@@logans.butler285 Read again, friend. I didn't mention the souls being in Hell, but that this is what Hell must sound like: a discordant cacophony of indistinct voices, ominous and distressing.
@@logans.butler285 I understand this comment but I think @ilanselaphiel2557 means this score sounds like hell but hell on earth not below to us. And absolutely, an innocent Jewish souls should not went to hell
The single scariest piece of music I think I've heard in my entire life. Yet, within the context of the film, it also feels sort of cathartic. It's like all who suffered in the background are finally allowed to step into view and speak out about the unfair cruelty and horror they were put through. Still makes my skin crawl though. Mica Levi is one of the greats.
You said it precisely. It was really something to see how quickly people got up from their seats in my theater once the credits rolled, and this began playing. It was as if no one wanted to hear it. I was about to get up, as I usually do as soon as the credits roll, but this kept me in my seat. I knew I needed to hear it. I cried in several moments throughout the film, especially with the little girl at the piano, but I couldn't contain myself during this. It overwhelmed me. This film is an absolute masterpiece. Johnnie Burn, in charge of sound design, deserves some props as well. The story of this film is in the sound.
@@harrywatson2694Yep very true. I think why I used the word unfair is because the things that happened, on their own, are so incomprehensibly painful that I don't know if I've even had that emotional of a reaction to hearing about them. It's all so fucking sad that I don't have anything of my own to compare it to. So the thing that has made me think and feel the most, I realised has come down to the unfairness. The fact that none of it had to exist, yet still does. And that it was people who made it real. That's where I can feel the sadness and frustration myself: The experience of being bullied and seeing friends get bullied for their disadvantages. Why people torment and bring harm to others who are already more vulnerable than they are, is just inconcievable to me. Unfairness is nothing new for our world, I know, but tragedies like the holocaust are so frustratingly unnecessary that its almost laughable to me. This movie made me sick. I don't know if I'll ever watch it again even though i love it. But yeah, just calling it unfair is quite an understatement :/
There are strict rules that dictate what a score must be and Im not sure an opening track and a credits track constitute what the academy would consider a ‘score’. I heard it discussed once, specifically about how the first track during the credits IS considered part of the score, but the second isn’t.
I've been wanting to hear this out of context. Divorced from the previous two hours of film, there's a great beauty to it. This is an important piece of 21st century music as far as I'm concerned.
I read about 100 novels and saw probably all movies played in Auschwitz. But this one hit me till the core, especially the closing score. It gives you an imagination what horror it must have been pushed into the gas chembers facing the immediate murder.
That alongside the juxtaposition of workers doing their mundane cleaning jobs, washing off the walls and floors of a death chamber, in the same sort of apathetic fugue the characters were in, with their day to day mundanity It's pretty chilling
I don’t think you can say you’ve seen The Zone Of Interest unless you allowed this to wash over you in full, at the end. Unbelievable work. I’ve seen it twice at the cinema already and want to see it again.
I didn’t move for ten minutes after the credits ended. I was the last person in the theater and I couldn’t move. This song has haunted me since and I cannot stop listening to it.
I am so glad I experienced this in theaters, with the sounds echoing in my mind, the sounds of suffering, dread, and horror. I sat there watching the credits in stunned silence, absolutely disgusted by how human beings like us are evil enough to carry out such merciless acts. Simply devastating, the sound design is phenomenal, it would win the Oscar without a doubt.
And the film has now won the Oscar for Best Sound. Definitely the best Oscar win this year. The sound in The Zone of Interest is used so incredibly well and is so haunting. I genuinely felt panicked the whole film and was shaking by the end from what I was hearing. Amazing amazing film.
God I was at the Cannes premiere run of this film and sitting in the theater as the credits rolled listening to this was insane. So glad the movie won for sound at the Oscars last night. The sonic design of the Zone of Interest is one of the most inspired in recent years.
Saw this movie at a prescreening in January. It fucked me up. I was petrified by the end, that the credits came in and I just stood there in awe. Mesmerising piece of art in every fucking sense: one of the best of 2023.
This music conveyed pretty much how I felt at the end of the film. It was incredible to hear in the theater with many speakers, it was so layered and I couldn’t tell if I was hearing things like speaking or voices talking. Just as the film conveyed the simple home life of a family with terror and sadness just over a fence, never seen but faintly heard or smelled. A very powerful portrayal of the failure of humans as a species.
실험적인 음악을 좋아해서 끝까지 들어봤는데 진짜 공포스럽긴 하네요... 초반부의 소프라노처럼 하이톤의 목소리는 마치 위험을 경고하는 사이렌처럼 들리고, 거기에 덧 입혀서 깔리는 목소리들은 평범하게 일상을 보내는 그 구역 사람들의 목소리 같습니다. 그렇지만 계속해서 사이렌은 다른 음역대로도 계속 되고 결국은 아이들까지 사이렌 소리를 내는걸 보면 그 구역에서도 마냥 평범한 일상으로 마무리 하지는 못하는가봐요. 음악이 흥미로워서 영화도 봐야겠다는 생각이 들었습니다. 올려주셔서 감사합니다. 한번 더 들어야징
This is the sickest closing music I’ve heard in a movie. We just finished the film and my girlfriend started talking and asking questions as soon as the credits rolled but all I could hear was that scary, weird and f#cked up music. It’s unbelievable.
Glad to finally find this. Like others have said, experiencing this track when it plays in the theater at the end of the movie is horrific. It's wild how much of a "I'm in danger right now" feeling is pushed on you with this track. Superb! Fantastic film, I was grateful to get to check this A24 film out.
One of the scariest pieces of music 🎶 ever in movies 😮 and i purposely watched the movie twice in theaters to sit through the credits and have this haunting aura of horror surround me 😢 I loved this music
I remember seeing this film in the cinema and this music left me shaking as I was sitting my seat and while walking to leave. There isn’t a lot of score in the film but when it is used, it’s brilliant.
In the beginning of the film, the score is slow-paced and sounds like a descent into Hell. We have to view these monsters as actual people. Then, in the end, the music is fast-paced and still eery, but the background sopranos make it seem like all of the horrors of the past can finally lead to peace. Brilliant film.
Well, they were actual people. I think the danger of labeling them monsters is sort of part of the problem... we label them monster and can just dismiss them by thinking "this could never happen to us" or "this could never happen in my country"... but it could. We as humans can get desensitized to horrors around us and even learn to justify almost anything, the Holocaust just happens to be one of the more extreme examples of this. This is part of what the Milgram and Stanford Prison experiment showed us: this could happen to any of us if we aren't careful and vigilant.
I think what I like the most about this piece of music is the sounds of voices in the background, it gives me the impression of people talking over another trying to tell their own version of what they went through, to the point you can't understand anyone and, at the end, all of them just go into silence again. Very eerie.
This soundtrack couldn’t reflect better the message this legendary movie tried to pass on. Barely displaying any violence whatsoever, ‘The Zone of Interest’ still managed to shake me to my very core. A true masterpiece.
Film ini juga menceritakan hal yang sama dengan perang Israel-palestina, disatu sisi para pejabat Israel/rakyatnya hidup mereka senang², bahagia, aman, sedangkan rakyat Palestina menderita. Saya harap komentar saya di lihat dan di baca oleh orang orang yang masih fanatik dengan israel
I was absolutely horrified as this music played in the theater. There's so much sorrow, pain and cruelty in this music it felt like someone ripped out my hard, dipped it in tar and then put it back in place. This is the sound of hell.
My dad is a huge fan of history of wars and always brings some facts or comments at the end of movies,but this Time he just looked at credits in silence all quiet. It was the first time i think he maybe thought that there was nothing to say
Just saw the movie today. And as someone commented here - nobody moved in their seats while this music played. Haunting and 100 % amazing (don’t get me wrong).
@@ataqueparoxistico Let's not belittle the horrible events of WWII. What is happening today pales in comparison to the holocaust. Not to justify what's going on right now by any means but let's just appreciate a movie and its story by its own merits.
If ever music for a film fit its story & theme, this sound track, especially during the closing credits, matches the nightmarish theme perfectly. It left me speechless.
this makes my palms so sweaty holy shit. when this started playing in the theater i was literally petrified. i couldn't move, i was so genuinely scared.
반복되는 음은 반복되는 일상을, 소름끼치는 소리들은 그 일상이 결코 일상적이지 않음을, 또한 반복되는 음은 반복적, 기계적으로 죽어나가는 유대인들을, 소름끼치는 소리들은 바로 그들의 고통을. 같은 음이 같은 박자로 계속 진행하는 와중 주변에 들려오는 비명, 윽박, 웅성거림은 중간중간 들리다 사라지고 같은 음만이 이들을 무시하듯 꾸준히 들려온다. 마치 그들의 소리에 아무 관심도 없는 것 처럼.
Watched this today, the only person in the empty theater. This music was so mesmerizing, it was the first time I stayed until the end of the credits. Absolute nightmare of a movie
An absolute masterpiece of a nightmare. My dad (who did not watch the movie) asked "why do we need to retell Hitler stories time and time again?" This is not a story of the past. This is a story of present time politics and present time society, it merely uses an example that happens to be in the past. Look at the Israel/Palestine situation. Ukraine/Russia. It's the same, it merely happens in a different way. Look at new laws requiring trans people, regardless of their transition progress, to have the gender marker of their assigned gender on their drivers licence, therefor visibly marking them as trans. Back in nazi times, queer people were forced to wear a pink triangle to mark them as queer. I don't see the difference, it merely happens in a different way. Look at consumerism. We consume cheap products that were made by children in factories being paid almost nothing. We consume meat not even once thinking about the living conditions the animal had to suffer. At some level we know, but we ignore it, just like the Höß family ignored what was happening on the other side of the wall. This is not a story of the past. History repeats itself, it merely happens in a different way. It's the same old sickness, it merely shows through different symptoms.
@@asakala0815lol there’s always some dork that’s gotta come ascribe some level of orwellian horror to banal inconveniences like having to have your actual biological sex on your drivers license or the fact that not everybody is vegetarian/vegan like you. Drawing comparisons to the holocaust from those is insane. And btw 90% of trans people don’t need to be “visually marked” as trans on their drivers license anyway… we can all tell.
I found it interesting that the opening scene music is a constant downpitch, while the score here at the end of the film is a constant rising in pitch. Not sure how I interpret it just yet, gonna give this one a second watch, with headphones but what I do know is the score, sound, and film itself all sound like separate entities that tell you a horrifying story, each in their own way.
I was stunned in my seat when this played at the theatre. The wails of the dead, ringing one last time. This is what Hell must sound like.
Exactly my feeling!
You assume that those Jewish souls are went to hell???
@@logans.butler285 Read again, friend. I didn't mention the souls being in Hell, but that this is what Hell must sound like: a discordant cacophony of indistinct voices, ominous and distressing.
@@logans.butler285 I understand this comment but I think @ilanselaphiel2557 means this score sounds like hell but hell on earth not below to us. And absolutely, an innocent Jewish souls should not went to hell
it's 1000x worse than this.
I work at a cinema, and cleaning up with this in the background is super haunting
Were there only few people watching per sessions? I watched this twice, first one 10 including me, second time down to 6.
Why do you have to clean when the movie is still playing?!?
@@ThisIsTheRoad everyone had already left
@@RizalBathekiI saw it at the Royal Festival Hall and it was rammed, second time at the iMAX and it was 95% full.
@@RizalBatheki in the cinema at the mall we were like 5 people
I always interpreted the music as Höss descending those spiraling stairs more and more into a dark screaming hell with no chance of turning back.
Also the final scene bro, Höss is descending by the stairs and each floor that he descend is darker
I thought the same
same
it sounded like walking downstairs
genuinely thought i was about to have a panic attack when i heard this in the theater. NOBODY moved. amazing film.
The single scariest piece of music I think I've heard in my entire life. Yet, within the context of the film, it also feels sort of cathartic. It's like all who suffered in the background are finally allowed to step into view and speak out about the unfair cruelty and horror they were put through. Still makes my skin crawl though. Mica Levi is one of the greats.
Yeah, the under the skin soundtrack is 🤌🏻🤌🏻🤌🏻🤌🏻🤌🏻
It’s like something you hear out of a Victorian horror film. It’s pure perfection.
You said it precisely. It was really something to see how quickly people got up from their seats in my theater once the credits rolled, and this began playing. It was as if no one wanted to hear it. I was about to get up, as I usually do as soon as the credits roll, but this kept me in my seat. I knew I needed to hear it.
I cried in several moments throughout the film, especially with the little girl at the piano, but I couldn't contain myself during this. It overwhelmed me. This film is an absolute masterpiece. Johnnie Burn, in charge of sound design, deserves some props as well. The story of this film is in the sound.
unfair is an understatement
@@harrywatson2694Yep very true. I think why I used the word unfair is because the things that happened, on their own, are so incomprehensibly painful that I don't know if I've even had that emotional of a reaction to hearing about them. It's all so fucking sad that I don't have anything of my own to compare it to.
So the thing that has made me think and feel the most, I realised has come down to the unfairness. The fact that none of it had to exist, yet still does. And that it was people who made it real. That's where I can feel the sadness and frustration myself: The experience of being bullied and seeing friends get bullied for their disadvantages. Why people torment and bring harm to others who are already more vulnerable than they are, is just inconcievable to me. Unfairness is nothing new for our world, I know, but tragedies like the holocaust are so frustratingly unnecessary that its almost laughable to me. This movie made me sick. I don't know if I'll ever watch it again even though i love it.
But yeah, just calling it unfair is quite an understatement :/
Mica Levi is an actual legend and the fact that they weren't even nominated for this score should be punishable by law
by gas chamber?
Atleast they beat Oppenheimer in Best Sound
There are strict rules that dictate what a score must be and Im not sure an opening track and a credits track constitute what the academy would consider a ‘score’. I heard it discussed once, specifically about how the first track during the credits IS considered part of the score, but the second isn’t.
@@Uygkuyfkutfkytfkutfv damnn shit
I ordered a copy of Jewellery into my local record store when it came out, great to still be loving their work after all this time
Mica Levi + Jonathan Glazer =
ONE OF THE PERFECT DIRECTOR/MUSIC COMPOSER DUOS IN HISTORY.
I’m praying he does another movie soon
It's her second Oscar nomination for this score. Have you seen Jackie? Natalie Portman played Jackie Kennedy and Mica did that score as well.
@@nbcuni wait Mica Levi is a girl? Iholy shit
i cant wait until the full soundtrack comes out the sound design in this movie is flawless
This pretty much is the whole soundtrack. Theres no music in the film.
@@Uygkuyfkutfkytfkutfvthere is a full soundtrack, it's just that a majority of it was cut.
@@UygkuyfkutfkytfkutfvNo, there is a key piece that is like waves of droning sound, which is played over the infrared scenes and a later montage.
I've been wanting to hear this out of context. Divorced from the previous two hours of film, there's a great beauty to it. This is an important piece of 21st century music as far as I'm concerned.
The end credits were a whole experience of their own...A truly phenomenal film
I read about 100 novels and saw probably all movies played in Auschwitz. But this one hit me till the core, especially the closing score. It gives you an imagination what horror it must have been pushed into the gas chembers facing the immediate murder.
They often didnt even know before, they were facing death. They wert told its desinfection, but instead of water it was mortal gas coming out.
That alongside the juxtaposition of workers doing their mundane cleaning jobs, washing off the walls and floors of a death chamber, in the same sort of apathetic fugue the characters were in, with their day to day mundanity
It's pretty chilling
I don’t think you can say you’ve seen The Zone Of Interest unless you allowed this to wash over you in full, at the end. Unbelievable work. I’ve seen it twice at the cinema already and want to see it again.
I agree. I didn't leave until the credits ended for this reason, as well as the fact I was just kind of glued to my seat
Even without context, this is one of the most haunting things I've ever heard.
Absolutely. Mica Levi is a masterful composer.
It gives me an unsettling terror, but I can't stop listening to it: it's really appropriate, and keen to my feelings in difficult moments.
I didn’t move for ten minutes after the credits ended. I was the last person in the theater and I couldn’t move. This song has haunted me since and I cannot stop listening to it.
I am so glad I experienced this in theaters, with the sounds echoing in my mind, the sounds of suffering, dread, and horror. I sat there watching the credits in stunned silence, absolutely disgusted by how human beings like us are evil enough to carry out such merciless acts. Simply devastating, the sound design is phenomenal, it would win the Oscar without a doubt.
I wish this was release here in my country.
And the film has now won the Oscar for Best Sound. Definitely the best Oscar win this year. The sound in The Zone of Interest is used so incredibly well and is so haunting. I genuinely felt panicked the whole film and was shaking by the end from what I was hearing. Amazing amazing film.
God I was at the Cannes premiere run of this film and sitting in the theater as the credits rolled listening to this was insane. So glad the movie won for sound at the Oscars last night. The sonic design of the Zone of Interest is one of the most inspired in recent years.
Saw this movie at a prescreening in January. It fucked me up. I was petrified by the end, that the credits came in and I just stood there in awe. Mesmerising piece of art in every fucking sense: one of the best of 2023.
Omg they mixed elements of intense opera singing with screams.. mortifying
This music conveyed pretty much how I felt at the end of the film. It was incredible to hear in the theater with many speakers, it was so layered and I couldn’t tell if I was hearing things like speaking or voices talking. Just as the film conveyed the simple home life of a family with terror and sadness just over a fence, never seen but faintly heard or smelled. A very powerful portrayal of the failure of humans as a species.
sometimes movies don't end at the credits.
good one
no film ends at the credits
😢
Sounds similar to Krzysztof Penderecki's style. Very appreciated.
Tak , masz racje!
This is gonna become in the future a cult film, it's so ahead of it's time
실험적인 음악을 좋아해서 끝까지 들어봤는데 진짜 공포스럽긴 하네요... 초반부의 소프라노처럼 하이톤의 목소리는 마치 위험을 경고하는 사이렌처럼 들리고, 거기에 덧 입혀서 깔리는 목소리들은 평범하게 일상을 보내는 그 구역 사람들의 목소리 같습니다. 그렇지만 계속해서 사이렌은 다른 음역대로도 계속 되고 결국은 아이들까지 사이렌 소리를 내는걸 보면 그 구역에서도 마냥 평범한 일상으로 마무리 하지는 못하는가봐요. 음악이 흥미로워서 영화도 봐야겠다는 생각이 들었습니다. 올려주셔서 감사합니다. 한번 더 들어야징
영화관 사람들 거의 다 남아서 그냥 나도 끝까지 엔딩 크레딧 봤는데 귀가 멍멍할 정도로 채워지는 음악소리 때문에 멘탈이 나갔었음
영화가 끝나고서 조금 더 이 음악을 들어보려 노력했으나 소름끼쳐서 얼른 나갔습니다.
저랑 똑같네요ㅋㅋㅋ 마지막 오디오 들어보라고 했는데 영화관 사운드가 너무 끔찍하리만큼 잘 들리고 같이 본 동생이 무서워함..
저도 끝까지 있고 싶었는데 너무 소름끼쳐서 제일 먼저 나왔어요
저도 듣고 있다가 도망치듯이 뛰쳐나갔네요...
전 영화보다가 무서워서 눈물난건 처음이었어요 ㄷㄷ
저도ㅋㅋ 크레딧 다 올라갈 때까지 눈 감으며 들으려고 했는데 눈 앞에 아우슈비츠 끔찍한 광경이 펼쳐지는 것 같아 그냥 중간에 나왔음...
Ten utwór jest niesamowity, mocny, sam pomysł genialny.
This is the sickest closing music I’ve heard in a movie. We just finished the film and my girlfriend started talking and asking questions as soon as the credits rolled but all I could hear was that scary, weird and f#cked up music. It’s unbelievable.
Only one that ever comes to mind is music in The Empty Man. The Zone of Interest music was the first one since that beat it.
No matter how many times I listen to this, I have to play it all the way through. Full body chills without fail.
been a fan of mica since the shapes...they have stayed consistently good for so many years
and for what good it does sayin it...free palestine
@@ZGGuesswho cute
Glad to finally find this. Like others have said, experiencing this track when it plays in the theater at the end of the movie is horrific. It's wild how much of a "I'm in danger right now" feeling is pushed on you with this track. Superb! Fantastic film, I was grateful to get to check this A24 film out.
I love how the black sky represents the family's blindness and ignorance of what is happening outside
Thank you so much, by the time the film ended, I was left speechless and Levi’s score is so haunting and just brilliant.
Painful. Otherworldly. Bravo to the soprano(s).
One of the scariest pieces of music 🎶 ever in movies 😮 and i purposely watched the movie twice in theaters to sit through the credits and have this haunting aura of horror surround me 😢
I loved this music
말로 표현할 수 없는 감정을 주는 영화...
I remember seeing this film in the cinema and this music left me shaking as I was sitting my seat and while walking to leave. There isn’t a lot of score in the film but when it is used, it’s brilliant.
Beyond gut wrenching. Mica Levi rules.
I am still moved by this film to my core. It is happening on the other side of the wall in israhell. I salute the director to speak the truth.
Direct your criticism towards the people that started the war.
I imagine this is what hell sounds like
hell sounds beautiful then
nobody does it like mica levi they are a legend
It reminds of Threnody to the Victims of Hiroshima. totally unnerving, masterfully composed.
What an exhausting listen. Amazing.
It's painfull.. and anywhere else with this vibe of sound..
In the beginning of the film, the score is slow-paced and sounds like a descent into Hell. We have to view these monsters as actual people. Then, in the end, the music is fast-paced and still eery, but the background sopranos make it seem like all of the horrors of the past can finally lead to peace. Brilliant film.
Well, they were actual people. I think the danger of labeling them monsters is sort of part of the problem... we label them monster and can just dismiss them by thinking "this could never happen to us" or "this could never happen in my country"... but it could. We as humans can get desensitized to horrors around us and even learn to justify almost anything, the Holocaust just happens to be one of the more extreme examples of this. This is part of what the Milgram and Stanford Prison experiment showed us: this could happen to any of us if we aren't careful and vigilant.
진심 너무나 소름끼치는 엔딩 크래딧이었음
내가 본 영화 중 사운드에서 이토록 이질감이 들고 불쾌하고 소름끼치는 오싹함을 느끼게 한 영화는 없었음
그만큼 너무나 충격적인 영화였다
Have been searching for days on TH-cam waiting for someone to upload this
I think what I like the most about this piece of music is the sounds of voices in the background, it gives me the impression of people talking over another trying to tell their own version of what they went through, to the point you can't understand anyone and, at the end, all of them just go into silence again. Very eerie.
This soundtrack couldn’t reflect better the message this legendary movie tried to pass on.
Barely displaying any violence whatsoever, ‘The Zone of Interest’ still managed to shake me to my very core. A true masterpiece.
Film ini juga menceritakan hal yang sama dengan perang Israel-palestina, disatu sisi para pejabat Israel/rakyatnya hidup mereka senang², bahagia, aman, sedangkan rakyat Palestina menderita.
Saya harap komentar saya di lihat dan di baca oleh orang orang yang masih fanatik dengan israel
Thanks for uploading the op and ed. Wanted to hear them again, will never forget the first time
I was absolutely horrified as this music played in the theater. There's so much sorrow, pain and cruelty in this music it felt like someone ripped out my hard, dipped it in tar and then put it back in place. This is the sound of hell.
It sounds to me like a hellish choir. I was very affected by this film. I have seen it twice and it is a masterpiece. Humans make Hell on Earth.
普段ノイズっぽい音楽を聴いているのでこの曲は正直すごい好みです…上映中は、広島の毒ガス資料館で見た子どもの遺体の写真をずっと思い出していました。
My dad is a huge fan of history of wars and always brings some facts or comments at the end of movies,but this Time he just looked at credits in silence all quiet. It was the first time i think he maybe thought that there was nothing to say
영화가 끝나고 이 음악을 끝까지 들을 수밖에 없었다. 나 말고도 여러 사람이 있었다. 끝나고 일어나는데 현기증이 나고 비틀거릴것만 같았다.
転調のたび重なる屍と怨嗟を思わせる
この監督は人の心の抉り方をよく理解しているよ
what i put on when my friends pass me the aux
The scariest music I have ever listened to in my life.
It sounds like the voices of millions being shut out in flames.
This is what you hear when you realize you're going to hell.
The closing credit soundtrack is a song made from the wails of all the poor souls inside the concentration camp....
sounds like these all people.. sounds like hell. its the most evil music that I listened to. scary
Mica Levi is the first seminal composer of the 21st century. This is a Great artist.
Thank You. Looking for this everywhere.
Just saw the movie today. And as someone commented here - nobody moved in their seats while this music played. Haunting and 100 % amazing (don’t get me wrong).
주말에 엔딩크레딧 끝까지 관람하고 나왔는데 관객의 반정도가 이 음악을 끝까지 다 듣고 가시더라구요. 인상적이었습니다.
I was overwhelmed.. It is very traumatic but sorrowful... I'm really sorry that I couldn't watch this masterpiece film in the theater...
"The misfortune of Jewish souls in the face of the indifference of human wickedness."
"The misfortune of Palestinian souls in the face of the indifference of human wickedness"
@@ataqueparoxistico Let's not belittle the horrible events of WWII. What is happening today pales in comparison to the holocaust. Not to justify what's going on right now by any means but let's just appreciate a movie and its story by its own merits.
Absolutely haunting.
The sounds of hell itself
If ever music for a film fit its story & theme, this sound track, especially during the closing credits, matches the nightmarish theme perfectly. It left me speechless.
This is the greatest musical evocation of the Holocaust ever composed.
Listening to this on a descending plan during decent turbulence made me light up in pure fear for a handful of seconds; bravo to the composer.
I need this song on Spotify !
shiny terror. can’t turn away
2분 20초부터 숨막힌다 진짜 희생자들의 절규 같음 악마의 소리들과..
Has a Bernard Hermann “Taxi” feel and it is hauntingly beautiful.
this makes my palms so sweaty holy shit. when this started playing in the theater i was literally petrified. i couldn't move, i was so genuinely scared.
本編視聴前にこれを聞いてしまって怯んでる
the sound of hell
Having access to the film at home, I wanted to turn it off so bad , but I was glued to the screen 🫣
Nightmare fuel.
반복되는 음은 반복되는 일상을, 소름끼치는 소리들은 그 일상이 결코 일상적이지 않음을,
또한 반복되는 음은 반복적, 기계적으로 죽어나가는
유대인들을, 소름끼치는 소리들은 바로 그들의 고통을. 같은 음이 같은 박자로 계속 진행하는 와중
주변에 들려오는 비명, 윽박, 웅성거림은 중간중간 들리다 사라지고 같은 음만이 이들을 무시하듯
꾸준히 들려온다. 마치 그들의 소리에 아무 관심도 없는 것 처럼.
地獄のような映画だった。だけど死んだユダヤ人の方々はせめて天国へ行ってほしい。
Watched this today, the only person in the empty theater. This music was so mesmerizing, it was the first time I stayed until the end of the credits. Absolute nightmare of a movie
An absolute masterpiece of a nightmare. My dad (who did not watch the movie) asked "why do we need to retell Hitler stories time and time again?" This is not a story of the past. This is a story of present time politics and present time society, it merely uses an example that happens to be in the past.
Look at the Israel/Palestine situation. Ukraine/Russia. It's the same, it merely happens in a different way.
Look at new laws requiring trans people, regardless of their transition progress, to have the gender marker of their assigned gender on their drivers licence, therefor visibly marking them as trans. Back in nazi times, queer people were forced to wear a pink triangle to mark them as queer. I don't see the difference, it merely happens in a different way.
Look at consumerism. We consume cheap products that were made by children in factories being paid almost nothing. We consume meat not even once thinking about the living conditions the animal had to suffer. At some level we know, but we ignore it, just like the Höß family ignored what was happening on the other side of the wall.
This is not a story of the past. History repeats itself, it merely happens in a different way. It's the same old sickness, it merely shows through different symptoms.
@@asakala0815lol there’s always some dork that’s gotta come ascribe some level of orwellian horror to banal inconveniences like having to have your actual biological sex on your drivers license or the fact that not everybody is vegetarian/vegan like you. Drawing comparisons to the holocaust from those is insane. And btw 90% of trans people don’t need to be “visually marked” as trans on their drivers license anyway… we can all tell.
Reminded me of the Shinning theme.
Indeed. The whole film gave me a kind of Kubrik-ish feel and by listening to the ending theme, it fullfilled it.
Deeply unsettling.
Definitely one of the most unsettling and disturbing movies I've ever seen, up there with Come and See.
아 시 1초만에 듣자마자 그때 그 기억들 충격과 혐오감이 졸라게 올라온다 ㄷㄷㄷ
Love the music in this movie
I love the piano sounds repeating through the entire sequence.
I found it interesting that the opening scene music is a constant downpitch, while the score here at the end of the film is a constant rising in pitch. Not sure how I interpret it just yet, gonna give this one a second watch, with headphones but what I do know is the score, sound, and film itself all sound like separate entities that tell you a horrifying story, each in their own way.
극장에서 엔딩 크레딧을 들었을 때, 소름이 돋고 몸에 힘이 쭉 빠져서 한동안 일어나지 못했습니다.
그리고 영화를 상기할 때마다 섬뜩 해지더군요.
It reminds me of the end of evangelion's komm susser tod
They are crying out at our audacity to be leaving the theater.
This is perfect haunted house music
More sound design than score, but it works!
Mica Levi is a legend
It was like ten times scarier listening at the theater…