Hehe sorry - the title was a joke that was too good not to share once it entered my mind 🤭 ✅ Btw, see you in my practice room on Tonic: tonicmusic.app/jasmine-flute ✅ Sheet Music 악보 다운로드 : playk-pop.com/jasminechoi Thank you for your support on my videos 🤍Really loving creating videos for you all! Let me know if you'd like me to review other flute performances or have any questions by leaving me a comment.
😍Well your title worked because I was imagining what it would be like for you to be doing special things with your tongue to me hehe 😂🤣. Great tutorial.
Watching this video reminds me the old days when I learned the flute and the 7 years of playing it. It makes me want to pick it up again and try it again. I stopped playing because I didn’t want to be a professional but just enjoy it. My private teacher saw a talent and wanted me to pursue it professionally and that what took the fun out of it for me.
Before I learned double tonguing, I first played with the single tonguing at 126 until I was confident with it. My teacher told me that Te-Ke (Ti-Ki), Ke-Te (Ki-Ti) etc. works better than Da-Ga Da-Ga, maybe it will help some people here.
@@wildflute This might not apply to flute but I play trumpet and I have learnt that Te-Ke should be used when youy want a strong articulation and De-Ge is for when you need a softer articulation.
@@gunnarkilborn3915 The strength of the articulation comes mostly from the force of the air behind the articulation not the placement of the tongue. In fact if you feel how T and D are shaped in your mouth you might notice less room in the mouth when using T and also slightly more tension in the jaw. That can be used to good effect for percussive sounds but it cuts off some of the resonance. So it depends on the sound and effect you’re going for. Fast Bach needs more sound and resonance. Ian Clarke’s Great Train Race needs more sound effects.
Excellent! Excellent! Excellent- All what need to know about " Tonguing " is explained perfectly, while proving how a pro play and teach. No words to say about that Jasmine. Seconly I give my humble hat off respect to your generous expose about these valuble technics. As a Hindustani bambo flute (Bansuri)practitioner I know the value of this lessons Jasmine. Amoung all YT marketing oriented flute Misthros !!!?, you are the best ,honest and humble tutor I came across next to Emily with "The Flute Channel". Thank you very much Jasmine.All the successes to your music life🙏❤
my aunt is sending me a flute as a late b-day gift i played clarinet in middle school but im trying to get ready to dive right in this is gonna be so fun composing music on this new musical journey thank you jasmine for all the tips and pointers
Found your video on tonguing for the flute well done. I am sure you did amazing amount of work to be able to do the various tonguing techniques. Everyone mouth is different. A person has to find what works for them by experimenting and not get frustrated. It is wonderful that you enjoy and are cheerful in talking and demonstrate mastering the flute.
Really interesting…many thanks. I double flute being a sax -player…I didn’t think there was a magic answer to fast double tounging. ….just practice. Co-ordinating fingering too
Thanks Jasmine, great job presenting this. I wish I had more videos and what not when I was younger that were available. Its nice that there are a few pretty big communities like tonic, youtube, etc.
Thank you for the insights. I admire your talent and dedication. I hope that Tonic and your Channel augment the diverse world of fans that you have and richly deserve. You are marvelous!
You are absolutely amazing with an extraordinary talent. You are a flute genius. I love your passionate vibrations on the flute. Keep it up. Keep inspiring the world. ❤❤❤❤❤❤❤
Hola Jasmin. Muy buenas instrucciones, me está ayudando y me a animado muchísimo tu forma de enseñar y me a animado a volver nuevamente a tocar la flauta y otros instrumentos de viento los cuales tocaba.. eres extraordinaria. Muchas felicidades y bendiciones.
Amazing video thank you, as an Irish traditional (wooden) flute player, I could not understand how Eimear McGeown, who is also a concert flautist, played repeated series of triplets (in hornpipes) that fast. Now I know! Reproducing it is another story...
Hello Jasmine! I loved this video. Would you mind discussing more about what happens internally when you double-tongue and why “daga” is the best vowel to use? Thank you!
Hi Jasmine, thanks for sharing those amazing techniques. I really appreciate them. As a classical composer, I'd like to ask, what's the best notation while you see it on the score to play the pronunciation "s"? It's so evocative, and I'd love to put it in my new score.
Haha as an spanish native, I can asure u, i was able to play the flutter-tonguing just by the very first time, and it was intuitive... when earing to silent hill theme, that comes with bandolin, I tryed to reproduce it in many ways and I could not, then tryed rollig the R and discovered the thechnique 😄😄
Thank you very much for this video, it's always very instructive, even after many, many years of flute playing! 💜 One point that raises a lot of questions for me though: where do you place your "TA" in the mouth? behind the upper teeth (on the alveolar ridge) or between the lips/teeth? Because on the Handel at 01:56, we can see the tip of your tongue between your teeth on the single tonguing attacks, but not on the "TA"s that follow in double tonguing. So I wonder if you change the place of articulation of the TA depending on whether it's single or double tonguing (or if simply the tongue comes back less to the front with speed)?? We don't talk enough about the place of articulation in the mouth in flute teaching! Personally, I've always articulated my TA between my teeth, my single tonguing is very fast and with a clear and nice sound, but my double tonguing is still very heavy despite many years of practice, and this makes me wonder! 😅maybe I'm just not placing my tongue correctly in my mouth when practising? Thank you in advance for your advice and comments! 🙂
As a beginner of flute, I am with your guide book. Thank you very much about your guidance and beauty what makes me to be excited about flute! You are much more gorgeous than photos in the book. ❤
I'm really curious about your tips for breath support when it comes to heavily articulated passages; how to keep the tone nice and supported as articulation gets faster.
How do you keep from putting too much 0:39 weight on those rods without risking bending them over a short period of time. I'm at the baby stages of learning the flute. I try to hold my flute at the very top part of the body ----right beneath where it joins with the head joint. Anyway, thumb's up. 👍😎. I really learned a lot. Thanks for the instructional video. It was greatly appreciated
I started to play flute when I was 6 years or seven old early because my hand was long enough to reach all the notes but I stopped playing due to not having time to because of work will the app tonic music helped me become better at playing my flute and being consistent because I get distracted a lot buy other things.
Saw this video on my frontpage, cautious about what precisely I was going to see. Maybe making the flute a little more visible in the title or thumbnail might be a good idea before this comment section fills up with lewd?
It’s just staccato if it’s supposed to be played not that fast then it’s single tounging if it’s really fast then it’s double you don’t actually have to write it in the score it’s just staccato
Kinda confused to be honest because the way i learned triple tounging is three different articulation points instead of using the two in a pattern. Ex: "ta-di-ga" for triple tounging instead of "Ta-ka-ta, Ta-ka-ta". I'm not a flute player but a brass player instead so if there's something I'm missing let me know, I'm very curious and want learn 😁 Oh and also, quadruple tonguing? I've heard of the concept but never heard it explained well. Any knowledge on that would be appreciated as well
Hehe sorry - the title was a joke that was too good not to share once it entered my mind 🤭
✅ Btw, see you in my practice room on Tonic: tonicmusic.app/jasmine-flute
✅ Sheet Music 악보 다운로드 : playk-pop.com/jasminechoi
Thank you for your support on my videos 🤍Really loving creating videos for you all!
Let me know if you'd like me to review other flute performances or have any questions by leaving me a comment.
It is alright; the joke was very good!
I like the title .
😍Well your title worked because I was imagining what it would be like for you to be doing special things with your tongue to me hehe 😂🤣. Great tutorial.
@@Dark_eVader Get help. Please.
thanks for this video, I'm a flutist and I practice too at Tonic.
*plays czardas perfectly* "something like that"
you're so crazy good omg
I'm self-taught basically so I needed this vid
Watching this as a pianist, it helpd so much
yeah double tonguing is important on piano
Not at all a flutist, but this was super interesting! It’s cool to get insight on how different instruments are played
As a flute lover really impressed seeing this 😍
She knew what she was doing with the title….😂 I must admit I am mostly here for the comments
what was the title
Watching this video reminds me the old days when I learned the flute and the 7 years of playing it. It makes me want to pick it up again and try it again. I stopped playing because I didn’t want to be a professional but just enjoy it. My private teacher saw a talent and wanted me to pursue it professionally and that what took the fun out of it for me.
Join a community band or orchestra. It's fun and the only pressure is what you put on yourself.
Before I learned double tonguing, I first played with the single tonguing at 126 until I was confident with it. My teacher told me that Te-Ke (Ti-Ki), Ke-Te (Ki-Ti) etc. works better than Da-Ga Da-Ga, maybe it will help some people here.
nope. d-g is faster and allows more air into the flute so that there’s more sound than articulation
We do tu-ku-tu-ku here
@@wildflute This might not apply to flute but I play trumpet and I have learnt that Te-Ke should be used when youy want a strong articulation and De-Ge is for when you need a softer articulation.
@@gunnarkilborn3915 The strength of the articulation comes mostly from the force of the air behind the articulation not the placement of the tongue. In fact if you feel how T and D are shaped in your mouth you might notice less room in the mouth when using T and also slightly more tension in the jaw. That can be used to good effect for percussive sounds but it cuts off some of the resonance. So it depends on the sound and effect you’re going for. Fast Bach needs more sound and resonance. Ian Clarke’s Great Train Race needs more sound effects.
Love the adorable graphics! I use double-tonguing all the time in my band group and it is surprising how many flutists are unaware of the technique.
연주자님 덕에 플루트의 고귀한 소리 그리고 영어공부를 덤으로 하고 있어요~^^👍
I think articulation is the most difficult component of actually playing the flute. It is so personalized.
your tips and perspectives on the flute is helping me a lot, thank you very much for sharing your wisdom and hard work for us to learn as well!
Excellent! Excellent! Excellent- All what need to know about " Tonguing " is explained perfectly, while proving how a pro play and teach. No words to say about that Jasmine.
Seconly I give my humble hat off respect to your generous expose about these valuble technics.
As a Hindustani bambo flute (Bansuri)practitioner I know the value of this lessons Jasmine.
Amoung all YT marketing oriented flute Misthros !!!?, you are the best ,honest and humble tutor I came across next to Emily with "The Flute Channel". Thank you very much Jasmine.All the successes to your music life🙏❤
my aunt is sending me a flute as a late b-day gift i played clarinet in middle school but im trying to get ready to dive right in this is gonna be so fun composing music on this new musical journey thank you jasmine for all the tips and pointers
As a piano player, this tadadadadadadadaddadadaddadadad blew my mind
I feel you as a piano and flute player
man props to you editor, chear mate you are doing a hell of a work! keep upt the good work. and ty jasmine for the lesson
Love this so much!!!! My favorite flautist ever!!!!❤❤❤
This saved my marriage!
What? How?
😂😂😂
so low, go away
I knew someone was gonna comment this😭😭
@@Why-are-there-handles Please don't cry, my friend!
Found your video on tonguing for the flute well done. I am sure you did amazing amount of work to be able to do the various tonguing techniques. Everyone mouth is different. A person has to find what works for them by experimenting and not get frustrated. It is wonderful that you enjoy and are cheerful in talking and demonstrate mastering the flute.
Really interesting…many thanks. I double flute being a sax -player…I didn’t think there was a magic answer to fast double tounging. ….just practice. Co-ordinating fingering too
I'm a self taught shakuhachi player and this taught me many cool new things to try!
The different sound effects are so cool! 🤩 (The piggy shooting with ❤-bullets... killed me... 😋 ☺ )
Awesome!
Fantastic!!! You're a great modern flutiste
Thanks Jasmine, great job presenting this. I wish I had more videos and what not when I was younger that were available. Its nice that there are a few pretty big communities like tonic, youtube, etc.
Nooo wayyyy as a woodwind player this seems soooo impossible to me! U have so much talent!❤
Thank you for the insights. I admire your talent and dedication. I hope that Tonic and your Channel augment the diverse world of fans that you have and richly deserve. You are marvelous!
You are the best flutist. Your lessons are very helpful to me. Thank you so much. ❤You are a proud artist in Korea. ❤❤❤
You are absolutely amazing with an extraordinary talent. You are a flute genius. I love your passionate vibrations on the flute. Keep it up. Keep inspiring the world. ❤❤❤❤❤❤❤
Thank you for your helpful & kindly Lesson 😊
Very good lesson.. Thanks and god bless you
Hola Jasmin. Muy buenas instrucciones, me está ayudando y me a animado muchísimo tu forma de enseñar y me a animado a volver nuevamente a tocar la flauta y otros instrumentos de viento los cuales tocaba.. eres extraordinaria. Muchas felicidades y bendiciones.
Slap tonguing is a little more dramatic version of bassoon tonguing- such a great and fun video! Thank you and love the machine gun hearts ❤❤❤
wow this detailed teaching!! from one of the top best flutists in the world.... amazing😍❤️❤️❤️
I was a double bassist but now im trying with the flute and I love your videos ❤
Very much helpful. Thank you
Muchas Gracias Madam for your sharing GOD BLESS...
MY GOAL IS TO BE LIKE YOU!♡
Amazing video thank you, as an Irish traditional (wooden) flute player, I could not understand how Eimear McGeown, who is also a concert flautist, played repeated series of triplets (in hornpipes) that fast. Now I know! Reproducing it is another story...
Informative! Thanx! 😊
Hello Jasmine! I loved this video. Would you mind discussing more about what happens internally when you double-tongue and why “daga” is the best vowel to use? Thank you!
What a master 👏👏👏👏👏👏👏
Beautiful and talented!
Thank you very much! I am an amateur, so it should be an exciting thing to practice!
❤wow amazing. God bless you.❤
this is enough....bow to you
Hi Jasmine, thanks for sharing those amazing techniques. I really appreciate them. As a classical composer, I'd like to ask, what's the best notation while you see it on the score to play the pronunciation "s"? It's so evocative, and I'd love to put it in my new score.
so amazing
Very beautiful explanation. You're great!!!, Thank you very mach and greetings from Italy
Super thanks about this 💫
Haha as an spanish native, I can asure u, i was able to play the flutter-tonguing just by the very first time, and it was intuitive... when earing to silent hill theme, that comes with bandolin, I tryed to reproduce it in many ways and I could not, then tryed rollig the R and discovered the thechnique 😄😄
My first flute lesson is tomorrow and this will help me a lot. Tysm ❤
1:20 Elisaveta Ivanova played this piece during the final at the Concours de Genève
Thank you very much for this video, it's always very instructive, even after many, many years of flute playing! 💜
One point that raises a lot of questions for me though: where do you place your "TA" in the mouth? behind the upper teeth (on the alveolar ridge) or between the lips/teeth? Because on the Handel at 01:56, we can see the tip of your tongue between your teeth on the single tonguing attacks, but not on the "TA"s that follow in double tonguing. So I wonder if you change the place of articulation of the TA depending on whether it's single or double tonguing (or if simply the tongue comes back less to the front with speed)??
We don't talk enough about the place of articulation in the mouth in flute teaching! Personally, I've always articulated my TA between my teeth, my single tonguing is very fast and with a clear and nice sound, but my double tonguing is still very heavy despite many years of practice, and this makes me wonder! 😅maybe I'm just not placing my tongue correctly in my mouth when practising?
Thank you in advance for your advice and comments! 🙂
I am the same way! My single tonguing is good but my double-tonguing is much too heavy
My brain shut down at Ui suddenly showing up in the corner lol, an unexpected but joyous surprise :D
Look forward 🤩
As a beginner of flute, I am with your guide book. Thank you very much about your guidance and beauty what makes me to be excited about flute! You are much more gorgeous than photos in the book. ❤
Hermoso!! 😍
Wow, amazing class!!!
❤❤❤❤beautiful thank you
I’m so excited to see this❤
QUEEN 👑💖
I'm really curious about your tips for breath support when it comes to heavily articulated passages; how to keep the tone nice and supported as articulation gets faster.
Gracias por compartir diferentes tecnicas
How do you keep from putting too much 0:39 weight on those rods without risking bending them over a short period of time. I'm at the baby stages of learning the flute. I try to hold my flute at the very top part of the body ----right beneath where it joins with the head joint. Anyway, thumb's up. 👍😎. I really learned a lot. Thanks for the instructional video. It was greatly appreciated
😀You are an amazing musician. Thanks for the new video 😊
Thank you for the video very helpful ciao
I am learning flutter tonguing ❤
Amaziiiiing...
7:41 😂 The Jaz stomp
I love the dancing girl animation
My boyfriend is sitting beside me and all he can do is make dirty jokes :')
Incredibly beautiful music and very interesting video.
Thank you Jasmine Choi
👍👏🌹🌹🌹💕.
Magnificent
Now I know how to tongue faster and better!😃👍
Interested in learning this technique
I started to play flute when I was 6 years or seven old early because my hand was long enough to reach all the notes but I stopped playing due to not having time to because of work will the app tonic music helped me become better at playing my flute and being consistent because I get distracted a lot buy other things.
Please do another one of these for vibrato
she had to put for flute 😭
Jasmine, bring a video on how to make the flute sound clean, plzz
As a violinist, tonguing would be a bad idea.
Can you do more videos on advanced techniques???
I have a fun video request can you teach Ray Chen how to play the flute personally think that's a fun video
I can double tongue really well but the mental aspect of triple toubging messes me up so bad even though its technically the same thing haha
Poxa! Deveria ter legenda🙋🏻♀️Obrigada
Maravilha, adorei.muito obrigado
Saw this video on my frontpage, cautious about what precisely I was going to see. Maybe making the flute a little more visible in the title or thumbnail might be a good idea before this comment section fills up with lewd?
love from India . odisha. jaijagarnath
I'm not a flutist but I know the last (highspeed) tonguing as "flooding".
as a composer, how would i write some of these specific tonguins in my score? anyone knows a book or website with that info?
It’s just staccato if it’s supposed to be played not that fast then it’s single tounging if it’s really fast then it’s double you don’t actually have to write it in the score it’s just staccato
Kinda confused to be honest because the way i learned triple tounging is three different articulation points instead of using the two in a pattern. Ex: "ta-di-ga" for triple tounging instead of "Ta-ka-ta, Ta-ka-ta". I'm not a flute player but a brass player instead so if there's something I'm missing let me know, I'm very curious and want learn 😁
Oh and also, quadruple tonguing? I've heard of the concept but never heard it explained well. Any knowledge on that would be appreciated as well
This was recommended to me😂😂😂😂... I DON'T OWN FLUTE HAHAHAHAHA
I made my own a while ago! Its "Lulu Lulu" i actually think it's pretty fast... Especially since I'm only 15😅
WOW Amazig
Any tips on getting tensed and the double tonguing gets slower?
Respectfully, this title and thumbnail can’t be real 😅
💀
lol what was the title
Wow
You said taga , but the screen showed daga. Did you want that on the screen that way or does a T or D matter?
What method should you use when playing stacato like rush E where it goes like : EEEEEEEEEEEEEE