Maravilhosa aula do maestro Rademann sobre esta linda cantata do mestre Bach! ❤💕💖 🎵🎶🎵🎵🎶 Muito bom se constatar que Rademann vem mantendo a excelência do trabalho iniciado pelo grande Helmuth Rilling, respeitando uma tradição e dando-nos também sua visão interpretativa sobre a divinal música bachiana. Bravos para todos!!! 👏🏻👏🏻👏🏻👏🏻👏🏻 Obrigado por compartilharem conosco estes momentos de enorme arte. 🙏
Rademann's analysis is as surprising as it is enriching. Not only does Rademann explain Bach's multiple composition techniques in a very accessible way, he also reveals Bach's personal motives and thus he exposes the very soul of Bach. For me Rademann is the first director who makes the connection between Bach's early loss of both his parents, at the age of 10, and how Bach's grief over that loss works through in all his composing, even at the age of 45. The explanation of Verse 5: "Mit Mutterhänden leitet er..", reminds me of one of Rembrandt's greatest works: 'The prodigal son'. In that picture Rembrandt turns God's right hand into a woman's hand.. I can't wait till Rademann takes us through cantata BWV 129: "Mein Vater, der mich schützt von Mutterleibe an". Please give us more of these explanations! They make Bach accessible for a wide audience and enrich life with more understanding and the experience of one's personal emotions.
One hardly dares to contradict such a master of music. But! In this case it is not correct to speak of any “basic trust”. At least it must be said that the great Bach drew his basic trust solely from Jesus Christ
Maravilhosa aula do maestro Rademann sobre esta linda cantata do mestre Bach! ❤💕💖 🎵🎶🎵🎵🎶 Muito bom se constatar que Rademann vem mantendo a excelência do trabalho iniciado pelo grande Helmuth Rilling, respeitando uma tradição e dando-nos também sua visão interpretativa sobre a divinal música bachiana. Bravos para todos!!! 👏🏻👏🏻👏🏻👏🏻👏🏻
Obrigado por compartilharem conosco estes momentos de enorme arte. 🙏
Rademann's analysis is as surprising as it is enriching. Not only does Rademann explain Bach's multiple composition techniques in a very accessible way, he also reveals Bach's personal motives and thus he exposes the very soul of Bach. For me Rademann is the first director who makes the connection between Bach's early loss of both his parents, at the age of 10, and how Bach's grief over that loss works through in all his composing, even at the age of 45. The explanation of Verse 5: "Mit Mutterhänden leitet er..", reminds me of one of Rembrandt's greatest works: 'The prodigal son'. In that picture Rembrandt turns God's right hand into a woman's hand.. I can't wait till Rademann takes us through cantata BWV 129: "Mein Vater, der mich schützt von Mutterleibe an". Please give us more of these explanations! They make Bach accessible for a wide audience and enrich life with more understanding and the experience of one's personal emotions.
Wunderbar. Danke Schön.
Tenor Benedikt, is perfect for these subtle nuances in the arias.
Absolutely wonderful. It reminded me of what Leonard Bernstein used to do with his audiences.
ooh yes,so true, hey, the tenor here is remarkable, would love to hear him in the tragic aria bwv 41.
Just looked at your website and will play your repertoire.
bravo
I wish that the Catholics in the US had this level of singing knowledge. Even some RC choirs have a way to go.
9:43😍
One hardly dares to contradict such a master of music. But! In this case it is not correct to speak of any “basic trust”. At least it must be said that the great Bach drew his basic trust solely from Jesus Christ
Grossartig wie immer. Wann beginnt die Bach Cantatas Gesamteinspielung Maestro Rademann ? Wird sicher ein Ereignis erster Güte
Am 19. März beginnen wir mit den beiden Bewerbungskantaten BWV 22 & 23 und am 14. Mai startet das Projekt zu Bachs erstem Leipziger Kantatenjahrgang.
@@bachakademie Top. Freue much drauf ...