Xenon: The Bass Monstur talent can be masked. Now they are coming out with plug ins and other things that allow 'musicians' who can't play a single chord to sound like Steely Dan or strum like Robert Smith. Talent seems to be the last thing you need these days. Programming skills are the ticket :) Young people just listen to the completed jams and don't care how they are made. You can get a grammy that way. Like Lorde did with royals.
Prydestalker how r they shit? sure garrix got many tracks with no dynamics and a poor mix and mastering, but u cant say hes a bad artist if u look at it more objective. same with avicii (his M&M is better tbf).
Dom Jarre errr they both made their own styles and get copied by many so they did something right. i dont like everything about them but i cant say that theyre bad artists
When a drum kit is being recorded in a studio or where ever, there's normally a microphone for each drum/cymbal. There are also two microphones above the kit to pick up, like, ambience sounds. The overheads are those two mics. Hope this helps!
dnb by nature, is more technical than house, comparing noisia to avicii is like saying coca cola isnt a very good juice, course it isnt its not even the same thing lol
A lot of the stuff they talk about is actually a few of the things they teach you in an electrical engineering degree. These guys know what they are talking about.
+Sikzo SV Is anyone really good at anything when they start practicing though? I mean talent shows are about showcasing people who have dedicated themselves to something.
@@axmMusicI personally just slap a limiter on. It's for safety honestly, on rare occasions I've have some soft synths freakout and absolute max out the volume :(
WTF! At 17:00 his voice gets chopped and screwed to about half speed for a couple seconds?? LOL Listen from 16:58 to 17:05 Right at 17 it slows down to Darth Vader steez!
+MR B I saw an interview with mustard on pensado's place, it seemed to me like he doesn't even make his own songs. He mainly just talked about all the session players he brings in. He also said that fruity loops does something special to drums just by loading them in.
You are out of your mind if you compare a progressive house producer's skills to hardcore neurofunk producers. Two COMPLETELY different genres and styles. While one most definitely requires heavy processing and re-sampling, the other genre does not. Sure this video shows more talent and skills but that does not mean the other producer on the other video has none. Is it possible to like both styles and not judge the other? Absolutely, because I do. I love Progressive House but I also love neurofunk. Music comes in many different colors and tastes and also in many different BPM, enjoy it without comparing. It's like a buffet, you don't go to a buffet just for pasta, do you?
Depends on what area. Sound design in Neuro is definetly more advanced, but the melodies and chords (the more musical side) is more advanced in prog house.
Haha. There's no comparison here. The mainstream prog house cancer is shit and will always stay the same. There's no "advanced" in terms of melodies, sound design and so on. Take bunch of overused presets, drums, don't forget that pryda snare, take a basic chord scale and write a chessy melody on top. There's literally nothing more advanced in prog house over genres like neuro, drum and bass and other more complex ones because it's mainly made by a bunch of greedy, soulless, money grabbing pricks who only look for opportunities to get popular and jump to every possible bandwagon instead of trying to bring something new and fresh. Why does dnb and similar genres always stay different and envolve? I can easily tell all the phases that mainstream shit gone throught and all the band wagons that everyone jumped on. First it was big room, then it was future house, next is bass house now it's future bass. And eeevery single of those fuckers will jump to these genres.. Even big names like Tiesto became complete sell outs, making shit that's only trendy and will make more money instead of making something original like "maximum crazy" in the past. There's simply no argument here.
As far as I've watched, I can say this might be one the best In the Studio sessions from all FM series. Pretty well performed by the video producers and Noisia acted like an excellent guest, wide open to show you what they actually use on real production, no like some other producers, just trying to mislead or hide their real technics with chit chats and useless gibberish.
Wow the jealousy is so unreal xD you people need a life holy shit. Avicii is really good at what he does, Noisia are good at what they do and Martin Garrix is good at what he does. NONE are better than the other and none are more talented than the other. Just because Noisia threw a couple of fancy technical terms around doesn't mean they are more talented than Avicii or Martin Garrix. I do agree that Avicii didn't bring anything to the table that can be learned since all he did was show us how to layer loops and presets and as a music producer I can understand the frustration behind it but maybe Avicii just doesn't teach, I can bet he knows loads of stuff and has experience with many things but his musical process is sitting on his computer, fiddling with knobs and presets till he makes something he likes which in my opinion takes skill and just because he doesn't know what to teach you when he makes music doesn't mean he doesn't know anything. You can't teach music, it's art. What Noisia explained here was just technical stuff and that is the only thing in EDM that can be taught, the songwriting process itself can't be.
I agree. Noisia makes DnB. Martin Garrix makes electro house. Two very different genres. They can both be very complex at times. Noisia just takes it a step forward in everything they make. I just make music using presets because I know shit about sound design. I'm not gonna waste time experimenting with synths and stuff I don't know about for just for one sound. These guys have had years of experience with sound design. I just stick to what I know. And what I really care about is how I make the arrangements and melodies and what not and the end result. No one is gonna ask did you make this or did you right that and judge you for it. I compose 100 percent of my music and have never used a midi file that I didn't make. However, I can tell you that 100 percent of it is presets and samples, but not loops. Judge me for it if you want, but I have fun making my tracks.
2009heyhow I dunno, when I heard NOISIA I thought it was one black guy from London or at least a black guy and a white guy or something. I did not see three dutch white guys at all... it might be a little racist but I dunno.
Damn, i thought it was just me, ive always been using the fl drum sample pack to create a track from scratch, working on the other sounds and leaving the drums to the last just before starting the mix and mastering, it really helps a lot, i think it was a consecuence of my lack of technichal skills but discovered that way to be more creative and effective
The difference was that Noisia took a track they had released and was done, and looked at the different layers etc. Angello made a track from scratch. And as you know, you cant decide wheather it's going to be good or bad when you start from scratch. Sometimes you just scrap the idea, which was what Angello did. So you can't compare those two tracks at all.
Played NFS: Undercover since I was 13, liked and looked up The Qemist - Stompbox (Spor remix), got TH-cam recommended to Noisia - Machine Gun (16bit remix) + (Amon Tobin remix), been a fan of Noisia and Amon Tobin and complexed and intricative bass designs ever since. I'm 22 now.
Watch SHM in the studio. There they (very shortly though) explain about their track One. If they have had 38 minutes, they could have gone just as in-depth as Noisia. You can see at their screen how many compressors/eq's/limiters/distortions/amp emulations/sidechains/lpf's/hpf's they had on EACH layers, so i'm sure they know about sound design, just as well as Noisia.
Back when I had been producing for a year or two, my brother in law, a DnB Dj, told me about these dudes he was hanging out with (he was producing a bit too) who had taken up DnB production and that they where progresing fast and where good blah blah. I was mostly in my own little Hip Hop world at the time, living the life and had little interest in meeting his friends or even checking out their tunes. Turns out those dudes where Noisa. (I was living in Groningen). I feel dumb about that now.
Watching these electronic videos it makes me feel like I'm watching the speciation of music. Not into genres with points of interconnections but into two distinct organisms with no flow between them.
Skrillex himself said it, he learned by watching/listening to Noisia. All of those producers you mentioned came up well after Noisia was established. The more you know ;)
Mostly its the effects and the sound processing and the tune structure thats the intresting part in these vids. Its rare to do any magic in these vids in such a short time.
So i think I've worked out how they make a tune.. the guy talking learns all the software and then makes something and then the bald guy just tells him to blow it up so he just adds a fuck load of distortion and shit and the guy in the back just reads magazines and passes judgement after theyre done
Never occurred to me to just loop a slice of a bass to get a rhythmic reese sound. I didn't realize how much of their work comes from samples they made ahead of time.
I seriously doubt that he'll sit down and write a track before producing/engineering it. The song writing often happens as a result of playing around with sounds and seeing what fits, then tweaking for hours and hours until a coherent piece of music emerges. I'm not saying that the song is written entirely by accident, it's just a more organic process than you seem to be suggesting. Also, It's easy enough make a note of any nice melodies or bass lines that you come up with along the way. =D
I think Noisia works like this: the guy in the chair reading a book does all the live-mixing @ events and the other 2 guys do all the producing. Am I right?
Axel Bierkens nope, nik (the guy talking) does most of the drums, thijs (the guy reading the magazines) is partly playing shows and partly also producing and martijn (the bald guy) is playing the most shows, but generally i think everyone is involved quite a lot in the production process, since noisia's tracks are complex af
Nice, I think making music works better if you do it with friends. I've already experienced that it's quite difficult to come up with tunes on your own.
It's a currently unreleased tune. They work on tracks for ages after they have a good outline of what they want the track to sound like. They can end up leaving it to sit for months on end.
I like the cut of their Gib, proper messing about with samples n sounds, just like the good old days ( or were they the bad old days, I forget, heh heh )
This video is every producer's wet dream.
Shurk you are a god
The unforgettable words of our heroes. "Umm... Yeah. So FM8 is really cool... and ummm... stuff."
Tattoo that on Martin Garrix Head!
That part killed me.
Whenever someone says making electronic music doesn't take skill, I'm going to show them this video.
+thricebaked09 people who say dumb shit like that are best ignored.
I can see this specific genre takes real technical skill. A lot of mainstream EDMs nowadays appear to use a mediocre template.
Xenon: The Bass Monstur talent can be masked. Now they are coming out with plug ins and other things that allow 'musicians' who can't play a single chord to sound like Steely Dan or strum like Robert Smith. Talent seems to be the last thing you need these days. Programming skills are the ticket :) Young people just listen to the completed jams and don't care how they are made. You can get a grammy that way. Like Lorde did with royals.
Yeah, you know... that's mostly them guitar guys only playing peoples songs and complaining about dj culture and elcetronic music.
@@busywl69 6 years have passed since u've made this dumb comment.. where's your grammy then?
EXACTLY! stfu
These guys have great musical VISION
icwutudidthar
Top 10 jokes
Thijs de Vlieger not giving a shit and reading some magazines.
He's reading Future Music, probably got it free too.
lol
+Ellis Warren You wonder whether he's socially awkward or just literally does not give a fuck
nah he just doesn't do anything, he's like the ringo starr of noisia
Always that sub not giving a shit... It's the future of humanity :|
How the fuck this one has 350k, the Savant one 550k, but Martin Garrix and AIVCI's ones are 1m+. Those are complete jokes.
+Prydestalker cuz garrix and avicii r more mainstream
And shit producers. :v
Prydestalker
how r they shit? sure garrix got many tracks with no dynamics and a poor mix and mastering, but u cant say hes a bad artist if u look at it more objective. same with avicii (his M&M is better tbf).
+VanBlack© What? If you look at it objectively? Objectively garrix and avicii don't deserve any of their views. They use presets and barely do any processing nor be creative in the slightest.
Dom Jarre
errr they both made their own styles and get copied by many so they did something right. i dont like everything about them but i cant say that theyre bad artists
They used female vocals to sound like a snare overtone.....
fucking genius.
tell me every single vst you use so i can fail at trying to copy you please
Start for exsample with this:
www.native-instruments.com/de/products/komplete/synths/fm8/
Hahahaha
6:43 "These drums aren't in any kind of finished stage."
-Shit, I gota spend more time on my drums then haha
Anyone who has the skill, knowledge and patience to create snare sounds like he does with FM8 deserves maximum respect.
Try it with PDextended.
Thats a fucking challenge but fun
shugo541
No thanks! I'm already losing my hair, FM synthesis is complicated enough for me Max/MSP, PD and the like just make my brain hurt.
@@grizcuz its 7 years later. Did you become a beast at FM?
@@tehsma Probably died in the process
I was totally surprised when the guy with the magazine said something
future music magazines which takes you in when you start to read
@@lbks16 I love how Thijs is so chill just in the background saying nothing until that point xd I met him a long time ago, such a chill dude
Now doing such forward thinking music. Never doubted Thijs. Then or now. All 3 Music IQs are up there.
When a drum kit is being recorded in a studio or where ever, there's normally a microphone for each drum/cymbal. There are also two microphones above the kit to pick up, like, ambience sounds. The overheads are those two mics.
Hope this helps!
I was actually surprised at how much I understood
Same LOL, but rewind 2 years ago for me and I was CLUELESS. XD
@@zodiac909 It's been 2 years since you left this comment about being clueless 2 years ago. How are your skills now?
dnb by nature, is more technical than house, comparing noisia to avicii is like saying coca cola isnt a very good juice, course it isnt its not even the same thing lol
This is the greatest Electronic Music tutorial video ever.
i had to watch first minute already realised what is coming
A lot of the stuff they talk about is actually a few of the things they teach you in an electrical engineering degree. These guys know what they are talking about.
you can tell that listening too..
There's a good Rusko masterclass out there
25:53
OMG HE FUKIN SPEAKS!!!!
Would love a video of their new studio.
Damn right !
hello old friend.
I would say it is the new studio
MediaLiveHD No it isn't
manugrows How do you know? I saw them building it and before that they were in a simple apartment or not?
god damn theese guys are talented
thats talent is pal. having the ability to dedicate yourself to something until you master it. no such thing as natural ability
+Simon Shulgefella
No, Talent is being able to do something good without excessively learning it. These guys are skilled. Skills is what they've got.
+Sikzo SV Is anyone really good at anything when they start practicing though? I mean talent shows are about showcasing people who have dedicated themselves to something.
talent is something lazy people invented
"we never clip the master, its scary"
I never have ANYTHING on the master bus; it might as well not even have a volume fader either.
@@axmMusicI personally just slap a limiter on. It's for safety honestly, on rare occasions I've have some soft synths freakout and absolute max out the volume :(
aXm Music not even, using effects on the master is like using a filter over your final product on photoshop. It’s another tool to use
soft clipping 😎
"STFU i'm mixing" XD
The bloke in the chair is just casually reading the magazine like he doesn't even know whats happening
OR he already knows or has already hear this already...
+OverDose Thijs
He's reading futuremusic :D
I'm glad there's people like you, not necesarrily a fan of the music but able to appreciate the work put into it
These guys are on another level. So much fun watching their production process, unlike Garrix's feature.
An afternoon spent making one horn stab. And now you know why their tracks sound great. xP
Now this is a real "In the studio" video. Actual tips you can use
WTF! At 17:00 his voice gets chopped and screwed to about half speed for a couple seconds?? LOL Listen from 16:58 to 17:05 Right at 17 it slows down to Darth Vader steez!
and it takes DJ Mustard 5 minutes to breakdown one of his tracks...lol
i agree, i think u might've misunderstood my comment...
Bobby Lawson im sorry for being rude man ive been high af lately luv
lol aiight bruh lol Purple Purple
+Bobby Lawson nice music but very bored interview
+MR B I saw an interview with mustard on pensado's place, it seemed to me like he doesn't even make his own songs. He mainly just talked about all the session players he brings in. He also said that fruity loops does something special to drums just by loading them in.
wow this guy has so much knowledge of his work, unbelievable!
18:20 "You don't fuck with a god. bwwwwwwwwwwwwaoooh"
17:07, dude
MegaDaxter
I'm like that guy in the video who misses the bassdrop during a party and fks up.
+3inch armageddon )))
Hahahahah bwwwwwaaooooohh
After watching 2 minutes there is no doubt that the production knowledge of these guys are amazing..
Every few months when I'm low on motivation and inspiration I come back and watch this video and pick something new up every time!
Future music is in my studio yea whatever, i'll just pretend to read in this paper for 40 minutes
You are out of your mind if you compare a progressive house producer's skills to hardcore neurofunk producers. Two COMPLETELY different genres and styles. While one most definitely requires heavy processing and re-sampling, the other genre does not. Sure this video shows more talent and skills but that does not mean the other producer on the other video has none. Is it possible to like both styles and not judge the other? Absolutely, because I do. I love Progressive House but I also love neurofunk. Music comes in many different colors and tastes and also in many different BPM, enjoy it without comparing. It's like a buffet, you don't go to a buffet just for pasta, do you?
I agree.
I agree, however try making a prog tune, then go and make neuro. Come back and tell me which requires more talent and skill.
Depends on what area. Sound design in Neuro is definetly more advanced, but the melodies and chords (the more musical side) is more advanced in prog house.
Haha. There's no comparison here. The mainstream prog house cancer is shit and will always stay the same. There's no "advanced" in terms of melodies, sound design and so on. Take bunch of overused presets, drums, don't forget that pryda snare, take a basic chord scale and write a chessy melody on top. There's literally nothing more advanced in prog house over genres like neuro, drum and bass and other more complex ones because it's mainly made by a bunch of greedy, soulless, money grabbing pricks who only look for opportunities to get popular and jump to every possible bandwagon instead of trying to bring something new and fresh. Why does dnb and similar genres always stay different and envolve? I can easily tell all the phases that mainstream shit gone throught and all the band wagons that everyone jumped on. First it was big room, then it was future house, next is bass house now it's future bass. And eeevery single of those fuckers will jump to these genres.. Even big names like Tiesto became complete sell outs, making shit that's only trendy and will make more money instead of making something original like "maximum crazy" in the past. There's simply no argument here.
As far as I've watched, I can say this might be one the best In the Studio sessions from all FM series. Pretty well performed by the video producers and Noisia acted like an excellent guest, wide open to show you what they actually use on real production, no like some other producers, just trying to mislead or hide their real technics with chit chats and useless gibberish.
If Skrillex makes one of these, the world will never be the same.
Noisia > Skrillex. It's not even close. Also, Skrillex smells like shit.
Rynie W Yep. Noisia's remix of Scary Monsters took a mediocre track and turned it in to gold!
Have you ever given a thought about doing a "In The Studio" with Infected Mushroom?
played dmc, found out about these guys, been a fan eversince
Welcome to the club
Wow the jealousy is so unreal xD you people need a life holy shit. Avicii is really good at what he does, Noisia are good at what they do and Martin Garrix is good at what he does. NONE are better than the other and none are more talented than the other. Just because Noisia threw a couple of fancy technical terms around doesn't mean they are more talented than Avicii or Martin Garrix. I do agree that Avicii didn't bring anything to the table that can be learned since all he did was show us how to layer loops and presets and as a music producer I can understand the frustration behind it but maybe Avicii just doesn't teach, I can bet he knows loads of stuff and has experience with many things but his musical process is sitting on his computer, fiddling with knobs and presets till he makes something he likes which in my opinion takes skill and just because he doesn't know what to teach you when he makes music doesn't mean he doesn't know anything. You can't teach music, it's art. What Noisia explained here was just technical stuff and that is the only thing in EDM that can be taught, the songwriting process itself can't be.
I agree. Noisia makes DnB. Martin Garrix makes electro house. Two very different genres. They can both be very complex at times. Noisia just takes it a step forward in everything they make. I just make music using presets because I know shit about sound design. I'm not gonna waste time experimenting with synths and stuff I don't know about for just for one sound. These guys have had years of experience with sound design. I just stick to what I know. And what I really care about is how I make the arrangements and melodies and what not and the end result. No one is gonna ask did you make this or did you right that and judge you for it. I compose 100 percent of my music and have never used a midi file that I didn't make. However, I can tell you that 100 percent of it is presets and samples, but not loops. Judge me for it if you want, but I have fun making my tracks.
Soqui Music Exactly! The whole point is to have fun. Its not a competition.
Secret is good pc that can handle shitloads of processing or patience and shitload of bouncing, neither of which I have. :0)
Jeroen severins forgot to mention, shitloads of mates helps
all you need is passion, watch their old documentary: Noisia Documentary (2005)
search it up on youtube
true that, and bouncing sucks cause your stuck with what you do to the sound
I could have watched them go on for days. Awesome.
at 24:30 noisia-running blind is being leaked!
You're kidding me...none of Noisia is black?
they are ALL black. Watch the video...
Surely you must be joking.
no :D ... maybe they are Foreign Beggars!
why did you thought that they where black?
2009heyhow
I dunno, when I heard NOISIA I thought it was one black guy from London or at least a black guy and a white guy or something. I did not see three dutch white guys at all... it might be a little racist but I dunno.
Wow, the advice at ~12:45 that its important to work on technical stuff not when sequencing just made me realise ive been doing it wrong :D
Damn, i thought it was just me, ive always been using the fl drum sample pack to create a track from scratch, working on the other sounds and leaving the drums to the last just before starting the mix and mastering, it really helps a lot, i think it was a consecuence of my lack of technichal skills but discovered that way to be more creative and effective
The difference was that Noisia took a track they had released and was done, and looked at the different layers etc. Angello made a track from scratch. And as you know, you cant decide wheather it's going to be good or bad when you start from scratch. Sometimes you just scrap the idea, which was what Angello did.
So you can't compare those two tracks at all.
SPLIT THE ATOM
BAZA ZA
SPLIT THE ATOM
BAZA ZA
ZAOW ZAAAA
Solving frequency conflict it's one of the way for making your sound pop out the speakers. Propriet mixdown and mastering and there you have it... :)
HOLY SHIT, RUNNING BLIND
finally someone who can make a beat without Loops
4:31 "Yea blow up the toms" lmaoo
Played NFS: Undercover since I was 13, liked and looked up The Qemist - Stompbox (Spor remix), got TH-cam recommended to Noisia - Machine Gun (16bit remix) + (Amon Tobin remix), been a fan of Noisia and Amon Tobin and complexed and intricative bass designs ever since.
I'm 22 now.
Noisia = 3 geniuses
Dionysus Or one guy who's quite good in the studio with two other guys who don't do sod all.
+ibuprofen303 you talk like you've seen them work everyday
Bass Face
I have. I'm the tea boy/runner - I'm moving up to chopping samples next year :D
wow bro can u check my soundcloud and show it to noiseya?
Watch SHM in the studio. There they (very shortly though) explain about their track One. If they have had 38 minutes, they could have gone just as in-depth as Noisia.
You can see at their screen how many compressors/eq's/limiters/distortions/amp emulations/sidechains/lpf's/hpf's they had on EACH layers, so i'm sure they know about sound design, just as well as Noisia.
This guys are geniuses.
Favorite Quote: If you´re too precious with your sounds, you´ll stop making music"
Thijs is just not interested at all :D
Cool studio, i'd have fun with that equipment, fyi Noisia are some of the best producers for quality that i no of :)
Back when I had been producing for a year or two, my brother in law, a DnB Dj, told me about these dudes he was hanging out with (he was producing a bit too) who had taken up DnB production and that they where progresing fast and where good blah blah.
I was mostly in my own little Hip Hop world at the time, living the life and had little interest in meeting his friends or even checking out their tunes. Turns out those dudes where Noisa. (I was living in Groningen). I feel dumb about that now.
I really want you to visit "Afrojack's" studio oneday.
BTW Thank you for 300 nice works!
Watching these electronic videos it makes me feel like I'm watching the speciation of music. Not into genres with points of interconnections but into two distinct organisms with no flow between them.
Skrillex himself said it, he learned by watching/listening to Noisia. All of those producers you mentioned came up well after Noisia was established. The more you know ;)
Key word: Work.
But it has been available with the print mag, digital mag and as one of our In The Studio With apps for quite a while :)
Winamp!!
4:33 Thjis: "Yeah, blow off the toms". LOL
haha Thijs is so funny with his playboy magazine not paying attention at all
17:28 The beginning of that bass loop they made is used in their track ' Oh Oh " :D
sample packers , martin garix fan`s dislike this video :D
Mostly its the effects and the sound processing and the tune structure thats the intresting part in these vids. Its rare to do any magic in these vids in such a short time.
So i think I've worked out how they make a tune.. the guy talking learns all the software and then makes something and then the bald guy just tells him to blow it up so he just adds a fuck load of distortion and shit and the guy in the back just reads magazines and passes judgement after theyre done
the guy in the back does most of their live stuff too from what i've heard
if live stuff you mean shouting down a microphone then yeh youre right
Yo don't fuck with Thys. Thys does a lot of the songwriting rather than the sound design. The dudes hella talented.
darklsn im just kidding man these guys are incredible musicians
The guy reading the magazine is actually the mastermind. Isn't it obvious? :P
was NOT expecting for them to use superior... cool
17:28
I think I know that sounds from the purpose EP.
PauLtus B It's in Oh Oh quite a lot
***** Yes it is.
6:50 Martijn so stressed by the snare change
17:28 Oh Oh bass
Thanks hopefully we can hit 100K subs soon as well :)
cool and informative, but too much nose picking for me
It's amazing how intricate these guys are, maybe aviccii should watch and take note as his FM vid was just presets and loops. Nothing original.
Just look at happy face at 18:30. :)
if it doesn't clip too much its nothing wrong with it, especially if its distorted from before. i bet they put a limiter on in the end anyways.
17:28 is at 0:44 in their song Oh Oh, and throughout the song, but it pitches up.
24:30 is also from purpose ep
There actually on the Audeze site.. Like hugely right in the middle of it lol
24 minutes in is that running blind from theire new purpose ep (released a year later than this video)
It is, it could have been in production for even longer
I had the feeling i had already heard that song somewhere when it was released.
I would learn anuything i have to know about producing with just stealing that computer and seeing whats going on on every channel an pattern :P
Guy in the back's a bag of fucking joy isn't he?
Stfu he‘s a god
This interview is freakin priceless
BLOW UP THE TOMS
Never occurred to me to just loop a slice of a bass to get a rhythmic reese sound. I didn't realize how much of their work comes from samples they made ahead of time.
other 2 guys sitting in the back looking like ones who bring him coffee and donuts while hes working :)
I seriously doubt that he'll sit down and write a track before producing/engineering it. The song writing often happens as a result of playing around with sounds and seeing what fits, then tweaking for hours and hours until a coherent piece of music emerges. I'm not saying that the song is written entirely by accident, it's just a more organic process than you seem to be suggesting. Also, It's easy enough make a note of any nice melodies or bass lines that you come up with along the way. =D
I think Noisia works like this: the guy in the chair reading a book does all the live-mixing @ events and the other 2 guys do all the producing. Am I right?
Axel Bierkens nope, nik (the guy talking) does most of the drums, thijs (the guy reading the magazines) is partly playing shows and partly also producing and martijn (the bald guy) is playing the most shows, but generally i think everyone is involved quite a lot in the production process, since noisia's tracks are complex af
Nice, I think making music works better if you do it with friends. I've already experienced that it's quite difficult to come up with tunes on your own.
definitely the best !
TEDx
I love how layering transients always seemed kinda bad to me so I did that seperate tail thing, it always seemed weird to me but I guess I'm safe
Name of the song when he plays the massive bass sounds please?
its Noisia - Mundus Theme
It's a currently unreleased tune. They work on tracks for ages after they have a good outline of what they want the track to sound like. They can end up leaving it to sit for months on end.
MrKasparov13 it's not mundas theme. thanks for getting back
it wasnt? oh.. im sorry then :o
MrKasparov13 Ben NCM Yes, it is Mundus Theme. It's in the DmC OGS.
I like the cut of their Gib, proper messing about with samples n sounds, just like the good old days ( or were they the bad old days, I forget, heh heh )
Are those Adams!??! wooowwowow!
Mike Vale in the studio ? Would be awesome
Just realised that it's song from DmC:Devil May Cry. Hunters Theme if I am correct.
yeah think so
so much knowledge!
Anyone noticed how thys didn't give a shit during the whole interview ? ^^
Just wondering when do the Noisia guys know if a track is finished... :)
When they get sick of it