Fantastic composition Paganini greatest. Thank you for performing this and uploading it. We get to see the finger movements and bowing which produce this unique amazing beautiful music. Thank you. Thank you.
Podrías tocar Caprice 24? Con el mismo estilo y ritmo que el caprice 24 de David Garret? Por favor, su talento es increíble para interpretar esta obra de arte!.¡increíble!.
Cuando queremos escuchar a David Garrett, escuchamos a David Garrett. Cuando queremos escuchar a Sean Lee, escuchamos a Sean Lee. Ambos son buenos violinistas, pero son diferentes.
The best version. Effortless intervals and thoughtful fingering choices.
Thank you!
Krásna ľavá ruka.
Grazie, grandissima interpretazione e nuova prospettiva musicale ed ottica. Bravo!
thanks, this really help solve really chaotic fingering issues and confusions
Brilliant .. that's very difficult and you do it clearly 👏🏻👏🏻
Yeah, I agree.
Thanks for taking us along for the ride this is awesome!! Do you use a shoulder rest? Thanks!🙏🙏🙏
Yeahh !! Well done ! Can't wait for the caprice 24 : - D
Fantastic composition Paganini greatest. Thank you for performing this and uploading it. We get to see the finger movements and bowing which produce this unique amazing beautiful music. Thank you. Thank you.
Maybe you could do nel cor pui no mi sento next, just a thought?
¡Hermosa interpretación!
😱 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼 i love the tips video in this caprice too! Thank you!
Absolutely love this caprice!!
wow, this is amazing.
super genial
0:27
Hope the video about paganini 16 technique
I hope so, eventually!
😊👍🏽
❤️
😍😍😍❤🎻👏👏
Me gustaría tener las digitaciones
Podrías tocar Caprice 24? Con el mismo estilo y ritmo que el caprice 24 de David Garret? Por favor, su talento es increíble para interpretar esta obra de arte!.¡increíble!.
Cuando queremos escuchar a David Garrett, escuchamos a David Garrett. Cuando queremos escuchar a Sean Lee, escuchamos a Sean Lee. Ambos son buenos violinistas, pero son diferentes.
your bow strokes are bouncing?
Of course, its spicato...not detache I remember there being dots over the 16ths.