Great explanation! It never occurred to think of the double stops as elements of the triad chord shapes played on the top three strings. It makes it so much more intuitive.
I love how you take what seems like a complicated subject and break it down so that it seems so simple. You have developed an incredible musical talent but you are also a phenomenal teacher.
Awesome lesson. The concept of using triads and playing the 3rd 4th and 6th in relation to the root in each inversion was a light bulb moment... Many thanks again
This is why knowing some theory will help your playing. Now I need to go back to Jack's triad course (which I have) and dive in even deeper. Thank you Jack!
Y'know, I always catch my self smiling when I hear you playing. There's just something soulful, beautiful, and soaring about the note choices. The only other musician who has the same effect on me when I listen is Pat Metheny (& the late Lyle Mays on piano). I also want to add that your triad course with Brett is pure gold!! Thanks as ever Mr Ruch!
You figured out the template of the perfect lesson template - first flawless demonstration to give the viewer motivation and than simple and clear explanation. Great job
You should hold on to that 335 Jack. Surely you can find a way to add another one to your Arsenal without letting that one go 😉. I hope it’s another vintage 335 (with either TOM or Bigsby) that you’re getting
Great lesson again JR! I believe I've already mentioned this to you, but I already have the sister ship 1968 ES 335 to your here in the same great Gibson cherry finish as your other one...........otherwise I'd certainly be quite interested. Jim C.
Wow! Can't believe you are selling that beautiful guitar! Do you have something else in mind? Or just thinning the herd? This lesson is so helpful! Thank you so much, Mr. Ruch!
thanks Jack. This lesson is unlocking one of the doors I have not opened in my playing. Really really appreciate how you give a concept and then apply it to a song or chord progression. Not many others on TH-cam do that. Question on this lesson: are you consciously trying to land on the diads for the chord you are playing over or just staying in the key and moving around to different diads in that key or both. Thanks
@JackRuch what’s the best way to get in touch regarding lessons? Sent an email to the address on your website but would love to see about options. Thank you!
I don’t understand the thing with the 4th and the 6th… you play the 1,3,5 that constitute the triads. How come you say we get the 4th and the 6th when playing two strings together?
Great explanation! It never occurred to think of the double stops as elements of the triad chord shapes played on the top three strings. It makes it so much more intuitive.
I love how you take what seems like a complicated subject and break it down so that it seems so simple.
You have developed an incredible musical talent but you are also a phenomenal teacher.
I want to play like Jack when I grow up.
Awesome lesson. The concept of using triads and playing the 3rd 4th and 6th in relation to the root in each inversion was a light bulb moment...
Many thanks again
This is why knowing some theory will help your playing. Now I need to go back to Jack's triad course (which I have) and dive in even deeper. Thank you Jack!
When I first learned guitar I was playing this kind of stuff just cause I thought it sounded cool. It's really nice knowing why they work.Thanks man
Dang !....that ending composition is just a beautiful thing.....thanks
Thank you!
Fundamentals of soulful playing...Masterfully presented as always!
Y'know, I always catch my self smiling when I hear you playing. There's just something soulful, beautiful, and soaring about the note choices. The only other musician who has the same effect on me when I listen is Pat Metheny (& the late Lyle Mays on piano).
I also want to add that your triad course with Brett is pure gold!! Thanks as ever Mr Ruch!
You figured out the template of the perfect lesson template - first flawless demonstration to give the viewer motivation and than simple and clear explanation. Great job
Always great to return to and refresh the basics. 👍
I always love using double stops but have only had a few that I knew worked. I’ll have to work on learning all of them with this. Thanks!
So melodic! So beautiful! Would love to see a course available for this concept
Hey Jack, love your lessons. You and Guthrie Trapp, Brett Papa. Thanks for everything!
Great Lesson Jack! I saw your video playing live, you also have a great voice! Thank you for the great content!!
Fantastic lesson Jack, your musical taste is wonderful, and I would like to play like you!
Many thanks!!
You should hold on to that 335 Jack. Surely you can find a way to add another one to your Arsenal without letting that one go 😉. I hope it’s another vintage 335 (with either TOM or Bigsby) that you’re getting
amazing video. Thanks for sharing!
Absolutely fantastic explanation of finding and using Triads.
This is gold!
Thanks been sailing around with out a rutter in this neighborhood
Gold
Great lesson. I have been thinking about double stops a lot lately. This helps a lot. Thank you Jack!
Happy to help!!
I've love it! Then, I'm subscribing in my first video watched
Great lesson again JR! I believe I've already mentioned this to you, but I already have the sister ship 1968 ES 335 to your here in the same great Gibson cherry finish as your other one...........otherwise I'd certainly be quite interested. Jim C.
Love this Jack ❤
Youre awesome bro. I appreciate your vibe
So tasteful Jack! 🔥🔥🔥
Interested about the nut size and fret size on the 335? 😊
Fantastic video with beautiful playing always 🎸👍
Really great, thank you
thank you, jack. another great lesson.
My pleasure!!
Hi, there's no backing track for this on the Patreon site. Could you please add it.🙂
Merci !😍very useful for me
Wow! Can't believe you are selling that beautiful guitar! Do you have something else in mind? Or just thinning the herd? This lesson is so helpful! Thank you so much, Mr. Ruch!
Yes. Something else
thanks Jack. This lesson is unlocking one of the doors I have not opened in my playing. Really really appreciate how you give a concept and then apply it to a song or chord progression. Not many others on TH-cam do that. Question on this lesson: are you consciously trying to land on the diads for the chord you are playing over or just staying in the key and moving around to different diads in that key or both. Thanks
@JackRuch what’s the best way to get in touch regarding lessons? Sent an email to the address on your website but would love to see about options. Thank you!
❤️❤️❤️
This what i was playing when i didnt all the chord changes of course it wasnt structured as how you play it.
I got $3 🫡 also, was literally thinking about wanting to go deeper into double stops aaaand what do ya know. You just served it right up! Thank you!
New player question, so it might be dumb, but are power chords technically double stops then?
Yep
I don’t understand the thing with the 4th and the 6th… you play the 1,3,5 that constitute the triads. How come you say we get the 4th and the 6th when playing two strings together?
The 4th is the interval between the 5 and the 1, and the 6th is the interval between 3 and 1.
@@richcain123 I just realized a few minutes ago, but thanks for confirming
All 4ths are inverted 5ths, 3rds are inverted 6ths etc.
Great explanation Jack, love the way you break things down. Sweet tone you got there, beautiful guitar, hope it goes to a good home.
thank you Jack
Why “Stop”? In Double Stop?
Gold