Voicing a Steinway Model S

แชร์
ฝัง
  • เผยแพร่เมื่อ 4 ต.ค. 2023
  • This week I'm voicing a nice Steinway S for a concert series. The hammer sound a bit weak so i'm going to take you through voicing them up.
    #steinwayandsons #pianovoicing #pianotechnician #pianohammer

ความคิดเห็น • 48

  • @saltlakepianoservice
    @saltlakepianoservice หลายเดือนก่อน

    This gentleman knows his business, listen to the piano, it is great. Job well done. I'm glad you are posting videos of quality concert work.

  • @heavypiano
    @heavypiano 8 หลายเดือนก่อน +3

    I need to perform this on an old Chickering grand at my church. Your channel is such a gem. Here's hoping you get picked up by the algorithm.

    • @the_daily_ping
      @the_daily_ping  8 หลายเดือนก่อน +2

      Thanks so much!!! Just remember to take it slow. You can always juice more but it’s impossible to undo.

  • @halukOrpak
    @halukOrpak 3 หลายเดือนก่อน

    Güzel çalışma. Tebrik ederim 👏

  • @jentacular1375
    @jentacular1375 5 หลายเดือนก่อน +1

    Great video! I enjoyed it immensely. What was the song you were playing at 16:23? I dont recognize it, and its amazingly pretty.

    • @the_daily_ping
      @the_daily_ping  5 หลายเดือนก่อน

      I’m glad you enjoyed the video. The song there was something I made up on the spot. I’m sure it comes from somewhere but I was just riffing.

  • @HerrDelPino
    @HerrDelPino 4 หลายเดือนก่อน +1

    Great work! Congrats.
    I needled a strident Hammer too agresively, incluso g the strike point (i was a bit dare, I know). Now it is muddy… (my bad).
    Can I recover it by dropping B-72 diluted with acetone directly into the strike or should I juice only the shoulder instead?

    • @the_daily_ping
      @the_daily_ping  4 หลายเดือนก่อน +2

      Thanks for your compliment! You can put a drop or two on the strike point but it’s better to start on the end of the string grooves (away from the strike point towards the shoulders) rather than directly on top. Just put one drop on each end of the strings grooves and see if the sound comes around.

  • @rodneymize9116
    @rodneymize9116 6 หลายเดือนก่อน

    So many questions but I'll ask two. If I retire in my late 50's and want to start a new career in this field do I have to apprentice? I play by the way. Also, are you voicing a Steinway fresh out of the factory or a used one?

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน +2

      It’s actually quite common for retirees to get into the piano tuning business. We have several here in the Miami chapter. I wouldn’t expect that you would need to apprentice but it is difficult to learn to tune and to do technical work without at least having a teacher if not a mentor. I would recommend the Randy Potter course to get started. As for the Steinway in this video, it is probably 10 or so years old however the hammers didn’t appear to have been thoroughly voiced before. They were quite soft sounding.

    • @operavin
      @operavin 2 หลายเดือนก่อน

      I only train and hire guys who are late 30s and above. The younger guys are often on various tracks and simply aren’t ready to take this seriously as a career yet.
      I say do it! We need more techs all the time.
      .

  • @reinulf656
    @reinulf656 7 หลายเดือนก่อน +2

    What do you mean by the bass strings "speaking upward" after the tuning? Thanks!

    • @the_daily_ping
      @the_daily_ping  7 หลายเดือนก่อน +2

      That’s a good question. Tuning is obviously about spacing the notes properly for our western sensibilities concerning harmony, but with instruments like pianos which have large arched soundboards and high tension strings there’s an additional aspect of tuning that can be achieved. I don’t know if it has a proper name but I call it “activating the soundboard”. There’s a technique of manipulating the wire during tuning so that it adds additional downward force on the bridge which causes the sound of the string to project upward from the soundboard as opposed to downward. You know you’ve done it properly because you can hear the placement of the note move upward and to the right. The timbre of the note changes for the better too. Whenever I do any voicing I tune the section or notes to make sure that they are activating the soundboard.

    • @beethovensg
      @beethovensg 6 หลายเดือนก่อน +2

      He doesn't know. The point is to seat the strings at the bridge throughout the instrument. Level the strings (mate them to the hammer at the strike point), and tune the unisons at the highest partials, setting the pin stable. Only then can you judge the tone. Regulating the mechanism is also part of the pre voicing. He's a hack.

    • @kravchenkoyps
      @kravchenkoyps 2 หลายเดือนก่อน +1

      ​@@beethovensg I'm totally agreed with you! Unfortunately so many dangerous gyes (for piano).....

  • @gingervytis
    @gingervytis 6 หลายเดือนก่อน

    Fascinating. I played a worn out hard-hammer upright for years. it was so bad that I "voiced" it with a dental pick and broke the tip! Three weeks ago, I bought a 2000 M&H BB. It needs tuning and voicing so an expert Nashville tech will soon visit to tame the monster. I will not attempt to "improve" the BB on my own!

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน

      I love Mason BBs. To me they are the quintessential American piano tone. Your tech will need to do some needling which is quite different than juicing. I am putting together a video about needing hammers so stay tuned. Though, you'll get a front seat when you have your BB voiced.

    • @gingervytis
      @gingervytis 5 หลายเดือนก่อน

      @@the_daily_ping I am fortunate to live in Nashville, TN where we have some outstanding technicians. The BB got a "well" tuning three days ago, then regulation and voicing in January. The non-ET temperament is certainly more "colorful".

  • @MinorChordTAPAN
    @MinorChordTAPAN 12 วันที่ผ่านมา

    Hi, I recently bought a new Kawai Nd 21 Upright. I am just curious to know whether I need to get the voicing done or it is already been done when they are made in the factory. Please Guide

    • @the_daily_ping
      @the_daily_ping  12 วันที่ผ่านมา

      Hi. Thanks for your question. Most production line pianos are voiced during manufacturing and Kawai is not different. In fact, I’m my opinion Kawai goes further than most in making sure that their pianos have a good B amount of voicing fine before they ship them out. That being said, the final voicing on a piano is always done in the home. I would consult with your tech to see if any notes needs more voicing.

  • @diegofedelipiano
    @diegofedelipiano 6 หลายเดือนก่อน +1

    Is the liquid just acetone?
    Thank you!

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน +1

      Yes, Just straight acetone. It takes overnight to fully dissolve the ground keytop material so plan ahead for that.

    • @diegofedelipiano
      @diegofedelipiano 6 หลายเดือนก่อน

      @@the_daily_ping Is that similar to B 72 (paraloid)?

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน +1

      Keytop material is Mae of acrylonitrile butadiene styrene (I had to look that one up). B-72 is a softer acrylic that can be thought of more like a finish than a plastic. I plan on switching to B-72 when I find some locally.

  • @pasalabola27
    @pasalabola27 6 หลายเดือนก่อน +1

    what composition do you use thank you

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน +1

      If you mean what is the juicing solution I’m using it’s 1 teaspoon of ground keytop to 7oz of acetone. It’s not a precise formula. I want it to have a thin milky consistency. I’m interested in using B-72 as well which is a preserving acrylic for painting restoration. It is supposed to be a softer acrylic than keytops.

    • @pasalabola27
      @pasalabola27 6 หลายเดือนก่อน

      ⁠@@the_daily_pingThank you so much for your response. Your videos are amazing!

  • @user-dd5tt1pg1d
    @user-dd5tt1pg1d 7 หลายเดือนก่อน

    你好,这个榔头硬化剂是什么比例制作的呢?谢谢了

    • @the_daily_ping
      @the_daily_ping  7 หลายเดือนก่อน +1

      I use about 1 teaspoon of ground key top material dissolved into 7oz of Acetone.
      Google Translate:
      我使用大约1茶匙地面关键顶部材料溶解在7盎司的丙酮中。

  • @rossmorrow3013
    @rossmorrow3013 6 หลายเดือนก่อน +2

    My only comment would be, if you are voicing this for ‘your ear’ or an existing client.
    If it’s for you, I wouldn’t do anything. I had the chance to speak to a very high ranking member of
    the Steinway Commercial sector, and we were talking about ‘dopeing’ the hammers when
    a piano arrived into the showroom, but this individual might think that it’s too loud/soft, they
    responded that a piano is such a personal choice, a bit like choosing a boyfriend/girlfriend!
    each piano is different as are people, and they very rarely changed the tone of a piano unless
    the client was present.
    If this is YOUR piano, fine, but otherwise I would always tend to back off revoiceing until either
    the hammers were part of a full rebuild or the owner was absolutely and utterly unhappy with
    the tone, which in my humble opinion means they’ve bought the wrong instrument!

    • @the_daily_ping
      @the_daily_ping  6 หลายเดือนก่อน +2

      That is always a valid position concerning voicing of any type. I have found though, that voicing American made Steinways with soft hammers requires a certain amount of juicing for the piano to be able to produce a quality tone. In this piano's case, the concert organizer requested more tone from the piano. The hammers were just too soft (not hard enough) even for a home instrument. Some pianists might like a super puffy sound but I feel that it was really lacking in color.

    • @rossmorrow3013
      @rossmorrow3013 2 หลายเดือนก่อน

      Was the client nearby to try out some of the post dopeing.
      What about if you found the hammers (as you correctly described) in the wrong position,
      would it have been possibly better to have checked the alignment of the hammers before
      giving yourself such a large amount of work?
      It’s still a very educational video that you have made, and very kindly uploaded it. :-)

  • @OE1FEU
    @OE1FEU 3 หลายเดือนก่อน

    Voodo voicing.

  • @SamsungA-wq1si
    @SamsungA-wq1si 2 หลายเดือนก่อน

    Salam

    • @SamsungA-wq1si
      @SamsungA-wq1si 2 หลายเดือนก่อน +1

      Cekiclere ne vurursan deye bilersen

  • @user-yo5mp7mh9o
    @user-yo5mp7mh9o 5 หลายเดือนก่อน

    Hello.
    Can you please write an accurate recipe? Composition, dosage.
    Thank you.

    • @the_daily_ping
      @the_daily_ping  4 หลายเดือนก่อน +1

      Hi. Sure. For a light solution I am using about 1 teaspoon of ground keycap to 8oz of acetone. I'm switching to B-72 so I'll do a vide about making solution for that soon. Thanks.

    • @user-yo5mp7mh9o
      @user-yo5mp7mh9o 4 หลายเดือนก่อน

      Hello.
      I used your recipe. My old grand piano began to sound colourfully and brightly.
      I thank you for such interesting and informative videos.
      I have no B-72 and where to buy it don't know.
      Thanks!

  • @rogerwallace5473
    @rogerwallace5473 5 หลายเดือนก่อน

    Sounds odd. Could be my ipad

  • @jamesfranke6932
    @jamesfranke6932 5 หลายเดือนก่อน +2

    You are a pianos worst nightmare.....😮

  • @jamesfranke6932
    @jamesfranke6932 5 หลายเดือนก่อน +3

    People...don't do this ...I beg of you...

    • @user-yo5mp7mh9o
      @user-yo5mp7mh9o 5 หลายเดือนก่อน +1

      Why?

    • @the_daily_ping
      @the_daily_ping  4 หลายเดือนก่อน

      Yes. Please explain why not. Thanks.

    • @Calebos261
      @Calebos261 2 หลายเดือนก่อน

      I believe it is because back in the day, Juicing meant something else. People would add an oil to the pin block so that the wood would swell and hold the tuning pins better. This is observed on a lot of pre-depression era pianos. The process worked in the beginning but ultimately caused the wood to contract leaving the pins even more unstable.

    • @the_daily_ping
      @the_daily_ping  2 หลายเดือนก่อน +1

      @@Calebos261 That’s called pin doping. And you’re right that it ultimately doesn’t work. This gentleman begging me not to do something that this particular hammer style requires is just a lack of familiarity with building tone.

    • @rossmorrow3013
      @rossmorrow3013 2 หลายเดือนก่อน

      I think what is possibly happening here, is the use of terms.
      Where I live, what ‘Daily Ping’ is doing is referred to as ‘dopping’ the hammers,
      but the same term oddly enough is also used when ‘Pin-tight’ is used to try and
      stretch the life of a piano with somewhat loose-ish tuning pins.
      That’s my tuppence-worth!

  • @beethovensg
    @beethovensg 6 หลายเดือนก่อน +2

    Ruined hammers with pointless technique and poor unisons , and a ridiculous deduction hack job.