วีดีโอ

本編視聴前にこれを聞いてしまって怯んでる

転調のたび重なる屍と怨嗟を思わせる この監督は人の心の抉り方をよく理解しているよ

where can i download this

2024

Lo inenarrable

Lol, Just let us all wait and see,its among us,time.

This music is the scariest I have heard what it represents is worse than a horror film this is scary than most horror films only one is more scary I will not mention it it’s a horrible film really awful

La música del holocausto 😢😢😢

No matter how many times I listen to this, I have to play it all the way through. Full body chills without fail.

これ絶対殺されたユダヤ人の怨嗟の悲鳴だよな、、

th-cam.com/video/NMROw_0HSnI/w-d-xo.htmlsi=1lxrDyxGj8PUs5oP Reminds me of unused giygas theme from Mother 3

When will this release on Spotify

Its actually a little Silent hill-esque, SURELY reminded me of Silent hill 2's "Forest"

地獄のような映画だった。だけど死んだユダヤ人の方々はせめて天国へ行ってほしい。

Just over 3 minutes, this eerie score felt like it would go on for an eternity. Pure anxiety. Truly the scariest introduction to a film I’ve ever seen.

사운드가 공포스럽고 기괴한만큼 통쾌한 건 나뿐이였나. 마치 이 지옥의 진짜 주인공은 너라면서 다같이 비웃는 듯 했음. 너는 죽어서도 고통 받을 것이고 평생 희대의 악마로 기억될 것이다. 니가 패배자다. 환영한다.

As I watch the constant UNICEF alarm bells on my Instagram, I wonder, in Jonathan Glazer's words, "How do we resist?"

this makes my palms so sweaty holy shit. when this started playing in the theater i was literally petrified. i couldn't move, i was so genuinely scared.

My friends I can tell you. This is what it feels like when you enter Hell.

J'ai rarement entendu musique aussi effrayante...

peaceful yet empty

怖いでちゅ。

yesterday.

siren, yelling, begging, and screams

Reminds me a bit of Henryk Górecki's Symphony No. 3 - 2nd movement. Anyone else agrees?

반복되는 음은 반복되는 일상을, 소름끼치는 소리들은 그 일상이 결코 일상적이지 않음을, 또한 반복되는 음은 반복적, 기계적으로 죽어나가는 유대인들을, 소름끼치는 소리들은 바로 그들의 고통을. 같은 음이 같은 박자로 계속 진행하는 와중 주변에 들려오는 비명, 윽박, 웅성거림은 중간중간 들리다 사라지고 같은 음만이 이들을 무시하듯 꾸준히 들려온다. 마치 그들의 소리에 아무 관심도 없는 것 처럼.

영화 음악 역사상 감히 혐오감과 역겨움 면에서 1위라고 할 수 있다..

I am still moved by this film to my core. It is happening on the other side of the wall in israhell. I salute the director to speak the truth.

Chilling…

thank u u mica levi

Reminds me of Popol Vuh's music

noticed that there’s an actual track name now. has there been an official release?

I love this kind of psychotic movie soundtracks 10/10 especially paired with nazi cruelty

映画館でこのエンディングめっちゃ怖かった

Norberto Field

Kub Club

Imma sound a little crazy but let me cook. Back at the time when Zone of Interest released, I also bought Dante´s Comedia. Finishing the movie, I had the idea to read the book while listening to this score (ZOT Opening). The ominous choir with the divine-like chants and the religious and philosophical themes of the book made me thought these two pieces of art could flow really well in lecture, and damn they did; if Hell, Purgatory and Paradise had an OST, this would be it. Months later, listening to this same work, I've come to realize something: this is not how those mythical places would sound like, this is how these realms actually sound like. I truly think the composer for this score found inspiration, directly, from Dante´s Comedia. From here, is just my personal take. Have a read. From the beginning, past the gates of the city of woe and eternal pain, we are presented with the sound of a distant fog (0:00); an ominous brume that is abruptly terminated with a chant (0:02), a recollection of voices that emulates the breathing of humans (souls, that is) that the only thing they can exhale for are painful and merciless pleads and moans of guilt and suffering until the end of times. Dante then asks the author of the Eneid as they descend through the abyssal valley "o master, from where these laments come from?" The moaning increases (0:20), the voices lose into each other and find themselves in the dark unifying into one sole and anguished choir as both protagonists find themselves in the Acheron, where Carón warns them of what lies ahead (not in a friendly manner), quieted by Virgil. The Florentine man then falls asleep in the edge of the Greek river, just to wake up in Limbo and realizing that his journey to redemption of a life of sin until reaching divinity has just begun, symbolized with a melancholic and still tune of a synthesizer (0:27) that starts hurriedly and puts the chant into a second plane of punishment that still resonates, creating a wall of sound just as hard as the firmament of the abyssal realm we stand now in. In the first third of the song, from Limbo to the Frozen Lake, the synthesizer, accompanied with the guilty and distressing breathing, shifts its tune as Dante and company traverse each enclosure in the amphitheater, changing for every sin that is being punished to eternity, each one of them being more stray from the light and from God depending on the temptation the sin itself carries. When the two protagonists reach the Frozen Lake and make their way into the beach of the Ante-Purgatorio and the Purgatory, making it the second third of the song, the still breathing mutate into a more diverse range of sounds (1:25) as new voices join the chants gradually and the synth tune lays ground; "shhh´s" echoes consistently, a man’s voice speaking in a foreign language resonates and grows bigger and stronger, the breathing becomes lively as Dante and his Guide climb the mount of the Purgatory as every soul purge their sins away by laments, prayers and sayings, each one of them different depending on the sin being washed away. After a long and will-testing stride, the choir reaches its climax (2:15) when Dante finally reaches Paradise (2:25) after parting from his beloved mentor and joining a roman poet into the third and last realm, entering a beautiful yet empty forest, Eden, where the tiny and smooth twitter of birds are born silently into the sound and make its way into being heard and serving as a guide - a light - that shows the way into Heaven. One could say that the chanting heard in this last third are the same voices s those heard at the beginning - from tormented souls -, but these chants are different: these are muffled, less in despair yet in a state of calm, of welcoming, of beatitude. These are no less that the philosophers, saints and warriors that Dante and Beatriz meet and talk to in their way to the empyrean, still guided by the sound of birds in the background, elevating us more and more into the unknown yet inviting realm. The angelical chant dies a slow and beautiful ending as the synthesizer still emanates a divine tune (2:40), Dante and Beatriz ascend until they reach the First Mobile where her guide separates from him as she joins the culprit of light; thousands, millions, an infinity of angels revolving around the sacred image of Mary and the Holy Trinity as if she was the birds themselves calling for us the moment we made step into Paradise, reaching for us in an attempt for making us holy again and drive us in into the righteous path of light. Dante, after repenting for his life of sin, of living amongst fierce and foul beasts at the halve of his life in the jungle that he called his homeland, deviated from God and its ways, he ascends by the grace of the angels and his saint of a guide into the Empyrean, where he gazes at Love itself: the true power of God. The only things left we can hear is the sole twitter and the synthesizer (2:50) which started as a despairing and dooming tune just to evolve furtiveley into a sound of hope and redemption. Finally, the poet, loses track of the vision he had in the highest realm of them all, his vision pales as the synthesizer fades away and the birds chirp solely in solitude (3:03), welcoming the poet into reality just as if Dante was waking up from a turbulent dream. Then he finally wakes up, and the only thing he can hear now is the sound of Gods creation smiling back at the man who has just reborn: the living creatures, the breeze and the water, humanity. This is just what I can interpret, you may say I´m looking into it too much or sum like that, but the way I see it, it fits pretty well: the synthesizer as a symbol of the start and end of the journey, the chanting as a way to portrait lament and holyness, the birds chirping in the background into a delightful forest, theres so much to put side to side between these two works and look for some sort of link. One argument that I can accept is that Zone of Interest isnt, by any means, some sort of Dantes Comedia like the one Beyond the Garden Wall did, but I like to think that, even though its not driven that way, the composer found inspiration in a majestic work of art just as Dante found inspiration in Virgil´s Eneid to write his descent and uprise into redemption, proof of the invincible human spirit against adversity. Or maybe the composer has just given his version and said he got the inspiration by crossing a spinning door, anyway, thanks for reading!

I was overwhelmed.. It is very traumatic but sorrowful... I'm really sorry that I couldn't watch this masterpiece film in the theater...

Victor el nazi

Jonathan Glazer is the modern Stanley Kubrick. No one else has the same effortless confidence of craft, coupled with the fearless talent for genuine experimentation.

*Like a vortex of forlorn souls..*

Free Palestine 🇵🇸

영화관에서 이거 끝까지 듣고 나왔는데 내 뇌가 무너져 내려가는걸 느꼈음

Israel is doing the same that the n4z1 did in germany

overwhelming shudder😮🎉

I found it interesting that the opening scene music is a constant downpitch, while the score here at the end of the film is a constant rising in pitch. Not sure how I interpret it just yet, gonna give this one a second watch, with headphones but what I do know is the score, sound, and film itself all sound like separate entities that tell you a horrifying story, each in their own way.

I'm actually playing Rocket League listening to this rn

The wildly loud and aggressive TH-cam advert at the end of this video really adds to it.

Maybe..I heard this track, remember Midsoma ending scene with smiling florence

말로 표현할 수 없는 감정을 주는 영화...