it is considered sacrilege to critizise Bach. Of course he was an absolute genius but his work also has some weaker points.The most obvious is the lack of structural variety. Every concerto has the same structure allegro/adagio/ allegro, every cantata from about 1710 on is choir/recitatives/arias/chorale. In that respect lesser considered contemporaries like Telemann were more inventif.
@@christianwouters6764 As a matter of fact, badmouthing Bach is musical blasphemy. His music may be "predictable"...if you have an IQ of 240 or higher. Because the overwhelming complexity Bach displays requires you a brutal mental capacity to anticipate. I'm studying the symphony of the cantata 35. Honestly, it's absolutely mind-blowing. The counterpoint, the modulations, the doble suspensions, the fugues, the inversions...oh good Lord! Telemann is nice. Bach is Bach.
![G.F. Telemann: "Wassermusik" Ouverture in C major TWV 55:C3 [Zefiro-A.Bernardini]](http://i.ytimg.com/vi/ki1asCYcH08/mqdefault.jpg)
Grandioso, magnífico, soberbio ; faltan adjetivos para calificar al gran maestro de maestros , Telemann inagotable . Bravo !!
Exceptional vocalists with impeccable diction. Delicious.
CarolusGustavusRex, whoever you are, thank you for uploading all of these sublime works by Telemann!
Meraviglioso!!! Telemann è il mio preferito, he is my favourite composer!!
Telemann, always full of surprises. The guy could do anything musically, and apparently as easily as you and I type these comments on TH-cam. One of the most impressive musical geniuses to come out of Germany in the early to mid 18th century. There must have been something in the water back then.
I am born in Magdeburg the city where Telemann is born and short before Telemann was born the whole city was completely destroyed and the most citizens where murdered... With Bach and Händel and their cities it was similar. I think that the war and the things that followed it make the generation of Telemann and the others developing their skills because of having a better life
A Magnificent Magnificat ! So well-performed here. It is unfortunate that Telemann is so overshadowed by some of his German contemporaries, deserving a higher profile than he normally receives.
I COMPLETELY AGREE!!!!!!
You can trust me my profile pic is Telemann
uno de los compositores mas proliferos de la historia de la musica...cuánta hermosura!!!!
Ah YES!!! This is unmistakable>>K.Redel on that Early Philips Double CD \With Mathew 1730 Passion, some while back now; the latest Version is on Christophorus = Allabastrina Choir & Consort under Elena Sartori, rather good too. Have a very soft-spot for this Redel one!! Excellent Work! early too...circa 1705??
Many thanks for posting this complete!!! Excellent version of one of Telleman's most well-loved works.
I do recall the first time I heard this>>K.Redel Version Philips, still holds one captive in its majesty & beauty!! An early work from this musical polymath, whose works are NOW gradually coming out in LOTS of First Editions! The CPO Label is always a Flagship for this unflagging innovator and admirable Maestro! V Fine Magnificat in C TRY the lighter Deutsches Magnificat in G! ;->Viva GPTELEMANN.
¡¡¡Otra maravilla del gran Telemann!!! Simplemente Grandioso. ¡¡¡Gracias CarolusGustavusRex!!!
Simply splendid.
Künstler: Mieke van der Sluis (Sopran), Graham Pushee (Countertenor), Wilfried Jochens (Tenor), Philip Langshaw (Bassbariton), Harry van der Kamp (Bass), Alsfelder Vokalensemble, Barockorchester Bremen, Wolfgang Helbich
Sublime
Sublime and rapturous divinity!
Assolutamente brillante!
the Vokalensembleis sings that very well, schöne Stimme !
¡Qué majestuoso!
Where was the picture taken? I think it is writen יהוה on the paint, which is the "holiest" name of god in hebrew
Yes, please! Where did you find the scores? Lots of folks really need to know. Thanks
Love !!!
Strange but interesting; the homorythmic chorus parts at the beginning sound a bit like French style (Lully).
Not really strange: when Telemann began writing very young on commission he was very often asked to reproduce Ouverture-partitas in Lullian style. He was very aware of the french style! He reports this well in his famous autobiography.
I hear Vivaldi … in some parts, of course … fx. 2:04 Quia Respex
Bravo!
Hier ist der Wohlverdienter Telemann-Kuss*!
Teleman enjoyed a long life.consider a lot composers died young.Such as purcel mozart pergolesi...
Purcell !
@@dieterpeszat2105 In non-English speaking countries like here in Belgium his name is invariably pronounced wrongly with the accent ont the first syllable. It's PurCELL not PURcell. A parcel is not a 17th century composer but sth delivered by the webshop.
@@christianwouters6764 Interesting. Pronunciation is also different in the US than in the UK. - But the composer's name is Henry P u r c e l l (with two l at the end). Therefore my objection. - Kind regards from Germany.
@@christianwouters6764 Actually, the PURcell pronunciation is the correct one. Americans will often pronounce it the other way, but Wikipedia points out that that is a rare pronunciation.
@@AML2000 I read somewhere that after Purcells' death a poem was published where his name was made to rhyme to the word "bell" in the next verse. This would indicate the accent on the second syllable. This appears logical because words as parcel, morsel with one l are certainly otherwise pronounced. But I am not English speaking so it remains dark for me.
Telemann eller Bachs kantater ligner hinanden så meget.
Not bad, but shure no Bach!
In comparison to Telemann, Bach is a bore. Bach is just too parochial. His music is too predictable.
@@lanota5796 I know it is considered sacrilege to critizise Bach. Of course he was an absolute genius but his work also has some weaker points.The most obvious is the lack of structural variety. Every concerto has the same structure allegro/adagio/ allegro, every cantata from about 1710 on is choir/recitatives/arias/chorale. In that respect lesser considered contemporaries like Telemann were more inventif.
@@christianwouters6764 It's not sacrilege at all. All the great composers have differing strengths and weaknesses .Bach is no exception .
@@christianwouters6764 As a matter of fact, badmouthing Bach is musical blasphemy. His music may be "predictable"...if you have an IQ of 240 or higher. Because the overwhelming complexity Bach displays requires you a brutal mental capacity to anticipate. I'm studying the symphony of the cantata 35. Honestly, it's absolutely mind-blowing. The counterpoint, the modulations, the doble suspensions, the fugues, the inversions...oh good Lord! Telemann is nice. Bach is Bach.
@@voxveritatis3815…. My apologizes- but sometimes less is more.